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AI art "Singing in the lounge"
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Singing in the lounge

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Dermot

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A full body shot, eye-level 3/4 view of a gorgeous young woman in her 20s, a torch singer, sitting on the closed lid of a black grand piano in a smoky speakeasy. She has a lithe, willowy build, golden-tan skin, and incredibly long, wavy tortoiseshell hair falling to her knees. Her expression is sultry and melancholy, lips softly parted. She wears an oxblood silk velvet sheath dress with a plunging V-neck, jet bead straps, and a thigh-high slit, paired with black satin opera gloves, T-strap heels, a rope of champagne pearls, and jet drop earrings. Her right gloved hand rests lightly on a chrome ribbon microphone, while her left hand is braced flat on the piano lid. The background is a dim, jazz-age lounge with a red velvet curtain, a mirrored bar with amber bottles, and scattered champagne coupes on oxblood cloths. The scene is illuminated by a single, dramatic brass spotlight creating a pool of warm golden light amidst smoky sepia shadows. The visual style is classic anime with clean ink linework, soft cel-shading, and a rich, mysterious palette of oxblood, gold, and jet black.
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Ursprünglicher Prompt
A full-body, eye-level illustration of a young woman in her 20s, the torch singer of a smoky after-hours speakeasy, at the very end of her last song of the set. The vibe is jazz age and prohibition, and the whole image feels mysterious, smoky and slowly seductive, velvet, piano keys and a low, sad song. She is lovely and gorgeous, with a lithe, willowy build: tall, with narrow, sloping shoulders, long, slender arms and very long, slender legs, a slim, lightly toned body, a small waist, narrow hips and slim thighs, every line of her long and languid, drifting through a smoky speakeasy like a rumour, and large, full breasts. She has warm golden-tan skin with a soft, honeyed glow, an oval face with high, sculpted cheekbones, a small, straight nose and full, bow-shaped lips with a tiny beauty mark beside them, and large, heavy-lidded hazel-gold eyes under fine, sleek dark brows, framed with long, sooty lashes. Her expression is sultry and melancholy, her lips softly parted on a long note and her heavy-lidded hazel-gold eyes dark and knowing. Her hair is very long, wavy hair: soft, even S-shaped waves from the crown all the way down, one unbroken length falling past her shoulders and waist, down to her knees, full and flowing, with a deep side part and no bangs, and its colour is tortoiseshell: a mottled blend of rich dark brown, amber, caramel and black swirled together like polished tortoiseshell. She wears a long, slim sheath of oxblood silk velvet with a deep, soft pile, its deep V neckline plunging between her full breasts so that their inner curves and the soft upper curves show, held up by two narrow straps of glittering jet beads over her bare shoulders, and its bias-cut skirt falling close over her narrow hips to her ankles, split up the left side to the top of her thigh. Long opera gloves of black satin run past her elbows, black satin T-strap heels with rhinestone buckles are on her feet, a long rope of champagne pearls is looped twice around her throat, its lower loop swinging down to her waist, a clip of onyx and pearl in a stepped Art Deco fan pins her deep side part, and long drop earrings of faceted jet swing beside her jaw. Her makeup is torch-song smoke: a deep charcoal shadow swept up to her brows, kohl-lined eyes with a touch of gold at the inner corners, thick black lashes and a matte oxblood lip. Her nails are long and almond-shaped, painted a glossy oxblood red in a 1920s half-moon manicure, the little moon at the base of each nail left bare. The setting is a small, plush speakeasy in the small hours after the crowd has thinned, packed with jazz-age detail: a big black grand piano with its lid closed stands in the middle of a little round bandstand of black and gold tiles, and a chrome ribbon microphone gleams beside it on a tall chrome pedestal. The tables around the bandstand are almost empty now, draped in oxblood cloth and scattered with half-finished coupes of champagne, a lipstick-marked cocktail glass, a crystal ashtray with a curl of smoke and a dropped white carnation. A heavy curtain of red velvet edged in gold fringe hangs behind the bandstand, a mirrored back bar on the far wall glitters with rows of amber bottles of bootleg whiskey and gin, and a bartender in a white jacket polishes a glass under a framed poster of a jazz band. A single brass-hooded spotlight hangs from the pressed-tin ceiling above the piano, and a lazy ceiling fan turns slowly through the smoke. In the foreground, softly out of focus, the corner of a table with a coupe and a carnation crosses the lower left corner, and the chrome grille of the microphone and a coil of its cord sit at the lower right. She sits on the closed lid of the grand piano with her body turned three-quarters toward the viewer, her back straight and her shoulders easy, her long legs crossed at the knee so the velvet falls open along the slit and her left leg shows bare from the hip to the black satin heel. Her right hand, in its long black glove, rests lightly on the chrome microphone beside her as she sings, and her left hand is braced flat on the glossy black lid behind her hip. Her very long tortoiseshell waves fall over her shoulders and down her back and spill across the black lacquer of the piano lid behind her, their wavy ends curling over the edge of the lid at the height of her knees, and she sings the last low note straight to the viewer with smouldering, heavy-lidded eyes. The narrow, warm beam of the single brass spotlight above the piano is the dominant light: it falls across her forehead, her cheekbones and the bridge of her nose in a bright, clean, golden circle, glows on her oxblood lips, puts small bright catchlights in her hazel-gold eyes and pours over her shoulders, the deep V of the velvet, the inner curves of her breasts and her long, bare leg along the slit. The much weaker amber glow of the bottles on the mirrored back bar lays a soft, warm rim along her right side, her gloved arm and the length of her waves. The spotlight gives the velvet a deep, soft sheen, flashes on the jet straps and the jet earrings, gleams on the chrome microphone and the black lacquer of the piano, and picks out warm amber and caramel glints all through her tortoiseshell hair. Her golden-tan skin takes a warm, satin sheen wherever the light reaches, with soft highlights along her collarbones, her breastbone and her thigh. Outside the spotlight the empty club fades into soft, smoky sepia and oxblood shadow. Classic Anime style: clean, confident ink linework with soft cel-shading and strong directional light, the archetypal polished classic anime look, with a naturalistic, warm-leaning palette, painterly rather than flat backgrounds, and a finish that sits between flat cel and semi-painterly, the spotlight cutting a strong, clean pool of warm light out of the smoky shadow. Rendered in extreme detail, an intricate, hyper-detailed masterpiece: every soft fold and the long slit of the oxblood velvet sheath, the jet bead straps, the black satin opera gloves, the rhinestone-buckled T-strap heels, the rope of champagne pearls, the onyx and pearl fan clip, the jet drop earrings, the glossy black grand piano, the chrome ribbon microphone, the half-finished coupes and the white carnation, the red velvet curtain and the mirrored back bar drawn sharply and precisely. The palette is mysterious and smoky: oxblood and jet black, champagne, chrome, amber bottle glow, smoke grey, sepia, golden-tan skin and tortoiseshell hair.
Modus
standard
Größe
1280 x 960

Verwendetes Modell und LoRA

Tsubaki.2 - AI Model cover image

PixAI DiT.2

Tsubaki.2
19.98k

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