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ビワハヤヒデ

ビワハヤヒデにマーメイドタイプのウェディングドレスを着せてみた。姉妹合わせもやってみたい

#Brautkleid #Braut #Umamusume: Pretty Derby #Biwa Hayahide

Veröffentlicht: Nov 6, 2026

ta2bon

character: biwa_hayahide_(umamusume), copyright: umamusume 1girl, solo, biwa hayahide, long hair, very long hair, wavy hair, white-grey hair, ahoge, horse ears, animal ears, yellow eyes, red-framed semi-rimless glasses, wedding dress, mermaid silhouette wedding dress, pink dress, purple lines, pale pink lines, bridal veil, holding bouquet, bridal bouquet, bare shoulders, strapless dress, floor-length skirt, fishtail hem, from below, three-quarter view, dutch angle, looking down at viewer, light smile, half-closed eyes, arms up, bouquet held up, royal background, chandelier, marble columns, arched windows, bright palette, pink and gold and ivory, The camera sits low and slightly off-axis, tilted a few degrees so the verticals of the hall lean, and looks up: the figure fills the right two-thirds of the frame in three-quarter view, her hips turned partly away while her shoulders and face come back toward the lens. She is caught in the middle of lifting the bouquet overhead in a two-handed presentation — both hands wrapped around the bouquet's stem just under the bloom cluster, the left hand higher and turned so its knuckles face the camera, forearms crossing the lower edge of the veil, elbows softly bent, the weight of the raised arms pulling her ribcage up and her chin down so she looks at the viewer from under her brow with a faint closed-lip smile, lashes half lowered behind the red frames. Her weight rests on the right leg, the left knee bent and slipped forward inside the skirt, which makes the mermaid silhouette read: the pink fabric hugs the hips and thighs and then flares from a low point at the knee into a fishtail hem that spills onto the pale marble in a shallow pool, the hem's edge riding up and creasing where it folds. Thin purple and pale pink lines run the dress's whole length — piping tracing the strapless neckline, twin accent lines down each side seam through the hip, a band of the same two lines circling where the skirt flares, and finer lines following the seams of the bodice — all of them reading as stitched trim rather than print. Shoulders, collarbones and upper arms are bare; the veil is pinned at the crown of her head and falls in loose translucent tulle past her waist, its mesh softening the wavy white-grey hair that falls over her shoulders and floats a little away from her arms where the raised motion has stirred it; the ahoge springs up and to the left of the veil's anchor. Horse ears stand up through gaps at the veil's sides, the veil's tulle dimpling over their bases. The bouquet is a tight round cluster of white and blush roses with a few deep plum buds to echo the purple lines and pale trailing ribbons that hang and swing free; the bouquet sits between her face and the light, so its stems throw a soft barred shadow across her right cheek and the bridge of her glasses. Behind her the hall is bright and royal: a white-and-gold coffered ceiling out of frame at top, tall arched windows on the left letting in hard afternoon sun, marble columns with gilded capitals stepping back in loose perspective, a crystal chandelier hanging in the upper left of the frame with its pendants catching separate small highlights, gold-framed panels and a shallow carpeted dais disappearing right. The one strong light source is the window wall on the left: it strikes the lit side of her face, the tops of her arms, the bouquet's upper petals and the leading edge of the veil, leaving the far side of the dress in cool pink-grey shadow and casting her shadow long and soft across the marble toward the lower right, where the fishtail hem mutes it. Palette is pink, ivory and warm gold with violet as the accent, nothing else admitted. Tulle over the window light glows warmer than the veil's shaded side. Serene, regal.

ビワハヤヒデ

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