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Daiwa Scarlet, Umamusume: Pretty Derby
KI-Kunst von Nathalia luna auf PixAI. Erstellt mit Tsubaki.3 Flash.
Parameter anzeigen
- Ursprünglicher Prompt
- Daiwa Scarlet from Umamusume, wearing sexy military outfit, posing sexy
- Modus
- flash
- Größe
- 1232 x 1632
Prompt-Assistent
Verwendetes Modell und LoRA
Ähnliche Bilder
Mehr anzeigencharacter: daiwa_scarlet_(umamusume), copyright: umamusume
1girl, solo, daiwa scarlet \(umamusume\), long brown hair, very long twintails, hair intakes, hair between eyes, horse ears, animal ears, red eyes, adult, sexy military outfit, fitted olive-drab officer's jacket, deep open neckline, gold epaulettes, double-breasted brass buttons, gold aiguillette cord, black leather belt with gold buckle, high-waisted black miniskirt with gold piping, sheer black thighhigh stockings, thigh strap, knee-high black leather boots with gold trim, black gloves, peaked military cap worn tilted, from below, dutch angle, cowboy shot, leaning back, hand on own hip, other hand raised, index finger to lip, contrapposto, weight on one hip, crossed legs at ankle, looking down at viewer, half-closed eyes, smug, lopsided smirk, one eyebrow raised, blush, chest out, shoulders back, long twintails swinging behind, jacket hem lifting, motion in skirt, dim hangar interior, single overhead lamp, hard rim light, volumetric haze, olive green and gold and black palette, moody low-key lighting, high contrast, polished leather highlights, confidently seductive
The camera sits below her, tilted a few degrees off level, a cowboy shot cutting her at mid-thigh so the boots, skirt hem and torso all crowd the frame while the peaked cap and twintails tower at the top. She stands with her weight sunk into her right hip and her left leg angled out, ankles crossed, so the whole line of her body is one swaying S-curve that leans back away from the lens and pushes her chest forward; the jacket's open neckline and gold-buttoned placket stretch with the lean while the black miniskirt with gold piping rides up a notch at the hip. Her right hand is planted flat on her own waist, fingers splayed across the leather belt and its gold buckle, and her left hand is lifted in front of her face with the index finger pressed to her lower lip, the black glove creasing at the knuckle. Her chin is tipped down so she looks straight into the lens from under the cap's brim, eyes half-lidded and turned up at the viewer, one brow arched above the other, one corner of her mouth pulled up into a lopsided smirk, a faint blush sitting high on her cheekbones. The peaked cap is jammed on at an angle, its brim throwing a small shadow over one eye. The long brown twintails hang down behind her shoulders in double curtains, drifting slightly out to the left as though a hangar draught had just moved through them, and the sheer black stockings catch a thin specular line down each shin above the gold-trimmed boot cuffs. The environment is a dim aircraft hangar: dark olive steel walls and ribbed support beams receding in the background, the concrete floor faintly visible at the bottom of the frame, empty space around her. One industrial overhead lamp hangs directly above and slightly in front of her and is the only light source; it drives a hard rim along the top of her cap, her shoulders and the outer curve of her thigh, glints off the epaulettes, the aiguillette cord, the buckle and the boot trim, and lets everything beyond her fall into absolute shadow. The palette is held to olive drab, antique gold and jet black with her brown hair and red eyes as the only warm accents. The gold piping on the skirt is thin enough that the overhead lamp lays a broken, discontinuous highlight along it wherever the fabric folds, cooling in the creases and flaring on the ridges. Confidently seductive, dark and composed.
Nathalia luna
character: daiwa_scarlet_(umamusume), copyright: umamusume
1girl, solo, daiwa scarlet \(umamusume\), long brown hair, very long twintails, hair intakes, hair between eyes, horse ears, animal ears, red eyes, adult, sexy military outfit, fitted olive-drab officer's jacket, deep open neckline, gold epaulettes, double-breasted brass buttons, gold aiguillette cord, black leather belt with gold buckle, high-waisted black miniskirt with gold piping, sheer black thighhigh stockings, thigh strap, knee-high black leather boots with gold trim, black gloves, peaked military cap worn tilted, from below, dutch angle, cowboy shot, leaning back, hand on own hip, other hand raised, index finger to lip, contrapposto, weight on one hip, crossed legs at ankle, looking down at viewer, half-closed eyes, smug, lopsided smirk, one eyebrow raised, blush, chest out, shoulders back, long twintails swinging behind, jacket hem lifting, motion in skirt, dim hangar interior, single overhead lamp, hard rim light, volumetric haze, olive green and gold and black palette, moody low-key lighting, high contrast, polished leather highlights, confidently seductive
The camera sits below her, tilted a few degrees off level, a cowboy shot cutting her at mid-thigh so the boots, skirt hem and torso all crowd the frame while the peaked cap and twintails tower at the top. She stands with her weight sunk into her right hip and her left leg angled out, ankles crossed, so the whole line of her body is one swaying S-curve that leans back away from the lens and pushes her chest forward; the jacket's open neckline and gold-buttoned placket stretch with the lean while the black miniskirt with gold piping rides up a notch at the hip. Her right hand is planted flat on her own waist, fingers splayed across the leather belt and its gold buckle, and her left hand is lifted in front of her face with the index finger pressed to her lower lip, the black glove creasing at the knuckle. Her chin is tipped down so she looks straight into the lens from under the cap's brim, eyes half-lidded and turned up at the viewer, one brow arched above the other, one corner of her mouth pulled up into a lopsided smirk, a faint blush sitting high on her cheekbones. The peaked cap is jammed on at an angle, its brim throwing a small shadow over one eye. The long brown twintails hang down behind her shoulders in double curtains, drifting slightly out to the left as though a hangar draught had just moved through them, and the sheer black stockings catch a thin specular line down each shin above the gold-trimmed boot cuffs. The environment is a dim aircraft hangar: dark olive steel walls and ribbed support beams receding in the background, the concrete floor faintly visible at the bottom of the frame, empty space around her. One industrial overhead lamp hangs directly above and slightly in front of her and is the only light source; it drives a hard rim along the top of her cap, her shoulders and the outer curve of her thigh, glints off the epaulettes, the aiguillette cord, the buckle and the boot trim, and lets everything beyond her fall into absolute shadow. The palette is held to olive drab, antique gold and jet black with her brown hair and red eyes as the only warm accents. The gold piping on the skirt is thin enough that the overhead lamp lays a broken, discontinuous highlight along it wherever the fabric folds, cooling in the creases and flaring on the ridges. Confidently seductive, dark and composed.
Nathalia luna
character: daiwa_scarlet_(umamusume), copyright: umamusume
1girl, solo, daiwa scarlet \(umamusume\), long brown hair, very long twintails, hair intakes, hair between eyes, horse ears, animal ears, red eyes, adult, sexy military outfit, fitted olive-drab officer's jacket, deep open neckline, gold epaulettes, double-breasted brass buttons, gold aiguillette cord, black leather belt with gold buckle, high-waisted black miniskirt with gold piping, sheer black thighhigh stockings, thigh strap, knee-high black leather boots with gold trim, black gloves, peaked military cap worn tilted, from below, dutch angle, cowboy shot, leaning back, hand on own hip, other hand raised, index finger to lip, contrapposto, weight on one hip, crossed legs at ankle, looking down at viewer, half-closed eyes, smug, lopsided smirk, one eyebrow raised, blush, chest out, shoulders back, long twintails swinging behind, jacket hem lifting, motion in skirt, dim hangar interior, single overhead lamp, hard rim light, volumetric haze, olive green and gold and black palette, moody low-key lighting, high contrast, polished leather highlights, confidently seductive
The camera sits below her, tilted a few degrees off level, a cowboy shot cutting her at mid-thigh so the boots, skirt hem and torso all crowd the frame while the peaked cap and twintails tower at the top. She stands with her weight sunk into her right hip and her left leg angled out, ankles crossed, so the whole line of her body is one swaying S-curve that leans back away from the lens and pushes her chest forward; the jacket's open neckline and gold-buttoned placket stretch with the lean while the black miniskirt with gold piping rides up a notch at the hip. Her right hand is planted flat on her own waist, fingers splayed across the leather belt and its gold buckle, and her left hand is lifted in front of her face with the index finger pressed to her lower lip, the black glove creasing at the knuckle. Her chin is tipped down so she looks straight into the lens from under the cap's brim, eyes half-lidded and turned up at the viewer, one brow arched above the other, one corner of her mouth pulled up into a lopsided smirk, a faint blush sitting high on her cheekbones. The peaked cap is jammed on at an angle, its brim throwing a small shadow over one eye. The long brown twintails hang down behind her shoulders in double curtains, drifting slightly out to the left as though a hangar draught had just moved through them, and the sheer black stockings catch a thin specular line down each shin above the gold-trimmed boot cuffs. The environment is a dim aircraft hangar: dark olive steel walls and ribbed support beams receding in the background, the concrete floor faintly visible at the bottom of the frame, empty space around her. One industrial overhead lamp hangs directly above and slightly in front of her and is the only light source; it drives a hard rim along the top of her cap, her shoulders and the outer curve of her thigh, glints off the epaulettes, the aiguillette cord, the buckle and the boot trim, and lets everything beyond her fall into absolute shadow. The palette is held to olive drab, antique gold and jet black with her brown hair and red eyes as the only warm accents. The gold piping on the skirt is thin enough that the overhead lamp lays a broken, discontinuous highlight along it wherever the fabric folds, cooling in the creases and flaring on the ridges. Confidently seductive, dark and composed.
Nathalia luna
character: daiwa_scarlet_(umamusume), copyright: umamusume
1girl, solo, daiwa scarlet (umamusume), very long brown hair, long twintails, hair intakes, hair between eyes, horse ears, brown horse ears, red eyes, bow, no tiara, sexy military outfit, military uniform, olive drab cropped officer jacket, open front, gold aiguillette, black epaulettes, gold buttons, black lace bustier, bare midriff, black leather miniskirt, thigh strap, black thighhighs, zettai ryouiki, black leather gloves, high-heeled combat boots, peaked military cap, sexy pose, leaning back, hand on own hip, other hand at cap brim, hip thrust, standing on one leg, crossed legs, head tilt, smug, lopsided grin, one eye closed, half-closed eyes, looking at viewer, from below, cowboy shot, dutch angle, dramatic lighting, single light source
The camera sits low and tilted a few degrees off level, looking up at her from hip height in a cowboy shot, so her boots anchor the bottom of the frame and the sky-lit ceiling of a vast empty drill hall recedes above her cap. She is one figure, weaponless, caught mid-pose: her weight rides on her straight left leg while the right leg crosses in front of it, knee bent, toe pointed to the floor in its high-heeled boot so only the tip of the heel touches; the left hip is thrust out and her torso leans back away from it in a long reversed C. Her right hand rests flat on that thrust hip, fingers spread over black leather miniskirt and thumb hooked at the waistband; her left arm is raised, elbow out, two gloved fingers just touching the brim of the peaked cap tilted low over one brow. Her chin lifts slightly with the lean, and she watches the viewer from under the brim with her left eye shut in a lazy wink and her right half-lidded, mouth pulled into a lopsided smirk with one visible canine. A single hard spotlight hangs far above and behind her left shoulder, striking her cap brim and the gold buttons and olive wool of the cropped officer jacket, sliding down the bare midriff between jacket hem and bustier, while her face stays in the soft falloff of the brim's shadow and the long cast shadow of her crossed legs stretches toward the lower right corner of the frame. The olive drab wool jacket is cut short and fitted, open down the front with black lapels, a twisted gold aiguillette looping from the right epaulette, and the jacket's hem flares slightly away from her back as she leans. Her twintails hang forward over her shoulders with the ends drifting out from the motion of the pose, the horse ears tipped back and one swiveled toward the lens. The hall around her is an unlit void beyond the spotlight's pool, the polished concrete floor giving one long soft reflection of her boots and a sharper one of the heel tip. Palette of olive drab, black leather, and warm gold against a cold near-black surround; effortlessly imperious.
Nathalia luna
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