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darkstalker
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- Größe
- 1024 x 1024
- Sampling-Schritte
- 20
- Sampling-Methode
- DPM++ 2M Karras
- CFG Scale
- 6
- Negativ
- worst quality, large head, low quality, extra digits, bad eye, EasyNegativeV2, ng_deepnegative_v1_75t
Verwendetes Modell und LoRA
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1girl, solo, light brown hair, very long hair, long ponytail, red eyes, sunglasses, dark tinted sunglasses, vampire costume, gothic gown, black velvet gown, red satin, large breasts, curvy figure, wide hips, thick thighs, mature female, aged up, adult, from below, cowboy shot, dutch angle, standing with weight on one leg, hip cocked, hand on hip, leaning back slightly, head tilted down, looking down at viewer, over the sunglasses, half-closed eyes, smug, lopsided smirk, night, fog, gothic cemetery, full moon, moonlight, rim light, deep blue and crimson palette, billowing cape
The camera sits low and off-axis, tilted a few degrees, looking up at a single adult woman who dominates the frame from an oblique angle. Her light brown hair is pulled up high into one very long ponytail that falls past her hips and swings off to her right shoulder, its tail lifted and drifting in the night wind. Sunglasses with dark tinted lenses sit low on her nose; she tips her chin down so her red eyes look over the top rim straight into the lens, lids half-lowered, one brow arched above the frame, her mouth pulled into a lopsided smirk with one corner higher than the other. She stands with her weight loaded onto her left leg, right hip cocked out to exaggerate the curve of her waist, right hand planted flat on that hip with the fingers spread over black velvet, left arm hanging loose with the fingers of that hand just brushing the flared hem of the gown. She is dressed as a vampire: a floor-length black velvet gown that hugs her full bust and the curve of her wide hips before falling in heavy folds, a narrow waist between them, a deep red satin panel running down the front and red satin lining the sleeves, a stiff high collar framing her throat, and a long black cape hung from her shoulders that bellies out behind her in the wind. The gown's skirt pools and drags across the grass, its hem darkened and weighed down with damp. She stands on an old gravel path between leaning headstones in a fog-bound cemetery, the fog banked to her knees and thinning upward so her head and shoulders cut clear of it; behind her a broken stone cross leans at an angle and a dead tree's bare branches cross the sky. A full moon sits high behind her right shoulder, and it is the only real light: cold blue-white rim light traces the edge of her ponytail, her cheek, the collar and the outside of her left arm, while her front and the hollow of her throat fall into shadow, and the faint red bounce off the satin panel catches under her jaw. Everything beyond the moon's reach sinks into near-black blue. The palette is narrow -- black velvet, oxblood red, cold moonlit blue, and the pale light-brown of her hair -- with the red confined to her eyes, her lips, the satin panel and the cape's lining. Moonlight glints on the wet gravel between the headstones but not on the matte velvet. Still, imperious, calmly predatory.
Kylee Violette (Kiy Chan)
Spooky Skeleton Cat Girl in the Graveyard!
HeeroYua
ts
tt ss
1girl, solo, mature female, aged up, light brown hair, very long hair, high ponytail, ponytail reaching ankles, red eyes, sunglasses, dark oversized sunglasses, halloween gown, crimson velvet gown, black lace trim, large breasts, curvy, wide hips, thick thighs, hourglass silhouette, hourglass figure, from below, low angle, cowboy shot, looking at viewer, head tilt, hand on hip, contrapposto, hair blown to one side, night, moonlight, jack-o'-lanterns, wrought iron gate, dead trees, fog, floating embers, dark purple and black palette, crimson accent
The camera sits low and looks up: a single adult woman stands just inside a wrought-iron gate on a fog-damp cobblestone walk, her figure towering slightly against a deep indigo night sky. Her weight rests on her back right leg with the left knee eased forward, hips canted so the crimson velvet of her gown pours over one hip in a heavy fold and clings across the other; the bodice is fitted and boned, the neckline squared low over a full bust, black lace edging the sleeves and the flounced hem that pools a little on the stones. Her left hand sits flat on her hip, thumb hooked at the waist seam, fingers spread against the velvet; her right arm hangs loose, rings catching a thin edge of moonlight, nothing in that hand.
Her very long light brown hair is gathered high at the crown into one thick ponytail that falls past her waist and swings out to her right, its tip brushing the lace of her hem; the fine loose strands at her temple lift in a cross-breeze, and the whole rope of hair lags a beat behind the wind because of its weight. Dark oversized sunglasses cover her eyes, their lenses catching two small cold moon-reflections and a faint rim of red where the night light grazes the cheek behind them; her chin is tipped down toward the viewer, the corner of her mouth pulled into a slow, knowing one-sided smirk, one eyebrow arched above the glasses' upper edge.
Environment and light: the moon is the only strong source, high and behind her left shoulder, so it rims the top of the ponytail, the shoulder line and the velvet's pile in cold blue-white, throws her shadow forward across the stones toward the camera, and leaves the front of the gown in a deep wine-dark tone lifted only by the warm orange spill of two carved pumpkins flanking the gate. Fog hangs at knee height; a thin skein of it curls around the hem. The pumpkins' light reveals that the velvet's nap catches differently along every fold — bright where the nap faces the moon, near-black where it turns away.
Palette is held to deep indigo, black, wine-crimson and pumpkin orange, with light brown hair and the red lens sheen the only other notes. Mood: glamorous midnight mischief.
Kylee Violette (Kiy Chan)
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