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AI art "一期一振 - 巻寿司の日" featuring #Touken Ranbu, #Ichigo Hitofuri and #What You Love, Your Way 3
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一期一振 - 巻寿司の日

Wettbewerbseinreichung
3rd "Favorite Works" Contest#What You Love, Your Way 3
#Touken Ranbu#Ichigo Hitofuri
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みずは

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character: ichigo_hitofuri 1boy, solo, ichigo hitofuri, adult male, short aqua hair, side-swept bangs, yellow eyes, (golden outer iris:1.25), pale cool-toned skin, slender build, almond-shaped eyes, one eyebrow raised, amused half-smile, sitting, floor cushion, leaning forward, holding futomaki, makizushi, food, kimono, blue-green kimono, warm-grey inner collar, rust-coloured obi, wide sleeves, low wooden table, empty ceramic plate, wooden lattice window, red maple leaves, autumn, late afternoon sunlight, tatami, indoors, square, from above, diagonal composition, upper body, detailed illustration Seen from slightly above the low dining table, on a diagonal that looks into his front-left side, Ichigo Hitofuri sits right of centre on a floor cushion and is framed from the crown of his head down to the upper thighs. He leans forward off relaxed shoulders, weight settled into the cushion, elbows kept low beneath his chest and propped on the dark wood so neither hand hangs unsupported. The intact futomaki lies across both palms in the lower-left foreground, its near cut face turned toward the viewer, and his head, the whole cylinder, both forearms and the near table edge all sit on the same perspective plane. His face is a slender oval a little longer than wide, with a narrow lower face, a smooth cheek line that never widens at the cheekbones, a softly tapered jawline and a gently pointed chin. Short aquamarine hair falls in neat side-swept bangs across a pale, cool-toned brow; his almond-shaped, horizontally elongated eyes are medium-sized with short natural lashes, the (golden outer iris:1.25) clear and bright against the porcelain skin, under neat gently arched brows and an elegant, finely bridged nose. One eyebrow rides higher than the other as he takes in the generous cross-section of the roll, and one corner of his mouth lifts into a warm, amused smile while the other stays lower, privately entertained by its size. His left palm cradles the far underside of the roll and his right hand cups the near end without covering the filling. The futomaki is roughly the length of a whole sheet of nori, moderately thick and narrower across than his open palm at that distance, one continuous cylinder: a firm black-green nori wrapper, a continuous band of glossy white rice, and an open end of bright yellow rectangular omelet, green cucumber, brown simmered shiitake and kanpyo strips with a small pale pink oboro near the centre. An empty shallow ceramic plate waits on the table beneath his hands. He wears a deep blue-green tsumugi-silk kimono over a soft warm-grey inner kimono; a narrow darker indigo woven edging finishes the outer collar, and a slim band of the warm-grey inner collar shows along his neck. The wearer's left front panel laps over the right at the collar, the outer kimono crossing continuously over the chest to a muted rust-coloured woven obi flattened at the natural waist with its knot behind him, the front panels continuing to overlap across his lap below it. Wide sleeves drop away from his forearms with a glimpse of dull grey lining at the cuffs, and short diagonal folds gather at the elbows as he raises the roll; the dry nubby silk reads against the smoother inner collar and the tight weave of the obi. Behind his left shoulder a short wooden lattice window opens onto a few red maple leaves, the rest of the room receding into muted earthen walls and a narrow tatami border. Only he, the table, the cushion and the plate occupy the frame. Late-afternoon sun enters from the upper left through the lattice and lands on the cut sushi face, his lifted eyebrow and the outer kimono collar, while warm bounce from the pale wall softens the shadow side of his cheek; contact shadows pin the food, the hands and the plate down, and rice, nori, satin-smooth omelet and dry silk each answer the same light differently. The rendering is a detailed painterly digital illustration: chunky brushwork of broad opaque strokes, faceted shapes and angular colour blocking, hard-edged shading with painterly edges, soft tonal transitions inside those hard blocks, diffused highlights, ambient and cinematic light, and a subtle bloom. Warm, quietly amused.
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Ursprünglicher Prompt
A square 1:1 intimate scene of Ichigo Hitofuri preparing to enjoy a thick makizushi roll in a quiet Japanese room on the autumnal seasonal boundary. The camera is slightly above the low dining table, looking diagonally toward his front-left side. His figure is seated right of center, visible from the top of his head to the upper thighs. An intact cylindrical futomaki lies across both of his hands in the lower-left foreground, with its near cut end turned toward the viewer to reveal the colorful filling. His head, the complete roll, both forearms and the visible edge of the table share the same perspective. ichigo_hitofuri, one adult man, short aquamarine hair with neat side-swept bangs, elegant slender adult proportions, around twenty-five years old, visible eyebrows, porcelain-pale cool-toned skin, realistic adult male proportions, elegant slender build, balanced head-to-body ratio, restrained shoulder breadth, slight natural shoulder slope, slender oval face, face slightly longer than wide, narrow facial width, smooth cheek line, softly tapered jawline, gently pointed chin, narrow lower face, no square jaw, no broad cheekbones, almond-shaped eyes, horizontally elongated eye shape, medium-sized eyes, natural short eyelashes, restrained upper eyelashes, neat straight eyebrows, softly arched brows, straight narrow nose bridge, short-to-medium nose length, refined small nose tip, subtle nose projection, small mouth width, thin upper lip, slightly fuller lower lip, restrained lip volume, refined Japanese male features, elegant delicate face, non-westernized facial proportions, clean subtle eye area, (golden outer iris:1.25). One eyebrow lifts higher than the other as he looks at the surprisingly generous cross-section of the roll. One corner of his mouth rises into a warm, amused smile while the other remains lower, as if privately entertained by its size. His shoulders are relaxed, yet he leans forward with unmistakable anticipation. His left palm supports the far underside of the roll, and his right hand cups the near end without covering the filling. Both elbows remain below his chest, and neither hand floats unsupported. He is enjoying the playful generosity of a meal made for the seasonal change rather than posing to display food. He wears a deep blue-green tsumugi-silk kimono over a soft warm-gray inner kimono. The outer collar has a narrow, darker indigo woven edging, and a slim band of the warm-gray inner collar remains visible along his neck. The wearer's left front panel overlaps the right front panel at the kimono collar. The outer kimono crosses continuously over the chest toward a muted rust-colored woven obi at the natural waist. The obi lies flat around the closed overlapping fabric, with its knot at the back. Below the obi, the front panels continue overlapping across his lap. Wide sleeves fall away from his forearms, with a glimpse of dull gray lining at the cuffs; short diagonal folds gather at the elbows as his hands lift the roll. The dry nubby silk contrasts with the smoother inner collar and the tightly woven obi. He sits balanced on a floor cushion beside a low dark wooden table. The thick futomaki, approximately the length of a whole sheet of nori, has a firm black-green seaweed wrapper around a continuous layer of glossy white sushi rice. Its open end shows a bright yellow rectangular omelet, green cucumber, brown simmered shiitake and kanpyo strips, with a little pale pink oboro near the center. The roll is moderately thick, narrower across than his open palm at the same distance, and it remains one continuous cylinder in both hands. An empty shallow ceramic plate rests beneath his hands on the table, ready to receive it. The table carries the plate and the underside of his resting elbows; the floor cushion supports his seated weight. Behind his left shoulder a short wooden lattice window opens toward a few red autumn maple leaves, while the rest of the room recedes into muted earthen walls and a narrow tatami border. The near table edge and the cushion frame the gesture without adding another person or a banquet. Late-afternoon sunlight enters from the upper left through the lattice, falling across the cut sushi end, his lifted eyebrow and the outer kimono collar. Warm reflected light from the pale wall softens the shadow side of his face. Contact shadows hold the food, hands and plate in place, and the rice, nori, satin-smooth omelet and dry silk each respond differently to the same light. detailed illustration, Artist: @Nami_ii01, masterpiece, best quality, ultra detailed, soft eyes, gentle expression, smooth shading, soft lighting, painterly digital rendering, chunky brushwork, broad opaque strokes, faceted shapes, angular color blocking, hard-edged shading, painterly edges, soft tonal transitions, diffused highlights, ambient lighting, cinematic lighting, subtle bloom
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992 x 992
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lowres, worst quality, low quality, bad anatomy, explicit
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