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AI artwork featuring #Schlafend, #Wiese, #Brille mit schwarzem Rand, #Schlafsack, #Revue Starlight, #Junna Hoshimi and #Mondlicht
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Junna Hoshimi, Revue Starlight

#Schlafend#Wiese#Brille mit schwarzem Rand#Schlafsack#Revue Starlight#Junna Hoshimi#Mondlicht
余

余命一万一日

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character: hoshimi_junna full body, solo, sleeping, eyes closed, sleeping bag, navy blue sleeping bag, drawstring, cinched tight, hood-like collar, only face and a little hair visible, glasses, long hair, purple hair, ponytail, sidelocks, hair ornament, hair over shoulder, lying on back, on grass, grassy field, night, moonlight, from above, foreshortening, eight heads tall, tall female, closed mouth, relaxed face, calm, bare hands not visible, no blanket folds open, dark background, rim light, cool palette Full-body view from high above, looking down the length of her body: she lies flat on her back in a grassy field at night, and the camera sits steeply overhead, so the sleeping bag runs vertically through the frame in strong foreshortening, her hooded head at the top edge and the mummy-shaped foot of the bag tapering to the bottom, the whole body inside the letterbox of the frame with a band of grass visible on either side. She is eight heads tall and adult-proportioned; inside the bag the length of her is read from the bag's own silhouette, a long straight form under the padding, and the proportions are not foreshortened into a dwarf shape. The bag is deep navy blue nylon, quilted in horizontal chambers, filled enough to bulge softly and read as thick insulation; at the neck the cowl-like hood is drawn up and closed, the drawstring pulled to its limit and knotted so the fabric puckers into tight radial gathers around a small oval opening. Only her face and a little of her hair come through that opening: a narrow wedge of forehead, both closed eyes with lashes lowered and lids smooth, the bridge and lenses of dark-framed glasses resting in place over them, her nose and mouth relaxed, lips parted a faint sliver; a few strands of long purple hair escape the gathers and lie forward across the cowl's upper edge, one sidelock slipping out toward her cheek, the rest of her long ponytail and the ornamented tie packed away inside the hood, pressing a soft rounded shape into the fabric behind her head. Her arms are sealed inside the bag along her sides, and no hand is visible; the bag's surface shows their faint ridge. Grass surrounds and partly overlaps the bag's edge -- blades bent flat underneath it, longer stalks leaning over the rim and crossing in front of the navy nylon in the foreground -- so the bag visibly presses the meadow down where it rests and the elastic drawstring has left a slight tension crease in the fabric at the neck. The only light is the moon, high and off to the upper right out of frame: cool silver-blue strikes the upper faces of the bag's quilted chambers, the top edge of the cowl and the lenses of her glasses, which catch two small hard white glints; a thin rim of moonlight picks out the escaping strands of hair and the tips of the grass blades nearest the lens, while the underside of the bag, the pinched gathers at the throat and the gaps between grass blades fall into deep blue-black shadow. Grass thrown up by the near stalks casts thin shadows reaching left across the nylon. The palette is restricted to navy, silver-blue, black-green and the pale warm of her skin; no other light source exists, and beyond the grass the field sinks into darkness. Quiet, tender.
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Ursprünglicher Prompt
紺色の寝袋に入ってぐっすり眠っている星見純那の全身像。八頭身。首回りのドローコードはいっぱいまで締められて顔とほんの少しの髪だけが外に出ている。眼鏡はかけたまま。草原の中で、月明かりに浮かび上がっている。
Modus
flash
Größe
1104 x 1824
Prompt-Assistent

Verwendetes Modell und LoRA

Tsubaki.3 Flash - AI Model cover image

PixAI DiT.3

Tsubaki.3 Flash
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余
character: hoshimi_junna full body, solo, sleeping, eyes closed, sleeping bag, navy blue sleeping bag, drawstring, cinched tight, hood-like collar, only face and a little hair visible, glasses, long hair, purple hair, ponytail, sidelocks, hair ornament, hair over shoulder, lying on back, on grass, grassy field, night, moonlight, from above, foreshortening, eight heads tall, tall female, closed mouth, relaxed face, calm, bare hands not visible, no blanket folds open, dark background, rim light, cool palette Full-body view from high above, looking down the length of her body: she lies flat on her back in a grassy field at night, and the camera sits steeply overhead, so the sleeping bag runs vertically through the frame in strong foreshortening, her hooded head at the top edge and the mummy-shaped foot of the bag tapering to the bottom, the whole body inside the letterbox of the frame with a band of grass visible on either side. She is eight heads tall and adult-proportioned; inside the bag the length of her is read from the bag's own silhouette, a long straight form under the padding, and the proportions are not foreshortened into a dwarf shape. The bag is deep navy blue nylon, quilted in horizontal chambers, filled enough to bulge softly and read as thick insulation; at the neck the cowl-like hood is drawn up and closed, the drawstring pulled to its limit and knotted so the fabric puckers into tight radial gathers around a small oval opening. Only her face and a little of her hair come through that opening: a narrow wedge of forehead, both closed eyes with lashes lowered and lids smooth, the bridge and lenses of dark-framed glasses resting in place over them, her nose and mouth relaxed, lips parted a faint sliver; a few strands of long purple hair escape the gathers and lie forward across the cowl's upper edge, one sidelock slipping out toward her cheek, the rest of her long ponytail and the ornamented tie packed away inside the hood, pressing a soft rounded shape into the fabric behind her head. Her arms are sealed inside the bag along her sides, and no hand is visible; the bag's surface shows their faint ridge. Grass surrounds and partly overlaps the bag's edge -- blades bent flat underneath it, longer stalks leaning over the rim and crossing in front of the navy nylon in the foreground -- so the bag visibly presses the meadow down where it rests and the elastic drawstring has left a slight tension crease in the fabric at the neck. The only light is the moon, high and off to the upper right out of frame: cool silver-blue strikes the upper faces of the bag's quilted chambers, the top edge of the cowl and the lenses of her glasses, which catch two small hard white glints; a thin rim of moonlight picks out the escaping strands of hair and the tips of the grass blades nearest the lens, while the underside of the bag, the pinched gathers at the throat and the gaps between grass blades fall into deep blue-black shadow. Grass thrown up by the near stalks casts thin shadows reaching left across the nylon. The palette is restricted to navy, silver-blue, black-green and the pale warm of her skin; no other light source exists, and beyond the grass the field sinks into darkness. Quiet, tender.
余命一万一日
#Schlafend#Wiese#Brille mit schwarzem Rand
AI artwork
余
character: hoshimi_junna full body, solo, sleeping, eyes closed, sleeping bag, navy blue sleeping bag, drawstring, cinched tight, hood-like collar, only face and a little hair visible, glasses, long hair, purple hair, ponytail, sidelocks, hair ornament, hair over shoulder, lying on back, on grass, grassy field, night, moonlight, from above, foreshortening, eight heads tall, tall female, closed mouth, relaxed face, calm, bare hands not visible, no blanket folds open, dark background, rim light, cool palette Full-body view from high above, looking down the length of her body: she lies flat on her back in a grassy field at night, and the camera sits steeply overhead, so the sleeping bag runs vertically through the frame in strong foreshortening, her hooded head at the top edge and the mummy-shaped foot of the bag tapering to the bottom, the whole body inside the letterbox of the frame with a band of grass visible on either side. She is eight heads tall and adult-proportioned; inside the bag the length of her is read from the bag's own silhouette, a long straight form under the padding, and the proportions are not foreshortened into a dwarf shape. The bag is deep navy blue nylon, quilted in horizontal chambers, filled enough to bulge softly and read as thick insulation; at the neck the cowl-like hood is drawn up and closed, the drawstring pulled to its limit and knotted so the fabric puckers into tight radial gathers around a small oval opening. Only her face and a little of her hair come through that opening: a narrow wedge of forehead, both closed eyes with lashes lowered and lids smooth, the bridge and lenses of dark-framed glasses resting in place over them, her nose and mouth relaxed, lips parted a faint sliver; a few strands of long purple hair escape the gathers and lie forward across the cowl's upper edge, one sidelock slipping out toward her cheek, the rest of her long ponytail and the ornamented tie packed away inside the hood, pressing a soft rounded shape into the fabric behind her head. Her arms are sealed inside the bag along her sides, and no hand is visible; the bag's surface shows their faint ridge. Grass surrounds and partly overlaps the bag's edge -- blades bent flat underneath it, longer stalks leaning over the rim and crossing in front of the navy nylon in the foreground -- so the bag visibly presses the meadow down where it rests and the elastic drawstring has left a slight tension crease in the fabric at the neck. The only light is the moon, high and off to the upper right out of frame: cool silver-blue strikes the upper faces of the bag's quilted chambers, the top edge of the cowl and the lenses of her glasses, which catch two small hard white glints; a thin rim of moonlight picks out the escaping strands of hair and the tips of the grass blades nearest the lens, while the underside of the bag, the pinched gathers at the throat and the gaps between grass blades fall into deep blue-black shadow. Grass thrown up by the near stalks casts thin shadows reaching left across the nylon. The palette is restricted to navy, silver-blue, black-green and the pale warm of her skin; no other light source exists, and beyond the grass the field sinks into darkness. Quiet, tender.
余命一万一日
#Schlafend#Wiese#Brille mit schwarzem Rand
AI artwork
余
character: hoshimi_junna full body, solo, sleeping, eyes closed, sleeping bag, navy blue sleeping bag, drawstring, cinched tight, hood-like collar, only face and a little hair visible, glasses, long hair, purple hair, ponytail, sidelocks, hair ornament, hair over shoulder, lying on back, on grass, grassy field, night, moonlight, from above, foreshortening, eight heads tall, tall female, closed mouth, relaxed face, calm, bare hands not visible, no blanket folds open, dark background, rim light, cool palette Full-body view from high above, looking down the length of her body: she lies flat on her back in a grassy field at night, and the camera sits steeply overhead, so the sleeping bag runs vertically through the frame in strong foreshortening, her hooded head at the top edge and the mummy-shaped foot of the bag tapering to the bottom, the whole body inside the letterbox of the frame with a band of grass visible on either side. She is eight heads tall and adult-proportioned; inside the bag the length of her is read from the bag's own silhouette, a long straight form under the padding, and the proportions are not foreshortened into a dwarf shape. The bag is deep navy blue nylon, quilted in horizontal chambers, filled enough to bulge softly and read as thick insulation; at the neck the cowl-like hood is drawn up and closed, the drawstring pulled to its limit and knotted so the fabric puckers into tight radial gathers around a small oval opening. Only her face and a little of her hair come through that opening: a narrow wedge of forehead, both closed eyes with lashes lowered and lids smooth, the bridge and lenses of dark-framed glasses resting in place over them, her nose and mouth relaxed, lips parted a faint sliver; a few strands of long purple hair escape the gathers and lie forward across the cowl's upper edge, one sidelock slipping out toward her cheek, the rest of her long ponytail and the ornamented tie packed away inside the hood, pressing a soft rounded shape into the fabric behind her head. Her arms are sealed inside the bag along her sides, and no hand is visible; the bag's surface shows their faint ridge. Grass surrounds and partly overlaps the bag's edge -- blades bent flat underneath it, longer stalks leaning over the rim and crossing in front of the navy nylon in the foreground -- so the bag visibly presses the meadow down where it rests and the elastic drawstring has left a slight tension crease in the fabric at the neck. The only light is the moon, high and off to the upper right out of frame: cool silver-blue strikes the upper faces of the bag's quilted chambers, the top edge of the cowl and the lenses of her glasses, which catch two small hard white glints; a thin rim of moonlight picks out the escaping strands of hair and the tips of the grass blades nearest the lens, while the underside of the bag, the pinched gathers at the throat and the gaps between grass blades fall into deep blue-black shadow. Grass thrown up by the near stalks casts thin shadows reaching left across the nylon. The palette is restricted to navy, silver-blue, black-green and the pale warm of her skin; no other light source exists, and beyond the grass the field sinks into darkness. Quiet, tender.
余命一万一日
#Schlafend#Brille mit schwarzem Rand#Schlafsack
AI artwork
余
character: shimamura_uzuki sleeping, deeply asleep, eyes closed, 1girl, solo, full body, whole body visible head to feet, eight heads tall proportions, tall slender figure, inside navy sleeping bag, mummy-style sleeping bag, hood up around head, drawcord at collar cinched fully tight, cinched hood opening, only face and a little hair exposed, tiny face window, long brown hair, a few strands of brown hair spilling from the hood opening, brown eyes closed, peaceful sleeping face, relaxed brow, faint parted lips, slow breathing, rope around neck, many coils of rope wrapped around the neck, rope wound many times around the entire body over the sleeping bag, ropes binding the sleeping bag shut, horizontal coils stacked from shoulders to ankles, thick twisted hemp rope, standing upright suspended, vertical hanging, arms pinned inside the bag along the body, legs pressed together inside the bag, toes pointed down inside the fabric, from below, low angle, worm's-eye view, dramatic foreshortening, seamless dark studio ground, soft single key light from upper left, moody shadows, muted navy and warm hemp palette, quiet dread The camera looks up from near floor level: a tall slender body hangs upright in a navy mummy sleeping bag, the whole figure from the crown of the hood to the pointed tips of the toes inside the fabric within frame, the low angle lengthening the bag into a tapering column that reads as eight heads tall. The hood is drawn over the head, its drawcord pulled all the way tight so the opening puckers into a small dark-rimmed oval; inside that oval only the face shows — both eyes shut, brows slack, lips barely parted in a slow exhale — with a few brown strands of long hair escaping the cinched rim and lying against the cheek and the nylon. Nothing else of her is exposed: the bag's fabric is taut across her shoulders, chest, hips and knees, shaping the body underneath, her arms pressed straight down along her sides inside it, both feet pushed into the bottom corner so the fabric tents into a point. Hemp rope comes in at the throat first, several turns wound around the neck above the collar, and from there runs down the whole length of the bag in stacked horizontal coils, layer crossing layer, cinching the nylon into soft folds between each pass and pulling the bag narrower at the waist and ankles; the tightest coils press dimples into the fabric, and the rope's fibers catch a faint sheen where the key light grazes their upper curves. A single soft key light falls from the upper left, modeling the left side of the hood and face and the top arc of every rope turn, while the right side of the bag sinks into shadow; beneath the hanging toes a small pool of darkness spreads on the seamless ground with no visible cast shadow, since the light is diffuse and the body hangs clear of any surface. The palette holds to deep navy cloth, pale warm skin in the face window, and the dull straw tone of the rope, nothing else. The only motion is the infinitesimal sway of the suspended bag and the slow rise and fall of breath at the cinched collar. Peaceful, unsettling.
余命一万一日
#Schlafend#Uzuki Shimamura#Schlafsack

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