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AI art "クロオオアリ怪人（兵隊）"
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クロオオアリ怪人（兵隊）

兵隊だと男性シルエットになっちまうね

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えるふきち

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1 kaijin, solo, RPG monster design, humanoid insect warrior, soldier ant motif, black garden ant soldier, large curved mandibles, segmented antennae, armored exoskeleton, chitin plating, overlapping black carapace plates, glossy black-brown shell, red-brown thorax segments, from below, foreshortening, dynamic angle, mid-roar, arms spread, open mandibles, full body, standing on broken stone tiles, dark stone chamber background, pale green backlight, strong rim light, high contrast palette, hard cel shading, three-quarter angle from below, dark fantasy bestiary illustration, menacing The camera looks up at a single humanoid kaijin from a low three-quarter angle, its figure towering and foreshortened so the legs anchor the bottom of the frame and the head breaks toward the top, leaving dark chamber air around the silhouette. Its body is an insectoid warrior's frame sheathed in overlapping chitin plates, black-brown carapace segments cladding the shoulders, forearms, thighs and shins like lamellar armor, with red-brown seams at the thorax and joints where the plates part. The head is an ant soldier's: a broad armored skull, a pair of long segmented antennae curving up and back from the brow, small glossy compound eyes set wide, and a pair of huge curved mandibles jutting forward from the jaw, their inner edges toothed. The figure is caught mid-roar, mandibles splayed wide, both armored arms flung out and slightly bent, clawed chitin gauntlets spread, weight shifted onto one leg so the other steps forward and cracks a broken stone tile underfoot, fragments and grey dust kicked up around the foot. Its eyes aim out past the viewer's shoulder, and the antennae tilt back from the force of the roar. A pale green light source sits low and behind the figure so its edges catch a bright rim while its front falls into shadow, and the segmented carapace throws long hard shadows down the legs and across the stone floor; beyond the light's reach the chamber behind it goes to absolute black. The palette is restricted to black and deep red-brown chitin, grey stone, pale green light and near-black shadows, nothing else admitted. The bestiary illustration uses hard cel shading with crisp chitin highlights and matte stone, giving each plate a readable silhouette against the dark. Menacing, otherworldly.
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Ursprünglicher Prompt
RPGのモンスターデザイン　クロオオアリの兵隊をモチーフとした怪人
Modus
flash
Größe
1104 x 1824
Prompt-Assistent

Verwendetes Modell und LoRA

Tsubaki.3 Flash - AI Model cover image

PixAI DiT.3

Tsubaki.3 Flash
2.09k

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horror (theme), chimera, centipede and millipede hybrid, bipedal stance, muscular, ripped, extremely muscular, bodybuilder physique, wide back, defined abdominals, bulging biceps, thick thighs, two-legged stance, hunched forward, from below, dutch angle, low angle, full body, looking down at viewer, open mouth, mandibles, many legs, insect legs, segment exoskeleton, glossy carapace, chitin plates, spiny legs, whip-like legs, multiple eyes, eyeless, claws, grasping claw, long antennae, coiled body length, curled, reaching toward viewer, dramatic lighting, rim light, single light source, high contrast, dark background, fog, night, horror (aesthetic), terrifying, creepy, monstrous, no blood, no gore, no wounds, hands bare, dark palette, black and rust-orange and bone-white palette, cinematic Seen from below, a towering two-legged monstrosity fills the frame: the camera sits low near the ground, tilted a few degrees off level, so the creature's head is thrust high against a black sky and one thick clawed foot lands in the foreground with the toes spread wide on wet stone. Its build is the build of a bodybuilder grown wrong — a wide, knotted back arcing over a pair of slab-like pectoral plates, an abdomen split by deep grooves into ten disciplined segments of chitin, heavy biceps bunching at the shoulders, and thighs corded like cables; the torso leans forward, weight planted on the nearer leg, the far knee bent so the whole mass coils. Around that humanoid scaffolding, the chimera's second nature crawls: rows of flattened centipede legs run down both flanks, each leg a whiplash of jointed shell tipped with a hooked claw, and where the chest meets the shoulders the carapace loosens into the furred, fleshy ribs and tiny writhing forcipules of the other half of the cross — the soft parts glistening, the hard parts polished to a lacquered shine. The head is the fear: a narrow wedge of fused head-plates with two long antennae curving forward and down, a mouth opening too wide and lined with inward-curving mandibular teeth, and above it four small glassy eye-clusters set unevenly on the shell, catching the light like beads of oil. It gazes straight down the lens, mouth hinged open, antennae drifting forward as if tasting the air. One huge arm reaches out toward the viewer, the hand held open and the fingers splayed, the tips of the claws just short of the top of frame; the other arm hangs at its side, claws half-curled. Every joint in the reach is stated — shoulder rolled forward, elbow locked, wrist bent down — so the limb reads as a limb going somewhere, not a shape. The only light is a single cold source from above and behind the creature: it lays a hard white rim along the crown, the spine of the carapace and the tops of the outstretched arm, leaves the chest and face in livid half-shadow where the eye-clusters still glitter, and throws a long, deformed shadow across the wet ground toward the viewer. Beyond the low rim of the ground the background is unbroken black, hazed with a thin ground-mist that swallows the creature's lower legs and lets only the near foot stay sharp — mist curling around the foot proves the hot mass of the body above it. Palette is only lacquer black, rust orange along the segment seams, and bone-white in the highlights; nothing else is admitted. The tone is pure dread — quiet, enormous, patient.
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3#Puella Magi Madoka Magica#Madoka Kaname#Puella Magi Madoka Magica
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