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ミホノブルボンと桐生一馬

KI-Kunst „ミホノブルボンと桐生一馬“ von 社畜の人 auf PixAI. Tags: Mihono Bourbon, Umamusume: Pretty Derby. Erstellt mit Tsubaki.3.

レースに出るブルボンを見送る黒沼トレーナーもとい桐生一馬

Wettbewerbseinreichung

Assemble! The Strongest and Best Buddy!!

#Kazuma Kiryu #Umamusume: Pretty Derby #Mihono Bourbon

Veröffentlicht: Nov 7, 2026

社畜の人

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character: kiryu_kazuma, mihono_bourbon_(umamusume), copyright: umamusume 2girls, 1boy, kiryu kazuma, mihono bourbon \(umamusume\), race track venue, turf racetrack, grandstand, from behind kiryu, over-shoulder composition, close-up, large figures filling the frame, cowboy shot, kiryu standing behind her, arms crossed, watching over her, serious expression, focused, concentrating, jitome, closed mouth, looking ahead, brown hair, long hair, ahoge, hairband, hair between eyes, blue eyes, horse ears, animal ears, horse tail, ear ornament, white leotard, detached sleeves, necktie, skirt, bare shoulders, white thighhighs, black hair, short hair, goatee, sideburns, black eyes, collared shirt, long sleeves, two-shot, dramatic lighting The camera sits low and slightly behind Kiryu Kazuma's right shoulder, tilted up so that both figures tower large in a vertical frame, the racetrack grandstand and the far turn of the turf course stacked behind them in compressed depth. Mihono Bourbon fills the near-center of the frame from the thighs up: her brown hair falls long down her back, an ahoge springing from the crown and one strand hanging between her eyes, a hairband holding the sweep at her temple, her horse ears pricked fully forward and her ear ornament catching the light at the left ear. She wears her white leotard and its attached skirt, detached long sleeves on her bare shoulders, the necktie hanging straight down her chest, white thighhighs meeting the hem — her horse tail hangs behind her, mostly swallowed by the frame edge. She is not posing for the lens: her chin is level, her mouth closed in a flat line, blue eyes narrowed to a hard jitome, both pupils locked dead ahead down the track at the point where the rail curves out of sight. Her weight settles on the ball of her right foot, left heel just lifting, torso pitched a hand's width forward, both fists closed at her sides with the knuckles whitening — concentration held like a drawn bowstring. Directly behind her stands Kiryu Kazuma, a head taller, his black short hair and trimmed goatee and sideburns cut against the floodlights, black eyes steady. He wears his collared shirt with the sleeves long, buttoned to the wrist, and his arms are crossed hard over his chest — right forearm over left, the elbow of the lower arm braced on his ribs, one knuckle of his upper hand resting against his bicep. His stance is square and grounded, feet planted wider than hers, and his gaze comes down past the side of her head to the same far point on the track she watches: he is reading her focus, not the race. The gap between his chest and her back is barely a fist's width, so that from this low rear angle her shoulder overlaps the lower half of his crossed arms and her ahoge crosses in front of his collar. The light is the track's own night-meet floodlighting: banks of lamps high behind the camera rake down over them, so the fronts of her thighs, the point of her nose and the tops of his forearms and brow catch a cool white highlight while their backs, the undersides of his crossed arms and the shadow beneath her jaw fall into deep blue-black. Beyond them the grandstand sits as a dark tier of silhouette with scattered warm window lights, and the track grass reads as a dim green band under the lamp wash; the lettering on the distant tote board is unreadable at this distance. A thin wind runs across the course and lifts the long ends of her hair and the tail behind her, both deflecting in the same direction, away from the lamps — the only movement in the frame. Palette is white, black, brown and dim track green, with the floodlight white as the single hot accent. Taut, disciplined anticipation.

ミホノブルボンと桐生一馬

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