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Akiza Izinski - Bodysuit
Prompts sind auf PixAI standardmäßig öffentlich, aber Creator können sie bei jedem veröffentlichten Werk verbergen. Der Creator dieses Werks hat sich dafür entschieden – die Wörter, mit denen das Bild generiert wurde, bleiben also privat und nur diese Person kann sie sehen. Sonst ändert sich dadurch nichts: Das Werk bleibt öffentlich, und du kannst es wie gewohnt liken, kommentieren und teilen.
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character: medusa_(rider)_(fate), artist: kumakichi_(cost-lost), copyright: fate/stay_night
1girl, solo, medusa_(rider)_(fate), long_hair, very_long_hair, purple_hair, hair_flowing_above_head, purple_eyes, facial_mark, forehead_mark, light_skin, light_skinned_female, large_breasts, cosplay, spider-woman_(jessica_drew)_cosplay, superhero_costume, red_bodysuit, two-tone_bodysuit, print_bodysuit, latex, latex_bodysuit, tight_bodysuit, skin_tight, tight_clothes, impossible_bodysuit, impossible_clothes, breast_sack, navel_visible_through_clothes, large_areolae_visible_through_suit, skindentation, yellow_gloves, yellow_boots, clothed, clothed_female, mid-air, jumping, leaping, from_below, foreshortening, dutch_angle, looking_down, arms_spread, legs_bent, toes_pointed, night, city, skyscraper, city_lights, motion_lines, clenched_teeth, determined, wind_lift,
The camera sits far below the leap and off to one side, tilted on a dutch angle, so the whole city drops away beneath the single figure: a long-limbed woman with light skin, seen from below and slightly behind her right hip, hanging in mid-air between two rooftops. Her body is caught at the apex of the jump — torso twisted in the air, right arm flung out ahead of her with the yellow-gloved fingers spread wide as if catching the ledge that is still two metres off, left arm trailing behind at hip level, knees drawn up and one yellow boot kicked back, toes pointed, the other boot leading with the toe reaching for the far cornice. Her very long purple hair streams up and back above her head, split into fine strands against the black sky, and the motion drags it into a wide fan that shows the leap's direction.
She wears a Jessica-Drew-style Spider-Woman costume: a tight red latex bodysuit with the print suit's darker two-tone panels running over shoulders, ribs and thighs, the black web-print radiating across the chest and upper arms and the spider emblem printed high on the chest. The yellow gloves run up her forearms and the yellow boots up her calves. The latex clings like a second skin — skin-tight and impossible, the red surface molding around and beneath the breasts so the fabric wraps them on all sides and deep skindentation cuts the waistline and thigh tops where the compressed suit pinches the flesh. The navel stays visible as a taut dimple through the stretched red membrane, and the large areolae show through the latex as two soft darker discs pressed flat by the stretch of the fabric. The costume has no cape and no hat; her face carries only the facial mark and the forehead mark, and her jaw is set, teeth clenched, eyes narrow and fixed hard on the rooftop ahead — the only target in frame.
Above and behind her, the night city is a vertical lattice of black towers and lit windows, red aircraft-warning lamps blinking at distant roof edges, a low sodium haze catching the underside of the clouds. The only real key light comes from far below and ahead of her: an orange sodium wash thrown upward from the street, striking the underside of her chin, the fronts of her thighs, the tops of the yellow boots and the leading edge of her outstretched glove, while the tops of her shoulders and the crown of her head fall into cool blue-black that matches the sky. Her flying hair catches a thin rim of that street glow along its outer strands. Between the two rooftops below her hangs the empty gap, and every lit window in the tower beneath winks off one by one in perspective, so the depth of the drop is readable only in the shrinking grid of light — a single piece of the leap's physics that makes the height real.
Palette: red and yellow against black-and-blue night, the only warm light the sodium glow from below; the whole scene is high-gloss, skin-tight and contoured, with the latex polished to a hard specular sheen. Thrilling, weightless.
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甲河アスカDiT.3
Saike
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masterpiece, best quality, ultra-detailed, high resolution, intricate details, beautiful lighting, cinematic light, 8k, ultra sharp, vivid colors, dynamic composition, volumetric lighting, highly detailed face and hair, 1girl, solo, senou natsuru\(kampfer\), genderswap, red eyes, purple hair, (long hair), ponytail, sidelocks, hair between eyes, (gigantic breasts), (curvy), thick thighs, shoulder armor, dark persona, corruption, tiara gem, alternate costume, elbow gloves, purple thighhighs, micro shorts, looking at viewer, evil smile, standing, one hand on hip, cowboy shot, outdoors, city, night, rooftop, low light
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reunited at last
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character: kaname_madoka_(magical_girl), copyright: mahou_shoujo_madoka_magica
Kaname Madoka from Puella Magi Madoka Magica, pink twin tails tied with deep red ribbons, wearing her iconic magical girl costume, white corset-like bodice with delicate back lacing, voluminous layered white and pale pink ruffled skirt, crimson ribbons flowing loosely around her body, viewed from behind at a three-quarter angle, seated with her back gracefully arched, both arms extending naturally downward behind her back, one hand gently holding the opposite wrist, clearly separated hands, relaxed slender fingers, five distinct fingers on each hand, natural finger spacing, anatomically correct wrists, elegant delicate hands, visible knuckles, softly curved fingers, hands clearly visible against the white skirt, unobstructed hand silhouette, accurate hand anatomy, head tilted far backward, chin raised toward the darkness, face mostly hidden, elegant elongated silhouette, delicate exposed shoulders, soft loose strands of pink hair, dramatic asymmetrical composition, close medium shot, large skirt filling the lower frame, dark almost black background, dramatic directional lighting, pale ivory highlights, muted dusty pink, cold gray shadows, rich crimson accents, strong contrast between luminous fabric and deep darkness, thick impasto oil painting, expressive visible brushstrokes, heavy layered paint, rough palette knife texture, sculptural paint strokes, painterly edges, textured canvas, loose gestural painting, rich tactile surface, dramatic chiaroscuro, melancholic atmosphere, haunting beauty, full bleed composition, edge-to-edge artwork, no borders, no frame, textured illustration, grainy texture, crayon texture, chalky brushwork, impasto strokes, bold color blocking, stylized anime, flat shading, dry brush effect, atmospheric lighting, soft glow highlights, rough painterly anime style, visible textured brushstrokes, heavy impasto texture, scratchy charcoal-like linework, expressive gestural strokes, smudged edges, desaturated base tones with aggressive high-contrast color, sketch style, rough brushstroke
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Tofu
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the ballerina
ᯓᯓ 𝙘𝙤𝙘𝙤𝙛𝙡𝙪𝙛𝙛𝙞
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