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AI art "となりのペロロ" featuring #Blue Archive, #Hifumi Ajitani and #Peroro
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となりのペロロ

#Blue Archive#Hifumi Ajitani#Peroro
Avatar image of yuki m
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yuki m

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character: hifumi_(blue_archive), peroro_(blue_archive), hifumi_(blue_archive)_and, copyright: blue_archive 2girls, hifumi (blue archive) and peroro (blue archive) only, no other figures, rain, evening, night, bus stop, traditional japanese shrine, stone stairs, torii, mist, fog, long hair, light brown hair, low twintails, hair between eyes, hair ornament, bow, yellow eyes, trinity school uniform, white cardigan, sailor collar, pleated skirt, black pantyhose, holding umbrella, red umbrella, looking up, open mouth, curious expression, huge bird, round bird, fluffy, pink bird mascot, mascot several times her height, no umbrella, slightly wet, wet feathers, side by side, wide shot, horizontal composition, low-key lighting, warm lamp, lamp post, single bus stop sign, rain streaks, lamplight, puddles, reflection, road, no text, no lettering, no logos, no watermark, painterly, cinematic, muted colors, red accent, quiet magical atmosphere Wide horizontal view from eye level across a narrow wet asphalt road at dusk in the rain. On the left of the frame, Hifumi stands on the narrow kerb of the bus stop: a teenage girl with long light-brown hair gathered in low twintails that fall past her shoulders, the twin tails heavy with damp and clinging together, hair between her eyes parted off her forehead, a small hair ornament and a bow at the top of one tail, yellow eyes. She wears her Trinity school uniform: a white cardigan buttoned loosely over a sailor-collared shirt, the pale sailor collar spread flat on her shoulders above the cardigan's neckline, a pleated skirt to mid-thigh, black pantyhose down to dark shoes. Her right hand grips a red umbrella by the shaft, the black handle closed in her fist, the canopy open above her at a slight forward tilt so a thin ribbon of runoff pours off the near rim just to the left of her shoe. Her weight is on her back foot; her left hip is dropped, her left arm hangs with the fingers loosely curled at her skirt hem, and her chin is lifted, her face turned up and to her right toward the creature, mouth slightly open, brows drawn up in an unguarded look of curiosity. To her right, standing directly on the tarmac in the road's margin because it is far too large for the kerb, is the mascot: a colossal round fluffy pink bird, its head taller than the bus stop roof, body a soft sphere of pale rose down several times Hifumi's height, a rounded beak, small dark eyes, tiny wing-tipped arms folded in at its sides. It has no umbrella; the rain lands on the upper dome of its head and shoulders and runs off in fine beads, darkening the fluff into shallow wet patches in a ring over its crown while the underside stays dry and pale — only slightly wet. Its feet are planted flat, patient and still, its head tilted down toward her. Its small dark eye meets her upturned gaze, and she reads as being looked at. Directly between and behind them a single bus stop sign stands on its post, its panel deliberately blank and bare, no characters of any kind; the warm lamp in its housing above the sign is the one strong source, casting a cone of amber light down through the falling rain so every drop inside the cone is a bright short streak, and the two figures rim with warm amber down their near sides while their far sides fall into cool blue-grey shadow. Behind them the road runs back into mist: a shallow flight of stone steps climbs into the fog, and a torii gate rises above the treeline, both rendered faint and half-erased, its top beam crossing the pale grey sky. In the foreground the puddles along the road's low edge hold the lamp's glow as wavering amber ovals, the reflection darker and softer than the lamp itself and broken into rings where drops strike; the red umbrella also lays a dull red patch in the nearest puddle. The umbrella canopy is the single saturated note; everything else stays in muted rainy greys, wet slate blues, moss-dark greens, the pale rose of the mascot and the soft cream of the cardigan. An empty stretch of foreground asphalt carries no lettering, and no signage, no watermark, no logo appears anywhere in the frame. Soft painterly rendering with visible brush softening at the mist's edges and clean crisp detail reserved for the wet fluff, the umbrella's fabric and her upturned face. Quietly magical, tender.
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#The Idolmaster#Tsubaki.3
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无氏
character: hoto_cocoa character: hoto_cocoa, 1girl, solo, full body, straight-on, standing, reaching towards viewer, (outstretched hand:1.2), foreshortening, hand focus, offering hand, head obscured, face hidden by umbrella, holding umbrella, (transparent umbrella:1.2), clear plastic umbrella, rain, raining, heavy rain, rain streaks, night, dark street, wet road, asphalt, yellow road markings, road lines, puddles, wet ground reflection, water drops, raindrops on umbrella, droplets on plastic, running water, hairclip, school uniform, black jacket, blazer, white shirt, blue bowtie, plaid skirt, pleated skirt, black socks, zettai ryouiki, black shoes, black loafers, orange hair, hair seen through umbrella, blurred through plastic, muted colors, desaturated, grey and brown palette, yellow accent, dim ambient light, distant streetlight glow, film grain, gritty texture, melancholy, wistful, quiet, Night rain on an empty asphalt road: a girl in school uniform stands facing the camera at full height, and her right arm extends toward the viewer with the hand open palm-down, strongly foreshortened, fingers relaxed mid-reach — the nearest element in the frame and the one carrying the densest detail, individual knuckle creases and the wet sheen on the skin resolved sharply while everything recedes behind it. Her left hand holds a transparent plastic umbrella whose canopy tilts forward and down, its front edge cutting across the frame exactly at her shoulder line so that her entire head hides behind and above the plastic: through the clear canopy her orange hair, and the bow of her collar survive only as a blurred, desaturated ghost, softer and dimmer than anything seen directly, the plastic's distortion smearing the shapes. The umbrella surface itself obeys the rain — dozens of round droplets cling and bead across the clear plastic in every size, several fat drops caught mid-slide leaving wet trails, one long crease-fold line running down the canopy's near panel. Rain falls through the whole image in fine straight streaks, all sharing one direction, slightly slanted; where drops strike the road they break into small white ticks. She wears a JK uniform: black blazer, white shirt, a blue-violet patterned bow ribbon, dark plaid pleated skirt, black socks and black loafers, both feet planted flat and close together on the wet asphalt. The road is the image's floor and mirror: dark soaked asphalt textured with grit, two yellow lane markings converging diagonally behind her — the only saturated color in the frame — and beneath her shoes a faint vertical smear of pale reflection, darker and softer than her actual figure, broken by the rain rings spreading in the shallow puddles. Light comes from somewhere high and behind the camera, a weak cold ambient that picks out the umbrella's wet edge, the top of her extended forearm, everything else settling into brown-grey murk, the street's far side dissolving into darkness. Heavy film grain and a gritty photographic texture over the whole frame. Melancholy, wistful, quiet, character: hoto_cocoa
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无氏
character: hoto_cocoa character: hoto_cocoa, 1girl, solo, full body, straight-on, standing, reaching towards viewer, (outstretched hand:1.2), foreshortening, hand focus, offering hand, head obscured, face hidden by umbrella, holding umbrella, (transparent umbrella:1.2), clear plastic umbrella, rain, raining, heavy rain, rain streaks, night, dark street, wet road, asphalt, yellow road markings, road lines, puddles, wet ground reflection, water drops, raindrops on umbrella, droplets on plastic, running water, hairclip, school uniform, black jacket, blazer, white shirt, blue bowtie, plaid skirt, pleated skirt, black socks, zettai ryouiki, black shoes, black loafers, orange hair, hair seen through umbrella, blurred through plastic, muted colors, desaturated, grey and brown palette, yellow accent, dim ambient light, distant streetlight glow, film grain, gritty texture, melancholy, wistful, quiet, Night rain on an empty asphalt road: a girl in school uniform stands facing the camera at full height, and her right arm extends toward the viewer with the hand open palm-down, strongly foreshortened, fingers relaxed mid-reach — the nearest element in the frame and the one carrying the densest detail, individual knuckle creases and the wet sheen on the skin resolved sharply while everything recedes behind it. Her left hand holds a transparent plastic umbrella whose canopy tilts forward and down, its front edge cutting across the frame exactly at her shoulder line so that her entire head hides behind and above the plastic: through the clear canopy her orange hair, and the bow of her collar survive only as a blurred, desaturated ghost, softer and dimmer than anything seen directly, the plastic's distortion smearing the shapes. The umbrella surface itself obeys the rain — dozens of round droplets cling and bead across the clear plastic in every size, several fat drops caught mid-slide leaving wet trails, one long crease-fold line running down the canopy's near panel. Rain falls through the whole image in fine straight streaks, all sharing one direction, slightly slanted; where drops strike the road they break into small white ticks. She wears a JK uniform: black blazer, white shirt, a blue-violet patterned bow ribbon, dark plaid pleated skirt, black socks and black loafers, both feet planted flat and close together on the wet asphalt. The road is the image's floor and mirror: dark soaked asphalt textured with grit, two yellow lane markings converging diagonally behind her — the only saturated color in the frame — and beneath her shoes a faint vertical smear of pale reflection, darker and softer than her actual figure, broken by the rain rings spreading in the shallow puddles. Light comes from somewhere high and behind the camera, a weak cold ambient that picks out the umbrella's wet edge, the top of her extended forearm, everything else settling into brown-grey murk, the street's far side dissolving into darkness. Heavy film grain and a gritty photographic texture over the whole frame. Melancholy, wistful, quiet, character: hoto_cocoa
无氏
#Cocoa Hoto

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Avatar image of リオ
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