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AI art "couple goals" featuring #Essen
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couple goals

KI-Kunst „couple goals“ von blackriverru auf PixAI. Erstellt mit Tsubaki.3.

loving someone and yourself

#Essen
b

blackriverru

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2girls, 1boy, 2people, beautiful woman, beautiful man, overeating, eating too much, visible bloated stomach, pot belly, full rounded stomach, large amount of food, feast, table piled with food, from above, high angle, dutch angle, sitting, leaning back, head tilted back, hand on own stomach, holding food, open mouth, closed eyes, satisfied, blissful, half-closed eyes, blush, sweat, messy hair, loose clothing, tight shirt over belly, stretched fabric, wardrobe malfunction, shirt riding up, food in hand, plate, bowl, pizza, fried chicken, hamburger, spaghetti, cake, doughnut, rice bowl, chopsticks, spilled crumbs, napkin, drink, cup, sleeves rolled up, bare feet, couch, living room, wide shot, depth of field, warm lighting, golden hour, warm palette, red, orange, yellow, brown, cozy, indulgent, greedy, unbuttoned shirt, unzipped skirt, belly button, navel, soft belly, food coma, after eating, stuffed, delight, happiness, greed, food, eating, meat, sauce, cheese, grease, crumbs on face, sauce on cheek, stained clothes, loose tie, open collar, hairband, long hair, short hair, black hair, brown hair, blonde hair, blue eyes, green eyes, brown eyes, fair skin, light skin, tan skin, anime style, illustration, detailed eyes, detailed hair, cel shading, soft shading, vibrant colors, warm colors, interior, indoors, day, sunlight, window, curtains, carpet, wooden floor, coffee table, sofa, cushions, pillows, scattered tissues, empty plates, stacked plates, food packaging, takeout boxes, bottles, cans, condensation, steam, heat, greasy food, delicious, mouth watering, chewing, swallowing, licking lips, tongue out, messy eating, crumbs, sauce drips, stains, food on face, food on clothes, food on table, food on floor, food on couch, food on lap, food on stomach, food on chest, food on hands, food on fingers, food on mouth, food on chin, food on cheeks, food on nose, food on forehead, food on hair, food on body, food on everything. From a high angle, looking down at a cozy living room, a beautiful woman and a beautiful man are sprawled on a plush sofa, surrounded by the aftermath of a massive feast. The woman, with long flowing black hair and bright blue eyes, leans back against the cushions, her round, bloated stomach prominently displayed as her tight shirt rides up, revealing her navel. She holds a half-eaten slice of pizza in one hand, her other hand resting on her belly, her face flushed with a blissful, satisfied expression, eyes half-closed. The man, with short brown hair and warm brown eyes, sits beside her, his shirt unbuttoned to accommodate his own full, rounded stomach. He holds a fried chicken drumstick, grease glistening on his fingers, and has a smear of sauce on his cheek. His expression is one of happy contentment, a soft smile on his lips. The table before them is a chaotic spread of empty plates, stacked bowls, pizza boxes, and half-eaten desserts. The warm, golden light of the setting sun streams through a window, casting a soft glow over the scene, highlighting the sheen of sweat on their skin and the satisfied curves of their bellies. The overall mood is one of indulgent, cozy satisfaction.
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Ursprünglicher Prompt
glutton art: men and women who are beautiful but are eating too much so their stomachs are obvious.
Modus
pro
Qualitäts-Tag
﹝Prompts﹞
Größe
1104 x 1824
Negativ
lowres, worst quality, low quality, bad anatomy, explicit
Prompt-Assistent

Verwendetes Modell und LoRA

Tsubaki.3 - AI Model cover image

PixAI DiT.3

Tsubaki.3
7.56k

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AI artwork
Avatar image of H B
2girls, girl in foreground, obese woman in background, eye-level perspective, dark indoor living room at night, slender Japanese high school girl, long black hair, sitting relaxed on sofa, cropped white tank top, exposed midriff, slight muffin top, light blue shorts, smiling happily, eating pizza with right hand, holding cola can in left hand, gazing at TV, lower torso only of obese woman behind sofa, extremely obese, massive fatty belly protruding, loose grey tracksuit, exposed midriff, holding cola bottles in both hands, from front, three-quarter view, sofa, television screen glow, subtle gradients, realistic lighting, slightly muted color palette, clean hard-edged anime style illustration, firm confident linework, structured anatomy, polished modern look, Korean illustration influence, Eye-level camera on a dark living room at night, the shot split between a foreground sofa and a background figure that dominates the upper frame. On the sofa in the near foreground sits a slender Japanese high school girl with long black hair, seen from a front three-quarter angle turned slightly toward the television off to the frame's left. She sits low and relaxed, hips sunk into the cushion, one bare thigh angled against the other, both feet drawn back on the seat, her spine leaning into the sofa's backrest with her right shoulder dropped. Her right hand lifts a slice of pizza from a plate on the cushion beside her hip, the tip of the slice just past her lips, a thin strand of cheese drawing from it; her left hand rests a cola can upright on her forearm against her lap, fingers curled around its chilled side where a faint bead of condensation runs downward. Her cropped white tank top ends above her navel, the fabric pushing a soft fold of her waistband so a slight muffin top shows above the waist of her light blue shorts; her long black hair falls in front of one shoulder and behind the other. Her eyes are on the television, lit only by its glow, a happy open smile with her lips parted mid-bite. Behind the sofa, filling the upper half of the frame, the lower torso of an extremely obese woman is cropped at the chest by the top edge of the picture — only her torso and the arms below it are in view. She wears a loose grey tracksuit, the jacket open and the pants pulled low, her massive fatty belly protruding far forward over the sofa's backrest, the exposed midriff spreading wide and sagging over her waistband, the fabric of the tracksuit pulled taut at the sides. Both her hands are in view, each gripping a plastic cola bottle at hip height, the bottles hanging slightly forward. Her long black hair hangs down past her shoulders into the crop. She stands still behind the girl, dominating the background in silhouette and scale. The dark room is closed around them: a low ceiling out of frame, the sofa's back and arms reading as the midground divider, the television off to the frame's left edge throwing cool, low-intensity light across the girl's face, shoulders and midriff, and up over the background figure's belly; everything beyond that falloff sinks into deep brown-black shadow. The girl's cola can catches a thin cold highlight; the woman's bottles glisten faintly. The palette is muted — off-white tank top, pale blue shorts, warm grey tracksuit, black hair, the warm ochre of the pizza, and shadowed browns, with only the television's cool tint lifting the girl's skin. Subtle gradients across each surface, controlled realistic lighting, no harsh speculars, restrained mood.
H B
#Coca-Cola
AI artwork
Avatar image of H B
2girls, girl in foreground, obese woman in background, eye-level perspective, dark indoor living room at night, slender Japanese high school girl, long black hair, sitting relaxed on sofa, cropped white tank top, exposed midriff, slight muffin top, light blue shorts, smiling happily, eating pizza with right hand, holding cola can in left hand, gazing at TV, lower torso only of obese woman behind sofa, extremely obese, massive fatty belly protruding, loose grey tracksuit, exposed midriff, holding cola bottles in both hands, from front, three-quarter view, sofa, television screen glow, subtle gradients, realistic lighting, slightly muted color palette, clean hard-edged anime style illustration, firm confident linework, structured anatomy, polished modern look, Korean illustration influence, Eye-level camera on a dark living room at night, the shot split between a foreground sofa and a background figure that dominates the upper frame. On the sofa in the near foreground sits a slender Japanese high school girl with long black hair, seen from a front three-quarter angle turned slightly toward the television off to the frame's left. She sits low and relaxed, hips sunk into the cushion, one bare thigh angled against the other, both feet drawn back on the seat, her spine leaning into the sofa's backrest with her right shoulder dropped. Her right hand lifts a slice of pizza from a plate on the cushion beside her hip, the tip of the slice just past her lips, a thin strand of cheese drawing from it; her left hand rests a cola can upright on her forearm against her lap, fingers curled around its chilled side where a faint bead of condensation runs downward. Her cropped white tank top ends above her navel, the fabric pushing a soft fold of her waistband so a slight muffin top shows above the waist of her light blue shorts; her long black hair falls in front of one shoulder and behind the other. Her eyes are on the television, lit only by its glow, a happy open smile with her lips parted mid-bite. Behind the sofa, filling the upper half of the frame, the lower torso of an extremely obese woman is cropped at the chest by the top edge of the picture — only her torso and the arms below it are in view. She wears a loose grey tracksuit, the jacket open and the pants pulled low, her massive fatty belly protruding far forward over the sofa's backrest, the exposed midriff spreading wide and sagging over her waistband, the fabric of the tracksuit pulled taut at the sides. Both her hands are in view, each gripping a plastic cola bottle at hip height, the bottles hanging slightly forward. Her long black hair hangs down past her shoulders into the crop. She stands still behind the girl, dominating the background in silhouette and scale. The dark room is closed around them: a low ceiling out of frame, the sofa's back and arms reading as the midground divider, the television off to the frame's left edge throwing cool, low-intensity light across the girl's face, shoulders and midriff, and up over the background figure's belly; everything beyond that falloff sinks into deep brown-black shadow. The girl's cola can catches a thin cold highlight; the woman's bottles glisten faintly. The palette is muted — off-white tank top, pale blue shorts, warm grey tracksuit, black hair, the warm ochre of the pizza, and shadowed browns, with only the television's cool tint lifting the girl's skin. Subtle gradients across each surface, controlled realistic lighting, no harsh speculars, restrained mood.
H B
#Coca-Cola
AI artwork
Avatar image of H B
2girls, girl in foreground, obese woman in background, eye-level perspective, dark indoor living room at night, slender Japanese high school girl, long black hair, sitting relaxed on sofa, cropped white tank top, exposed midriff, slight muffin top, light blue shorts, smiling happily, eating pizza with right hand, holding cola can in left hand, gazing at TV, lower torso only of obese woman behind sofa, extremely obese, massive fatty belly protruding, loose grey tracksuit, exposed midriff, holding cola bottles in both hands, from front, three-quarter view, sofa, television screen glow, subtle gradients, realistic lighting, slightly muted color palette, clean hard-edged anime style illustration, firm confident linework, structured anatomy, polished modern look, Korean illustration influence, Eye-level camera on a dark living room at night, the shot split between a foreground sofa and a background figure that dominates the upper frame. On the sofa in the near foreground sits a slender Japanese high school girl with long black hair, seen from a front three-quarter angle turned slightly toward the television off to the frame's left. She sits low and relaxed, hips sunk into the cushion, one bare thigh angled against the other, both feet drawn back on the seat, her spine leaning into the sofa's backrest with her right shoulder dropped. Her right hand lifts a slice of pizza from a plate on the cushion beside her hip, the tip of the slice just past her lips, a thin strand of cheese drawing from it; her left hand rests a cola can upright on her forearm against her lap, fingers curled around its chilled side where a faint bead of condensation runs downward. Her cropped white tank top ends above her navel, the fabric pushing a soft fold of her waistband so a slight muffin top shows above the waist of her light blue shorts; her long black hair falls in front of one shoulder and behind the other. Her eyes are on the television, lit only by its glow, a happy open smile with her lips parted mid-bite. Behind the sofa, filling the upper half of the frame, the lower torso of an extremely obese woman is cropped at the chest by the top edge of the picture — only her torso and the arms below it are in view. She wears a loose grey tracksuit, the jacket open and the pants pulled low, her massive fatty belly protruding far forward over the sofa's backrest, the exposed midriff spreading wide and sagging over her waistband, the fabric of the tracksuit pulled taut at the sides. Both her hands are in view, each gripping a plastic cola bottle at hip height, the bottles hanging slightly forward. Her long black hair hangs down past her shoulders into the crop. She stands still behind the girl, dominating the background in silhouette and scale. The dark room is closed around them: a low ceiling out of frame, the sofa's back and arms reading as the midground divider, the television off to the frame's left edge throwing cool, low-intensity light across the girl's face, shoulders and midriff, and up over the background figure's belly; everything beyond that falloff sinks into deep brown-black shadow. The girl's cola can catches a thin cold highlight; the woman's bottles glisten faintly. The palette is muted — off-white tank top, pale blue shorts, warm grey tracksuit, black hair, the warm ochre of the pizza, and shadowed browns, with only the television's cool tint lifting the girl's skin. Subtle gradients across each surface, controlled realistic lighting, no harsh speculars, restrained mood.
H B
#Coca-Cola

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Avatar image of リオ
character: kaname_madoka_(magical_girl), copyright: mahou_shoujo_madoka_magica Kaname Madoka from Puella Magi Madoka Magica, pink twin tails tied with deep red ribbons, wearing her iconic magical girl costume, white corset-like bodice with delicate back lacing, voluminous layered white and pale pink ruffled skirt, crimson ribbons flowing loosely around her body, viewed from behind at a three-quarter angle, seated with her back gracefully arched, both arms extending naturally downward behind her back, one hand gently holding the opposite wrist, clearly separated hands, relaxed slender fingers, five distinct fingers on each hand, natural finger spacing, anatomically correct wrists, elegant delicate hands, visible knuckles, softly curved fingers, hands clearly visible against the white skirt, unobstructed hand silhouette, accurate hand anatomy, head tilted far backward, chin raised toward the darkness, face mostly hidden, elegant elongated silhouette, delicate exposed shoulders, soft loose strands of pink hair, dramatic asymmetrical composition, close medium shot, large skirt filling the lower frame, dark almost black background, dramatic directional lighting, pale ivory highlights, muted dusty pink, cold gray shadows, rich crimson accents, strong contrast between luminous fabric and deep darkness, thick impasto oil painting, expressive visible brushstrokes, heavy layered paint, rough palette knife texture, sculptural paint strokes, painterly edges, textured canvas, loose gestural painting, rich tactile surface, dramatic chiaroscuro, melancholic atmosphere, haunting beauty, full bleed composition, edge-to-edge artwork, no borders, no frame, textured illustration, grainy texture, crayon texture, chalky brushwork, impasto strokes, bold color blocking, stylized anime, flat shading, dry brush effect, atmospheric lighting, soft glow highlights, rough painterly anime style, visible textured brushstrokes, heavy impasto texture, scratchy charcoal-like linework, expressive gestural strokes, smudged edges, desaturated base tones with aggressive high-contrast color, sketch style, rough brushstroke
リオ
4#Puella Magi Madoka Magica#Madoka Kaname#Puella Magi Madoka Magica
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