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C9I

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C9I

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cinematic low-angle shot, solo, no humans visible at this scale, towering ancient stone lighthouse, jagged black cliff, freezing misty ocean, heavy rain, blinding ethereal golden-white beam of light, beam cutting through absolute darkness, massive shadowy sea monster beneath black waves, small boat sailing toward the light, gothic surrealism, oppressive melancholy, chiaroscuro, desaturated blacks, cold grays, intense warm golden glow, charcoal and ink texture, film grain, wide shot, extreme low angle, dramatic scale, vast negative space of black sky, vertical composition Seen from far below, near the waterline, the camera tilts steeply upward: a colossal ancient lighthouse of stacked wet masonry climbs out of frame at the upper left, its tapered stone courses narrowing to a lantern room whose glass is a molten point of gold. It stands on a jagged black cliff that juts from the sea in the lower right of the rock mass, every ledge sheared to a blade and streaming with rainwater, spray bursting white then gray against the lowest rocks. From the lantern a single blinding golden-white beam drives diagonally across the whole frame toward the upper right, a hard-edged shaft of light in which individual raindrops flare as bright specks and mist curls in luminous threads, and beyond that shaft the darkness is total — no moon, no stars, nothing but black sky webbed with falling rain. Beneath the beam, the ocean fills the lower third in black, heaving swells, and under the surface a vast shadowy bulk moves: a pale suggestion of a plated spine and a single enormous eye catching a thin gold reflection, sunk just below the waterline so that the waves above it bulge and dimple where its mass displaces them. In the lower left, small and low, a single wooden boat heels hard under a torn sail, its hull tilted, a crest of white spray breaking along its bow, the boat's whole shape angled toward the light as if hauled by it; its wake is a bright scratched line pointing straight at the beacon. The beam is the only true source: gold lights the lantern, the upward-facing slabs of the cliff, the crests of the nearest waves, the sail's windward edge and the boat's wet rail, while every downward face, every seaward face of the stone, the monster's flank and the entire sky fall to desaturated black and cold gray. Charcoal-and-ink rendering, hyperdetailed crosshatched stone grain and dry-brush rain streaks, deep chiaroscuro, uniform film grain over everything, palette restricted to black, cold gray and that one warm gold. Oppressive, melancholic.
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Ursprünglicher Prompt
Terrifying dark fantasy illustration of a towering, ancient stone lighthouse on a jagged, black cliff in the middle of a freezing, misty ocean. The lighthouse is emitting a blinding, ethereal golden-white beam of light that cuts through the absolute darkness and heavy rain. Down below, a massive, shadowy sea monster is lurking beneath the black waves, waiting for lost ships. A small boat is desperately sailing toward the light. The "One" light in a world of darkness. Melancholic, oppressive, gothic surrealism, hyperdetailed charcoal and ink texture, chiaroscuro, desaturated blacks, cold grays, intense warm golden glow, cinematic low-angle shot, film grain, by Gustave Doré and H.R. Giger, masterpiece, 8K --ar 2:3 --v 6
Modus
pro
Größe
992 x 992
Sampling-Methode
Euler
Negativ
lowres, worst quality, low quality, bad anatomy, explicit
Prompt-Assistent

Verwendetes Modell und LoRA

Tsubaki.3 - AI Model cover image

PixAI DiT.3

Tsubaki.3
7.47k

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AI artwork
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cinematic low-angle shot, solo, no humans visible at this scale, towering ancient stone lighthouse, jagged black cliff, freezing misty ocean, heavy rain, blinding ethereal golden-white beam of light, beam cutting through absolute darkness, massive shadowy sea monster beneath black waves, small boat sailing toward the light, gothic surrealism, oppressive melancholy, chiaroscuro, desaturated blacks, cold grays, intense warm golden glow, charcoal and ink texture, film grain, wide shot, extreme low angle, dramatic scale, vast negative space of black sky, vertical composition Seen from far below, near the waterline, the camera tilts steeply upward: a colossal ancient lighthouse of stacked wet masonry climbs out of frame at the upper left, its tapered stone courses narrowing to a lantern room whose glass is a molten point of gold. It stands on a jagged black cliff that juts from the sea in the lower right of the rock mass, every ledge sheared to a blade and streaming with rainwater, spray bursting white then gray against the lowest rocks. From the lantern a single blinding golden-white beam drives diagonally across the whole frame toward the upper right, a hard-edged shaft of light in which individual raindrops flare as bright specks and mist curls in luminous threads, and beyond that shaft the darkness is total — no moon, no stars, nothing but black sky webbed with falling rain. Beneath the beam, the ocean fills the lower third in black, heaving swells, and under the surface a vast shadowy bulk moves: a pale suggestion of a plated spine and a single enormous eye catching a thin gold reflection, sunk just below the waterline so that the waves above it bulge and dimple where its mass displaces them. In the lower left, small and low, a single wooden boat heels hard under a torn sail, its hull tilted, a crest of white spray breaking along its bow, the boat's whole shape angled toward the light as if hauled by it; its wake is a bright scratched line pointing straight at the beacon. The beam is the only true source: gold lights the lantern, the upward-facing slabs of the cliff, the crests of the nearest waves, the sail's windward edge and the boat's wet rail, while every downward face, every seaward face of the stone, the monster's flank and the entire sky fall to desaturated black and cold gray. Charcoal-and-ink rendering, hyperdetailed crosshatched stone grain and dry-brush rain streaks, deep chiaroscuro, uniform film grain over everything, palette restricted to black, cold gray and that one warm gold. Oppressive, melancholic.
C9I
AI artwork
Avatar image of C9I
cinematic low-angle shot, solo, no humans visible at this scale, towering ancient stone lighthouse, jagged black cliff, freezing misty ocean, heavy rain, blinding ethereal golden-white beam of light, beam cutting through absolute darkness, massive shadowy sea monster beneath black waves, small boat sailing toward the light, gothic surrealism, oppressive melancholy, chiaroscuro, desaturated blacks, cold grays, intense warm golden glow, charcoal and ink texture, film grain, wide shot, extreme low angle, dramatic scale, vast negative space of black sky, vertical composition Seen from far below, near the waterline, the camera tilts steeply upward: a colossal ancient lighthouse of stacked wet masonry climbs out of frame at the upper left, its tapered stone courses narrowing to a lantern room whose glass is a molten point of gold. It stands on a jagged black cliff that juts from the sea in the lower right of the rock mass, every ledge sheared to a blade and streaming with rainwater, spray bursting white then gray against the lowest rocks. From the lantern a single blinding golden-white beam drives diagonally across the whole frame toward the upper right, a hard-edged shaft of light in which individual raindrops flare as bright specks and mist curls in luminous threads, and beyond that shaft the darkness is total — no moon, no stars, nothing but black sky webbed with falling rain. Beneath the beam, the ocean fills the lower third in black, heaving swells, and under the surface a vast shadowy bulk moves: a pale suggestion of a plated spine and a single enormous eye catching a thin gold reflection, sunk just below the waterline so that the waves above it bulge and dimple where its mass displaces them. In the lower left, small and low, a single wooden boat heels hard under a torn sail, its hull tilted, a crest of white spray breaking along its bow, the boat's whole shape angled toward the light as if hauled by it; its wake is a bright scratched line pointing straight at the beacon. The beam is the only true source: gold lights the lantern, the upward-facing slabs of the cliff, the crests of the nearest waves, the sail's windward edge and the boat's wet rail, while every downward face, every seaward face of the stone, the monster's flank and the entire sky fall to desaturated black and cold gray. Charcoal-and-ink rendering, hyperdetailed crosshatched stone grain and dry-brush rain streaks, deep chiaroscuro, uniform film grain over everything, palette restricted to black, cold gray and that one warm gold. Oppressive, melancholic.
C9I
#Cthulhu-Mythos
AI artwork
Avatar image of C9I
cinematic low-angle shot, solo, no humans visible at this scale, towering ancient stone lighthouse, jagged black cliff, freezing misty ocean, heavy rain, blinding ethereal golden-white beam of light, beam cutting through absolute darkness, massive shadowy sea monster beneath black waves, small boat sailing toward the light, gothic surrealism, oppressive melancholy, chiaroscuro, desaturated blacks, cold grays, intense warm golden glow, charcoal and ink texture, film grain, wide shot, extreme low angle, dramatic scale, vast negative space of black sky, vertical composition Seen from far below, near the waterline, the camera tilts steeply upward: a colossal ancient lighthouse of stacked wet masonry climbs out of frame at the upper left, its tapered stone courses narrowing to a lantern room whose glass is a molten point of gold. It stands on a jagged black cliff that juts from the sea in the lower right of the rock mass, every ledge sheared to a blade and streaming with rainwater, spray bursting white then gray against the lowest rocks. From the lantern a single blinding golden-white beam drives diagonally across the whole frame toward the upper right, a hard-edged shaft of light in which individual raindrops flare as bright specks and mist curls in luminous threads, and beyond that shaft the darkness is total — no moon, no stars, nothing but black sky webbed with falling rain. Beneath the beam, the ocean fills the lower third in black, heaving swells, and under the surface a vast shadowy bulk moves: a pale suggestion of a plated spine and a single enormous eye catching a thin gold reflection, sunk just below the waterline so that the waves above it bulge and dimple where its mass displaces them. In the lower left, small and low, a single wooden boat heels hard under a torn sail, its hull tilted, a crest of white spray breaking along its bow, the boat's whole shape angled toward the light as if hauled by it; its wake is a bright scratched line pointing straight at the beacon. The beam is the only true source: gold lights the lantern, the upward-facing slabs of the cliff, the crests of the nearest waves, the sail's windward edge and the boat's wet rail, while every downward face, every seaward face of the stone, the monster's flank and the entire sky fall to desaturated black and cold gray. Charcoal-and-ink rendering, hyperdetailed crosshatched stone grain and dry-brush rain streaks, deep chiaroscuro, uniform film grain over everything, palette restricted to black, cold gray and that one warm gold. Oppressive, melancholic.
C9I
AI artwork
Avatar image of C9I
wide shot, 1boy, solo, single tiny wooden boat, small fragile rowboat, pitch-black ocean, monstrous storm, colossal jagged waves, crashing wave, towering wave, sea foam, spray, thick fog, low visibility, heavy bruised storm clouds, storm clouds, sliver of pale cold moonlight, moonbeam, moon behind clouds, single shadowy figure, hooded figure, tattered cloak, worn torn fabric, holding lantern, dying lantern, faint lantern flame, warm lantern glow, chiaroscuro, deep cold blues, desaturated blacks, dark romanticism, isolation, dread, survival, tiny figure in vast sea, off-center composition, expansive negative space, from below, low horizon line, high contrast, oil painting texture, impasto brushwork, film grain A cinematic wide shot from just above the waterline, tilted slightly up, so the sea's black mass fills the lower two thirds and the boat is set small and off-center in the right third, occupying no more than a tenth of the frame while the swells dwarf it utterly. The boat is a cracked, fragile wooden rowboat, paintless planks sprung apart, its gunwale splintered and its bow reared up the near face of a swell, oars shipped and useless; a thin rope trails from its stern into the black water. Water climbs its starboard side, and where the hull is about to break the crest, a sheet of foam slides down the planking. In the stern a single shadowy figure crouches low, hunched against the boat's ribs, entirely wrapped in a tattered cloak whose hem is shredded and streaming straight out to leeward; the hood is pulled forward and its face is lost in darkness, showing only the line of a jaw in shadow. Both hands cup a dying lantern at chest height, fingers curled around the rust-pitted frame, and the lantern's last flame is a burnt-orange point no larger than a fingertip, throwing a weak warm oval onto the cloak's folds, the figure's knuckles, and the wet wood beneath it — nowhere else. The figure's head is tilted toward the flame, watching it, not the sea. Around the boat, colossal jagged waves rear up in walls of near-black water, their crests tearing into ragged claws of spray; the nearest swell rises above the boat's mastless length and hides its far horizon, throwing a fine blown mist across the frame that softens the distant swell lines into flat grey silhouettes. Thick suffocating fog lies flat on the water and swallows everything beyond the second wave, so the ocean reads as a void the waves emerge from. Above, heavy bruised storm clouds in bruised indigo and graphite stack in towering masses; a single thin sliver of pale cold moonlight breaks through a rift high in the left of the frame, and its beam angles down as a faint cold shaft catching the near faces of the spray and the top edge of one wave while every trough and lee falls into absolute black. Chiaroscuro is absolute: two sources only — the cold moon shaft from upper left and the tiny warm lantern in the stern — with the lantern's glow the sole warmth in a palette of desaturated blacks, deep cold blues and deep cold blues shot through with slate grey, nothing else admitted. The boat is dwarfed, the sea is enormous, the light is nearly gone. Hyperdetailed oil painting texture, visible impasto ridges in the churned foam and cloud banks, glazed dark passages where thin paint lets the ground show through, an all-over fine film grain and a soft vignette pressing in from the corners. Isolated, dread-soaked.
C9I

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character: kaname_madoka_(magical_girl), copyright: mahou_shoujo_madoka_magica Kaname Madoka from Puella Magi Madoka Magica, pink twin tails tied with deep red ribbons, wearing her iconic magical girl costume, white corset-like bodice with delicate back lacing, voluminous layered white and pale pink ruffled skirt, crimson ribbons flowing loosely around her body, viewed from behind at a three-quarter angle, seated with her back gracefully arched, both arms extending naturally downward behind her back, one hand gently holding the opposite wrist, clearly separated hands, relaxed slender fingers, five distinct fingers on each hand, natural finger spacing, anatomically correct wrists, elegant delicate hands, visible knuckles, softly curved fingers, hands clearly visible against the white skirt, unobstructed hand silhouette, accurate hand anatomy, head tilted far backward, chin raised toward the darkness, face mostly hidden, elegant elongated silhouette, delicate exposed shoulders, soft loose strands of pink hair, dramatic asymmetrical composition, close medium shot, large skirt filling the lower frame, dark almost black background, dramatic directional lighting, pale ivory highlights, muted dusty pink, cold gray shadows, rich crimson accents, strong contrast between luminous fabric and deep darkness, thick impasto oil painting, expressive visible brushstrokes, heavy layered paint, rough palette knife texture, sculptural paint strokes, painterly edges, textured canvas, loose gestural painting, rich tactile surface, dramatic chiaroscuro, melancholic atmosphere, haunting beauty, full bleed composition, edge-to-edge artwork, no borders, no frame, textured illustration, grainy texture, crayon texture, chalky brushwork, impasto strokes, bold color blocking, stylized anime, flat shading, dry brush effect, atmospheric lighting, soft glow highlights, rough painterly anime style, visible textured brushstrokes, heavy impasto texture, scratchy charcoal-like linework, expressive gestural strokes, smudged edges, desaturated base tones with aggressive high-contrast color, sketch style, rough brushstroke
リオ
3#Puella Magi Madoka Magica#Madoka Kaname#Puella Magi Madoka Magica
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