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月夜に佇むケモ耳男子

満月の夜、静かに水面を眺める彼の姿があまりにも美しくて、思わず見入ってしまいました。白黒のツートンヘアに揺れる尻尾、そしてどこか物憂げな横顔がすごく好きです。気に入っていただけたら、いいねやフォローで応援よろしくお願いします！

#Tierohren #barfuß #Schwanz #Himmel #Mond #mehrfarbige Haare #T-Shirt #Nacht #Vollmond #Halskette #Nachthimmel #geschlossener Mund #Wolf Cut

Veröffentlicht: Nov 6, 2026

basuket.1009

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1girl, solo, wolf girl, wolf ears, animal ears, left ear notched, long wolf tail, black tail, red streaks in tail, jet black hair, short hair, shoulder-length hair, white hair streaks, tareme, drooping eyes, dark circles under eyes, tired eyes, faint smile, wistful, muscular female, toned arms, flat chest, post top surgery, masculine clothes, white long t-shirt, worn t-shirt, baggy blue jeans, simple necklace, chest accessory, barefoot on stone, full moon, night, pier from above, looking up, three panel layout, character sheet, 3 variations, full body, profile close-up, from side, full-body panel, close-up panel, three-quarter panel, melancholic, quiet longing, A three-pattern variation sheet on one dark slate field, laid out as a tall full-body figure on the left, a large profile head study filling the upper right, and a three-quarter bust portrait below it — all the same lone wolf woman, rendered at night under one full moon. In the full-body panel she stands at the very lip of a stone quay, seen from slightly below and behind her shoulder so the moon hangs over her turned face: a long, broad-shouldered, heavily muscled woman in a worn white long-sleeved T-shirt that hangs loose off the chest with nothing filling it, the fabric thinning at the shoulder seams and pilling along the hem, and baggy blue jeans that break in heavy folds over bare feet planted flat and apart on wet granite blocks. Her ankles are bare, no shoes; the cuffs hang over the tops of her feet. A plain dark cord necklace with one flat angular pendant sits centered on the flat sternum and lifts slightly off the cloth as she tilts her chin up. Her right hand hangs relaxed at her hip, thumb hooked loosely into a belt loop; her left arm hangs straight, fingers uncurled. Her long jet-black tail with red streaks sweeps out behind her, low, and curls its tip at the level of her calf, fur catching the moon along its upper edge only. Her shoulder-length jet-black hair with white streaks falls unevenly to the collarbone, the shorter pieces at the nape ruffled across her neck by wind; both ears stand high, the left one nicked with a small flat notch out of the outer rim, and both are turned toward the moon. Her head is tipped back and turned three-quarters away so the profile runs clean from brow to jaw, with the small notch in her left ear clearly visible; a drooping outer eye corner, a faint shadow of dark circles, and a low, faint closed-lip smile that pulls down at one corner carry the sadness. Her gaze is fixed on the moon and nothing else in frame — she is alone on the edge, not a single other figure anywhere on the quay. The upper-right profile close-up is the same face much larger, from the side, moonlit from upper left: jet-black hair with white strands falling across the cheek, the drooping tareme eye half-lowered with a soft dark hollow beneath it, lashes low, lips closed and turned down at the corner, the ear notch carved into the silhouette against the night sky. The three-quarter bust below shows her from the front, chin still lifted toward the moon off-frame above, the cord necklace and pendant sitting on the flat chest of the worn white shirt, one shoulder dropped low in a slouch, the notched left ear and the white streaks in the black hair reading clearly. Backdrop across all three panels is the same deep indigo night: a full moon at upper left as the only light source, cold blue-white rim on the crown of her head, the tops of shoulders, the upper edge of the tail and every upward-facing plane; the undersides of the shirt folds, the inside of the baggy jeans and the hollows of her face stay in near-black shadow, and a long flattened cast shadow of her legs falls across the wet stone away from the moon. The quay edge runs as a dark leading line to her feet, wet granite sheened with a moon streak the tide has left, water beyond fading to pure black. The moon's reflection on the wet stone makes the low light visible in a single vertical smear of silver that stops at her wet footprints. Palette is disciplined to three: jet black, cold moon silver-blue, and one dull blue denim, with the white of the shirt and the white hair streaks and the red tail streaks admitted only as accent notes in the tail and hair. Cel-shaded with fine clean linework, hard-edged shadows, a cool night register and a matte finish, three panels separated by simple hairlines on the slate ground. Quiet, aching, tender.

月夜に佇むケモ耳男子

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