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AI artwork featuring #Umamusume: Pretty Derby and #Silence Suzuka
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Silence Suzuka, Umamusume: Pretty Derby

KI-Kunst von kカズヤ auf PixAI. Erstellt mit Tsubaki.3.

#Umamusume: Pretty Derby#Silence Suzuka
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character: silence_suzuka_(umamusume), copyright: umamusume, taimanin_(series) from behind, over-the-shoulder composition, close-up, neck focus, view from behind the girl, petite, flat chest, kimono, glossy skin, shiny skin, sweat, sweat on skin, bead-like sweat droplets, very sweaty, highly detailed skin, photorealistic skin texture, long hair, orange hair, blunt bangs, horse ears, white hairband, aqua eyes, green eyes, high contrast lighting, taimanin style, dark shadows, bright washitsu, tatami floor, shoji screens, pouring tea, teapot, teacup, elderly men, kimono-clad elderly men, speech bubble, large title lettering, japanese text, looking down, head turned in profile, half-closed eyes, light smile, trembling grip, The camera sits low and close behind the girl at neck level, framed over her right shoulder: the nape of her neck fills the left third of the frame, in sharp focus, and the bright washitsu room recedes to the right past her shoulder toward the seated elderly men. Her long orange hair is drawn strand by strand with photographic realism, each hair a distinct glossy filament; the blunt bangs and the white hairband are out of the frame above, and her horse ears are hidden in the top crop behind her head. She is petite and slight, shoulders narrow inside the kimono; the collar of the kimono is pulled snug at the nape and the fabric across her back is small and flat, no bust visible from this rear view. Her skin at the neck and nape is impossibly smooth, glossy and firm, and she is drenched in sweat — the skin is slick with a wet sheen, and dozens of bead-like sweat droplets stand proud on the surface of her neck and shoulders, each one round and glossy, repelling the skin, catching the light as tiny spheres rather than running. She is caught mid-pour: her right arm reaches forward past her shoulder to tip the teapot, her fingers wrapped tight on the handle, and a thin stream of tea just fills the cup held by the nearest elderly man across the low table. Behind her shoulder, three elderly men sit in dark kimono around a low table — one leans forward with both hands cupped around his teacup, one holds his sleeve back with the other hand, one sits upright watching the pour; their faces are softly out of focus, rendered in the deep shadow of the room. The washitsu is bright: paper shoji on the right wall glow with daylight, tatami mats stretch in rows across the floor, and a hanging scroll and a simple flower arrangement sit in the shadowed alcove behind the men. The light is a single hard source from the shoji windows on the right, whitish and cool, slashing across the girl's right shoulder, neck and the sweat beads, while the left side of the frame and the men sink into deep brown and black shadow — high-contrast, hard-edged light and dark, Taimanin-style rendering with crisp cel-shaded shadow shapes and glossy, lacquered highlights on the skin. Her chin turns slightly in profile toward the tea; her eyes, half-closed, follow the stream into the cup rather than the camera, and a faint, self-satisfied smile sits at the corner of her mouth, as if she knows she is being watched from behind. A speech bubble floats beside her shoulder, its tail pointing at her, with the line in large, smooth lettering: "お茶が入りましたよ💕". At the top of the frame, spanning the width in large bold title lettering, sits "老人会", the characters set squarely and clearly against the bright upper wall, the letters slightly uneven and hand-lettered in a heavy brush style. Tight, intimate, and humid.
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Ursprünglicher Prompt
ウマ娘プリティーダービー、和服、体は小柄で胸はぺったんこ、肌はツルツルでスベスベで光沢とハリがある、肌の質感を艶っぽく実写風に、凄く汗だく、肌は汗を弾いて汗が玉のようになっている、髪の質感も一本一本実写のようなリアルさで、サイレンススズカ、汗だく、汗は珠のような汗、汗は肌に浮かんでいる、対魔忍風の絵柄、明暗のハッキリした色合い、着物を着た老人達にお茶を入れてあげている、場所は明るい和室、女の子にセリフで「お茶が入りましたよ💕」と言わせる、画面上部に大きくタイトルで「老人会」と記載、アングルは女後ろの首元から
Modus
pro
Größe
1104 x 1824
Sampling-Methode
Euler
Negativ
lowres, worst quality, low quality, bad anatomy, explicit
Prompt-Assistent

Verwendetes Modell und LoRA

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k
character: espoir_city_(umamusume), copyright: umamusume, taimanin_(series) 1girl, child, youthful appearance, toddler body type, squid belly, rounded soft belly, orange hair, multicolored hair, long hair, brown hair streaks, horse ears, animal ears, horse tail, tail, blue eyes, hair ornament, japanese clothes, kimono, bare ears, bare earlobes, hair plain and unadorned, 3old men, elderly, old man, kimono, holding calligraphy brush, teaching calligraphy, calligraphy classroom, bright room, glossy skin, photorealistic skin, realistic hair strands, photorealistic hair texture, high contrast lighting, clear light and dark tones, cel shading, thick lineart, from side, close-up, dutch angle, looking down, looking at paper, open mouth, :d, one eye closed, tarare, text, narration box, "書道(しょどう)教室(きょうしつ)で" The camera looks from a low three-quarter angle, tilted slightly, across a low writing desk at the small girl: a very young child in a loose cotton kimono, her soft rounded belly pushing the sash out in a gentle curve, the fabric riding up over the warm glossy skin of her midriff. Her long orange-and-brown hair, heavy and strand-detailed, falls forward over one shoulder, the horse ears swiveling toward the sound of the brushes, the long tail curled behind her under the kimono hem. Her face is turned in profile, one blue eye squeezed shut, the other wide, her tongue just showing as she drags a brush-stroke across the paper; her small hand grips the brush too far up the shaft, the other hand flat on the paper to steady it, ink smudged on her knuckle. Three old men in dark kimono lean in from the far side of the desk, each with a brush in hand: one holds his brush vertically, demonstrating the stroke, his weathered hand hovering above her paper; a second steadies the inkstone with his fingertips, his gaze on the girl's face; the third sits back, chin tilted, eyes narrowed in appraisal. Their brushes are lifted, tips poised. The girl's gaze flicks up to the hovering brush, not to the lens. The classroom is bright and airy: shoji screens behind them diffuse a hard white daylight that crosses the desk from the left, laying a sharp diagonal of light over the girl's glossy shoulder and belly and dropping the right side of the frame into deep shadow; the old men's faces catch only a rim of light along their cheekbones. Ink-black, warm ochre, paper-white and the red of the class banner on the wall, nothing else admitted. A single thread of ink runs from the brush tip down to the paper, hanging a half-second before it touches. A narration box sits in the upper right corner, its lettering flat and bold against the pale wall. taimanin-style cel shading, thick angular lineart, high contrast, plain filler in the hidden areas beneath the desk and behind the figures, quietly absorbed.
kカズヤ
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Avatar image of 藍風【あいか】
silence suzuka (umamusume), s suzuka, watercolor effect, blurred effect, colors bleeding over subjects, 748cmstyle, cute, girl, pastel color, <CCpkmnStyleMix>, watercolor texture, white background, gradient colors, gradient watercolor, abstract background, watercolor painting, A pale and transparent watercolor illustration. Depict it in a fleeting and elegant watercolor style with paint bleeding and margins that leave the white of the paper. A full view of a room filled with bright light from an open doorway in the morning. The morning sun shines white on the tatami and furnishings, and the entire room is wrapped in pale light. Inside, silence suzuka, wearing a pale blue kimono and a light gray haori, sits small; her long orange hair, long tail, horse ears with green and yellow ribbon earrings float faintly in the morning light as she gazes toward the doorway. A quiet afterglow closing a day that will eventually end.
藍風【あいか】
AI artwork
Avatar image of まりも
character: michinoku_komaro 1girl, solo, michinoku komaro, pink hair, long hair, hair between eyes, crossed bangs, hair intakes, blue eyes, wa-maid, japanese-style maid outfit, kimono-style maid dress, short kimono jacket with wide sleeves, white apron, obi sash, hair ribbon, tabi socks, okobo sandals, kneeling, seiza, on tatami, holding tray, tea set on tray, looking at tray, light smile, half-closed eyes, head tilt, from above, cowboy shot, indoors, japanese tea room, shoji screens, tatami floor, warm lamplight, soft shadows, muted palette of dusty pink cream indigo and pale tatami green, quiet attentive mood seen from above and slightly to her right, a young woman with long straight pink hair cut into a fringe across the brow and longer strands framing the center of her face kneels in proper seiza on a tatami mat; her weight settles over her folded calves, both knees together, the tops of her tabi-socked feet flat against the mat, and her left hip carries a slight lean so that her spine tips a few degrees off vertical. She wears a Japanese-style maid outfit: a short kimono-cut jacket of dusty indigo with wide hanging sleeves gathered at the wrist, a broad cream obi knotted flat at her back, and a crisp white apron tied high over it, its hem pooling a hand's width over the mat where she kneels. Her hands are raised in front of her chest, fingers curled under the rim of a black lacquer tray; on the tray sit a small iron teapot and two handleless cups, and the tray's polished surface throws a soft blurred ghost of the pot back at the viewer. Her head tilts a few degrees to her right as she looks down at the tray — a faint closed-lip smile, one brow only slightly lifted, lashes lowered halfway. A lock of pink hair has slipped free of the ribbon at her crown and swings forward across her shoulder, and the apron cloth and sleeve cuffs hang still where the tilt of her body has settled them. The only light comes from a paper-shaded floor lamp to her right: it rakes warm amber across the right side of her face, the right sleeve and the rim of the tray, while the left of her body and the shoji screens behind her fall into soft blue-grey shadow; the lacquer tray's highlight is a thin broken line, sharper against the near rim than the far. The room is a quiet tea room of pale tatami squares and paper screens, kept empty above and behind her so the composition breathes, with faint dark-wood pillars at the frame edges. Colours stay within the dusty pink of her hair, the indigo and cream of her garments, the warm amber of the lamp and the green-grey of the mats. Quiet, attentive.
まりも

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