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Magical Girl's Witch Trial
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- Ursprรผnglicher Prompt
- nikaidou hiro, mahou shoujo no majo saiban, 1girl, solo, long hair, simple background, long sleeves, skirt, black hair, holding, hair ornament, gloves, dress, red eyes, flower, weapon, parted lips, necktie, hand up, black skirt, holding weapon, hair flower, black dress, blood, red necktie, red flower, magical girl, bug, crown, butterfly, blood on weapon, red armband
- Modus
- pro
- Qualitรคts-Tag
- ๏นPrompts๏น
- Grรถรe
- 768 x 1280
Prompt-Assistent
Verwendetes Modell und LoRA
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hiro
Ametaki
character: nikaido_hiro
1girl, solo, facing viewer, looking at viewer, cowboy shot, eyes open, calm cool expression, expressionless, black cape, red collar, gold trim, white collared shirt, red necktie, black jacket, gold buttons, red armband, large double-edged sword, holding sword, sword in front of body, diagonal hold, wide blade, thick blade, silver steel blade, decorative guard, dynamic pose, red butterfly, falling black feathers, black feathers, cathedral interior, stained glass, art nouveau, Mucha style, muted pastel colors, lavender, dull blue, beige, red color accent, watercolor texture, delicate lineart, long hair, black hair, blunt bangs, red eyes, hair flower, hair ornament, two-handed grip, head tilt, looking down at viewer, from below
A low camera looks up at one girl standing alone in the nave of a cathedral, seen from below at a cowboy-shot crop that cuts her at mid-thigh, her body squared to the viewer and her chin tipped slightly down so her red eyes look straight into the lens with lids fully open and level brows -- a calm, cool, unbothered stillness in the face that the body contradicts. She wears a white collared shirt buttoned to the throat under a black jacket edged with rows of gold buttons, a red necktie knotted at the collar, and a red armband fixed around her left upper arm; over it all a black cape falls from her shoulders, its red collar turned up behind her neck and its hem and edges traced in gold trim that catches the light. Her long black hair with a blunt fringe swings out to one side of the low-angle view, a single flower ornament tucked at one temple, the strands lifted by the momentum of her stance. Both hands grip the hilt of a huge double-edged sword held diagonally across her body, the wide, thick silver steel blade sloping from lower left to upper right in front of her torso, its flat face catching a long cold highlight and its decorative guard worked with scrollwork between her fists; her weight is thrown onto her back hip, one shoulder dropped, the cape and jacket flaring away from the turn so the pose reads as caught mid-motion. A single red butterfly flutters close to the blade near her shoulder, the one saturated note in the frame, while black feathers drift down around her and settle on the upward-facing surfaces -- the tops of her shoulders, the flat of the blade, the steps at her feet -- and nowhere else. Behind her the tall art nouveau stained-glass windows rise in elongated arched panels, their leadwork curling into whiplash lines and haloed figure medallions, and the light comes through them in a soft diffuse wash from behind and above, tinting the air lavender and dull blue and leaving her front in tender beige shadow with only a faint red bounce along the sword's edge. The whole picture is painted in muted pastel watercolor, lavender and dull blue and beige laid in transparent washes with visible paper bloom, red held back for the tie, the collar, the armband and the butterfly, and every contour drawn in delicate fine lineart of the Mucha kind -- flowing ornamental curves around the windows and the cape. Quiet, ceremonial resolve.
ใฌใใใฉใดใณ
ไบ้ๅ ใใญ(ใพใฎใใฐ)
coolleon
character: nikaido_hiro
1girl, solo, facing viewer, looking at viewer, open eyes, calm cool expression, cowboy shot, holding sword diagonally in front of body, dynamic pose, black cape with red collar and gold trim, white collared shirt, red necktie, black jacket with gold buttons, red armband, red butterflies, falling black feathers, church interior with stained glass, art nouveau, muted pastel colors, lavender muted light blue beige palette, red accent, watercolor texture, delicate lineart, long hair, black hair, blunt bangs, red eyes, hair flower, head tilt, weight on one leg, outstretched arm, floating hair, cape billowing, from below, dutch angle,
The camera looks up at a slight dutch tilt from a cowboy shot that crops her at mid-thigh, so the nave vaults and the stained glass rise behind her shoulders. One girl stands alone in the middle of the church: her weight is sunk into her right hip, left leg extended and the left toe barely brushing the floor, her torso turned a quarter off the lens while her chin comes down and her face squares to the viewer. Her long blunt-banged black hair swings out to her right in a heavy curtain, lifted by the same draft that bellies the black cape outward from her back; a hair flower sits at the left side of her head above the temple. Her eyes are fully open, red irises fixed straight on the viewer, lids level, brows flat, mouth closed in a single level line -- calm and cool, no smile, no frown. Both hands grip the sword: right fist closed around the hilt at hip height, left palm braced against the flat near the guard, so the blade runs on a diagonal from low right to high left across her front, the polished steel catching one long travelling highlight and throwing a thin bar of light across the white collared shirt. The white collar is turned up at the throat, the red necktie knotted snug beneath it, and the black jacket with its column of gold buttons sits open over it, the jacket's hem and the cape's gold-trimmed red collar both lifting away from her body. The red armband is pinned tight around her left upper arm; the fabric dimples under the pin. Above her, a tall art-nouveau stained glass window in arched iron tracery sends lavender, muted light blue and beige light down through the nave, and the sword's blade throws one small hard green-red caustic onto the flagstones at her feet. Red butterflies wheel in loose arcs at head height, one alighting on nothing but air beside the gold trim; black feathers fall steadily through the same air, each one tipping and yawing as it drops, some already lying flat on the stone floor where their shadows sit directly beneath them. The palette is muted pastel throughout -- lavender in the glass and the stone haze, muted light blue in the shadows on her hair and cape, beige in the stone and the skin -- with red admitted only in her eyes, the necktie, the armband, the cape's collar, the butterflies and the one small caustic, nothing else. Watercolor texture softens the edges of every wash and lets the paper grain show through the pale stone, with delicate lineart holding the tracery, the hair strands, the feather barbs and the cape's gold trim in thin clean ink. Still, ceremonious, faintly ominous.
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