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Goddess Venus at the Roman path house
The beautiful goddess of love Venus emerges from the waters of a busy roman bath house.
Wettbewerbseinreichung
THE ROMAN EMPIRE – A Journey Through History#Roman Empire Contest
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- Ursprünglicher Prompt
- masterpiece, best quality, ultra detailed, detailed background, crowded ancient roman bathhouse interior, (beautiful goddess venus as the central figure:1.3), very long flowing golden blonde hair adorned with pearl pins, soft radiant skin with subtle divine glow, gentle serene expression, iconic birth-of-venus inspired look, small shell hair ornament, white doves perched nearby, sheer wet linen cloth draped loosely around her hips, bare shoulders and back, stepping up out of a circular marble bath, water cascading off her skin, droplets sparkling, she is the only figure glowing softly with warm divine light, drawing every eye background: grand caldarium hall, towering fluted marble columns, vaulted ceilings with coffers and skylight oculus, intricate colorful floor mosaics of ocean waves and dolphins, steam rising from heated pools, shafts of golden afternoon sunlight streaming through high arched windows, bronze oil lamps, marble benches with folded towels and amphorae background people: multiple roman bathers, groups of women lounging on marble benches chatting and combing hair, attendants in simple tunics pouring oils, an old senator soaking in a corner pool, children splashing in shallow water, everyone rendered softer and less detailed than venus, natural relaxed poses composition: venus in sharp focus center-foreground, bathers slightly blurred in midground and background, depth of field, warm humid atmosphere, god rays through steam, romantic classical painting mood, cinematic lighting, anime style ,information detail density enhancer, refined local details, enhanced material textures, precise small elements, balanced detail density,(masterpiece:1.2),(16k resolution:1.2),(ultra detailed:1.2),(ultra quality:1.2),{{(ultra animation skin:1.2),glossy skin,smooth skin,soft skin,clear skin}},ibitsu style,(rough lineart,strong ink lines,sketch texture, cross-hatching shading)
- Modus
- ultra
- Qualitäts-Tag
- ﹝Prompts﹞
- Größe
- 1232 x 1632
- Sampling-Methode
- Euler
- Negativ
- low quality, worst quality, blurry, bad anatomy, extra limbs, deformed hands, watermark, text, signature, modern clothing, modern objects, cluttered foreground, duplicate main character
Prompt-Assistent
Verwendetes Modell und LoRA
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歡氏
1girl, solo, princess, golden laurel wreath, laurel crown, blonde hair, long hair, wet hair, bare shoulders, nude, bath towel, towel wrapped around body, towel around torso, soaking in water, bathing, sitting, arms resting on pool edge, roman bath, bathhouse, public bath, ancient rome, marble, stone columns, steam, water surface, from side, cowboy shot, looking to the side, light smile, half-closed eyes, blush, relaxed, wet skin, water droplets, reflection, seductive, warm light, classical antiquity aesthetic, marble and stone architectural motifs
A side-on cowboy shot, camera level with the water's surface just above the pool rim: a young princess sits submerged to the chest in a Roman-style public bath, her body turned three-quarters away toward frame right while her head tips back and turns so that her eyes drift to the left, past the camera, unfocused and half-lidded above a faint closed-lip smile and a warm blush across the cheeks. A golden laurel wreath of narrow overlapping leaves rests on her head, canted slightly, its gold catching the light; damp blonde hair escapes beneath it in wet strands that cling to her temple and to the nape of her neck. A pale linen bath towel is wound once around her torso, the only thing she wears, its upper edge pressed to the top of her chest and its hem darkening where it soaks into the water and clings in wet folds to her hip; her shoulders, collarbones, upper chest and arms are bare, water beading on the skin and running in thin threads. Her right forearm rests along the marble coping of the pool, elbow bent, hand hanging loose with fingers curled over the edge, the stone dark and slick under her skin; her left hand is underwater, palm flat against the tiled step behind her for balance, her weight leaned back onto it so the shoulder line tilts. Steam curls off the surface in slow ribbons, and the water's ring of wet stone runs a dark band above the waterline where the splash has reached and below it not.
She sits in a shallow marble pool sunk into a bathhouse floor: a wide rectangular basin with a low stone rim in the foreground, and behind her a raised wall of pale marble panels, fluted columns, a blind arcade and a coffered vault cut off by the top of the frame. To the right in the midground, a bronze spout pours a thin, unbroken stream into the pool, and the surface ripples in concentric arcs that run out toward her waist; farther back in the soft-focus background, other bathers sit as blurred, indistinct figures at the far basin edges, small and out of focus, leaving the princess the sharpest shape in the frame. Warm low sunlight rakes in from a high window at frame left, catching her cheek, the near column and the crown's gold, laying a long bright streak on the water and a soft shadow of the wreath across her forehead; the far end of the bathhouse recedes into cool blue-grey dimness where the steam thickens. The palette is kept narrow -- veined off-white and warm grey marble, soft sage-green water, pale linen, wet blonde, and old gold at the wreath alone -- nothing else admitted. She is drawn in full focus and high detail at the face, the wreath, the wet towel edge and the hand on the coping; the architecture is simplified to big planes and clean fluted lines. Classical antiquity aesthetic with architectural motifs of marble and stone, languid and warm.
歡氏
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歡氏
1girl, solo, princess, golden laurel wreath, laurel crown, blonde hair, long hair, wet hair, bare shoulders, nude, bath towel, towel wrapped around body, towel around torso, soaking in water, bathing, sitting, arms resting on pool edge, roman bath, bathhouse, public bath, ancient rome, marble, stone columns, steam, water surface, from side, cowboy shot, looking to the side, light smile, half-closed eyes, blush, relaxed, wet skin, water droplets, reflection, seductive, warm light, classical antiquity aesthetic, marble and stone architectural motifs
A side-on cowboy shot, camera level with the water's surface just above the pool rim: a young princess sits submerged to the chest in a Roman-style public bath, her body turned three-quarters away toward frame right while her head tips back and turns so that her eyes drift to the left, past the camera, unfocused and half-lidded above a faint closed-lip smile and a warm blush across the cheeks. A golden laurel wreath of narrow overlapping leaves rests on her head, canted slightly, its gold catching the light; damp blonde hair escapes beneath it in wet strands that cling to her temple and to the nape of her neck. A pale linen bath towel is wound once around her torso, the only thing she wears, its upper edge pressed to the top of her chest and its hem darkening where it soaks into the water and clings in wet folds to her hip; her shoulders, collarbones, upper chest and arms are bare, water beading on the skin and running in thin threads. Her right forearm rests along the marble coping of the pool, elbow bent, hand hanging loose with fingers curled over the edge, the stone dark and slick under her skin; her left hand is underwater, palm flat against the tiled step behind her for balance, her weight leaned back onto it so the shoulder line tilts. Steam curls off the surface in slow ribbons, and the water's ring of wet stone runs a dark band above the waterline where the splash has reached and below it not.
She sits in a shallow marble pool sunk into a bathhouse floor: a wide rectangular basin with a low stone rim in the foreground, and behind her a raised wall of pale marble panels, fluted columns, a blind arcade and a coffered vault cut off by the top of the frame. To the right in the midground, a bronze spout pours a thin, unbroken stream into the pool, and the surface ripples in concentric arcs that run out toward her waist; farther back in the soft-focus background, other bathers sit as blurred, indistinct figures at the far basin edges, small and out of focus, leaving the princess the sharpest shape in the frame. Warm low sunlight rakes in from a high window at frame left, catching her cheek, the near column and the crown's gold, laying a long bright streak on the water and a soft shadow of the wreath across her forehead; the far end of the bathhouse recedes into cool blue-grey dimness where the steam thickens. The palette is kept narrow -- veined off-white and warm grey marble, soft sage-green water, pale linen, wet blonde, and old gold at the wreath alone -- nothing else admitted. She is drawn in full focus and high detail at the face, the wreath, the wet towel edge and the hand on the coping; the architecture is simplified to big planes and clean fluted lines. Classical antiquity aesthetic with architectural motifs of marble and stone, languid and warm.
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