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character: rosa_(pokemon) 2girls, rosa_(pokemon), brown hair, double bun, hair bun, long hair, blue eyes, tight black spy catsuit, glossy black bodysuit, shiny black latex, skintight suit, high collar, seated, sitting on wooden crate, resting, out of character, cheerful cute smile, closed mouth smile, light blush, looking up at another, towel around shoulders, white towel draped over shoulder, wiping sweat, hand on towel, sweat on skin, breathing lightly, parted lips, unfamiliar male coworker, faceless male, short black hair, stubble, dark grey crew-neck t-shirt, lanyard, holding water bottle, offering water bottle, plastic water bottle with condensation, arm extended toward viewer's left, speech bubble, "well done", from below, close-up, cowboy shot, three-quarter view, abandoned warehouse film set, prop crates, scaffolding, sandbags, c-stand, boom mic overhead, film lighting rig, cinematic, anamorphic lens flare, shallow depth of field, warm key light, teal shadows, high contrast, glossy specular highlights, sweat sheen, dust motes in light beam The camera sits low and close, looking up at a slight angle: a tight two-shot in which Rosa fills the left two-thirds of the frame and the male coworker is cropped at the right edge, his torso and outstretched arm entering the composition. Rosa is seated on a weathered wooden prop crate at the center-left, hips planted, knees loosely apart with her weight rocked back onto her right hip and her left boot heel hooked on the crate's lower slat; her spine curves into a relaxed slump and her shoulders drop, catching the breath of someone who has just come off a long take. Her hair is a brown double bun high on her head, a few loose strands stuck to her temples with sweat, the twin buns silhouetted against the lit haze behind her. A coarse white terry towel is draped across her left shoulder and bunched at her collarbone; her right hand grips its end against her jaw and neck, cloth pressed flat to her damp skin, her forearm crossing her chest. The suit is one unbroken glossy black catsuit, skin-tight and lacquer-shiny from throat to ankle, high collar zipped to the chin, the surface breaking the key light into a hard white streak down her sternum, along the crest of her left thigh and around the curve of her knee; the fabric creases and pulls at the waist and inner elbows where she bends, and the shine dies into deep black along her flank and under the towel's shadow. Her face is turned up toward the coworker, chin lifted, and she smiles cutely: a soft closed-lip smile that lifts one corner higher than the other, eyes narrowed crescent-soft with warmth, a faint flush high on both cheeks, her lips parting just barely around a slow exhale — the light on her throat and the slight lift of her chest reading as light, easy breathing. Her gaze lands on the coworker's face, and he looks back down at her, head dipped toward her, answering the look. The coworker leans in from the right, shoulders angled toward Rosa, weight on his front foot, his right arm crossing the gap between them to offer a sweating plastic water bottle; his fingers wrap the bottle's middle and he tilts it toward her, droplets running down the plastic and catching the rim light. He wears a plain dark grey crew-neck t-shirt and a film-crew lanyard hanging loose at his chest, ID card turned blank-side out; his other hand hangs at his side, half-curled. Between and above them, a ragged-edged speech bubble floats on the right of the frame near his head, its tail pointing down at him, and inside it in clean bold comic lettering the words "well done". Behind them the set openly reveals itself as a film set dressed as an abandoned warehouse: a scuffed prop wall of corrugated steel and stained brick flats stands braced by visible wooden struts, a stack of empty crates and a coil of cable sit on paint-flecked floorboards, and a black C-stand with a sandbag on its foot rises at the left edge beside a boom pole angling into frame from above. A warm key light from a large softbox high at frame left rakes across Rosa's face and shoulder, striking the towel and the glossy suit, while the steel flats behind fall into cool teal shadow; a hard rim from behind her right shoulder traces a white line along her bun and the curve of her arm, and fine dust hangs and drifts visibly in the beam. The lighting is cinematic and anamorphic, shallow depth of field holding Rosa's face, hand and the offered bottle tack-sharp while the coworker's shoulder and the set behind melt into soft bokeh, the palette set by warm amber key, black lacquer and cold blue-green background, with a thin horizontal flare smearing from the top-left light. Sweat on her collarbone, the compressed towel fibers, the beaded condensation on the bottle and the silvered scuffs on the crate carry the detail. Intimate, quietly glamorous.
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Ursprünglicher Prompt
rosa (pokemon), cô ấy đang mặc bộ trang phục điệp viên đen bó sát da bóng Bối cảnh bên trong 1 phim trường về 1 nhà kho bỏ hoang Rosa đang ngồi nghỉ thoát vai, cô ấy mặt tươi cười dễ thương và thở nhẹ Có khăn đang vắt lên vai cô ấy lau mồ hôi Có 1 tên đồng nghiệp lạ mặt đến và đưa cho cô 1 chai nước và nói "well done" Cảnh quay đậm chất điện ảnh, cảnh quay gần thấy rõ đường nét cơ thể và rõ nét trang phục bó sát
Modus
pro
Qualitäts-Tag
﹝Prompts﹞
Größe
1104 x 1824
Negativ
lowres, worst quality, low quality, bad anatomy, explicit, (nsfw:1.2),(nude:1.6),(nipple:1.2),naked
Prompt-Assistent

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Tsubaki.3 - AI Model cover image

PixAI DiT.3

Tsubaki.3
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AI artwork
d
character: rosa_(pokemon) 2girls, rosa_(pokemon), brown hair, double bun, hair bun, long hair, blue eyes, tight black spy catsuit, glossy black bodysuit, shiny black latex, skintight suit, high collar, seated, sitting on wooden crate, resting, out of character, cheerful cute smile, closed mouth smile, light blush, looking up at another, towel around shoulders, white towel draped over shoulder, wiping sweat, hand on towel, sweat on skin, breathing lightly, parted lips, unfamiliar male coworker, faceless male, short black hair, stubble, dark grey crew-neck t-shirt, lanyard, holding water bottle, offering water bottle, plastic water bottle with condensation, arm extended toward viewer's left, speech bubble, "well done", from below, close-up, cowboy shot, three-quarter view, abandoned warehouse film set, prop crates, scaffolding, sandbags, c-stand, boom mic overhead, film lighting rig, cinematic, anamorphic lens flare, shallow depth of field, warm key light, teal shadows, high contrast, glossy specular highlights, sweat sheen, dust motes in light beam The camera sits low and close, looking up at a slight angle: a tight two-shot in which Rosa fills the left two-thirds of the frame and the male coworker is cropped at the right edge, his torso and outstretched arm entering the composition. Rosa is seated on a weathered wooden prop crate at the center-left, hips planted, knees loosely apart with her weight rocked back onto her right hip and her left boot heel hooked on the crate's lower slat; her spine curves into a relaxed slump and her shoulders drop, catching the breath of someone who has just come off a long take. Her hair is a brown double bun high on her head, a few loose strands stuck to her temples with sweat, the twin buns silhouetted against the lit haze behind her. A coarse white terry towel is draped across her left shoulder and bunched at her collarbone; her right hand grips its end against her jaw and neck, cloth pressed flat to her damp skin, her forearm crossing her chest. The suit is one unbroken glossy black catsuit, skin-tight and lacquer-shiny from throat to ankle, high collar zipped to the chin, the surface breaking the key light into a hard white streak down her sternum, along the crest of her left thigh and around the curve of her knee; the fabric creases and pulls at the waist and inner elbows where she bends, and the shine dies into deep black along her flank and under the towel's shadow. Her face is turned up toward the coworker, chin lifted, and she smiles cutely: a soft closed-lip smile that lifts one corner higher than the other, eyes narrowed crescent-soft with warmth, a faint flush high on both cheeks, her lips parting just barely around a slow exhale — the light on her throat and the slight lift of her chest reading as light, easy breathing. Her gaze lands on the coworker's face, and he looks back down at her, head dipped toward her, answering the look. The coworker leans in from the right, shoulders angled toward Rosa, weight on his front foot, his right arm crossing the gap between them to offer a sweating plastic water bottle; his fingers wrap the bottle's middle and he tilts it toward her, droplets running down the plastic and catching the rim light. He wears a plain dark grey crew-neck t-shirt and a film-crew lanyard hanging loose at his chest, ID card turned blank-side out; his other hand hangs at his side, half-curled. Between and above them, a ragged-edged speech bubble floats on the right of the frame near his head, its tail pointing down at him, and inside it in clean bold comic lettering the words "well done". Behind them the set openly reveals itself as a film set dressed as an abandoned warehouse: a scuffed prop wall of corrugated steel and stained brick flats stands braced by visible wooden struts, a stack of empty crates and a coil of cable sit on paint-flecked floorboards, and a black C-stand with a sandbag on its foot rises at the left edge beside a boom pole angling into frame from above. A warm key light from a large softbox high at frame left rakes across Rosa's face and shoulder, striking the towel and the glossy suit, while the steel flats behind fall into cool teal shadow; a hard rim from behind her right shoulder traces a white line along her bun and the curve of her arm, and fine dust hangs and drifts visibly in the beam. The lighting is cinematic and anamorphic, shallow depth of field holding Rosa's face, hand and the offered bottle tack-sharp while the coworker's shoulder and the set behind melt into soft bokeh, the palette set by warm amber key, black lacquer and cold blue-green background, with a thin horizontal flare smearing from the top-left light. Sweat on her collarbone, the compressed towel fibers, the beaded condensation on the bottle and the silvered scuffs on the crate carry the detail. Intimate, quietly glamorous.
Dicavecdff
AI artwork
d
character: rosa_(pokemon) 2girls, rosa_(pokemon), brown hair, double bun, hair bun, long hair, blue eyes, tight black spy catsuit, glossy black bodysuit, shiny black latex, skintight suit, high collar, seated, sitting on wooden crate, resting, out of character, cheerful cute smile, closed mouth smile, light blush, looking up at another, towel around shoulders, white towel draped over shoulder, wiping sweat, hand on towel, sweat on skin, breathing lightly, parted lips, unfamiliar male coworker, faceless male, short black hair, stubble, dark grey crew-neck t-shirt, lanyard, holding water bottle, offering water bottle, plastic water bottle with condensation, arm extended toward viewer's left, speech bubble, "well done", from below, close-up, cowboy shot, three-quarter view, abandoned warehouse film set, prop crates, scaffolding, sandbags, c-stand, boom mic overhead, film lighting rig, cinematic, anamorphic lens flare, shallow depth of field, warm key light, teal shadows, high contrast, glossy specular highlights, sweat sheen, dust motes in light beam The camera sits low and close, looking up at a slight angle: a tight two-shot in which Rosa fills the left two-thirds of the frame and the male coworker is cropped at the right edge, his torso and outstretched arm entering the composition. Rosa is seated on a weathered wooden prop crate at the center-left, hips planted, knees loosely apart with her weight rocked back onto her right hip and her left boot heel hooked on the crate's lower slat; her spine curves into a relaxed slump and her shoulders drop, catching the breath of someone who has just come off a long take. Her hair is a brown double bun high on her head, a few loose strands stuck to her temples with sweat, the twin buns silhouetted against the lit haze behind her. A coarse white terry towel is draped across her left shoulder and bunched at her collarbone; her right hand grips its end against her jaw and neck, cloth pressed flat to her damp skin, her forearm crossing her chest. The suit is one unbroken glossy black catsuit, skin-tight and lacquer-shiny from throat to ankle, high collar zipped to the chin, the surface breaking the key light into a hard white streak down her sternum, along the crest of her left thigh and around the curve of her knee; the fabric creases and pulls at the waist and inner elbows where she bends, and the shine dies into deep black along her flank and under the towel's shadow. Her face is turned up toward the coworker, chin lifted, and she smiles cutely: a soft closed-lip smile that lifts one corner higher than the other, eyes narrowed crescent-soft with warmth, a faint flush high on both cheeks, her lips parting just barely around a slow exhale — the light on her throat and the slight lift of her chest reading as light, easy breathing. Her gaze lands on the coworker's face, and he looks back down at her, head dipped toward her, answering the look. The coworker leans in from the right, shoulders angled toward Rosa, weight on his front foot, his right arm crossing the gap between them to offer a sweating plastic water bottle; his fingers wrap the bottle's middle and he tilts it toward her, droplets running down the plastic and catching the rim light. He wears a plain dark grey crew-neck t-shirt and a film-crew lanyard hanging loose at his chest, ID card turned blank-side out; his other hand hangs at his side, half-curled. Between and above them, a ragged-edged speech bubble floats on the right of the frame near his head, its tail pointing down at him, and inside it in clean bold comic lettering the words "well done". Behind them the set openly reveals itself as a film set dressed as an abandoned warehouse: a scuffed prop wall of corrugated steel and stained brick flats stands braced by visible wooden struts, a stack of empty crates and a coil of cable sit on paint-flecked floorboards, and a black C-stand with a sandbag on its foot rises at the left edge beside a boom pole angling into frame from above. A warm key light from a large softbox high at frame left rakes across Rosa's face and shoulder, striking the towel and the glossy suit, while the steel flats behind fall into cool teal shadow; a hard rim from behind her right shoulder traces a white line along her bun and the curve of her arm, and fine dust hangs and drifts visibly in the beam. The lighting is cinematic and anamorphic, shallow depth of field holding Rosa's face, hand and the offered bottle tack-sharp while the coworker's shoulder and the set behind melt into soft bokeh, the palette set by warm amber key, black lacquer and cold blue-green background, with a thin horizontal flare smearing from the top-left light. Sweat on her collarbone, the compressed towel fibers, the beaded condensation on the bottle and the silvered scuffs on the crate carry the detail. Intimate, quietly glamorous.
Dicavecdff
AI artwork
d
character: rosa_(pokemon) 2girls, rosa_(pokemon), brown hair, double bun, hair bun, long hair, blue eyes, tight black spy catsuit, glossy black bodysuit, shiny black latex, skintight suit, high collar, seated, sitting on wooden crate, resting, out of character, cheerful cute smile, closed mouth smile, light blush, looking up at another, towel around shoulders, white towel draped over shoulder, wiping sweat, hand on towel, sweat on skin, breathing lightly, parted lips, unfamiliar male coworker, faceless male, short black hair, stubble, dark grey crew-neck t-shirt, lanyard, holding water bottle, offering water bottle, plastic water bottle with condensation, arm extended toward viewer's left, speech bubble, "well done", from below, close-up, cowboy shot, three-quarter view, abandoned warehouse film set, prop crates, scaffolding, sandbags, c-stand, boom mic overhead, film lighting rig, cinematic, anamorphic lens flare, shallow depth of field, warm key light, teal shadows, high contrast, glossy specular highlights, sweat sheen, dust motes in light beam The camera sits low and close, looking up at a slight angle: a tight two-shot in which Rosa fills the left two-thirds of the frame and the male coworker is cropped at the right edge, his torso and outstretched arm entering the composition. Rosa is seated on a weathered wooden prop crate at the center-left, hips planted, knees loosely apart with her weight rocked back onto her right hip and her left boot heel hooked on the crate's lower slat; her spine curves into a relaxed slump and her shoulders drop, catching the breath of someone who has just come off a long take. Her hair is a brown double bun high on her head, a few loose strands stuck to her temples with sweat, the twin buns silhouetted against the lit haze behind her. A coarse white terry towel is draped across her left shoulder and bunched at her collarbone; her right hand grips its end against her jaw and neck, cloth pressed flat to her damp skin, her forearm crossing her chest. The suit is one unbroken glossy black catsuit, skin-tight and lacquer-shiny from throat to ankle, high collar zipped to the chin, the surface breaking the key light into a hard white streak down her sternum, along the crest of her left thigh and around the curve of her knee; the fabric creases and pulls at the waist and inner elbows where she bends, and the shine dies into deep black along her flank and under the towel's shadow. Her face is turned up toward the coworker, chin lifted, and she smiles cutely: a soft closed-lip smile that lifts one corner higher than the other, eyes narrowed crescent-soft with warmth, a faint flush high on both cheeks, her lips parting just barely around a slow exhale — the light on her throat and the slight lift of her chest reading as light, easy breathing. Her gaze lands on the coworker's face, and he looks back down at her, head dipped toward her, answering the look. The coworker leans in from the right, shoulders angled toward Rosa, weight on his front foot, his right arm crossing the gap between them to offer a sweating plastic water bottle; his fingers wrap the bottle's middle and he tilts it toward her, droplets running down the plastic and catching the rim light. He wears a plain dark grey crew-neck t-shirt and a film-crew lanyard hanging loose at his chest, ID card turned blank-side out; his other hand hangs at his side, half-curled. Between and above them, a ragged-edged speech bubble floats on the right of the frame near his head, its tail pointing down at him, and inside it in clean bold comic lettering the words "well done". Behind them the set openly reveals itself as a film set dressed as an abandoned warehouse: a scuffed prop wall of corrugated steel and stained brick flats stands braced by visible wooden struts, a stack of empty crates and a coil of cable sit on paint-flecked floorboards, and a black C-stand with a sandbag on its foot rises at the left edge beside a boom pole angling into frame from above. A warm key light from a large softbox high at frame left rakes across Rosa's face and shoulder, striking the towel and the glossy suit, while the steel flats behind fall into cool teal shadow; a hard rim from behind her right shoulder traces a white line along her bun and the curve of her arm, and fine dust hangs and drifts visibly in the beam. The lighting is cinematic and anamorphic, shallow depth of field holding Rosa's face, hand and the offered bottle tack-sharp while the coworker's shoulder and the set behind melt into soft bokeh, the palette set by warm amber key, black lacquer and cold blue-green background, with a thin horizontal flare smearing from the top-left light. Sweat on her collarbone, the compressed towel fibers, the beaded condensation on the bottle and the silvered scuffs on the crate carry the detail. Intimate, quietly glamorous.
Dicavecdff
AI artwork
d3
character: rosa_(pokemon) 2girls, rosa_(pokemon), brown hair, double bun, twintails, blue eyes, black glossy skin-tight spy agent outfit, black bodysuit, shiny latex, zipper front, sitting, resting, towel around shoulders, white towel, wiping sweat, cute smiling face, light smile, breathing lightly, male coworker, unfamiliar man, holding water bottle, offering bottle, handing bottle, speech bubble, close-up, cowboy shot, from above, cinematic lighting, film studio set, abandoned warehouse interior, film set, 1boy, short dark hair, crew t-shirt Shot from slightly above in a cinematic close-up that crops at mid-thigh, the frame holds the girl seated on a stacked wooden pallet, knees together and tipped to her left, her right hip taking the weight while her left hand rests flat on the pallet edge. A white towel is draped over her right shoulder, one corner bunched in her fingers where she has just dabbed her cheek; a sheen of sweat sits at her temples and collarbone. Her glossy black skin-tight spy suit catches the light along every contour — a high collar with a short front zipper, long sleeves hugging the arms, a belt at the waist, the material stretched taut across her chest and thighs, crimped creases at the hips and inner elbows where she is folded, and a hot narrow specular streak running down her thigh and forearm. Her brown hair is pinned in a double bun with twin tails falling forward over her shoulders, and her blue eyes lift toward the man with a cheerful closed-lip smile that opens onto a light exhale, one brow raised. To her right, closer to the lens and slightly out of focus at the shoulder, stands the unfamiliar male coworker in a plain dark crew t-shirt, leaning down and in, his right arm extended so the plastic water bottle hangs between them at her chest height; her free left hand rises to meet it, fingertips just closing on the bottle's neck. He looks down at her, she looks up at him, the contact point between their hands the center of the composition. A clean rounded speech bubble floats beside his head with a tail pointing at his mouth, lettered in plain bold sans-serif: "nice work". The set behind them is a film studio dressed as an abandoned warehouse: corrugated metal wall panels, a rusted steel beam, stacked crates and a coil of cable, the seam between two flats visible at the left edge, a boom mic shadow and a sandbag at the far right. A single warm key light from a high softbox at the upper left wraps the left side of her face and shoulders and lays a rim on the bottle; a cool fill from the right keeps the shadow side readable, and the background falls into a shallow, softly blurred darkness with a faint haze in the air. Palette is black and warm skin tones against rust brown, dull grey steel and one cool teal fill. Quiet, warm, effortlessly cinematic.
Dicavec3
#Pokémon#Pokémon Schwarz 2 und Weiß 2#Rosy

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Avatar image of リオ
character: kaname_madoka_(magical_girl), copyright: mahou_shoujo_madoka_magica Kaname Madoka from Puella Magi Madoka Magica, pink twin tails tied with deep red ribbons, wearing her iconic magical girl costume, white corset-like bodice with delicate back lacing, voluminous layered white and pale pink ruffled skirt, crimson ribbons flowing loosely around her body, viewed from behind at a three-quarter angle, seated with her back gracefully arched, both arms extending naturally downward behind her back, one hand gently holding the opposite wrist, clearly separated hands, relaxed slender fingers, five distinct fingers on each hand, natural finger spacing, anatomically correct wrists, elegant delicate hands, visible knuckles, softly curved fingers, hands clearly visible against the white skirt, unobstructed hand silhouette, accurate hand anatomy, head tilted far backward, chin raised toward the darkness, face mostly hidden, elegant elongated silhouette, delicate exposed shoulders, soft loose strands of pink hair, dramatic asymmetrical composition, close medium shot, large skirt filling the lower frame, dark almost black background, dramatic directional lighting, pale ivory highlights, muted dusty pink, cold gray shadows, rich crimson accents, strong contrast between luminous fabric and deep darkness, thick impasto oil painting, expressive visible brushstrokes, heavy layered paint, rough palette knife texture, sculptural paint strokes, painterly edges, textured canvas, loose gestural painting, rich tactile surface, dramatic chiaroscuro, melancholic atmosphere, haunting beauty, full bleed composition, edge-to-edge artwork, no borders, no frame, textured illustration, grainy texture, crayon texture, chalky brushwork, impasto strokes, bold color blocking, stylized anime, flat shading, dry brush effect, atmospheric lighting, soft glow highlights, rough painterly anime style, visible textured brushstrokes, heavy impasto texture, scratchy charcoal-like linework, expressive gestural strokes, smudged edges, desaturated base tones with aggressive high-contrast color, sketch style, rough brushstroke
リオ
3#Puella Magi Madoka Magica#Madoka Kaname#Puella Magi Madoka Magica
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