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Project Moon, Strumpfhose

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PixAI “Halloween Oddities Club” Special Contest - A Night at Higan Inn#PixAI Halloween 2026
#Strumpfhose#gekippte Kamera#Offene Kleidung#stehend#Rock#Stiefel#Schatten#lange Haare#Solo#weiße Haare#Krawatte#Ausdruckslos#Schräger Pony#schwarze Strumpfhose#Hemd#Lange Ärmel#Blick zum Betrachter#Stiefeletten#1 Mädchen#Ganzkörper#Innenraum#Bleistiftrock#weißes Hemd#braune Handschuhe#geschlossener Mund#Bücherregal#Mittellanges Haar#Project Moon#Fliesenboden
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Trái Táo Sắt

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copyright: limbus_company 1girl, solo, faust (limbus company), long white hair, straight hair, blunt bangs, hair between eyes, pale pink eyes, pink eyes, emotionless stare, calm expression, closed mouth, tall slender build, white collared shirt, black necktie, dark grey high-waisted pencil skirt, black tights, dark brown leather gloves, black boots, white lab coat, long coat, coat open, standing, arms crossed under chest, one hand raised, finger against cheek, head tilt, contrapposto, weight on right leg, looking at viewer, from below, cowboy shot, dutch angle, asymmetrical composition, office interior, bookshelves, fluorescent lighting, cool green-white palette, stern, intellectual The camera sits low and tilted a few degrees off level, so the tall figure of a slender woman in a white lab coat rears up against a recessed grid of ceiling lights. She stands with most of her weight on her right leg, the left knee bent and the left hip dropped, which throws the pencil skirt's hem and the long coat's left panel slightly out of plumb. Her arms are folded under her chest; the right forearm is tucked beneath the left, and the left hand rises free of the fold so that one gloved index finger rests against her cheek just below the cheekbone, the other gloved fingers loosely curled, the dark brown leather creasing at the knuckles. Her head is tipped a few degrees to her left, chin lowered, and her pale pink eyes come straight down the tilted axis at the viewer with no warmth and no hostility -- a flat, appraising stare, brows level, mouth closed, jaw set. Her long straight white hair hangs past her shoulders, blunt bangs cut level across the brow, a few strands falling between her eyes; the tilt of her head makes the right side of the bangs splay a little over her temple while the left side stays flat against the skin. The open white lab coat hangs from her shoulders and falls past her knees; beneath it the white collared shirt is buttoned to the throat with a black necktie knotted tight at the collar, the tie's blade disappearing behind the folded arms, and the dark grey skirt and black tights carry down to black boots planted wide enough apart to hold the low camera's perspective. She stands in a narrow institutional office, shelves of identical dark binders filling the wall behind her and receding into a corridor of shadow at the right edge of the frame; the floor is pale grey tile that reflects a faint, cooler, softer double of her boots and the hem of her coat, the reflection blurred where the tile has been walked on. The overhead fluorescent fixtures are the only light source: they strike the crown of her head and the tops of her shoulders in a cold green-white, drop a hard shadow beneath her bangs across the upper half of her face while her eyes stay lit, and leave the underside of her chin, the inside of the coat's folds and the wall shelves in a flat greenish dusk; the far end of the room is darker still, so her white coat reads as the brightest shape in the frame. Her cast shadow falls forward and to the left across the tile, elongated by the low angle. The palette holds to white, charcoal grey, black and cold fluorescent green, with only the faint pink of her eyes admitted as warmth. The detail budget goes to the gloved finger against her cheek, the knot of the tie, the crisp collar points and the flat patience of her stare. Clinical, unimpressed.
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Ursprünglicher Prompt
character Faust, copyright Limbus company
Modus
ultra
Qualitäts-Tag
﹝Prompts﹞
Größe
1104 x 1824
Sampling-Methode
Euler
Negativ
lowres, worst quality, low quality, bad anatomy, explicit
Prompt-Assistent

Verwendetes Modell und LoRA

Tsubaki.3 - AI Model cover image

PixAI DiT.3

Tsubaki.3
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copyright: limbus_company 1girl, solo, faust (limbus company), long white hair, straight hair, blunt bangs, hair between eyes, pale pink eyes, pink eyes, emotionless stare, calm expression, closed mouth, tall slender build, white collared shirt, black necktie, dark grey high-waisted pencil skirt, black tights, dark brown leather gloves, black boots, white lab coat, long coat, coat open, standing, arms crossed under chest, one hand raised, finger against cheek, head tilt, contrapposto, weight on right leg, looking at viewer, from below, cowboy shot, dutch angle, asymmetrical composition, office interior, bookshelves, fluorescent lighting, cool green-white palette, stern, intellectual The camera sits low and tilted a few degrees off level, so the tall figure of a slender woman in a white lab coat rears up against a recessed grid of ceiling lights. She stands with most of her weight on her right leg, the left knee bent and the left hip dropped, which throws the pencil skirt's hem and the long coat's left panel slightly out of plumb. Her arms are folded under her chest; the right forearm is tucked beneath the left, and the left hand rises free of the fold so that one gloved index finger rests against her cheek just below the cheekbone, the other gloved fingers loosely curled, the dark brown leather creasing at the knuckles. Her head is tipped a few degrees to her left, chin lowered, and her pale pink eyes come straight down the tilted axis at the viewer with no warmth and no hostility -- a flat, appraising stare, brows level, mouth closed, jaw set. Her long straight white hair hangs past her shoulders, blunt bangs cut level across the brow, a few strands falling between her eyes; the tilt of her head makes the right side of the bangs splay a little over her temple while the left side stays flat against the skin. The open white lab coat hangs from her shoulders and falls past her knees; beneath it the white collared shirt is buttoned to the throat with a black necktie knotted tight at the collar, the tie's blade disappearing behind the folded arms, and the dark grey skirt and black tights carry down to black boots planted wide enough apart to hold the low camera's perspective. She stands in a narrow institutional office, shelves of identical dark binders filling the wall behind her and receding into a corridor of shadow at the right edge of the frame; the floor is pale grey tile that reflects a faint, cooler, softer double of her boots and the hem of her coat, the reflection blurred where the tile has been walked on. The overhead fluorescent fixtures are the only light source: they strike the crown of her head and the tops of her shoulders in a cold green-white, drop a hard shadow beneath her bangs across the upper half of her face while her eyes stay lit, and leave the underside of her chin, the inside of the coat's folds and the wall shelves in a flat greenish dusk; the far end of the room is darker still, so her white coat reads as the brightest shape in the frame. Her cast shadow falls forward and to the left across the tile, elongated by the low angle. The palette holds to white, charcoal grey, black and cold fluorescent green, with only the faint pink of her eyes admitted as warmth. The detail budget goes to the gloved finger against her cheek, the knot of the tie, the crisp collar points and the flat patience of her stare. Clinical, unimpressed.
Trái Táo Sắt
#Strumpfhose#gekippte Kamera#Offene Kleidung
AI artwork
tt
copyright: limbus_company 1girl, solo, faust (limbus company), long white hair, straight hair, blunt bangs, hair between eyes, pale pink eyes, pink eyes, emotionless stare, calm expression, closed mouth, tall slender build, white collared shirt, black necktie, dark grey high-waisted pencil skirt, black tights, dark brown leather gloves, black boots, white lab coat, long coat, coat open, standing, arms crossed under chest, one hand raised, finger against cheek, head tilt, contrapposto, weight on right leg, looking at viewer, from below, cowboy shot, dutch angle, asymmetrical composition, office interior, bookshelves, fluorescent lighting, cool green-white palette, stern, intellectual The camera sits low and tilted a few degrees off level, so the tall figure of a slender woman in a white lab coat rears up against a recessed grid of ceiling lights. She stands with most of her weight on her right leg, the left knee bent and the left hip dropped, which throws the pencil skirt's hem and the long coat's left panel slightly out of plumb. Her arms are folded under her chest; the right forearm is tucked beneath the left, and the left hand rises free of the fold so that one gloved index finger rests against her cheek just below the cheekbone, the other gloved fingers loosely curled, the dark brown leather creasing at the knuckles. Her head is tipped a few degrees to her left, chin lowered, and her pale pink eyes come straight down the tilted axis at the viewer with no warmth and no hostility -- a flat, appraising stare, brows level, mouth closed, jaw set. Her long straight white hair hangs past her shoulders, blunt bangs cut level across the brow, a few strands falling between her eyes; the tilt of her head makes the right side of the bangs splay a little over her temple while the left side stays flat against the skin. The open white lab coat hangs from her shoulders and falls past her knees; beneath it the white collared shirt is buttoned to the throat with a black necktie knotted tight at the collar, the tie's blade disappearing behind the folded arms, and the dark grey skirt and black tights carry down to black boots planted wide enough apart to hold the low camera's perspective. She stands in a narrow institutional office, shelves of identical dark binders filling the wall behind her and receding into a corridor of shadow at the right edge of the frame; the floor is pale grey tile that reflects a faint, cooler, softer double of her boots and the hem of her coat, the reflection blurred where the tile has been walked on. The overhead fluorescent fixtures are the only light source: they strike the crown of her head and the tops of her shoulders in a cold green-white, drop a hard shadow beneath her bangs across the upper half of her face while her eyes stay lit, and leave the underside of her chin, the inside of the coat's folds and the wall shelves in a flat greenish dusk; the far end of the room is darker still, so her white coat reads as the brightest shape in the frame. Her cast shadow falls forward and to the left across the tile, elongated by the low angle. The palette holds to white, charcoal grey, black and cold fluorescent green, with only the faint pink of her eyes admitted as warmth. The detail budget goes to the gloved finger against her cheek, the knot of the tie, the crisp collar points and the flat patience of her stare. Clinical, unimpressed.
Trái Táo Sắt
#Strumpfhose#gekippte Kamera#stehend
AI artwork
tt
copyright: limbus_company 1girl, solo, faust (limbus company), long white hair, straight hair, blunt bangs, hair between eyes, pale pink eyes, pink eyes, emotionless stare, calm expression, closed mouth, tall slender build, white collared shirt, black necktie, dark grey high-waisted pencil skirt, black tights, dark brown leather gloves, black boots, white lab coat, long coat, coat open, standing, arms crossed under chest, one hand raised, finger against cheek, head tilt, contrapposto, weight on right leg, looking at viewer, from below, cowboy shot, dutch angle, asymmetrical composition, office interior, bookshelves, fluorescent lighting, cool green-white palette, stern, intellectual The camera sits low and tilted a few degrees off level, so the tall figure of a slender woman in a white lab coat rears up against a recessed grid of ceiling lights. She stands with most of her weight on her right leg, the left knee bent and the left hip dropped, which throws the pencil skirt's hem and the long coat's left panel slightly out of plumb. Her arms are folded under her chest; the right forearm is tucked beneath the left, and the left hand rises free of the fold so that one gloved index finger rests against her cheek just below the cheekbone, the other gloved fingers loosely curled, the dark brown leather creasing at the knuckles. Her head is tipped a few degrees to her left, chin lowered, and her pale pink eyes come straight down the tilted axis at the viewer with no warmth and no hostility -- a flat, appraising stare, brows level, mouth closed, jaw set. Her long straight white hair hangs past her shoulders, blunt bangs cut level across the brow, a few strands falling between her eyes; the tilt of her head makes the right side of the bangs splay a little over her temple while the left side stays flat against the skin. The open white lab coat hangs from her shoulders and falls past her knees; beneath it the white collared shirt is buttoned to the throat with a black necktie knotted tight at the collar, the tie's blade disappearing behind the folded arms, and the dark grey skirt and black tights carry down to black boots planted wide enough apart to hold the low camera's perspective. She stands in a narrow institutional office, shelves of identical dark binders filling the wall behind her and receding into a corridor of shadow at the right edge of the frame; the floor is pale grey tile that reflects a faint, cooler, softer double of her boots and the hem of her coat, the reflection blurred where the tile has been walked on. The overhead fluorescent fixtures are the only light source: they strike the crown of her head and the tops of her shoulders in a cold green-white, drop a hard shadow beneath her bangs across the upper half of her face while her eyes stay lit, and leave the underside of her chin, the inside of the coat's folds and the wall shelves in a flat greenish dusk; the far end of the room is darker still, so her white coat reads as the brightest shape in the frame. Her cast shadow falls forward and to the left across the tile, elongated by the low angle. The palette holds to white, charcoal grey, black and cold fluorescent green, with only the faint pink of her eyes admitted as warmth. The detail budget goes to the gloved finger against her cheek, the knot of the tie, the crisp collar points and the flat patience of her stare. Clinical, unimpressed.
Trái Táo Sắt
#Strumpfhose#gekippte Kamera#Offene Kleidung
AI artwork
n2
character: arlecchino_(genshin_impact), artist: ratatatat74, copyright: genshin_impact 1girl, solo, arlecchino \(genshin impact\), multicolored hair, black hair, white hair, grey hair, two-tone hair, streaked hair, black streaks, long hair, very long hair, short hair, ponytail, hair between eyes, black eyes, red pupils, symbol-shaped pupils, x-shaped pupils, long sleeves, coat, white coat, jacket, shirt, dress, black gloves, gloves, colored extremities, black hands, jewelry, white outline, beautiful face, malevolent expression, seductive look, teasing smirk, elegant, seductive pose, several desiccated male bodies lying on the floor in the background, skyscraper high-rise interior background, volumetric lighting, ominous lighting, dramatic backlighting, rim lighting, depth of field, sharp cel-shading, high contrast, wide angle lens, cowboy shot, from below, looking down at viewer, leaning forward, arm support, hand on own hip, head tilt, half-closed eyes, one eyebrow raised, parted lips, sidelong glance The camera sits low, tilted up: a cowboy shot cropped at mid-thigh, so the woman towers over the lens against the vast grid of a penthouse window wall. She is caught mid-pivot on her right leg, left knee bent and left toe barely grazing the polished black marble; her weight rides the right hip, which juts toward the viewer. Her torso is angled a quarter turn away, but the head turns back over the near shoulder so her face lands near three-quarter view, chin tucked, looking down at the lens along her cheekbone. Her hair is a long pale fall of white and grey shot through with black streaks, gathered into a low ponytail that drops past her waist and swings forward over the far shoulder at the momentum of the turn; a short, uneven black-and-white fringe hangs between her eyes, the white half catching the backlight into a thin glowing edge. Her eyes are black with rust-red pupils, and each pupil is cut through by a clean x-shaped symbol. Eyelids half lowered, one brow arched high, the corner of her mouth pulled into a slow teasing smirk with a sliver of teeth showing -- a malevolent, elegant, wholly unhurried amusement. She wears a white tailored coat worn open over one shoulder so it hangs off her frame, a black jacket beneath, a dark dress falling over the hips and the long sleeves ending in tight black gloves. Her gloved hands are black to the wrist: the right planted on her own hip with fingers splayed and the thumb hooked at the belt, the left hanging loose, knuckles just brushing the coat's lapel. Jewellery glints at her throat and at the wrist where the glove meets the sleeve -- small, cold, catching pinpoints of the light. The backdrop is a high-rise interior: floor-to-ceiling window planes, black steel mullions, a city night glittering far below and far out, cool blue-grey haze hanging in the air. Several desiccated male bodies lie sprawled across the marble floor behind her at different angles, dry skin taut over bone, suits crumpled and hollow, their shapes defocused into soft silhouette by the shallow depth of field. The only light is behind her: the window wall burns cold and blue-white, rimming her shoulders, the top of her head, the edge of the coat and the ponytail with hard bright contours, while the front of her face sits in dim, warm-shadowed half-light; the marble mirrors the window grid in long stretched reflections, and her cast shadow sweeps forward across the bodies at her feet. The palette is black, bone-white, cold blue and a single rust-red in the pupils and the jewelry, nothing else admitted. Anime cel-shading with hard edge shadow breaks, seamless-smooth gradients in the backlight haze, crisp black outlines and a thin white contour riding her silhouette against the dark, ultra-high detail in the face and hands, the bodies and city softened into depth. Ominous, effortlessly commanding.
nyx20
#Genshin Impact#Arlecchino#PixAI Halloween 2026

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character: kaname_madoka_(magical_girl), copyright: mahou_shoujo_madoka_magica Kaname Madoka from Puella Magi Madoka Magica, pink twin tails tied with deep red ribbons, wearing her iconic magical girl costume, white corset-like bodice with delicate back lacing, voluminous layered white and pale pink ruffled skirt, crimson ribbons flowing loosely around her body, viewed from behind at a three-quarter angle, seated with her back gracefully arched, both arms extending naturally downward behind her back, one hand gently holding the opposite wrist, clearly separated hands, relaxed slender fingers, five distinct fingers on each hand, natural finger spacing, anatomically correct wrists, elegant delicate hands, visible knuckles, softly curved fingers, hands clearly visible against the white skirt, unobstructed hand silhouette, accurate hand anatomy, head tilted far backward, chin raised toward the darkness, face mostly hidden, elegant elongated silhouette, delicate exposed shoulders, soft loose strands of pink hair, dramatic asymmetrical composition, close medium shot, large skirt filling the lower frame, dark almost black background, dramatic directional lighting, pale ivory highlights, muted dusty pink, cold gray shadows, rich crimson accents, strong contrast between luminous fabric and deep darkness, thick impasto oil painting, expressive visible brushstrokes, heavy layered paint, rough palette knife texture, sculptural paint strokes, painterly edges, textured canvas, loose gestural painting, rich tactile surface, dramatic chiaroscuro, melancholic atmosphere, haunting beauty, full bleed composition, edge-to-edge artwork, no borders, no frame, textured illustration, grainy texture, crayon texture, chalky brushwork, impasto strokes, bold color blocking, stylized anime, flat shading, dry brush effect, atmospheric lighting, soft glow highlights, rough painterly anime style, visible textured brushstrokes, heavy impasto texture, scratchy charcoal-like linework, expressive gestural strokes, smudged edges, desaturated base tones with aggressive high-contrast color, sketch style, rough brushstroke
リオ
3#Puella Magi Madoka Magica#Madoka Kaname#Puella Magi Madoka Magica
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