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1girl, solo, fat, overweight, ugly, large pores, textured skin, big nose, thick lips, tarako lips, medium hair, black hair, brown hair tips, two-tone hair, brown eyebrows, brown eyelashes, heterochromia, brown eye, black eye, creepy expression, disgusting expression, kimoi, open mouth, uneven teeth, plain hoodie, drab hoodie, grey hoodie, messy room, dirty bedroom, trash, garbage, clutter, from above, dutch angle, close-up, looking at viewer, depth of field, blurry, motion blur, handheld, unpolished, shot slightly from above and canted on a dutch angle, a close, tight frame on one fat young woman leaning her weight onto her right hip against the edge of an unmade bed, her left knee cocked inward, her right hand shoved deep into the front pocket of a plain drab grey hoodie so the fabric pulls taut across her belly, her left hand lifted to her jaw with two fingers dragging her cheek up into a crooked grimace. Her medium-length hair hangs blunt and unstyled to her collarbones, black through the crown and shaft with the last two inches stained an old brassy brown, one strand stuck to her lower lip; thick brown eyebrows pinch low and uneven over mismatched eyes, the left iris a warm brown, the right a near-black brown, both wide and wet and fixed straight on the viewer with the lids dragged down at the outer corners. Her nose is broad and bulbous, flushed red at the tip with visible pores across the bridge; her lips are thick, ribbed and overfull, parted to show a sliver of tooth, one corner pulled higher than the other. Large pores, blackheads and uneven texture stand out unretouched across her cheeks, nose and chin, a shine of oil on the forehead and a red blotch at the jaw. She is close enough that the shallow focus falls off fast: her face is soft-sharp in the middle and the room behind her is loose and dim. The bedroom behind her is filthy and crowded: a mattress with greying sheets, a heap of crumpled clothes on the floor, and open bins and bags overflowing with cans, wrappers, food cartons and crushed paper so trash spills across the floor and heaps against the skirting board; stains smear the wallpaper and a single bare bulb hangs off-frame. One cool overhead bulb is the only light source, falling from above-left, picking out the oil sheen on her forehead and nose and dropping a hard shadow under her nose and chin while the corners of the room and the trash in them sink into murk. The palette is drab and sour: greys, dust browns and yellowed whites over the room, her black-and-brown hair the one clear shape. A thin coil of steam rises off a half-finished instant noodle cup on the nightstand and bends away from the bulb's heat, the only soft thing in the frame. The image stays raw and unpolished, with grain, a slight handheld softness and a faint smear of motion where the camera drifted, no stabilization, no cleanup, flaws of the face and the filth of the room left entirely as they are. Unsettling, squalid.
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Ursprünglicher Prompt
デブでブスで毛穴が多くて鼻がでかくてたらこ唇で、髪型がミディアムで、毛先が茶色で他は、黒で、まつ毛と眉毛は、茶色で目の色は、茶色と黒で、気持ち悪い顔をしていて、服装が普通の地味なパーカーで、背景は汚いゴミだらけの寝室 手ブレ補正、人修正、背景修正、クオリティが修正
Modus
flash
Größe
1104 x 1824

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c1
1girl, solo, manga cover, close-up, from above, slight head tilt, aegyo sal, eyes closed, happy smile, smiling eyes, content expression, relaxed expression, one hand cupping own cheek, gently holding own face, black hair, messy bun, high bun, tied-up hair, loose strands of hair, detailed hair, detailed eyes, youthful face, cute, clean outline, thin lineart, ligne claire, soft color, soft shading, minimal shading, cozy studio apartment interior, small living space, comfortable bed, soft blankets, warm-toned furniture, warm and inviting atmosphere, soft warm lighting, ambient lighting, homely interior The camera looks down from above and slightly to her left, close enough that her head and the hand at her cheek fill the upper two thirds of the cover and the room falls away soft behind her; her chin is tipped up toward the lens and her head tilts a few degrees to one side, the long column of her throat catching the light as she leans back into her own palm. Her right hand cups her own cheek: heel of the palm under the cheekbone, fingers curved up along the jaw with the fingertips resting lightly at the temple, thumb tucked under the chin, so the cheek presses softly against the palm and the flesh under her closed eyes lifts into the small soft ridge of aegyo sal. Her eyes are shut in two clean downward arcs, lashes a fine dark fringe above each cheek, and the smile pushes those arcs up at the outer corners so the shut eyes themselves read as smiling; the mouth is a small relaxed open-cornered curve, lips parted a sliver, and the brows sit level and loose, no tension in the forehead. Black hair is gathered into a high messy bun perched on the crown, tied-up hair escaping it in short untidy loops, with several loose strands falling free down one temple and in front of the ear on the far side, one fine strand laid across the cheek her fingers frame; the hair is drawn strand by strand to its taper, each lock its own closed shape. Warm lamplight comes from the left of frame, a low lamp off-screen, so it lays along the lit side of her face and the whole outer edge of the bun, glints on the two or three glossiest strands, and drops the far side of her jaw, her neck and the folds of the bedding into a soft warm shadow; the light is diffuse and ambient with no hard terminator, the only real edge the thin clean contour that separates her cheek from the shadowed pillow behind. Behind and below her, out of focus, a small studio apartment: a bed she is sitting on, the duvet bunched where her weight presses it down, a heap of soft blankets in cream and oatmeal wool, a rounded wooden nightstand and a squat dresser in honey-toned wood, a mug and a folded throw, all of it kept low-contrast so the cover's focus stays on her face; the room's corners fall off into gentle amber dark. The palette is black hair against warm cream, oatmeal, honeyed wood and low amber lamplight, nothing cool admitted. The lines stay uniformly thin and unvarying in weight with flat clean fills and barely-there shading, an illustration cover finish. Tender, cozy.
chan-100623

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Avatar image of リオ
character: kaname_madoka_(magical_girl), copyright: mahou_shoujo_madoka_magica Kaname Madoka from Puella Magi Madoka Magica, pink twin tails tied with deep red ribbons, wearing her iconic magical girl costume, white corset-like bodice with delicate back lacing, voluminous layered white and pale pink ruffled skirt, crimson ribbons flowing loosely around her body, viewed from behind at a three-quarter angle, seated with her back gracefully arched, both arms extending naturally downward behind her back, one hand gently holding the opposite wrist, clearly separated hands, relaxed slender fingers, five distinct fingers on each hand, natural finger spacing, anatomically correct wrists, elegant delicate hands, visible knuckles, softly curved fingers, hands clearly visible against the white skirt, unobstructed hand silhouette, accurate hand anatomy, head tilted far backward, chin raised toward the darkness, face mostly hidden, elegant elongated silhouette, delicate exposed shoulders, soft loose strands of pink hair, dramatic asymmetrical composition, close medium shot, large skirt filling the lower frame, dark almost black background, dramatic directional lighting, pale ivory highlights, muted dusty pink, cold gray shadows, rich crimson accents, strong contrast between luminous fabric and deep darkness, thick impasto oil painting, expressive visible brushstrokes, heavy layered paint, rough palette knife texture, sculptural paint strokes, painterly edges, textured canvas, loose gestural painting, rich tactile surface, dramatic chiaroscuro, melancholic atmosphere, haunting beauty, full bleed composition, edge-to-edge artwork, no borders, no frame, textured illustration, grainy texture, crayon texture, chalky brushwork, impasto strokes, bold color blocking, stylized anime, flat shading, dry brush effect, atmospheric lighting, soft glow highlights, rough painterly anime style, visible textured brushstrokes, heavy impasto texture, scratchy charcoal-like linework, expressive gestural strokes, smudged edges, desaturated base tones with aggressive high-contrast color, sketch style, rough brushstroke
リオ