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Nukumizu Kaju
KI-Kunst „Nukumizu Kaju“ von jke440479 auf PixAI. Tags: Makeine: Too Many Losing Heroines!, Kniestrümpfe, Rock. Erstellt mit Tsubaki.3.
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- Ursprünglicher Prompt
- 1girl, nukumizu kaju (too many losing heroine), white serafuku, short sleeves, orange headband, orange sailor collar, red neckerchief, orange skirt, pleated skirt, white kneehighs, dark brown shoes, white background, standing, smile, looking at viewer, masterpiece, best quality, ultra detail, 8k resolution
- Modus
- pro
- Qualitäts-Tag
- ﹝Prompts﹞
- Größe
- 816 x 2448
- Negativ
- lowres, worst quality, low quality, bad anatomy, explicit
Prompt-Assistent
Verwendetes Modell und LoRA
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w
1girl, solo, cowboy shot, looking at viewer, smile, black hair, brown eyes, low twintails, tareme, droopy eyes, slender, flat chest, loli, thin legs, white blouse, embroidered shirt, denim skirt, embroidered skirt, petticoat, simple background, white background, standing, hands clasped behind back, head tilt, light smile, closed mouth, from below, slight dutch angle
A single girl stands alone against a completely empty, seamless white field -- no floor line, no horizon, no props, nothing but her and the white. The camera sits low, below her waist height, tilted a few degrees off level, and crops her at mid-thigh in a cowboy shot so her thin legs run out of the bottom of the frame and her small, slight frame reads tall against all that blank white. She is turned very slightly off-axis, right hip pushed out and carrying her weight, left knee bent inward, both hands clasped loosely behind her back so her narrow shoulders roll back and her flat chest is turned up toward the lens; the pose pulls the white blouse taut across her front and lifts the embroidered hem of the denim skirt a touch at the side. Her black hair is parted and drawn into two low twin tails that hang just past her shoulders, the tails swinging slightly outward and forward from the tilt of her head, a few loose strands lifted off her cheek. Her brown eyes are wide and droopy-lidded, tareme, the outer corners sloping down, and she looks straight into the viewer with a small closed-lip smile that pulls up more on one side than the other, one brow a fraction higher -- a mild, quietly pleased look, not a beam.
The outfit is layered and read top to bottom with care: a white blouse with a soft collar and short puffed sleeves, and over it an embroidered shirt worn open, its dense floral-and-vine stitching picked out in muted thread along the placket and cuffs; below, a denim skirt with visible topstitching and a slightly flared A-line cut, its front panel carrying embroidered motifs that echo the shirt, and beneath its hem the crisp ruffled white edge of a petticoat showing in a scalloped line above her knees. The fabric of the skirt catches a faint fold-shadow where her hip pushes it out; the petticoat ruffles hold their own small shadows, and the blouse's white is kept just barely separate from the background white by a soft rim of cool shadow along her left side and under her chin.
Light comes from high and slightly to her right, a single soft source: it brightens the top of her hair and the bridge of her nose, grazes the embroidery so the thread throws tiny shadows, and leaves the undersides of the twin tails, the inside of the skirt's flare and the space beneath the petticoat ruffle in a gentle, clean grey. There is no cast shadow on the ground because there is no ground -- only the faintest contact darkening where her shoes would be, cropped away. The palette is white, black, warm brown and the faded indigo of the denim, with the embroidery's muted thread as the only other colour, and everything rendered in a 1990s anime look: flat cel colour with hard clean shadow edges, fine ink linework, slightly warm off-white highlights, soft gradient only inside the irises, no digital bloom or glow.
Effortlessly cute, sunlit and airy.
woodenbox
w
1girl, solo, cowboy shot, looking at viewer, smile, black hair, brown eyes, low twintails, tareme, droopy eyes, slender, flat chest, loli, thin legs, white blouse, embroidered shirt, denim skirt, embroidered skirt, petticoat, simple background, white background, standing, hands clasped behind back, head tilt, light smile, closed mouth, from below, slight dutch angle
A single girl stands alone against a completely empty, seamless white field -- no floor line, no horizon, no props, nothing but her and the white. The camera sits low, below her waist height, tilted a few degrees off level, and crops her at mid-thigh in a cowboy shot so her thin legs run out of the bottom of the frame and her small, slight frame reads tall against all that blank white. She is turned very slightly off-axis, right hip pushed out and carrying her weight, left knee bent inward, both hands clasped loosely behind her back so her narrow shoulders roll back and her flat chest is turned up toward the lens; the pose pulls the white blouse taut across her front and lifts the embroidered hem of the denim skirt a touch at the side. Her black hair is parted and drawn into two low twin tails that hang just past her shoulders, the tails swinging slightly outward and forward from the tilt of her head, a few loose strands lifted off her cheek. Her brown eyes are wide and droopy-lidded, tareme, the outer corners sloping down, and she looks straight into the viewer with a small closed-lip smile that pulls up more on one side than the other, one brow a fraction higher -- a mild, quietly pleased look, not a beam.
The outfit is layered and read top to bottom with care: a white blouse with a soft collar and short puffed sleeves, and over it an embroidered shirt worn open, its dense floral-and-vine stitching picked out in muted thread along the placket and cuffs; below, a denim skirt with visible topstitching and a slightly flared A-line cut, its front panel carrying embroidered motifs that echo the shirt, and beneath its hem the crisp ruffled white edge of a petticoat showing in a scalloped line above her knees. The fabric of the skirt catches a faint fold-shadow where her hip pushes it out; the petticoat ruffles hold their own small shadows, and the blouse's white is kept just barely separate from the background white by a soft rim of cool shadow along her left side and under her chin.
Light comes from high and slightly to her right, a single soft source: it brightens the top of her hair and the bridge of her nose, grazes the embroidery so the thread throws tiny shadows, and leaves the undersides of the twin tails, the inside of the skirt's flare and the space beneath the petticoat ruffle in a gentle, clean grey. There is no cast shadow on the ground because there is no ground -- only the faintest contact darkening where her shoes would be, cropped away. The palette is white, black, warm brown and the faded indigo of the denim, with the embroidery's muted thread as the only other colour, and everything rendered in a 1990s anime look: flat cel colour with hard clean shadow edges, fine ink linework, slightly warm off-white highlights, soft gradient only inside the irises, no digital bloom or glow.
Effortlessly cute, sunlit and airy.
woodenbox
w
1girl, solo, cowboy shot, looking at viewer, smile, black hair, brown eyes, low twintails, tareme, droopy eyes, slender, flat chest, loli, thin legs, white blouse, embroidered shirt, denim skirt, embroidered skirt, petticoat, simple background, white background, standing, hands clasped behind back, head tilt, light smile, closed mouth, from below, slight dutch angle
A single girl stands alone against a completely empty, seamless white field -- no floor line, no horizon, no props, nothing but her and the white. The camera sits low, below her waist height, tilted a few degrees off level, and crops her at mid-thigh in a cowboy shot so her thin legs run out of the bottom of the frame and her small, slight frame reads tall against all that blank white. She is turned very slightly off-axis, right hip pushed out and carrying her weight, left knee bent inward, both hands clasped loosely behind her back so her narrow shoulders roll back and her flat chest is turned up toward the lens; the pose pulls the white blouse taut across her front and lifts the embroidered hem of the denim skirt a touch at the side. Her black hair is parted and drawn into two low twin tails that hang just past her shoulders, the tails swinging slightly outward and forward from the tilt of her head, a few loose strands lifted off her cheek. Her brown eyes are wide and droopy-lidded, tareme, the outer corners sloping down, and she looks straight into the viewer with a small closed-lip smile that pulls up more on one side than the other, one brow a fraction higher -- a mild, quietly pleased look, not a beam.
The outfit is layered and read top to bottom with care: a white blouse with a soft collar and short puffed sleeves, and over it an embroidered shirt worn open, its dense floral-and-vine stitching picked out in muted thread along the placket and cuffs; below, a denim skirt with visible topstitching and a slightly flared A-line cut, its front panel carrying embroidered motifs that echo the shirt, and beneath its hem the crisp ruffled white edge of a petticoat showing in a scalloped line above her knees. The fabric of the skirt catches a faint fold-shadow where her hip pushes it out; the petticoat ruffles hold their own small shadows, and the blouse's white is kept just barely separate from the background white by a soft rim of cool shadow along her left side and under her chin.
Light comes from high and slightly to her right, a single soft source: it brightens the top of her hair and the bridge of her nose, grazes the embroidery so the thread throws tiny shadows, and leaves the undersides of the twin tails, the inside of the skirt's flare and the space beneath the petticoat ruffle in a gentle, clean grey. There is no cast shadow on the ground because there is no ground -- only the faintest contact darkening where her shoes would be, cropped away. The palette is white, black, warm brown and the faded indigo of the denim, with the embroidery's muted thread as the only other colour, and everything rendered in a 1990s anime look: flat cel colour with hard clean shadow edges, fine ink linework, slightly warm off-white highlights, soft gradient only inside the irises, no digital bloom or glow.
Effortlessly cute, sunlit and airy.
woodenbox
w
1girl, solo, cowboy shot, looking at viewer, smile, black hair, brown eyes, low twintails, tareme, droopy eyes, slender, flat chest, loli, thin legs, white blouse, embroidered shirt, denim skirt, embroidered skirt, petticoat, simple background, white background, standing, hands clasped behind back, head tilt, light smile, closed mouth, from below, slight dutch angle
A single girl stands alone against a completely empty, seamless white field -- no floor line, no horizon, no props, nothing but her and the white. The camera sits low, below her waist height, tilted a few degrees off level, and crops her at mid-thigh in a cowboy shot so her thin legs run out of the bottom of the frame and her small, slight frame reads tall against all that blank white. She is turned very slightly off-axis, right hip pushed out and carrying her weight, left knee bent inward, both hands clasped loosely behind her back so her narrow shoulders roll back and her flat chest is turned up toward the lens; the pose pulls the white blouse taut across her front and lifts the embroidered hem of the denim skirt a touch at the side. Her black hair is parted and drawn into two low twin tails that hang just past her shoulders, the tails swinging slightly outward and forward from the tilt of her head, a few loose strands lifted off her cheek. Her brown eyes are wide and droopy-lidded, tareme, the outer corners sloping down, and she looks straight into the viewer with a small closed-lip smile that pulls up more on one side than the other, one brow a fraction higher -- a mild, quietly pleased look, not a beam.
The outfit is layered and read top to bottom with care: a white blouse with a soft collar and short puffed sleeves, and over it an embroidered shirt worn open, its dense floral-and-vine stitching picked out in muted thread along the placket and cuffs; below, a denim skirt with visible topstitching and a slightly flared A-line cut, its front panel carrying embroidered motifs that echo the shirt, and beneath its hem the crisp ruffled white edge of a petticoat showing in a scalloped line above her knees. The fabric of the skirt catches a faint fold-shadow where her hip pushes it out; the petticoat ruffles hold their own small shadows, and the blouse's white is kept just barely separate from the background white by a soft rim of cool shadow along her left side and under her chin.
Light comes from high and slightly to her right, a single soft source: it brightens the top of her hair and the bridge of her nose, grazes the embroidery so the thread throws tiny shadows, and leaves the undersides of the twin tails, the inside of the skirt's flare and the space beneath the petticoat ruffle in a gentle, clean grey. There is no cast shadow on the ground because there is no ground -- only the faintest contact darkening where her shoes would be, cropped away. The palette is white, black, warm brown and the faded indigo of the denim, with the embroidery's muted thread as the only other colour, and everything rendered in a 1990s anime look: flat cel colour with hard clean shadow edges, fine ink linework, slightly warm off-white highlights, soft gradient only inside the irises, no digital bloom or glow.
Effortlessly cute, sunlit and airy.
woodenbox
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