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AI artwork featuring #Code Geass: Lelouch of the Rebellion, #C.C. and #Dream Creation Theater
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C.C., Code Geass: Lelouch of the Rebellion

Wettbewerbseinreichung
Fun Illustrations#Dream Creation Theater
#Code Geass: Lelouch of the Rebellion#C.C.
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character: c.c. split screen, 2girls, two versions of the same woman, vertical dividing line down the exact center, "vs" written on the center dividing line, long hair, very long hair, green hair, yellow eyes, left half: white shirt, long sleeves, bare shoulders, high collar, jewelry, calm closed-mouth smile, arms loosely crossed, right half: frilly pink lolita dress, enormous hair bows, lace, ribbons, ringlets, twin tails, both hands on cheeks, open-mouthed sparkling grin, one eye closed, looking at viewer, cowboy shot, straight-on eye-level diptych, flat white seam environment, A vertical split-screen diptych, the frame cut clean down the exact middle into two equal halves by a hard-edged seam, and both halves hold the same woman rendered from the same eye-level, straight-on camera at cowboy-shot distance so that her collarbones, waist and hands are all inside the frame. On the left half she wears her habitual outfit: a white long-sleeved shirt with a tall buttoned collar, the sleeves closed at the wrist, the shoulders left bare above the collar line, a small pendant resting against her sternum, her green hair falling loose and very long past her hips, her arms crossed loosely with the right forearm laid over the left and the left hand cupping her own elbow, her weight shifted onto the left leg, chin slightly level, yellow eyes turned a little to the right toward the seam, one brow faintly raised, mouth a flat closed line — entirely unbothered, faintly amused. On the right half she wears what she would never wear: a frilly pink lolita dress with a bell-shaped lacy skirt, puffed lace-cuffed sleeves tied with satin ribbons, a bow at the throat, two enormous ribbon bows pinned into her hair, and that same long green hair split and curled into ringlets twin tails that bounce outward at her shoulders; both hands press flat to her cheeks, her shoulders are drawn up, one eye squeezed shut in a wink and the other wide, mouth open in a sparkling grin, looking straight at the viewer. The center seam runs full-bleed top to bottom and is the only dark value in either half: a thick ink-black rule that thins to a hairline where the two backgrounds meet, and the letters "vs" sit ON that rule at the vertical center of the frame, small solid lowercase, italicized and slightly tilted, straddling the line so its left stroke belongs to the left half and its right stroke to the right half, letters pressed flat against the paper rather than floating. Both halves share one flat pale off-white field, no horizon, no wall, no shadow on the ground, so the pink frills, the ribbon gloss and the white cotton are the only colour, and everything is lit by a single even frontal studio light with no visible cast shadow — the pink satin bows catch one narrow specular sheen along their upper folds while the cotton on the left stays matte. A thin seam of shadow runs a half-millimetre down each side of the dividing rule, the only evidence of two separate plates pressed together. Comedic, deadpan.
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Ursprünglicher Prompt
女主角是C.C.。斜分屏视角,中间切分线写着“vs”。极度反差。左边是女主角最常见的装扮。右边是女主角根本不可能穿的反差装扮。
Modus
flash
Größe
1152 x 864
Prompt-Assistent

Verwendetes Modell und LoRA

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AI artwork
he
character: c.c. split screen, 2girls, two versions of the same woman, vertical dividing line down the exact center, "vs" written on the center dividing line, long hair, very long hair, green hair, yellow eyes, left half: white shirt, long sleeves, bare shoulders, high collar, jewelry, calm closed-mouth smile, arms loosely crossed, right half: frilly pink lolita dress, enormous hair bows, lace, ribbons, ringlets, twin tails, both hands on cheeks, open-mouthed sparkling grin, one eye closed, looking at viewer, cowboy shot, straight-on eye-level diptych, flat white seam environment, A vertical split-screen diptych, the frame cut clean down the exact middle into two equal halves by a hard-edged seam, and both halves hold the same woman rendered from the same eye-level, straight-on camera at cowboy-shot distance so that her collarbones, waist and hands are all inside the frame. On the left half she wears her habitual outfit: a white long-sleeved shirt with a tall buttoned collar, the sleeves closed at the wrist, the shoulders left bare above the collar line, a small pendant resting against her sternum, her green hair falling loose and very long past her hips, her arms crossed loosely with the right forearm laid over the left and the left hand cupping her own elbow, her weight shifted onto the left leg, chin slightly level, yellow eyes turned a little to the right toward the seam, one brow faintly raised, mouth a flat closed line — entirely unbothered, faintly amused. On the right half she wears what she would never wear: a frilly pink lolita dress with a bell-shaped lacy skirt, puffed lace-cuffed sleeves tied with satin ribbons, a bow at the throat, two enormous ribbon bows pinned into her hair, and that same long green hair split and curled into ringlets twin tails that bounce outward at her shoulders; both hands press flat to her cheeks, her shoulders are drawn up, one eye squeezed shut in a wink and the other wide, mouth open in a sparkling grin, looking straight at the viewer. The center seam runs full-bleed top to bottom and is the only dark value in either half: a thick ink-black rule that thins to a hairline where the two backgrounds meet, and the letters "vs" sit ON that rule at the vertical center of the frame, small solid lowercase, italicized and slightly tilted, straddling the line so its left stroke belongs to the left half and its right stroke to the right half, letters pressed flat against the paper rather than floating. Both halves share one flat pale off-white field, no horizon, no wall, no shadow on the ground, so the pink frills, the ribbon gloss and the white cotton are the only colour, and everything is lit by a single even frontal studio light with no visible cast shadow — the pink satin bows catch one narrow specular sheen along their upper folds while the cotton on the left stays matte. A thin seam of shadow runs a half-millimetre down each side of the dividing rule, the only evidence of two separate plates pressed together. Comedic, deadpan.
HASSEN E
AI artwork
he
character: c.c. split screen, 2girls, two versions of the same woman, vertical dividing line down the exact center, "vs" written on the center dividing line, long hair, very long hair, green hair, yellow eyes, left half: white shirt, long sleeves, bare shoulders, high collar, jewelry, calm closed-mouth smile, arms loosely crossed, right half: frilly pink lolita dress, enormous hair bows, lace, ribbons, ringlets, twin tails, both hands on cheeks, open-mouthed sparkling grin, one eye closed, looking at viewer, cowboy shot, straight-on eye-level diptych, flat white seam environment, A vertical split-screen diptych, the frame cut clean down the exact middle into two equal halves by a hard-edged seam, and both halves hold the same woman rendered from the same eye-level, straight-on camera at cowboy-shot distance so that her collarbones, waist and hands are all inside the frame. On the left half she wears her habitual outfit: a white long-sleeved shirt with a tall buttoned collar, the sleeves closed at the wrist, the shoulders left bare above the collar line, a small pendant resting against her sternum, her green hair falling loose and very long past her hips, her arms crossed loosely with the right forearm laid over the left and the left hand cupping her own elbow, her weight shifted onto the left leg, chin slightly level, yellow eyes turned a little to the right toward the seam, one brow faintly raised, mouth a flat closed line — entirely unbothered, faintly amused. On the right half she wears what she would never wear: a frilly pink lolita dress with a bell-shaped lacy skirt, puffed lace-cuffed sleeves tied with satin ribbons, a bow at the throat, two enormous ribbon bows pinned into her hair, and that same long green hair split and curled into ringlets twin tails that bounce outward at her shoulders; both hands press flat to her cheeks, her shoulders are drawn up, one eye squeezed shut in a wink and the other wide, mouth open in a sparkling grin, looking straight at the viewer. The center seam runs full-bleed top to bottom and is the only dark value in either half: a thick ink-black rule that thins to a hairline where the two backgrounds meet, and the letters "vs" sit ON that rule at the vertical center of the frame, small solid lowercase, italicized and slightly tilted, straddling the line so its left stroke belongs to the left half and its right stroke to the right half, letters pressed flat against the paper rather than floating. Both halves share one flat pale off-white field, no horizon, no wall, no shadow on the ground, so the pink frills, the ribbon gloss and the white cotton are the only colour, and everything is lit by a single even frontal studio light with no visible cast shadow — the pink satin bows catch one narrow specular sheen along their upper folds while the cotton on the left stays matte. A thin seam of shadow runs a half-millimetre down each side of the dividing rule, the only evidence of two separate plates pressed together. Comedic, deadpan.
HASSEN E
AI artwork
he
character: c.c. split screen, 2girls, two versions of the same woman, vertical dividing line down the exact center, "vs" written on the center dividing line, long hair, very long hair, green hair, yellow eyes, left half: white shirt, long sleeves, bare shoulders, high collar, jewelry, calm closed-mouth smile, arms loosely crossed, right half: frilly pink lolita dress, enormous hair bows, lace, ribbons, ringlets, twin tails, both hands on cheeks, open-mouthed sparkling grin, one eye closed, looking at viewer, cowboy shot, straight-on eye-level diptych, flat white seam environment, A vertical split-screen diptych, the frame cut clean down the exact middle into two equal halves by a hard-edged seam, and both halves hold the same woman rendered from the same eye-level, straight-on camera at cowboy-shot distance so that her collarbones, waist and hands are all inside the frame. On the left half she wears her habitual outfit: a white long-sleeved shirt with a tall buttoned collar, the sleeves closed at the wrist, the shoulders left bare above the collar line, a small pendant resting against her sternum, her green hair falling loose and very long past her hips, her arms crossed loosely with the right forearm laid over the left and the left hand cupping her own elbow, her weight shifted onto the left leg, chin slightly level, yellow eyes turned a little to the right toward the seam, one brow faintly raised, mouth a flat closed line — entirely unbothered, faintly amused. On the right half she wears what she would never wear: a frilly pink lolita dress with a bell-shaped lacy skirt, puffed lace-cuffed sleeves tied with satin ribbons, a bow at the throat, two enormous ribbon bows pinned into her hair, and that same long green hair split and curled into ringlets twin tails that bounce outward at her shoulders; both hands press flat to her cheeks, her shoulders are drawn up, one eye squeezed shut in a wink and the other wide, mouth open in a sparkling grin, looking straight at the viewer. The center seam runs full-bleed top to bottom and is the only dark value in either half: a thick ink-black rule that thins to a hairline where the two backgrounds meet, and the letters "vs" sit ON that rule at the vertical center of the frame, small solid lowercase, italicized and slightly tilted, straddling the line so its left stroke belongs to the left half and its right stroke to the right half, letters pressed flat against the paper rather than floating. Both halves share one flat pale off-white field, no horizon, no wall, no shadow on the ground, so the pink frills, the ribbon gloss and the white cotton are the only colour, and everything is lit by a single even frontal studio light with no visible cast shadow — the pink satin bows catch one narrow specular sheen along their upper folds while the cotton on the left stays matte. A thin seam of shadow runs a half-millimetre down each side of the dividing rule, the only evidence of two separate plates pressed together. Comedic, deadpan.
HASSEN E
AI artwork
he
character: c.c. split screen, 1girl, solo, C.C., very long hair, green hair, long hair, yellow eyes, golden eyes, left panel: casual outfit, white shirt, long sleeves, loose shirt, bare legs, barefoot, casual clothes, standing, hand on own hip, head tilt, light smile, looking at viewer, right panel: contrasting outfit, elegant black cocktail dress, bare shoulders, sleeveless, jewelry, gold pendant, off-shoulder dress, high heels, confident posture, arms crossed, raised eyebrow, smug, half-closed eyes, sideways glance, dutch angle, cowboy shot, two-tone background, hard vertical divider, symmetrical composition A vertical hard split divides the frame exactly down the centre, one woman present in both halves at cowboy-shot scale, the camera placed slightly below eye level in each panel so the two readings of the same face sit at a subtle dutch tilt away from one another. On the left, she stands on a plain warm-grey interior wall, weight settled onto her right hip while her left leg bends loosely forward, one hand resting flat at her waist with the fingers splayed over the loose cotton, the other arm hanging free. She wears an oversized unbuttoned white shirt over a long-sleeved tee, its cuffs pushed to the heel of her hand, and nothing below but bare legs and bare feet on a bare floorboard; her long green hair falls straight behind her shoulder with the front strands catching on the shirt placket, and she tilts her head a few degrees to the left, a faint closed-lip smile, eyes meeting the viewer with mild boredom. On the right, the same woman on a deep charcoal seamless ground, shoulders bare above a fitted black cocktail dress that cuts off at the collarbone, a single small gold pendant at her throat; her arms fold high across her ribs, weight shifted to the other hip, chin lifted slightly, mouth pulled up at one corner in a lopsided smirk and one brow arched, her eyes cutting sideways across the divider towards her own other half rather than at the lens; two of the long green strands drape over the bare shoulder and one falls behind it. A single key light sits front-left, identical in both panels, so exactly the same face is lit twice: it grazes the bare shoulder on the right into a soft highlight while the left side stays matte under the cotton, and the long hair casts one long diagonal shadow across each wall. Palette narrowed to green hair, warm white, deep black and one gold accent, nothing else admitted. Her hair shifts a half-beat differently between the two panels, looser where she stands relaxed, drawn taut behind the crossed arms. Effortlessly stylish, dryly amused.
HASSEN E

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