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Hector Larra

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1girl, solo, original character, young woman, 18 years old, long flowing violet hair, hair swept by air current, expressive purple eyes, intelligent confident expression, asymmetric half-smile, one raised eyebrow, futuristic white and violet tech jacket, high collar, practical fitted trousers, futuristic boots, elegant modest sci-fi outfit, glowing cyan and purple trim lines, glowing cyan circuit seams, holding holographic scientific tablet, one hand under the floating tablet, other hand raised mid-gesture over it, floating scientific interfaces, holographic panels ringing her, dark futuristic laboratory, cinematic 3D anime animation, CG render, cowboy shot, from below, three-quarter view, dutch angle slight, depth of field, volumetric light, purple and cyan palette, A cinematic CG anime still, framed as a low three-quarter cowboy shot tilted a few degrees off level: the camera sits below Mika's eye level so she reads tall against the room, and she is angled about thirty degrees away from the lens, head turned back toward the viewer. She stands on the open floor of a spectacular dark futuristic laboratory whose ceiling is lost in shadow; lattice trusses and cable runs climb into a black upper half, and a curved bank of dead black consoles and server racks recedes behind her in tiers, most of it unlit, its shapes read only as silhouette against the glow she carries. Nothing else in the room is lit. Her weight rests on her straight back leg, the front knee slightly bent, hip cocked; the front boot's sole is planted flat, its chunky sole and glowing cyan outsole strip catching a thin edge light. Her long flowing violet hair spills past her shoulder blades and lifts at the tips, drifting in the weak convection off the equipment and lit from below on the underside of the strands, darkest at the crown. Her face turns three-quarters to camera: expressive purple eyes narrowed a fraction in thought, irises catching two clean cyan reflections from the tablet, one brow arched higher than the other, the corner of her mouth pulled into a small lopsided, entirely confident half-smile; she looks just past the lens, at a hovering readout only she can see. Her right forearm is horizontal, palm up, the holographic scientific tablet hovering a hand's width above it — a thin slab of translucent cyan light with a hard-edged bright rim, its internal data stacks and wireframe diagrams legible in glowing lines, its glow washing the underside of her chin, the inner edges of her forearms and the front planes of her jacket. Her left arm is raised and bent, index and middle fingers separating in a precise mid-air pinch that drags one smaller floating panel toward her, its content smearing into a short motion trail behind her fingertip. Rings of floating scientific interfaces circle her at chest and shoulder height: wireframe molecular models, scrolling waveform graphs, circular polar plots and columned data readouts in cyan and violet, arranged in two loose arcs so the nearest ones pass between her and the camera at the frame edges, and every panel throws faint coloured spill onto the dark air and a soft colored reflection on the floor plating beneath her. Her jacket is white with deep violet panelling at the shoulders, flanks and cuffs, cut close and modest with a high closed collar, cyan luminescent piping running along the shoulder seams and down the closure; the trousers are practical and fitted, dark violet with reinforced knees and a slim utility seam; the boots are futuristic, mid-calf, white shell over a violet sole with a cyan light line at the heel. Where the sleeve cuffs sit, the tablet's cyan light rims the fabric edge as a hard bright line; everything above the glow line falls away into the room's blackness. The single dominant light is her own holographic rig — cyan white at its core, violet at its fringe — with one cold dim rim of ambient blue on the left side of her hair and the top of her shoulder from a distant ceiling source, and no other light in the frame; beyond the reach of the panels the darkness is absolute. Palette: violet, white, deep cool black, and cyan light only — no other hue admitted; violet in the hair, jacket panels and boots, white in the jacket shell and boot uppers. Fine CG shading with soft rim highlights, subsurface warmth in the skin, hard speculars on the light-emitting panels, faint volumetric haze letting the beams read as shafts. Confident, quietly electric.
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Ursprünglicher Prompt
Beautiful 3D anime female young inventor named Mika, 18 years old, long flowing violet hair, expressive purple eyes, intelligent and confident expression, futuristic white and violet tech jacket, practical fitted trousers, futuristic boots, elegant modest sci-fi outfit with glowing cyan and purple details, holding a holographic scientific tablet, surrounded by floating scientific interfaces inside a spectacular dark futuristic laboratory, cinematic 3D anime animation style, highly detailed, consistent visual universe, professional character design.
Modus
flash
Größe
1104 x 1824
Prompt-Assistent

Verwendetes Modell und LoRA

Tsubaki.3 Flash - AI Model cover image

PixAI DiT.3

Tsubaki.3 Flash
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hl
1girl, solo, original character, young woman, 18 years old, long flowing violet hair, hair swept by air current, expressive purple eyes, intelligent confident expression, asymmetric half-smile, one raised eyebrow, futuristic white and violet tech jacket, high collar, practical fitted trousers, futuristic boots, elegant modest sci-fi outfit, glowing cyan and purple trim lines, glowing cyan circuit seams, holding holographic scientific tablet, one hand under the floating tablet, other hand raised mid-gesture over it, floating scientific interfaces, holographic panels ringing her, dark futuristic laboratory, cinematic 3D anime animation, CG render, cowboy shot, from below, three-quarter view, dutch angle slight, depth of field, volumetric light, purple and cyan palette, A cinematic CG anime still, framed as a low three-quarter cowboy shot tilted a few degrees off level: the camera sits below Mika's eye level so she reads tall against the room, and she is angled about thirty degrees away from the lens, head turned back toward the viewer. She stands on the open floor of a spectacular dark futuristic laboratory whose ceiling is lost in shadow; lattice trusses and cable runs climb into a black upper half, and a curved bank of dead black consoles and server racks recedes behind her in tiers, most of it unlit, its shapes read only as silhouette against the glow she carries. Nothing else in the room is lit. Her weight rests on her straight back leg, the front knee slightly bent, hip cocked; the front boot's sole is planted flat, its chunky sole and glowing cyan outsole strip catching a thin edge light. Her long flowing violet hair spills past her shoulder blades and lifts at the tips, drifting in the weak convection off the equipment and lit from below on the underside of the strands, darkest at the crown. Her face turns three-quarters to camera: expressive purple eyes narrowed a fraction in thought, irises catching two clean cyan reflections from the tablet, one brow arched higher than the other, the corner of her mouth pulled into a small lopsided, entirely confident half-smile; she looks just past the lens, at a hovering readout only she can see. Her right forearm is horizontal, palm up, the holographic scientific tablet hovering a hand's width above it — a thin slab of translucent cyan light with a hard-edged bright rim, its internal data stacks and wireframe diagrams legible in glowing lines, its glow washing the underside of her chin, the inner edges of her forearms and the front planes of her jacket. Her left arm is raised and bent, index and middle fingers separating in a precise mid-air pinch that drags one smaller floating panel toward her, its content smearing into a short motion trail behind her fingertip. Rings of floating scientific interfaces circle her at chest and shoulder height: wireframe molecular models, scrolling waveform graphs, circular polar plots and columned data readouts in cyan and violet, arranged in two loose arcs so the nearest ones pass between her and the camera at the frame edges, and every panel throws faint coloured spill onto the dark air and a soft colored reflection on the floor plating beneath her. Her jacket is white with deep violet panelling at the shoulders, flanks and cuffs, cut close and modest with a high closed collar, cyan luminescent piping running along the shoulder seams and down the closure; the trousers are practical and fitted, dark violet with reinforced knees and a slim utility seam; the boots are futuristic, mid-calf, white shell over a violet sole with a cyan light line at the heel. Where the sleeve cuffs sit, the tablet's cyan light rims the fabric edge as a hard bright line; everything above the glow line falls away into the room's blackness. The single dominant light is her own holographic rig — cyan white at its core, violet at its fringe — with one cold dim rim of ambient blue on the left side of her hair and the top of her shoulder from a distant ceiling source, and no other light in the frame; beyond the reach of the panels the darkness is absolute. Palette: violet, white, deep cool black, and cyan light only — no other hue admitted; violet in the hair, jacket panels and boots, white in the jacket shell and boot uppers. Fine CG shading with soft rim highlights, subsurface warmth in the skin, hard speculars on the light-emitting panels, faint volumetric haze letting the beams read as shafts. Confident, quietly electric.
Hector Larra
#Raiden Shogun

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character: kaname_madoka_(magical_girl), copyright: mahou_shoujo_madoka_magica Kaname Madoka from Puella Magi Madoka Magica, pink twin tails tied with deep red ribbons, wearing her iconic magical girl costume, white corset-like bodice with delicate back lacing, voluminous layered white and pale pink ruffled skirt, crimson ribbons flowing loosely around her body, viewed from behind at a three-quarter angle, seated with her back gracefully arched, both arms extending naturally downward behind her back, one hand gently holding the opposite wrist, clearly separated hands, relaxed slender fingers, five distinct fingers on each hand, natural finger spacing, anatomically correct wrists, elegant delicate hands, visible knuckles, softly curved fingers, hands clearly visible against the white skirt, unobstructed hand silhouette, accurate hand anatomy, head tilted far backward, chin raised toward the darkness, face mostly hidden, elegant elongated silhouette, delicate exposed shoulders, soft loose strands of pink hair, dramatic asymmetrical composition, close medium shot, large skirt filling the lower frame, dark almost black background, dramatic directional lighting, pale ivory highlights, muted dusty pink, cold gray shadows, rich crimson accents, strong contrast between luminous fabric and deep darkness, thick impasto oil painting, expressive visible brushstrokes, heavy layered paint, rough palette knife texture, sculptural paint strokes, painterly edges, textured canvas, loose gestural painting, rich tactile surface, dramatic chiaroscuro, melancholic atmosphere, haunting beauty, full bleed composition, edge-to-edge artwork, no borders, no frame, textured illustration, grainy texture, crayon texture, chalky brushwork, impasto strokes, bold color blocking, stylized anime, flat shading, dry brush effect, atmospheric lighting, soft glow highlights, rough painterly anime style, visible textured brushstrokes, heavy impasto texture, scratchy charcoal-like linework, expressive gestural strokes, smudged edges, desaturated base tones with aggressive high-contrast color, sketch style, rough brushstroke
リオ
3#Puella Magi Madoka Magica#Madoka Kaname#Puella Magi Madoka Magica
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