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AI artwork featuring #Fate-Serie, #Fate/Grand Order and #Olga Marie Animusphere
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Olga Marie Animusphere, Fate-Serie

#Fate-Serie#Fate/Grand Order#Olga Marie Animusphere
Avatar image of 鷹の目

鷹の目

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character: olga_marie_animusphere, artist: takeuchi_takashi, copyright: type-moon, fate/grand_order 1girl, solo, olga_marie_animusphere, long white hair, side braid, hair ribbon, full bangs, hair between eyes, orange eyes, no horn, bare forehead, bare natural human head, light beige spring coat, white knee-length dress, coat held closed at lapel, small pastel shoulder bag hanging from elbow, low heels, walking, mid-step, walking toward viewer, glancing to the side, looking at shop windows, soft smile, closed mouth, full body, from below, slightly low angle, wide shot, cherry blossoms, cherry trees in full bloom, falling petals, petals in hair, petals caught in braid, Japanese shopping street, storefronts, soft focus background, depth of field, warm sunlight, dappled light, petal-shaped light on pavement, spring, bright, airy, high-key lighting, soft cel-shading, delicate linework, bishoujo, cinematic composition, atmospheric haze, Full-body shot from a slightly low angle: a young woman with long white hair gathered into a single side braid that falls forward over her right shoulder, its length reaching past her waist, full bangs covering her forehead to the brow line, no horns, a bare natural human head, a pale ribbon tied where the braid begins. Her orange eyes are turned aside, not to the lens: her head tips a few degrees toward the shop windows at frame left, a soft closed-mouth smile lifting one corner of her lips, lashes low. She is caught mid-step walking toward the camera, weight carried on her forward left foot, right heel just lifting off the pavement, hips and shoulders counter-rotated in a natural walking twist. Her right hand grips the lapel of her light beige spring coat closed at the collarbone, knuckles pulled taut against the breeze; her left arm hangs bent, the small pastel shoulder bag hooked in the crook of her elbow with the strap pinched, its body swinging slightly outward from her hip. The coat hangs open below the grip, over a white knee-length dress whose hem brushes her knees, the skirt bellied gently toward the camera by the wind; low heels sit on the pavement, the forward foot flat, the rear shoe tilted on its toe. Three or four pink petals are caught in the weave of the braid near her shoulder and one rests against the coat cuff. The street runs away behind her in soft focus: a narrow Japanese shopping street, storefronts stacked frame left, shallow awnings, hanging shop signs whose lettering is small and illegible with distance, a few dark doorways, the pavement dry and pale gray. Cherry trees in full bloom line both sides, their branches meeting overhead in a pink canopy, trunks marking the depth of the lane; beyond them the background dissolves into blurred bloom and warm haze under a shallow depth of field that keeps only her crisp. Warm afternoon spring sunlight rakes in from the upper right, backlighting through the petals so the blossoms glow translucent at their edges and her white hair picks up a bright rim along the braid and shoulder; beneath the canopy the light falls in petal-shaped dapples across the pavement, soft-edged ellipses of warmth with cool lavender shadow between them, and the same dapple breaks across her coat and the side of her face. Petals drift down through the air at several depths, larger and softly blurred near the lens, small and sharp near her shoulder, and the few that have already settled lie only on upward-facing surfaces — the tops of the awnings, the flat pavement stones. Palette: pale pink, warm cream and light beige, the white of hair and dress, cool gray-lavender shadow, one small note of soft pastel mint in the shoulder bag. Delicate linework, soft cel-shading with clean two-tone shadow shapes and lustrous highlights on hair and bag leather, fine individual hair strands catching the backlight, crystalline highlights in the orange eyes, bright and airy spring mood, tender and effortlessly bright.
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flash
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1536 x 2048

Verwendetes Modell und LoRA

Tsubaki.3 Flash - AI Model cover image

PixAI DiT.3

Tsubaki.3 Flash
2.09k

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Mio.2
Agent
Mio.2

Minimale Eingabe, professionelles Ergebnis

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AI artwork
Avatar image of 鷹の目
character: olga_marie_animusphere, artist: takeuchi_takashi, copyright: type-moon, fate/grand_order 1girl, solo, olga_marie_animusphere, long white hair, single side braid, full bangs covering forehead, bare forehead, smooth unbroken hairline, bare head, no horns, orange eyes, profile, three-quarter back view, looking up, looking back, open mouth, delighted smile, grin, walking, stopped, hands behind back, fingers loosely clasped, leaning back slightly, riverside promenade, cherry blossom tunnel, sakura in full bloom, falling petals, swirling petals, petals in sunlight, blue sky, river, glittering water reflection, lavender light jacket, white midi skirt, thin cream scarf, scarf blowing, flat shoes, full body, backlighting, warm spring light, sunbeams through branches, airy, luminous, soft cel-shading, delicate linework, bishoujo, high-key, atmospheric haze, lustrous texture, cinematic depth, vibrant color Full body shot from behind and slightly to her right, three-quarter back view: the camera sits low behind her right shoulder at hip height, so her back and the fall of her braid fill the left of the frame while her head turns over her right shoulder to show her profile and her open-mouthed smile in three-quarter. She is caught mid-stride on the riverside promenade and has stopped: her weight has shifted forward onto the front flat shoe, the rear heel just lifting off the paving stones, her shoulders tipped back a little as her chin comes up. Both hands are loosely clasped behind her back at the small of her waist, fingers interlaced without strain, thumbs resting together; the lavender light jacket pulls taut across her shoulder blades from that gesture and its open front swings, and the white midi skirt hangs to mid-calf with a breeze-driven fold running down the near side. Her long white hair is gathered into a single side braid that falls over her right shoulder and away from the camera, the loose strands at her nape lifting with the wind, and her full bangs cover her forehead in an unbroken smooth hairline above bare temples, the crown bare and clear with nothing rising from it. Her orange eyes are angled up and back into the branches above her right shoulder, catching the sky between the blossoms, her brow lifted and her lips parted in an easy delighted smile. The promenade runs on a diagonal from the lower left foreground into the midground, the river lying beyond its low stone edge to her left, and above both a continuous tunnel of cherry trees in full bloom arches over the path so the branches close overhead and open into blue sky where the river widens. The warm spring light comes from behind the trees, low and to the rear, so it rims the edges of her braid, the lavender shoulder seam and the cream scarf in a bright contour, throws the front of her face and the near side of the skirt into soft reflected light off the pale paving, and puts her cast shadow forward and to the right of her feet. The thin cream scarf lifts off her collar in a curving tail and streams toward the camera side, the loose end fluttering. Petals swirl in the moving air around her, tumbling in a visible spiral from the branches past her shoulder, and where each petal turns edge-on to the rear sun it goes translucent and glows; the ones at her back sit in the warmer shade of the tunnel. Below the promenade edge, sunlight splinters across the river's surface into small bright glints that break and re-form with the current, an arm of light reaching to the far bank. The far bank and the deeper tunnel recede into a pale atmospheric haze, and the small distant figures there stay simplified. Palette: pale blue sky and river, warm honey light on the stone and on her hair, soft lavender jacket, white skirt, cream scarf, and pink petals as the only saturated accent, everything tied together by the hazy luminous spring air. Soft cel-shading with delicate linework and lustrous highlights on hair and fabric, bishoujo finish, crystalline eyes and fine hair detail, high-key and airy. Effortlessly tender, weightlessly bright.
鷹の目
AI artwork
神田
character: firefly_(spring_missive)_(honkai:_star_rail), kiroranke, artist: ciloranko, copyright: honkai:_star_rail 1girl, solo, standing, looking at viewer, gentle smile, outdoors, spring (season), cherry blossoms, falling petals, soft lighting, warm spring breeze, petals carried through the air, long grey hair with a green gradient toward the tips, black hairband, green bow, hair between eyes, white sailor-collar shirt, long sleeves, grey plaid skirt, white thighhighs, bowtie, (kaduchi:0.8), full body, from below, slight low angle, cherry blossom canopy above, sunlit park path, petals on the wind. The camera sits low, tilted a little upward: the composition opens looking up at one girl standing alone on a sunlit park path, cherry trees rising and arching overhead into a canopy that fills the upper third of the frame. She is planted slightly off centre to the right, weight settled on her back foot with the front toe turned out, one hand relaxed at her side and the other lifted just below her collarbone with the fingers loosely curled, as though the breeze had just stirred the sleeve. Her long grey hair runs to a green gradient at the tips and lifts sideways off her shoulder in the gust, the black hairband and the small green bow pulling with it, strands of hair between her eyes flicking across her brow. She wears the white sailor-collar shirt with its long sleeves, the bowtie sitting at the open collar, the grey plaid skirt swinging a half-beat behind the direction of the wind, and white thighhighs down to her shoes. Her chin is tipped a fraction down so that she meets the viewer's eyes from under the canopy, a gentle closed-lip smile that creases one corner a little higher than the other, eyes soft and half-lidded in the light. The breeze is the second subject of the picture: petals come off the canopy in a broad diagonal drift from upper left to lower right, a few of them brushing past her shoulder and catching in the moving hair, most of them tumbling free, and the ones already fallen lie gathered along the path's edges and in the lee of the tree roots where the wind cannot reach them. Sunlight comes from high and behind her left shoulder, warm and diffused through the blossom so that the light on her face is soft and her shadow falls forward and slightly right across the path, dappled where the branches break it up; the far trees recede into a bright hazy bokeh of pink and pale green, the near trunk on the left dark and detailed. The palette is held to blossom pink, the fresh yellow-green of new leaves, warm white sunlight, and the grey-green of her hair and skirt, nothing colder admitted. Depth is carried by three layers -- the near trunk and its root shadow, the girl mid-path, the soft blown-out grove behind -- and by the petals themselves, sharp and separate close to the lens, small and blurred farther off. Her hair and the skirt hem trail a fraction behind the gust while the petals outrun them, so the whole frame reads as a single moving instant. Warm, weightless.
神田

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AI artwork
Avatar image of リオ
character: kaname_madoka_(magical_girl), copyright: mahou_shoujo_madoka_magica Kaname Madoka from Puella Magi Madoka Magica, pink twin tails tied with deep red ribbons, wearing her iconic magical girl costume, white corset-like bodice with delicate back lacing, voluminous layered white and pale pink ruffled skirt, crimson ribbons flowing loosely around her body, viewed from behind at a three-quarter angle, seated with her back gracefully arched, both arms extending naturally downward behind her back, one hand gently holding the opposite wrist, clearly separated hands, relaxed slender fingers, five distinct fingers on each hand, natural finger spacing, anatomically correct wrists, elegant delicate hands, visible knuckles, softly curved fingers, hands clearly visible against the white skirt, unobstructed hand silhouette, accurate hand anatomy, head tilted far backward, chin raised toward the darkness, face mostly hidden, elegant elongated silhouette, delicate exposed shoulders, soft loose strands of pink hair, dramatic asymmetrical composition, close medium shot, large skirt filling the lower frame, dark almost black background, dramatic directional lighting, pale ivory highlights, muted dusty pink, cold gray shadows, rich crimson accents, strong contrast between luminous fabric and deep darkness, thick impasto oil painting, expressive visible brushstrokes, heavy layered paint, rough palette knife texture, sculptural paint strokes, painterly edges, textured canvas, loose gestural painting, rich tactile surface, dramatic chiaroscuro, melancholic atmosphere, haunting beauty, full bleed composition, edge-to-edge artwork, no borders, no frame, textured illustration, grainy texture, crayon texture, chalky brushwork, impasto strokes, bold color blocking, stylized anime, flat shading, dry brush effect, atmospheric lighting, soft glow highlights, rough painterly anime style, visible textured brushstrokes, heavy impasto texture, scratchy charcoal-like linework, expressive gestural strokes, smudged edges, desaturated base tones with aggressive high-contrast color, sketch style, rough brushstroke
リオ
3#Puella Magi Madoka Magica#Madoka Kaname#Puella Magi Madoka Magica
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