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ねずみ

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PixAI × Brunirax Retro Anime Contest#PixAI Retro Anime

#Hololive Production #hololive English #Hakos Baelz

Veröffentlicht: Nov 10, 2026

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character: hakos_baelz 1girl, solo, hakos_baelz, multicolored hair, red hair, black hair, white hair, streaked hair, long hair, twintails, hair ornament, bow, hair between eyes, white shirt, long sleeves, detached sleeves, crop top, skirt, black gloves, tail ornament, tail bow, from above, looking up, crouching, leaning forward, arms behind back, head tilt, grin, open mouth, :d, one eye closed, blush, foreshortening, dutch angle, 1990s anime style, cel shading The camera looks down from above at a slight dutch tilt, the horizon of the shot canted a few degrees, and one girl crouches at the centre of a completely empty, seamless off-white studio field -- no horizon line, no floor seam, no props, nothing but her and the flat ground tone. She is folded down low with her weight settled on the balls of both feet and her hips pushed back, knees apart, torso pitched forward so her chest and shoulders come up toward the lens; both arms are tucked behind her back, hands hidden, black-gloved fingers loosely clasped out of sight, so nothing interrupts the line of her shoulders. Because the camera is above her, her long red-black-and-white streaked hair hangs forward off her skull and off both twintails toward the ground, the streaked locks fanning and crossing each other under her own weight, the ribbon bows and the small hair ornament near the crown tipped forward and partly foreshortened into ellipses, one short strand falling between her eyebrows; the twintails swing out slightly because of the low lean, their tips drifting forward of her knees. Her chin is lifted, head tilted, so her face comes up to meet the lens at a three-quarter angle, bringing her eyes up to look at the viewer with the outer corner of one eye pinched shut in a wink and the other wide, one brow cocked higher than the other; a grin splits her mouth open showing teeth, the corners pushed up, a faint blush sitting high on both cheeks. Her white shirt and its long detached sleeves are loose enough that the fabric hangs down away from her forearms toward the floor with the pull of the crouch, the crop top riding up slightly at the waist above the skirt, the skirt hem splaying in a round shape over her own bent legs. Light is a single hard key from the upper left, well above and in front of her, so it strikes her lifted forehead, the bridge of her nose, the tops of her shoulders and the upper surfaces of her hair, while the undersides of her chin, sleeves and skirt drop into cool shadow with crisp cel-shaped terminator lines; a small, hard, slightly offset cast shadow pools directly beneath her, tight to her feet and knees, because there is nothing else in the field to shade. Palette is strictly red, black and white plus the off-white ground, with only the blush's pink admitted -- flat saturated red and black hair masses, plain white fabric, and the unmodulated off-white field behind, everything filled in flat color with hard-edged two-tone shading and no gradients. Her tail is behind her out of the framing of the lenses' brightest pool, and the hair ornament edge catches a single hard white specular highlight that makes visible how far the key light travels. Playful, effortlessly bratty.

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