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user1000000008
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- Größe
- 768 x 1280
- Sampling-Schritte
- 25
- Sampling-Methode
- Euler a
- CFG Scale
- 6
- Negativ
- worst quality, bad quality, very displeasing, displeasing, bad anatomy, artistic error, lowres, bad hands, signature, artist name, multiple views, variations, old, oldest, missing fingers, excess fingers, extra hands, excess hands
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1boy, solo, anthro crow man, avian humanoid, shiny black beak, large red-brown eyes, black feathers, black wings folded over shoulders like a cape, long black plague doctor coat, black leather gloves, wide-brimmed plague doctor hat, black belt, leather pouches with glass potions and rolled spell scrolls, holding cane in crook of arm, crystal bird skull cane head, brooding, confident, lowered brow, half-lidded eyes, looking to the side, cowboy shot, from below, leaning back against wall, head turned three-quarter, crossed ankles, fantasy brothel tavern, dim candlelight, deep crimson and gold palette
The camera looks up from slightly below waist height at a three-quarter angle: one anthro crow man stands alone, leaning his left shoulder and upper arm against a carved wooden pillar of a fantasy brothel tavern, one ankle crossed over the other, weight carried on his right leg, his body angled toward the pillar while his head turns back over his right shoulder and his large red-brown eyes look down and off to the side, past the frame, half-lidded under a low, level brow. His shiny black beak catches a thin hard highlight along its ridge. Feathers lie sleek around his cheeks and jaw in an attractive, sharp-boned face; the wide brim of his black plague doctor hat shadows the upper half of his face, and its long curved beak-mask brim tips just above his brow.
His long black plague doctor coat hangs open a hand's width down the chest, its leather waxed and creased at the elbows; both hands are sheathed in black leather gloves, the right hand loosely curled, and in the crook of his left arm — forearm clamped against his ribs — he carries a dark walking cane laid diagonally across his body, its head a carved bird skull of cloudy crystal that glows faintly from within, so the crystal throws a small pale-green pool of light onto the underside of his jaw and the top of his glove. A black belt cinches his waist, and from it hang three leather pouches, one flap unclasped so that glass vials of amber, violet and clear liquid show their waxed stoppers, and a fan of rolled spell scrolls is tucked beside them. His large black wings are folded down and wrapped forward around his shoulders like a living cape, overlapping the coat's collar, their long primaries hanging to his elbows and their glossy barbs reflecting the room's candlelight in thin blue-white streaks.
Behind and around him the fantasy brothel tavern recedes: a low-ceilinged room of dark carved wood, red velvet drapes swagged across a balcony rail, brass censers, and hanging paper lanterns glowing warm rose and gold; soft-focus figures of other patrons and silhouettes of draped couches sit deep in the background, deliberately out of focus, none of them in focus or near the crow man. The only light on him is the crystal cane and a cluster of candles to his right, so his right side is warm and lit and the left side of his coat falls into near-black shadow; the room beyond glows in dust-softened reds and ambers behind a haze of incense smoke. Candle flames and lanterns are the only warm sources; the crystal is the only cool one. Palette locked to black, crimson, antique gold and a single cold green glint at the cane. Quiet, dangerous charm.
MalletMann
Eric Lewis
n
1man, solo, tall, lounging on throne, low angle, from below, gothic dark fantasy, gritty, sharp colors, full body, theatrical porcelain plague doctor mask, beak mask, pitch black lenses, black top hat, black formal funeral clothing, mourning frock coat, black waistcoat, cravat, black trousers, black leather boots, black leather gloves, holding cane, black cane, ebony cane, crossed legs, asymmetrical pose, dark stone throne, vaulted hall, high contrast, highly detailed clothing
A low-angle view looks upward at the tall man sprawled insolently across a towering throne of sculpted black stone. He lounges with one long leg slung casually over the throne’s carved armrest so the heel of his black leather boot dangles in the air, while his other boot presses firmly onto the worn flagstone steps of the dais. His torso tilts back against the shadowed stone backrest in an asymmetric, relaxed recline. His right hand, encased in form-fitting black leather, grips the smooth spherical pommel of an ebony cane planted upright against the stone floor, while his left gloved hand drapes languidly over the throne's opposite edge, fingers curling loosely downward. A structured black silk top hat sits angled back on his head, its brim casting a sharp, hard-edged shadow across the upper half of his theatrical white porcelain plague doctor mask. The mask features a smooth, downturned avian beak sculpted with delicate theatrical fluting, set with two circular, pitch-black glass lenses that stare straight toward the viewer without transmitting a single glint of eye behind them. His Victorian funeral garments are sharply tailored in heavy charcoal-black wool and textured silk, comprising a long mourning frock coat with notched silk-velvet lapels, a high-buttoned waistcoat, and an intricately folded black cravat tucked securely into the high collar. A single high key light cuts in from an elevated side angle, producing a razor-sharp specular gleam along the glazed curvature of the white porcelain beak and the polished leather knuckles, while the heavy matte weave of his wool coat absorbs the surrounding gloom, casting deep, knife-edged black shadows across the throne's gothic filigree. Chilling arrogance.
Null
t0
Victor blackrose
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