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q01.9340#0

q0

q01.9340#0

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close-up portrait, face focus, 1girl, mature woman, married woman, motherly, one woman only, long curly red hair, voluminous red curls, black eyeshadow, black lipstick, heavy makeup, long eyelashes, detailed eyes, perfect eyes, glossy reflective skin, large hoop earrings, dark bedroom, purple background, dark background, shallow depth of field, bokeh, head tilt, half-closed eyes, light smile, looking at viewer, from above, dutch angle, warm lamplight, rim light, family photo frame out of focus, wedding ring, red and black velvet, moody, intimate. A close-up portrait shot from slightly above and tilted a few degrees off level, the camera near enough that the woman's face fills the frame and only her left shoulder and the rise of her collarbone stay inside the bottom edge; her head tips back a little and to her right as she looks up into the lens, chin lifted, so the whole warm weight of her attention lands on the viewer. She is a grown woman in her late thirties, mature softness through the cheeks and jaw, an even proportional build carried in the slope of the visible shoulder. Her long red hair is a heavy mass of loose curls that spills around both sides of her face and pools dark against her left shoulder, the ends dissolving past her jaw into shadow; the curls at her right temple catch a single strand of light and turn almost copper. Her eyes are wide open, halves of them glossy and reflective, the irises drawn with fine detailed rings and a wet pinpoint highlight in each; long dense eyelashes fringe the upper lids, and black eyeshadow is laid thick in a smoky sweep from lash line to crease, smudged soft at the outer corners. Black lipstick coats both lips in a matte layer with a single shine on the lower one, corners turned up in a faint closed-lip smile that sits half in warmth, half in knowing. Her skin is glossy, every broad plane of cheek, forehead, nose bridge and shoulder carrying a wet-looking sheen so the highlights read as light sliding over polished warmth. Large thin hoop earrings hang from both earlobes, the right one whole in frame, the left one partly crossed by a curl, and each hoop throws a bright moving line of specular light along its outer edge. Her gaze goes straight at the viewer, held just past the lens. She is alone in a dark bedroom at night; the room behind her falls away into deep black, but a broad field of deep purple glows just off the back wall, a muted violet wash that fades into blackness at its borders, so that her head and the halo of red curls are the only warm mass against it. The only light is a small off-frame warm lamp low and to her left; it strikes the left side of her face and the left edge of her hoops with a low-temperature glow, the right side of her face sinks into soft shadow, and the far background dims to almost nothing. Her shine is a set of soft rectangular highlights across her cheekbones, nose bridge and collarbone; whose size is a consequence of the source, not scattered general glow. At the right edge of the frame, a husband's-and-wife's photo frame on the nightstand is thrown out of focus into a soft warm blob. The palette stays red, black and violet: red only in her hair, violet only in the background wash, black in her makeup, her lipstick and the room, nothing else admitted. The focus is razor-sharp on her eyes; her hair and shoulders soften, the nightstand and a blurred nightstand lamp melting into round bokeh. Intimate, sultry.
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Ursprünglicher Prompt
，头像，浓妆，，长睫毛，紫色背景，黑暗的背景，，，反光的皮肤，成熟之美、成熟之眼、匀称身材、杰作、慈母形象， 成熟的女人，少妇，人妻形象，，家庭主妇，中年妇女，, ,长发，卷发，红色发，黑色眼影，黑色口红， ，黑暗的卧室，，景深，脸部聚焦，大耳环， 细节丰富的眼睛，完美的眼睛
Modus
pro
Größe
1056 x 1888
Sampling-Methode
Euler
Negativ
nsfw, lowres, bad anatomy, bad hands, text, error, missing fingers, extra digit, fewer digits, cropped, worst quality, low quality, normal quality, jpeg artifacts, signature, watermark, username, blurry
Prompt-Assistent

Verwendetes Modell und LoRA

Tsubaki.3 - AI Model cover image

PixAI DiT.3

Tsubaki.3
7.47k

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AI artwork
q0
close-up portrait, face focus, 1girl, mature woman, married woman, motherly, one woman only, long curly red hair, voluminous red curls, black eyeshadow, black lipstick, heavy makeup, long eyelashes, detailed eyes, perfect eyes, glossy reflective skin, large hoop earrings, dark bedroom, purple background, dark background, shallow depth of field, bokeh, head tilt, half-closed eyes, light smile, looking at viewer, from above, dutch angle, warm lamplight, rim light, family photo frame out of focus, wedding ring, red and black velvet, moody, intimate. A close-up portrait shot from slightly above and tilted a few degrees off level, the camera near enough that the woman's face fills the frame and only her left shoulder and the rise of her collarbone stay inside the bottom edge; her head tips back a little and to her right as she looks up into the lens, chin lifted, so the whole warm weight of her attention lands on the viewer. She is a grown woman in her late thirties, mature softness through the cheeks and jaw, an even proportional build carried in the slope of the visible shoulder. Her long red hair is a heavy mass of loose curls that spills around both sides of her face and pools dark against her left shoulder, the ends dissolving past her jaw into shadow; the curls at her right temple catch a single strand of light and turn almost copper. Her eyes are wide open, halves of them glossy and reflective, the irises drawn with fine detailed rings and a wet pinpoint highlight in each; long dense eyelashes fringe the upper lids, and black eyeshadow is laid thick in a smoky sweep from lash line to crease, smudged soft at the outer corners. Black lipstick coats both lips in a matte layer with a single shine on the lower one, corners turned up in a faint closed-lip smile that sits half in warmth, half in knowing. Her skin is glossy, every broad plane of cheek, forehead, nose bridge and shoulder carrying a wet-looking sheen so the highlights read as light sliding over polished warmth. Large thin hoop earrings hang from both earlobes, the right one whole in frame, the left one partly crossed by a curl, and each hoop throws a bright moving line of specular light along its outer edge. Her gaze goes straight at the viewer, held just past the lens. She is alone in a dark bedroom at night; the room behind her falls away into deep black, but a broad field of deep purple glows just off the back wall, a muted violet wash that fades into blackness at its borders, so that her head and the halo of red curls are the only warm mass against it. The only light is a small off-frame warm lamp low and to her left; it strikes the left side of her face and the left edge of her hoops with a low-temperature glow, the right side of her face sinks into soft shadow, and the far background dims to almost nothing. Her shine is a set of soft rectangular highlights across her cheekbones, nose bridge and collarbone; whose size is a consequence of the source, not scattered general glow. At the right edge of the frame, a husband's-and-wife's photo frame on the nightstand is thrown out of focus into a soft warm blob. The palette stays red, black and violet: red only in her hair, violet only in the background wash, black in her makeup, her lipstick and the room, nothing else admitted. The focus is razor-sharp on her eyes; her hair and shoulders soften, the nightstand and a blurred nightstand lamp melting into round bokeh. Intimate, sultry.
q01.9340#0
AI artwork
q0
close-up portrait, face focus, 1girl, mature woman, married woman, motherly, one woman only, long curly red hair, voluminous red curls, black eyeshadow, black lipstick, heavy makeup, long eyelashes, detailed eyes, perfect eyes, glossy reflective skin, large hoop earrings, dark bedroom, purple background, dark background, shallow depth of field, bokeh, head tilt, half-closed eyes, light smile, looking at viewer, from above, dutch angle, warm lamplight, rim light, family photo frame out of focus, wedding ring, red and black velvet, moody, intimate. A close-up portrait shot from slightly above and tilted a few degrees off level, the camera near enough that the woman's face fills the frame and only her left shoulder and the rise of her collarbone stay inside the bottom edge; her head tips back a little and to her right as she looks up into the lens, chin lifted, so the whole warm weight of her attention lands on the viewer. She is a grown woman in her late thirties, mature softness through the cheeks and jaw, an even proportional build carried in the slope of the visible shoulder. Her long red hair is a heavy mass of loose curls that spills around both sides of her face and pools dark against her left shoulder, the ends dissolving past her jaw into shadow; the curls at her right temple catch a single strand of light and turn almost copper. Her eyes are wide open, halves of them glossy and reflective, the irises drawn with fine detailed rings and a wet pinpoint highlight in each; long dense eyelashes fringe the upper lids, and black eyeshadow is laid thick in a smoky sweep from lash line to crease, smudged soft at the outer corners. Black lipstick coats both lips in a matte layer with a single shine on the lower one, corners turned up in a faint closed-lip smile that sits half in warmth, half in knowing. Her skin is glossy, every broad plane of cheek, forehead, nose bridge and shoulder carrying a wet-looking sheen so the highlights read as light sliding over polished warmth. Large thin hoop earrings hang from both earlobes, the right one whole in frame, the left one partly crossed by a curl, and each hoop throws a bright moving line of specular light along its outer edge. Her gaze goes straight at the viewer, held just past the lens. She is alone in a dark bedroom at night; the room behind her falls away into deep black, but a broad field of deep purple glows just off the back wall, a muted violet wash that fades into blackness at its borders, so that her head and the halo of red curls are the only warm mass against it. The only light is a small off-frame warm lamp low and to her left; it strikes the left side of her face and the left edge of her hoops with a low-temperature glow, the right side of her face sinks into soft shadow, and the far background dims to almost nothing. Her shine is a set of soft rectangular highlights across her cheekbones, nose bridge and collarbone; whose size is a consequence of the source, not scattered general glow. At the right edge of the frame, a husband's-and-wife's photo frame on the nightstand is thrown out of focus into a soft warm blob. The palette stays red, black and violet: red only in her hair, violet only in the background wash, black in her makeup, her lipstick and the room, nothing else admitted. The focus is razor-sharp on her eyes; her hair and shoulders soften, the nightstand and a blurred nightstand lamp melting into round bokeh. Intimate, sultry.
q01.9340#0
AI artwork
q0
close-up portrait, face focus, 1girl, mature woman, married woman, motherly, one woman only, long curly red hair, voluminous red curls, black eyeshadow, black lipstick, heavy makeup, long eyelashes, detailed eyes, perfect eyes, glossy reflective skin, large hoop earrings, dark bedroom, purple background, dark background, shallow depth of field, bokeh, head tilt, half-closed eyes, light smile, looking at viewer, from above, dutch angle, warm lamplight, rim light, family photo frame out of focus, wedding ring, red and black velvet, moody, intimate. A close-up portrait shot from slightly above and tilted a few degrees off level, the camera near enough that the woman's face fills the frame and only her left shoulder and the rise of her collarbone stay inside the bottom edge; her head tips back a little and to her right as she looks up into the lens, chin lifted, so the whole warm weight of her attention lands on the viewer. She is a grown woman in her late thirties, mature softness through the cheeks and jaw, an even proportional build carried in the slope of the visible shoulder. Her long red hair is a heavy mass of loose curls that spills around both sides of her face and pools dark against her left shoulder, the ends dissolving past her jaw into shadow; the curls at her right temple catch a single strand of light and turn almost copper. Her eyes are wide open, halves of them glossy and reflective, the irises drawn with fine detailed rings and a wet pinpoint highlight in each; long dense eyelashes fringe the upper lids, and black eyeshadow is laid thick in a smoky sweep from lash line to crease, smudged soft at the outer corners. Black lipstick coats both lips in a matte layer with a single shine on the lower one, corners turned up in a faint closed-lip smile that sits half in warmth, half in knowing. Her skin is glossy, every broad plane of cheek, forehead, nose bridge and shoulder carrying a wet-looking sheen so the highlights read as light sliding over polished warmth. Large thin hoop earrings hang from both earlobes, the right one whole in frame, the left one partly crossed by a curl, and each hoop throws a bright moving line of specular light along its outer edge. Her gaze goes straight at the viewer, held just past the lens. She is alone in a dark bedroom at night; the room behind her falls away into deep black, but a broad field of deep purple glows just off the back wall, a muted violet wash that fades into blackness at its borders, so that her head and the halo of red curls are the only warm mass against it. The only light is a small off-frame warm lamp low and to her left; it strikes the left side of her face and the left edge of her hoops with a low-temperature glow, the right side of her face sinks into soft shadow, and the far background dims to almost nothing. Her shine is a set of soft rectangular highlights across her cheekbones, nose bridge and collarbone; whose size is a consequence of the source, not scattered general glow. At the right edge of the frame, a husband's-and-wife's photo frame on the nightstand is thrown out of focus into a soft warm blob. The palette stays red, black and violet: red only in her hair, violet only in the background wash, black in her makeup, her lipstick and the room, nothing else admitted. The focus is razor-sharp on her eyes; her hair and shoulders soften, the nightstand and a blurred nightstand lamp melting into round bokeh. Intimate, sultry.
q01.9340#0
AI artwork
q0
portrait, headshot, 1girl, solo, mature female, middle-aged woman, housewife, motherly, red hair, short hair, straight hair, black eyeshadow, black lipstick, heavy makeup, long eyelashes, detailed eyes, large hoop earrings, glossy skin, reflective skin, dark bedroom background, purple background, depth of field, face focus, close-up, from above, slight three-quarter turn, head tilt, looking at viewer, half-closed eyes, light smile, closed mouth, dark background, rim light, cinematic lighting, A face close-up seen from slightly above, the camera tilted down at her so the crown of her head sits near the top of the frame and her chin is the nearest point: a middle-aged woman with short straight red hair cut to the jaw, the strands falling flat and close to her temples and one lock tucked behind her left ear on the side turned away, the other side sweeping forward across her cheekbone. Her skin is glossy and strongly reflective -- a varnished sheen down the bridge of her nose, across both cheekbones and along the lower lip, catching the key light as small hard highlights rather than a diffuse glow. Heavy makeup: dense black eyeshadow packed from the lash line up into the crease in a smoky arc, long eyelashes fanned out and separated at the tips, her eyes wide open and detailed with a bright pinpoint catchlight in each iris; black lipstick on lips parted a hair's width, glossy and dark, the lower lip with a single sharp highlight. A large gold hoop earring hangs from each earlobe, the nearer one swung slightly forward off her jaw and catching a thin line of light along its outer rim, the far one half-lost in the shadow of her neck. Her head is tipped a little toward her right shoulder and turned slightly away from the lens, chin lowered, lids heavy, a faint closed-lip smile that is warm and settled rather than coy, her gaze resting directly on the viewer with a motherly steadiness. Bare shoulders and a simple dark neckline just at the bottom edge of the crop, no other accessory. Behind her a dark bedroom recedes into out-of-focus shadow: a dim headboard edge and the soft mass of a pillow on the left, unreadable, falling away into deep violet-black. The background carries a muted purple cast, darker at the top corners and lifted slightly behind her hair so her head separates cleanly; everything past her shoulders is soft bokeh, sharp nowhere except her face, which is the only thing in focus. Light comes from a single warm low lamp off to the right and slightly above, so it strikes the right side of her face and the outer curve of the near hoop, leaving the left of her jaw, the hollow of her throat and the far earring in shadow; a thin cool violet rim grazes the edge of her hair and shoulder from behind. Palette restricted to deep violet-black, warm skin, gold and red, nothing else. The near hoop's polished inner face reflects a dim distorted sliver of the lamp rather than a clean point. Intimate, quietly commanding.
q01.9340#0

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character: kaname_madoka_(magical_girl), copyright: mahou_shoujo_madoka_magica Kaname Madoka from Puella Magi Madoka Magica, pink twin tails tied with deep red ribbons, wearing her iconic magical girl costume, white corset-like bodice with delicate back lacing, voluminous layered white and pale pink ruffled skirt, crimson ribbons flowing loosely around her body, viewed from behind at a three-quarter angle, seated with her back gracefully arched, both arms extending naturally downward behind her back, one hand gently holding the opposite wrist, clearly separated hands, relaxed slender fingers, five distinct fingers on each hand, natural finger spacing, anatomically correct wrists, elegant delicate hands, visible knuckles, softly curved fingers, hands clearly visible against the white skirt, unobstructed hand silhouette, accurate hand anatomy, head tilted far backward, chin raised toward the darkness, face mostly hidden, elegant elongated silhouette, delicate exposed shoulders, soft loose strands of pink hair, dramatic asymmetrical composition, close medium shot, large skirt filling the lower frame, dark almost black background, dramatic directional lighting, pale ivory highlights, muted dusty pink, cold gray shadows, rich crimson accents, strong contrast between luminous fabric and deep darkness, thick impasto oil painting, expressive visible brushstrokes, heavy layered paint, rough palette knife texture, sculptural paint strokes, painterly edges, textured canvas, loose gestural painting, rich tactile surface, dramatic chiaroscuro, melancholic atmosphere, haunting beauty, full bleed composition, edge-to-edge artwork, no borders, no frame, textured illustration, grainy texture, crayon texture, chalky brushwork, impasto strokes, bold color blocking, stylized anime, flat shading, dry brush effect, atmospheric lighting, soft glow highlights, rough painterly anime style, visible textured brushstrokes, heavy impasto texture, scratchy charcoal-like linework, expressive gestural strokes, smudged edges, desaturated base tones with aggressive high-contrast color, sketch style, rough brushstroke
リオ
3#Puella Magi Madoka Magica#Madoka Kaname#Puella Magi Madoka Magica
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