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まんざらでもない感じも良い

KI-Kunst „まんざらでもない感じも良い“ von YAS auf PixAI. Tags: Fate/Grand Order. Erstellt mit Tsubaki.3 Flash.

#Fate-Serie #Fate/Grand Order

Veröffentlicht: Nov 9, 2026

YAS

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character: sen_no_rikyu_(fate), sen_rikyuu, copyright: fate/grand_order 1girl, solo, sen no rikyu (fate), black hair with grey gradient tips, long medium hair, blunt bangs, black eyes, black hat, chajinbou, black kimono, long sleeves, obi, sash, tassel, sitting, bust-up, slight blush, single sweat drop on cheek, scornful eyes, half-closed eyes, jitome, languid moist gaze, looking at viewer, head tilt, holding swimwear hanger, gold latex micro bikini, extremely small fabric area, string bikini, latex sheen, tea room interior, tatami, shoji, tokonoma, warm dim light, from below, close-up, A bust-up, camera set slightly below her eye level so the tatami and the low tea-room ceiling compress into a shallow intimate space behind her shoulder. She sits with her weight settled back on one hip, torso angled three-quarters to the right, her left shoulder dropped toward the lens. Her head tilts down and a little to the side, chin drawn in, and her eyes come up under the brim of the black lacquered chajinbou hat and land flatly on the viewer: eyelids half lowered, the whites catching a wet highlight along the lower lid, brows barely pinched, mouth closed and flat with one corner pulled down a fraction — contempt worn calmly, not shouted. A faint blush spreads low across both cheeks. One thin thread of sweat runs from her right temple down past the cheekbone, its bead catching the window light and throwing a tiny bright glint where it fattens near the jaw. Her right hand holds a wire swimwear hanger up at chest height, thumb and forefinger pinched on the hook, the hanger angled so the garment hangs free: a gold latex micro bikini with almost no cloth to it — two narrow triangle cups and a back strap no wider than a finger, the halter and side ties drawn to thin strings, the whole piece collapsing into a few bright cords against the dark kimono. The latex catches the light as a wet, sharp-edged specular streak along each strap, and the lower edge of the fabric sags very slightly under its own small weight at the hanger's far tip. Her forearm is inside the long black kimono sleeve, the sleeve falling back off the wrist and bunching at the elbow; the sway of the sleeve and the hanger's counter-swing are the only motion. Her left hand rests out of frame below the crop. Behind her, a tea room: pale tatami matting, a shoji screen with warm daylight bleeding through its paper so the light comes from the left as a soft, low, amber key that edges her hat brim, cheek and the gold straps, while the right side of her face and the room beyond fall into a warm brown shadow; a tokonoma alcove and a hanging scroll sit soft and slightly out of focus behind her shoulder, and a single thin line of daylight lies across the tatami. Palette: black kimono, black hat, pale tatami and warm cream rice paper, brass-gold latex as the one saturated note, skin in muted rose. Every element of the room is simplified into two or three tonal shapes; grain of the tatami and the paper tooth of the shoji hold the only texture. Quiet, heavy, faintly contemptuous heat.

まんざらでもない感じも良い

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