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Neo-Yggdrasil
KI-Kunst โNeo-Yggdrasilโ von throwoutidk auf PixAI. Erstellt mit Haruka v2.
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- Ursprรผnglicher Prompt
- Lot of pain. (no humans)
- Grรถรe
- 768 x 1280
- Sampling-Schritte
- 28
- Sampling-Methode
- Euler a
- CFG Scale
- 5
- Negativ
- nsfw, worst quality, bad quality, low quality, lowres, anatomical nonsense, artistic error, bad anatomy, interlocked fingers, extra fingers, text, artist name, signature, bad feet, extra toes, ugly, poorly drawn, censor, blurry, watermark, simple background, transparent background, old, oldest, glitch, deformed, mutated, disfigured, long body, bad hands, missing fingers, extra digit, fewer digits, cropped, very displeasing, sketch, jpeg artifacts, username, censored, bar_censor, mosaic_censor, conjoined, bad ai-generated, nsfw, long neck, skin blemishes, skin spots, acne, the wrong limb, error, black line, excess hands
Verwendetes Modell und LoRA
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low camera angle, wide shot, no humans, empty interior, megastructure, colossal rectangular pillars, skyscraper-sized support columns at varied depths, broken gantries, cable anchors, catwalk, thin walkway receding to vanishing point, catwalk entering from bottom of frame, horizon within the hall, dead plain, kilometers of empty floor, overhead darkness, no ceiling, pillars vanishing into black, layers of pillars, atmospheric perspective, gray fog, pale haze, volumetric haze, monochrome, grayscale, high contrast, ink linework, dense hatching, black and white manga shading, paper texture, film grain, cinematic, post-apocalyptic concept art
The camera sits almost at floor level, wide and level, the dead plain's surface running from the bottom edge of the frame to a faint seam of horizon far across the hall; a needle-thin catwalk enters at the bottom center of the frame and runs dead straight away from the viewer, thinning with distance until it dissolves into haze long before it reaches anything, its handrails two hairline scratches of ink. Colossal rectangular pillars stand at wildly different depths: the nearest at the left third of the frame, close enough that its base is cut by the frame edge, its flanks ruled with vertical hatching and its foot lashed by broken gantries โ buckled skeletal walkways and snapped cable anchors that dangle slack against the stone; the next rises at the right quarter, half eroded by fog; further ranks stand thinner and paler at the middle distance, and the farthest rows reduce to flat gray silhouettes stacked like a mountain range at dusk, each rank a step lighter than the one before as the pale haze thickens toward the seam of the horizon. The floor reads as kilometers of unbroken plate and grit, joint lines converging to the vanishing point, scoured clean, with not one footprint, not one loose cable crossing the catwalk's line. Overhead there is no ceiling: the tops of the pillars shear off into a wall of pure black that presses down from the upper third of the frame, and the two nearest columns simply stop where the darkness takes them. Light comes from the haze itself, a diffuse, sourceless glow rising off the plain at the far horizon, so the pillars' forward faces stay lit and their trailing edges fall into hard black; the darkness overhead has no reflection and eats the upper frame in absolute, ungraded tone. Palette is ink and paper only โ black, paper white, and a narrow ladder of grays for the haze, with the deepest blacks reserved for the overhead void and the undersides of the gantries. Dense ink linework over grainy paper tooth, high-contrast manga shading in the crosshatched shadow, and a fine film grain over the whole plate, with the pillar bases sitting in the shallowest drift of haze at ground level. Absolutely still. Overwhelming scale, silent, desolate.
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