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Ahoge, Tierohren
I might be glazing but the AI had no reason to make me this handsome here. I get 'Mr. Steal Your girlfriend' vibes. 🫣
#Ahoge#Fokus auf Mann#Tierohren#Schwanz#Porträt#Einfacher Hintergrund#lange Haare#Solo#Schwarze Haare#braune Haare#Make-up#Sommersprossen#Lidschatten#Eyeliner#Schlitzpupillen#orange Augen#Blick zum Betrachter#1 Junge#Fuchsohren#schwebendes Haar#lockiges Haar#Kopfneigen#Tierohr-Flaum#Haare zwischen den Augen
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- Ursprünglicher Prompt
- dark brown hair, orange eyes, very long hair, curly hair, glowing eyes, slit pupils, kitsune, sharp fingernails, 1boy, freckles, dark brown tails, six tails, dark brown, animal ears, fox ears ((no human ears)), white animal ears fluff, light skin, red eyeshadow, lips, close-up,
- Modus
- pro
- Qualitäts-Tag
- ﹝Prompts﹞
- Größe
- 1408 x 1408
- Negativ
- lowres, worst quality, low quality, bad anatomy, explicit
Prompt-Assistent
Verwendetes Modell und LoRA
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Mehr anzeigen1boy, solo, dark brown hair, very long hair, curly hair, orange eyes, glowing eyes, slit pupils, kitsune, fox ears, dark brown fox ears, white fluffy fur inside the ears, ((no human ears)), six tails, dark brown tails, sharp fingernails, freckles, light skin, red eyeshadow, lips, from below, looking down at viewer, head tilt, one arm raised, hand near face, fingers loosely curled, upper body, medium shot, dark background
The camera sits low and looks up: a single boy fills the frame from the waist up, his head tilted a few degrees off vertical so the mass of his very long curly dark brown hair spills over one shoulder and swings forward past his collarbone on the other, spirals catching the rim light along their outer edges. Only fox ears crown his head — two dark brown fox ears set high in the curls, each cupped shell lined with dense white fluffy fur, and the hairline between and below them is smooth and unbroken, ((no human ears)) anywhere on the head, the temples bare of any human ear shape. His glowing orange eyes are the only true light in the picture: narrow, luminous, each pupil a vertical slit, and because the lens is below him he looks down at the viewer along his cheekbones, lower lids slightly tensed, one brow lifted a fraction. Red eyeshadow smears soft and warm across both lids and out toward the temples, and his lips are full, parted a little, their edges catching a faint sheen. A dusting of freckles crosses the bridge of his nose and scatters over both cheeks on light skin that reads cool and pale against the dark. His right arm is raised, elbow bent, the back of the hand turned outward near his jaw, and the fingers are loosely curled so the nails read clearly: long, tapered, sharply pointed at the tips but still nail, not claw, with a clean natural sheen along each ridge. Behind his shoulders the six dark brown tails fan out and up in a slow halo, their fur matching his hair and tipped with a soft pale bloom where the backlight grazes them.
The setting is a sealed dark interior: a near-black background with no visible room, no furniture and no horizon, so the figure alone carries the detail budget. One cool rim light comes from the upper left behind him, drawing a thin bright line down the left contour of his hair, ear, shoulder and raised forearm, and the warm glow of his own eyes lifts the planes of his face from underneath — the light is on his brow, the tops of his cheekbones and the ridge of his nose; the hollows of his neck, the undersides of the tails and the depth behind his curls stay in darkness. His weight rests on his left leg with the hip pushed out, so the shoulder line tilts against the head tilt and the hair hangs heavier on the lower side. A single physical tell: the white ear fluff is translucent at its outer edge where the rim light passes through it, glowing faintly brighter than the fur beneath. Palette of dark brown, warm orange and near-black, with a single soft red at the eyeshadow and the mouth. Intimate, quietly predatory.
Teodor
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Ahri
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Ahri
getahmanis
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Ahri
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