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雪の華
KI-Kunst „雪の華“ von Jas auf PixAI. Erstellt mit Tsubaki.2.
Prompts sind auf PixAI standardmäßig öffentlich, aber Creator können sie bei jedem veröffentlichten Werk verbergen. Der Creator dieses Werks hat sich dafür entschieden – die Wörter, mit denen das Bild generiert wurde, bleiben also privat und nur diese Person kann sie sehen. Sonst ändert sich dadurch nichts: Das Werk bleibt öffentlich, und du kannst es wie gewohnt liken, kommentieren und teilen.
Vom Autor versteckt
Verwendetes Modell und LoRA
2 private Modelle verwendet
PixAI DiT.2
Tsubaki.2
20.11k
Benutzer-LoRA
Cinematic Lighting
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ディテール強化 影強調 【detailed shadow】
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ディテール強化_8k&uhdパック
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RoughCottonPaper
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A woman with white hair graded into grey at the tips, pulled into a high ponytail with long hair intakes framing her cheekbones, stands on a flat lichen-spotted rock in a shallow forest stream, the spent cherry-branch water lying behind her shoulder. The slow leftward swipe of her sleeve and the loose crosswise wrap of a sword-sash twist her torso away from the lens as she lifts her chin over her shoulder, her red eyes fixed on a bird wheeling just above the blossom-canopy horizon. Her closed mouth and the faint tension in her jaw lean into a proud, distant hush rather than a smile. Against her pale cheek, the loose fall of her ponytail lifts and separates. The wire-deep pink and green of the light catches on the fine tooth of the scabbard's black lacquer as her ringed hand tightens on the sword's braided hilt.
The white kimono's wide sleeves swing with the angled wrist of her sword arm, and the narrow red obi is cinched just above the hip vent, where the hem gives over a white underlayer visible at the seam. Beneath it, a deep forest floor with a broken forest wall of layered pine and cherry trunks sits softened by a depth-of-field falloff. The lattice of drilled glints shines from the near edge of the water, striking her red eyes and pale face. Behind her head the cherry branches hold a fanned bough of pale-pink blossoms, and two small dark birds dart between them, while one vertical thorn of a black-lacquer branch rises from the near water where a white bird is landing. Behind her the water runs glass-clear, so the far ground of her grade and the grey underlayer of her hair are held in softer tone, and each blossom moored on the surface casts its own little shadow of petals drifting along the surface, borne by the stream's current. The palette is built from white, grey, soft pink and cool green, with the vivid red of her obi and the red wash of her kimono as the only true accents, and clear water glowing through its green shadows. Serene, ceremonial stillness.
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