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AI art "大人ゆきかぜ 巫女" featuring #Yukikaze Mizuki
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大人ゆきかぜ 巫女

#Yukikaze Mizuki
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Saike

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copyright: taimanin_rpgx tky_chatgpt_anime_boost_color_detail_line_anime_quality, character: mizuki yukikaze(future), taimanin rpgx, adult version, dark skin, tanned skin, brown skin, short hair, dark brown hair, red eyes, pink eyes, small breasts, masterpiece, best quality, ultra detailed, highly detailed face, detailed eyes, beautiful detailed eyes, character: mizuki_yukikaze 1girl, solo, adult woman, mature female, dark tanned brown skin, short black hair, hair tucked behind one ear, gentle smile, closed-lip smile, looking at viewer, looking over shoulder at viewer, shrine maiden outfit, white haori jacket, wide sleeves, red hakama, white tabi socks, wooden sandals, geta, feminine curves, wide hips, full bust, leaning forward slightly, sweeping with broom, holding broom, both hands on broom handle, standing at shrine torii gate, torii gate, autumn maple leaves, falling leaves, late afternoon golden light, golden hour, backlighting, rim light, gravure photography style, photorealistic, soft focus background, depth of field, from below, low camera angle, cowboy shot, vertical composition The camera sits low, just above the stone path, tilted up so the vermilion torii gate rises behind her and the pale late-afternoon sky burns through its crossbeam; she is framed in a vertical cowboy shot, boots-to-thigh cut at the bottom edge, the gate filling the upper third. She stands on the shrine's stone paving entirely in front of the gate's left pillar, body angled a quarter-turn away from the lens, and leans forward slightly from the hips -- weight carried on her back foot, front knee soft, the lean pushing her hips back and her shoulders down toward the broom rather than bending her spine. Both hands grip the broom's bamboo handle: her right hand high near her chest, her left hand low at hip height, knuckles wrapped around the shaft, the broom head resting flush on the paving in front of her right sandal with a small fan of already-swept leaves and grit gathered against its bristles. Her chin is turned back over her shoulder so her red eyes meet the lens directly under a gentle closed-lip smile, the corners lifted only a little, one brow faintly raised, and the turn of her neck is visible as a soft line above the haori's collar. The white haori hangs open over the red hakama, its wide sleeves sliding down her forearms from the raised grip and its hem lifting away from her back with the lean; the red hakama's pleats fall straight from her waist to her ankles, cinched high and showing the full curve of her hips, and white tabi socks disappear into the thong of wooden sandals planted wide on the stone. Short black hair, cut above the jaw, swings forward across her cheek with the head-turn, a few strands catching the light while the rest stays tucked back. Golden light comes from behind and to the left of the gate, so the sun rims the top of her hair, the shoulders of the haori and the edge of the broom handle in warm amber, throws long soft shadows of the gate and herself forward across the paving toward the low lens, and leaves her face lit only by warm bounced light off the stones -- bright enough to read her smile, never flat. Autumn maple leaves, deep crimson and orange, drift down through the frame and lie scattered on the paving and caught in the broom's bristles; a few have settled on the upward-facing step of the gate's base where nothing brushes them off. The background gate and the maple canopy behind it fall into shallow-focus softness while she stays tack-sharp, the whole frame graded in warm honey, vermilion and deep leaf-red against the cool grey stone. Quiet, sun-warmed, gently inviting.
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Ursprünglicher Prompt
character: mizuki_yukikaze 1girl, solo, adult woman, mature female, dark tanned brown skin, short black hair, hair tucked behind one ear, red eyes, gentle smile, closed-lip smile, looking at viewer, looking over shoulder at viewer, shrine maiden outfit, white haori jacket, wide sleeves, red hakama, white tabi socks, wooden sandals, geta, feminine curves, wide hips, full bust, leaning forward slightly, sweeping with broom, holding broom, both hands on broom handle, standing at shrine torii gate, torii gate, autumn maple leaves, falling leaves, late afternoon golden light, golden hour, backlighting, rim light, gravure photography style, photorealistic, soft focus background, depth of field, from below, low camera angle, cowboy shot, vertical composition The camera sits low, just above the stone path, tilted up so the vermilion torii gate rises behind her and the pale late-afternoon sky burns through its crossbeam; she is framed in a vertical cowboy shot, boots-to-thigh cut at the bottom edge, the gate filling the upper third. She stands on the shrine's stone paving entirely in front of the gate's left pillar, body angled a quarter-turn away from the lens, and leans forward slightly from the hips -- weight carried on her back foot, front knee soft, the lean pushing her hips back and her shoulders down toward the broom rather than bending her spine. Both hands grip the broom's bamboo handle: her right hand high near her chest, her left hand low at hip height, knuckles wrapped around the shaft, the broom head resting flush on the paving in front of her right sandal with a small fan of already-swept leaves and grit gathered against its bristles. Her chin is turned back over her shoulder so her red eyes meet the lens directly under a gentle closed-lip smile, the corners lifted only a little, one brow faintly raised, and the turn of her neck is visible as a soft line above the haori's collar. The white haori hangs open over the red hakama, its wide sleeves sliding down her forearms from the raised grip and its hem lifting away from her back with the lean; the red hakama's pleats fall straight from her waist to her ankles, cinched high and showing the full curve of her hips, and white tabi socks disappear into the thong of wooden sandals planted wide on the stone. Short black hair, cut above the jaw, swings forward across her cheek with the head-turn, a few strands catching the light while the rest stays tucked back. Golden light comes from behind and to the left of the gate, so the sun rims the top of her hair, the shoulders of the haori and the edge of the broom handle in warm amber, throws long soft shadows of the gate and herself forward across the paving toward the low lens, and leaves her face lit only by warm bounced light off the stones -- bright enough to read her smile, never flat. Autumn maple leaves, deep crimson and orange, drift down through the frame and lie scattered on the paving and caught in the broom's bristles; a few have settled on the upward-facing step of the gate's base where nothing brushes them off. The background gate and the maple canopy behind it fall into shallow-focus softness while she stays tack-sharp, the whole frame graded in warm honey, vermilion and deep leaf-red against the cool grey stone. Quiet, sun-warmed, gently inviting.
Modus
ultra
Qualitäts-Tag
﹝Prompts﹞
Größe
1104 x 1824
Sampling-Methode
Euler
Negativ
lowres, worst quality, low quality, bad anatomy, explicit
Prompt-Assistent

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character: mizuki_yukikaze 1girl, solo, adult woman, mature female, dark tanned brown skin, short black hair, hair tucked behind one ear, red eyes, gentle smile, closed-lip smile, looking at viewer, looking over shoulder at viewer, shrine maiden outfit, white haori jacket, wide sleeves, red hakama, white tabi socks, wooden sandals, geta, feminine curves, wide hips, full bust, leaning forward slightly, sweeping with broom, holding broom, both hands on broom handle, standing at shrine torii gate, torii gate, autumn maple leaves, falling leaves, late afternoon golden light, golden hour, backlighting, rim light, gravure photography style, photorealistic, soft focus background, depth of field, from below, low camera angle, cowboy shot, vertical composition The camera sits low, just above the stone path, tilted up so the vermilion torii gate rises behind her and the pale late-afternoon sky burns through its crossbeam; she is framed in a vertical cowboy shot, boots-to-thigh cut at the bottom edge, the gate filling the upper third. She stands on the shrine's stone paving entirely in front of the gate's left pillar, body angled a quarter-turn away from the lens, and leans forward slightly from the hips -- weight carried on her back foot, front knee soft, the lean pushing her hips back and her shoulders down toward the broom rather than bending her spine. Both hands grip the broom's bamboo handle: her right hand high near her chest, her left hand low at hip height, knuckles wrapped around the shaft, the broom head resting flush on the paving in front of her right sandal with a small fan of already-swept leaves and grit gathered against its bristles. Her chin is turned back over her shoulder so her red eyes meet the lens directly under a gentle closed-lip smile, the corners lifted only a little, one brow faintly raised, and the turn of her neck is visible as a soft line above the haori's collar. The white haori hangs open over the red hakama, its wide sleeves sliding down her forearms from the raised grip and its hem lifting away from her back with the lean; the red hakama's pleats fall straight from her waist to her ankles, cinched high and showing the full curve of her hips, and white tabi socks disappear into the thong of wooden sandals planted wide on the stone. Short black hair, cut above the jaw, swings forward across her cheek with the head-turn, a few strands catching the light while the rest stays tucked back. Golden light comes from behind and to the left of the gate, so the sun rims the top of her hair, the shoulders of the haori and the edge of the broom handle in warm amber, throws long soft shadows of the gate and herself forward across the paving toward the low lens, and leaves her face lit only by warm bounced light off the stones -- bright enough to read her smile, never flat. Autumn maple leaves, deep crimson and orange, drift down through the frame and lie scattered on the paving and caught in the broom's bristles; a few have settled on the upward-facing step of the gate's base where nothing brushes them off. The background gate and the maple canopy behind it fall into shallow-focus softness while she stays tack-sharp, the whole frame graded in warm honey, vermilion and deep leaf-red against the cool grey stone. Quiet, sun-warmed, gently inviting.
Saike

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