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Noice

KI-Kunst „Noice“ von ragingshadow auf PixAI. Erstellt mit Tsubaki.3 Flash.

Veröffentlicht: Nov 6, 2026

ragingshadow

character: waguri_kaoruko 1girl, solo, waguri kaoruko, long dark purple hair, straight bangs, sharp blue eyes, blue eyes, slightly teary eyes, wet lashes, soft expression, parted lips behind mask, heavy breathing, flushed cheeks, white frilly maid headdress, black bow on headdress, black maid bikini top, white ruffles, black lace trim, black bikini bottoms, side ties, white frilly wrist cuffs, transparent black tinted oxygen mask, mask covering nose and mouth, tube attached to mask, both hands pressing mask to face, water droplets on mask, condensation on mask, light steam, sitting, dark brown leather couch, warm indoor lighting, lamp light, soft shadows, looking at viewer, upper body shot, cowboy shot, knees visible, from below, slight dutch angle, indoors, dark room, intimate, The camera sits low, tilted a few degrees off level, looking up at her from knee height so the couch cushions rise behind her shoulders and the room's dark air fills the top of the frame; the shot is a cowboy shot that keeps her upper body dominant and carries her hips, the side ties of the black bikini bottoms and her thighs drawn up on the seat, so the framing reads as both an upper body portrait and a full read of her seated figure. She is seated off-center to the right on a deep dark brown leather couch, weight sunk into her left hip, right thigh crossed loosely over the left, one bare knee lifted high; the leather compresses in a shallow dish under her, and a single bright highlight rides the crease of the cushion beside her hip. Both her hands are up at her face: the fingers of both hands splay across the front of the transparent black tinted oxygen mask, pressing its soft rim into her cheeks and the bridge of her nose, thumbs hooked under the mask's lower edge near her jaw, and the pale white frilly wrist cuffs bunch at her wrists where they meet the mask's edge. The mask is a smoky translucent black shell through which the shape of her nose and the press of her lips are faintly visible; condensation fogs the inside of the plastic in an oval around her mouth and nose, beaded water droplets cling to the outer surface and catch pinpoints of lamp light, and one slow drip has run down the inside of the mask toward its lower rim. The corrugated tube leaves the mask at its lower left corner, loops down across her collarbone and disappears past her shoulder toward the back of the couch. A thin thread of steam escapes the mask's edge and curls up in front of her bangs. Her long dark purple hair falls in heavy strands over both shoulders and down her back, bangs parted over her brow, a few strands stuck to her damp cheek; her sharp blue eyes are fixed straight on the viewer, lower lids bright with a film of tears, brows drawn slightly together, and her breath visibly fogs the mask a little more with each exhale. A warm lamp glows off-frame to the left: it lays an amber rim along her left shoulder, the left side of the headdress and the tops of her thighs, throws a soft warm pool across the leather, and leaves the right side of her face and the far end of the couch in deep brown shadow, so the mask's condensation is the brightest small thing in the frame. Palette held to dark purple, black, warm amber and the pale white of the frills, nothing else admitted. Quiet, breathless tension.

Noice

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