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Ichinose Asuna, Blue Archive
Parameter anzeigen
- Ursprünglicher Prompt
- 一ノ瀬アスナ(ブルーアーカイブ)、制服、屋内、学校の教室、2000年前後の日本のテレビアニメ風、1990年代後半から2000年代初頭のアニメ作画、懐かしいアニメスタイル、手描きセルアニメ風、繊細で細めの輪郭線、シンプルで美しいキャラクターデザイン、大きく印象的な瞳、丁寧に描かれたまつ毛、柔らかく自然な表情、整った顔立ち、セル画特有のはっきりした影と色分け、少し落ち着いた色彩、淡いハイライト、アナログ作画の質感、ノスタルジックな雰囲気、高品質なアニメイラスト
- Modus
- pro
- Qualitäts-Tag
- ﹝Prompts﹞
- Größe
- 1104 x 1824
- Negativ
- lowres, worst quality, low quality, bad anatomy, explicit, (nsfw:1.2),(nude:1.6),(nipple:1.2),naked
Prompt-Assistent
Verwendetes Modell und LoRA
Ähnliche Bilder
Mehr anzeigencharacter: asuna_(school_uniform)_(blue_archive), copyright: blue_archive
1girl, solo, ichinose asuna, long hair, very long blonde hair, hair over one eye, blue eyes, blue ribbon, hair ribbon, bow, scrunchie, wrist scrunchie, blue bowtie, white shirt, black pleated skirt, school uniform, school classroom, indoors, daylight through window, sitting on desk edge, leaning forward, legs crossed at the ankle, hands gripping desk edge, head tilt, looking down at viewer, light smile, half-closed eyes, soft natural expression, from below, cowboy shot, dutch angle, 1990s-2000s tv anime style, hand-drawn cel anime, delicate thin lineart, simple beautiful character design, large expressive eyes, carefully drawn eyelashes, well-proportioned face, cel-shaded sharp shadows, flat color blocking, slightly muted colors, soft highlights, analog drawing texture, nostalgic atmosphere
The camera sits low and tilted a few degrees off level, looking up at a girl with very long blonde hair from just below hip height, framing her from mid-thigh to the top of her head in a cowboy shot. She has perched herself on the front edge of a classroom desk, both hips planted on the desktop, her pleated black skirt spread and creased under her weight, her ankles crossed and swinging slightly above the floor. Her left hand grips the desk edge beside her thigh, fingers curled over the wood lip; her right hand rests loose on the same edge, knuckles turned up. She leans forward over her own knees, so her long hair — a heavy fall of blonde that narrows below her waist and drapes off the desk's far corner — slides forward past one shoulder, and a lock of it falls across the left side of her face, veiling that eye entirely while her right blue eye stays clear. A blue ribbon is tied in her hair behind her ear and a blue bow sits at her throat under the open collar of her white shirt. Her head tips down toward the low lens with a faint, closed-lip smile, one brow slightly raised, eyelids half lowered in an unhurried look, chin turned a fraction toward her far shoulder. Behind and above her, the classroom's rows of desks recede in perspective, their dark tops catching the window light, a blackboard's dim green surface at the back wall, the ceiling's fluorescent fixtures switched off and unlit.
Daylight is the only light source, arriving in broad cool-white shafts from the tall windows on the frame's right; it strikes the right side of her face and the front of her shirt, glazes the top of the desk and the upward-facing planes of the nearer desk rows, and leaves deep, sharply-edged shadow on the left side of her face, under her jaw, inside the folds of the skirt and beneath the desk where she sits, the shadow blocks flat and hard-clipped like painted cel. Where the window frames cut the light, thin bright bars lie across the floorboards, and her cast shadow falls long and dark across them toward the frame's left, unbroken except where a chair leg splits it. The palette is muted and slightly desaturated: chalk-white and grey-blue in the daylight, warm weathered brown in the desks, flat black in the skirt, and the only saturated notes are her blonde hair and the sky blue of the ribbon and bowtie. Soft, low-intensity highlights skim the crown of her hair and the curve of her cheek without blowing to white. A small detail to fix the light: the loose lock of hair over her face casts its own fine shadow onto her cheek, and the same lock's edge glows where the window light catches the outermost strands only. Delicate thin contour lines, simple clean character shapes, hand-drawn analog texture. Quiet, nostalgic.
Jun Kureha
character: asuna_(school_uniform)_(blue_archive), copyright: blue_archive
1girl, solo, ichinose asuna, long hair, very long blonde hair, hair over one eye, blue eyes, blue ribbon, hair ribbon, bow, scrunchie, wrist scrunchie, blue bowtie, white shirt, black pleated skirt, school uniform, school classroom, indoors, daylight through window, sitting on desk edge, leaning forward, legs crossed at the ankle, hands gripping desk edge, head tilt, looking down at viewer, light smile, half-closed eyes, soft natural expression, from below, cowboy shot, dutch angle, 1990s-2000s tv anime style, hand-drawn cel anime, delicate thin lineart, simple beautiful character design, large expressive eyes, carefully drawn eyelashes, well-proportioned face, cel-shaded sharp shadows, flat color blocking, slightly muted colors, soft highlights, analog drawing texture, nostalgic atmosphere
The camera sits low and tilted a few degrees off level, looking up at a girl with very long blonde hair from just below hip height, framing her from mid-thigh to the top of her head in a cowboy shot. She has perched herself on the front edge of a classroom desk, both hips planted on the desktop, her pleated black skirt spread and creased under her weight, her ankles crossed and swinging slightly above the floor. Her left hand grips the desk edge beside her thigh, fingers curled over the wood lip; her right hand rests loose on the same edge, knuckles turned up. She leans forward over her own knees, so her long hair — a heavy fall of blonde that narrows below her waist and drapes off the desk's far corner — slides forward past one shoulder, and a lock of it falls across the left side of her face, veiling that eye entirely while her right blue eye stays clear. A blue ribbon is tied in her hair behind her ear and a blue bow sits at her throat under the open collar of her white shirt. Her head tips down toward the low lens with a faint, closed-lip smile, one brow slightly raised, eyelids half lowered in an unhurried look, chin turned a fraction toward her far shoulder. Behind and above her, the classroom's rows of desks recede in perspective, their dark tops catching the window light, a blackboard's dim green surface at the back wall, the ceiling's fluorescent fixtures switched off and unlit.
Daylight is the only light source, arriving in broad cool-white shafts from the tall windows on the frame's right; it strikes the right side of her face and the front of her shirt, glazes the top of the desk and the upward-facing planes of the nearer desk rows, and leaves deep, sharply-edged shadow on the left side of her face, under her jaw, inside the folds of the skirt and beneath the desk where she sits, the shadow blocks flat and hard-clipped like painted cel. Where the window frames cut the light, thin bright bars lie across the floorboards, and her cast shadow falls long and dark across them toward the frame's left, unbroken except where a chair leg splits it. The palette is muted and slightly desaturated: chalk-white and grey-blue in the daylight, warm weathered brown in the desks, flat black in the skirt, and the only saturated notes are her blonde hair and the sky blue of the ribbon and bowtie. Soft, low-intensity highlights skim the crown of her hair and the curve of her cheek without blowing to white. A small detail to fix the light: the loose lock of hair over her face casts its own fine shadow onto her cheek, and the same lock's edge glows where the window light catches the outermost strands only. Delicate thin contour lines, simple clean character shapes, hand-drawn analog texture. Quiet, nostalgic.
Jun Kureha
character: asuna_(school_uniform)_(blue_archive), copyright: blue_archive
1girl, solo, ichinose asuna, long hair, very long blonde hair, hair over one eye, blue eyes, blue ribbon, hair ribbon, bow, scrunchie, wrist scrunchie, blue bowtie, white shirt, black pleated skirt, school uniform, school classroom, indoors, daylight through window, sitting on desk edge, leaning forward, legs crossed at the ankle, hands gripping desk edge, head tilt, looking down at viewer, light smile, half-closed eyes, soft natural expression, from below, cowboy shot, dutch angle, 1990s-2000s tv anime style, hand-drawn cel anime, delicate thin lineart, simple beautiful character design, large expressive eyes, carefully drawn eyelashes, well-proportioned face, cel-shaded sharp shadows, flat color blocking, slightly muted colors, soft highlights, analog drawing texture, nostalgic atmosphere
The camera sits low and tilted a few degrees off level, looking up at a girl with very long blonde hair from just below hip height, framing her from mid-thigh to the top of her head in a cowboy shot. She has perched herself on the front edge of a classroom desk, both hips planted on the desktop, her pleated black skirt spread and creased under her weight, her ankles crossed and swinging slightly above the floor. Her left hand grips the desk edge beside her thigh, fingers curled over the wood lip; her right hand rests loose on the same edge, knuckles turned up. She leans forward over her own knees, so her long hair — a heavy fall of blonde that narrows below her waist and drapes off the desk's far corner — slides forward past one shoulder, and a lock of it falls across the left side of her face, veiling that eye entirely while her right blue eye stays clear. A blue ribbon is tied in her hair behind her ear and a blue bow sits at her throat under the open collar of her white shirt. Her head tips down toward the low lens with a faint, closed-lip smile, one brow slightly raised, eyelids half lowered in an unhurried look, chin turned a fraction toward her far shoulder. Behind and above her, the classroom's rows of desks recede in perspective, their dark tops catching the window light, a blackboard's dim green surface at the back wall, the ceiling's fluorescent fixtures switched off and unlit.
Daylight is the only light source, arriving in broad cool-white shafts from the tall windows on the frame's right; it strikes the right side of her face and the front of her shirt, glazes the top of the desk and the upward-facing planes of the nearer desk rows, and leaves deep, sharply-edged shadow on the left side of her face, under her jaw, inside the folds of the skirt and beneath the desk where she sits, the shadow blocks flat and hard-clipped like painted cel. Where the window frames cut the light, thin bright bars lie across the floorboards, and her cast shadow falls long and dark across them toward the frame's left, unbroken except where a chair leg splits it. The palette is muted and slightly desaturated: chalk-white and grey-blue in the daylight, warm weathered brown in the desks, flat black in the skirt, and the only saturated notes are her blonde hair and the sky blue of the ribbon and bowtie. Soft, low-intensity highlights skim the crown of her hair and the curve of her cheek without blowing to white. A small detail to fix the light: the loose lock of hair over her face casts its own fine shadow onto her cheek, and the same lock's edge glows where the window light catches the outermost strands only. Delicate thin contour lines, simple clean character shapes, hand-drawn analog texture. Quiet, nostalgic.
Jun Kureha
character: asuna_(school_uniform)_(blue_archive)
1girl, solo, asuna_(school_uniform)_(blue_archive), long_hair, very_long_hair, blonde_hair, hair_over_one_eye, blue_eyes, hair_ribbon, blue_ribbon, bow, white_shirt, short_sleeves, school_uniform, open_collar, cleavage, large_breasts, f-cup, slender, wide_hips, miniskirt, pleated_skirt, black_skirt, black_pantyhose, sheer_legwear, sitting, chair, front_view, looking_at_viewer, friendly_smile, open_mouth, grin, ^_^, head_tilt, leaning_forward, hands_on_knees, classroom, desk, window, sunlight, cowboy_shot
Front view, the camera at the seated girl's own eye level and slightly off-axis to her left, framing her from mid-thigh to just above the crown of her head so the chair seat, her crossed thighs and the desk edge behind her all sit inside the frame. She sits on a plain wooden classroom chair, hips square to the seat, spine tipped forward off the backrest, weight carried on her left hip and left thigh with the right leg crossed over the left at the knee; her black sheer pantyhose pulls taut and darkens to near-opaque over the crossing knee and thigh, thins to a grey veil at the calf and ankle, and catches one long soft highlight down the front of the shin. Both hands rest loose and open on her knees, fingers curled over the fabric, thumbs inward. Her shoulders stay relaxed, arms unclenched from her sides.
Her white shirt is short-sleeved, cotton with a soft washed hand, sleeves ending high on the upper arms with the fabric pouching slightly at the hem; the collar is open and the placket unbuttoned well down the sternum, so the shirt hangs apart in two clean vertical edges that frame the exposed chest, the cotton drawing taut across the bust and creasing under the collarbone. The dark pleated skirt fans across her lap, three or four pleats riding up the thigh where the crossed leg lifts the hem, the fabric spreading wider over the chair seat. Her blonde hair is very long, falling past the chair back, one heavy fall covering the right side of her face down to the jaw, the rest sweeping forward over the left shoulder and spilling onto the shirt; a blue ribbon bow gathers a section behind the left ear. A blue scrunchie sits on her right wrist.
Her face is tilted a few degrees toward the camera, one visible blue eye open wide and bright, the brow above it lifted, lips parted in a broad warm friendly smile with the upper teeth showing, a small crease at the corner of the mouth; the look goes straight down the lens and says hello. Behind her the classroom reads plainly: rows of desk edges and chair backs receding to the right, a tall window on the left pane-gridded and half-frosted with morning light, a green chalkboard far back. Low morning sun comes in through that window only, striking the left side of her face, her left sleeve and the left plane of the crossed knee, laying a bright window-mullion grid across the desk and the skirt pleats, while the right side of her body and the right half of the room fall into cool grey shadow; her cast shadow runs right across the chair seat and floor. The palette is chalk-white, blonde gold, school-navy black in the skirt and the tights, and the one saturated blue of her eyes and ribbons, held against the cool desaturated classroom greys. A few loose hairs lifting from the window's draft, faint dust drifting in the light shaft. Sunlit, easy, warm.
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Kaname Madoka from Puella Magi Madoka Magica, pink twin tails tied with deep red ribbons, wearing her iconic magical girl costume, white corset-like bodice with delicate back lacing, voluminous layered white and pale pink ruffled skirt, crimson ribbons flowing loosely around her body, viewed from behind at a three-quarter angle, seated with her back gracefully arched, both arms extending naturally downward behind her back, one hand gently holding the opposite wrist, clearly separated hands, relaxed slender fingers, five distinct fingers on each hand, natural finger spacing, anatomically correct wrists, elegant delicate hands, visible knuckles, softly curved fingers, hands clearly visible against the white skirt, unobstructed hand silhouette, accurate hand anatomy, head tilted far backward, chin raised toward the darkness, face mostly hidden, elegant elongated silhouette, delicate exposed shoulders, soft loose strands of pink hair, dramatic asymmetrical composition, close medium shot, large skirt filling the lower frame, dark almost black background, dramatic directional lighting, pale ivory highlights, muted dusty pink, cold gray shadows, rich crimson accents, strong contrast between luminous fabric and deep darkness, thick impasto oil painting, expressive visible brushstrokes, heavy layered paint, rough palette knife texture, sculptural paint strokes, painterly edges, textured canvas, loose gestural painting, rich tactile surface, dramatic chiaroscuro, melancholic atmosphere, haunting beauty, full bleed composition, edge-to-edge artwork, no borders, no frame, textured illustration, grainy texture, crayon texture, chalky brushwork, impasto strokes, bold color blocking, stylized anime, flat shading, dry brush effect, atmospheric lighting, soft glow highlights, rough painterly anime style, visible textured brushstrokes, heavy impasto texture, scratchy charcoal-like linework, expressive gestural strokes, smudged edges, desaturated base tones with aggressive high-contrast color, sketch style, rough brushstroke
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