Sign up free, get 10,000 credits

Starter credits added when you sign up.

Sign up and create 8 images for free

Starter credits added when you sign up.

AI artwork featuring #Dream Creation Theater
Kostenlos generieren

可樂鯊

KI-Kunst von 可樂鯊 auf PixAI. Erstellt mit Tsubaki.3 Flash.

Wettbewerbseinreichung
Fun Illustrations#Dream Creation Theater
Avatar image of 可樂鯊
avatar-frame

可樂鯊

Mehr zu sehen

Kommentare

still life painting, no humans, still life, green grapes, bunch of green grapes, wooden table, yellow vase, white calla lily, calla lily, flower still life, black background, dark background, plain black backdrop, shallow depth of field, from above, slightly angled view, one-point perspective, warm side light, oil painting A classical still life in oils, seen from a high three-quarter view slightly above the tabletop, the camera set at the near edge of a dark wooden table that runs from the lower left corner toward the right of the frame; the table's grain is visible in long warm striations, its near edge crossing the bottom of the picture and its far edge dissolving into pure blackness. On the left of the table sits a compact bunch of green grapes: the cluster is built from overlapping spheres, each grape catching a single small hard highlight on its upper right, the lower grapes in shade and deeper olive where they press together, one loose grape resting free of the bunch on the wood just in front of it, its own small shadow pooled beneath it and its skin showing a faint pale bloom where it has not been touched. To the right of the grapes stands a yellow ceramic vase with a rounded shoulder and a narrow neck, its glaze a saturated warm ochre-yellow that turns bright lemon along the upper right contour where the light strikes and deep amber in the shadowed left half; the vase sits flat on the table with a small ellipse of contact shadow and a faint reflected glow of the yellow picked up in the wood beside its base. From the vase's mouth rise four white calla lilies on pale green stems, the tallest standing nearly upright and the others leaning to the right, their spathes unfurled into clean white funnels, each lip curling open and showing the yellow spadix inside; the nearest white petal is the brightest thing in the picture, nearly pure white at the point of light, with cool grey-violet shading in the folds where the petals overlap, and their stems cross one another above the vase's neck and are visible through a slight glass-clear transparency only at their thin edges. Between the flowers and the vase, the falling stems cast soft shadows across the tabletop, and the grapes and vase both cast their own shadows to the lower left, all of them running toward the left of the frame with soft blurred penumbrae, confirming a single warm light source coming from the upper right. Beyond the far edge of the table the background is a flat, bottomless black, with no wall, no window, and no horizon, so the black is complete and the objects float forward out of it, their edges crisp against the darkness; the tabletop's far edge is glimpsed only as a single faint warm line before it disappears into the black. The palette is tightly held to three notes -- the green of the grapes, the yellow of the ceramic and the white of the lilies -- against the warm brown of the wood and the black ground, and nothing else is admitted. The brushwork is visible and confident, the highlights thick and opaque, the shadows thin and glazed and transparent, and the surface carries the faint tooth of canvas under the paint. The composition is a rising diagonal from the grapes in the lower left to the lifted lily in the upper right, with the vase as the pivot and generous black negative space at the top and right. Quiet, luminous, reverent.
Parameter anzeigen
Ursprünglicher Prompt
繪製still life painting，為在木質桌上的綠色葡萄，並且綠色葡萄旁為黃色花瓶裝著白色的Calla Lily，並且背景為黑色
Modus
flash
Größe
1408 x 1408
Prompt-Assistent

Verwendetes Modell und LoRA

Tsubaki.3 Flash - AI Model cover image

PixAI DiT.3

Tsubaki.3 Flash
2.23k

Ähnliche Bilder

Mehr anzeigen
AI artwork
Avatar image of 可樂鯊
still life painting, no humans, still life, green grapes, bunch of green grapes, wooden table, yellow vase, white calla lily, calla lily, flower still life, black background, dark background, plain black backdrop, shallow depth of field, from above, slightly angled view, one-point perspective, warm side light, oil painting A classical still life in oils, seen from a high three-quarter view slightly above the tabletop, the camera set at the near edge of a dark wooden table that runs from the lower left corner toward the right of the frame; the table's grain is visible in long warm striations, its near edge crossing the bottom of the picture and its far edge dissolving into pure blackness. On the left of the table sits a compact bunch of green grapes: the cluster is built from overlapping spheres, each grape catching a single small hard highlight on its upper right, the lower grapes in shade and deeper olive where they press together, one loose grape resting free of the bunch on the wood just in front of it, its own small shadow pooled beneath it and its skin showing a faint pale bloom where it has not been touched. To the right of the grapes stands a yellow ceramic vase with a rounded shoulder and a narrow neck, its glaze a saturated warm ochre-yellow that turns bright lemon along the upper right contour where the light strikes and deep amber in the shadowed left half; the vase sits flat on the table with a small ellipse of contact shadow and a faint reflected glow of the yellow picked up in the wood beside its base. From the vase's mouth rise four white calla lilies on pale green stems, the tallest standing nearly upright and the others leaning to the right, their spathes unfurled into clean white funnels, each lip curling open and showing the yellow spadix inside; the nearest white petal is the brightest thing in the picture, nearly pure white at the point of light, with cool grey-violet shading in the folds where the petals overlap, and their stems cross one another above the vase's neck and are visible through a slight glass-clear transparency only at their thin edges. Between the flowers and the vase, the falling stems cast soft shadows across the tabletop, and the grapes and vase both cast their own shadows to the lower left, all of them running toward the left of the frame with soft blurred penumbrae, confirming a single warm light source coming from the upper right. Beyond the far edge of the table the background is a flat, bottomless black, with no wall, no window, and no horizon, so the black is complete and the objects float forward out of it, their edges crisp against the darkness; the tabletop's far edge is glimpsed only as a single faint warm line before it disappears into the black. The palette is tightly held to three notes -- the green of the grapes, the yellow of the ceramic and the white of the lilies -- against the warm brown of the wood and the black ground, and nothing else is admitted. The brushwork is visible and confident, the highlights thick and opaque, the shadows thin and glazed and transparent, and the surface carries the faint tooth of canvas under the paint. The composition is a rising diagonal from the grapes in the lower left to the lifted lily in the upper right, with the vase as the pivot and generous black negative space at the top and right. Quiet, luminous, reverent.
可樂鯊
#Dream Creation Theater
AI artwork
Avatar image of 可樂鯊
still life painting, 1 object group, one red apple, wooden table, blue vase, orange peony, flowers in vase, white background, no humans, no characters, from above, slightly tilted down, close-up still life composition, shallow depth of field, soft directional light from upper left, warm peach cast on wood, cool rim on vase, flat white seamless backdrop, oil painting, visible brushwork, thick impasto highlights, muted-but-warm palette, quiet and composed A traditional still life painting viewed from slightly above and close, tilted down so that the round crown of a single red apple and the open mouth of a blue ceramic vase share one diagonal across a wooden tabletop. The apple sits low and forward at the lower third of the frame, its skin a deep saturated red with a blush of yellow-green on one cheek, a short brown stem and a single cupped green leaf tipped toward the vase. Beside it, the blue vase stands tall and narrow with a subtle bulge at the belly, glazed with a soft uneven cobalt that darkens where it curves away from the light and catches a bright vertical highlight down its left shoulder; inside, its rim opens wide and three orange peonies crowd above it, petals overlapping in layered ruffles from tight bud to full blown, their orange ranging from apricot at the edges to burnt sienna in the deepest folds. The peonies droop slightly over the vase's lip, one heavy bloom resting its outer petals on the rim itself. The wooden table surface runs beneath both, warm brown grain visible in diagonal sweeps, worn and slightly polished. A pale cast shadow from the vase falls right and toward the viewer, while the apple's shadow pools shorter and darker beneath it, tight against the wood. Absolute softness on contact points: the apple's base flattens slightly where it presses into the table, and the vase's foot rests upon the grain with a firm dark ring of shadow. The white background is a seamless empty field behind everything -- a flat white that goes neither gray nor cream -- pushing both subjects forward and allowing no other objects. Light comes from upper left, warm and low, skimming the apple's crown and the outer petals of the peonies, dropping the vase's right side into shadow before the white field begins. Palette is disciplined: deep red on the apple, repeating warm brown in the wood, saturated orange in the flowers, cool cobalt in the vase, and flat white ground everywhere else. Brushwork is visible oil paint -- thick in the petals and the apple's highlight, thinner and scumbled in the white field and the wood grain -- with a fine impasto ridge along every lit edge. Quiet, luminous, deliberate.
可樂鯊
AI artwork
Avatar image of 可樂鯊
still life painting, 1 object group, one red apple, wooden table, blue vase, orange peony, flowers in vase, white background, no humans, no characters, from above, slightly tilted down, close-up still life composition, shallow depth of field, soft directional light from upper left, warm peach cast on wood, cool rim on vase, flat white seamless backdrop, oil painting, visible brushwork, thick impasto highlights, muted-but-warm palette, quiet and composed A traditional still life painting viewed from slightly above and close, tilted down so that the round crown of a single red apple and the open mouth of a blue ceramic vase share one diagonal across a wooden tabletop. The apple sits low and forward at the lower third of the frame, its skin a deep saturated red with a blush of yellow-green on one cheek, a short brown stem and a single cupped green leaf tipped toward the vase. Beside it, the blue vase stands tall and narrow with a subtle bulge at the belly, glazed with a soft uneven cobalt that darkens where it curves away from the light and catches a bright vertical highlight down its left shoulder; inside, its rim opens wide and three orange peonies crowd above it, petals overlapping in layered ruffles from tight bud to full blown, their orange ranging from apricot at the edges to burnt sienna in the deepest folds. The peonies droop slightly over the vase's lip, one heavy bloom resting its outer petals on the rim itself. The wooden table surface runs beneath both, warm brown grain visible in diagonal sweeps, worn and slightly polished. A pale cast shadow from the vase falls right and toward the viewer, while the apple's shadow pools shorter and darker beneath it, tight against the wood. Absolute softness on contact points: the apple's base flattens slightly where it presses into the table, and the vase's foot rests upon the grain with a firm dark ring of shadow. The white background is a seamless empty field behind everything -- a flat white that goes neither gray nor cream -- pushing both subjects forward and allowing no other objects. Light comes from upper left, warm and low, skimming the apple's crown and the outer petals of the peonies, dropping the vase's right side into shadow before the white field begins. Palette is disciplined: deep red on the apple, repeating warm brown in the wood, saturated orange in the flowers, cool cobalt in the vase, and flat white ground everywhere else. Brushwork is visible oil paint -- thick in the petals and the apple's highlight, thinner and scumbled in the white field and the wood grain -- with a fine impasto ridge along every lit edge. Quiet, luminous, deliberate.
可樂鯊
AI artwork
Avatar image of 可樂鯊
still life painting, 1 object group, one red apple, wooden table, blue vase, orange peony, flowers in vase, white background, no humans, no characters, from above, slightly tilted down, close-up still life composition, shallow depth of field, soft directional light from upper left, warm peach cast on wood, cool rim on vase, flat white seamless backdrop, oil painting, visible brushwork, thick impasto highlights, muted-but-warm palette, quiet and composed A traditional still life painting viewed from slightly above and close, tilted down so that the round crown of a single red apple and the open mouth of a blue ceramic vase share one diagonal across a wooden tabletop. The apple sits low and forward at the lower third of the frame, its skin a deep saturated red with a blush of yellow-green on one cheek, a short brown stem and a single cupped green leaf tipped toward the vase. Beside it, the blue vase stands tall and narrow with a subtle bulge at the belly, glazed with a soft uneven cobalt that darkens where it curves away from the light and catches a bright vertical highlight down its left shoulder; inside, its rim opens wide and three orange peonies crowd above it, petals overlapping in layered ruffles from tight bud to full blown, their orange ranging from apricot at the edges to burnt sienna in the deepest folds. The peonies droop slightly over the vase's lip, one heavy bloom resting its outer petals on the rim itself. The wooden table surface runs beneath both, warm brown grain visible in diagonal sweeps, worn and slightly polished. A pale cast shadow from the vase falls right and toward the viewer, while the apple's shadow pools shorter and darker beneath it, tight against the wood. Absolute softness on contact points: the apple's base flattens slightly where it presses into the table, and the vase's foot rests upon the grain with a firm dark ring of shadow. The white background is a seamless empty field behind everything -- a flat white that goes neither gray nor cream -- pushing both subjects forward and allowing no other objects. Light comes from upper left, warm and low, skimming the apple's crown and the outer petals of the peonies, dropping the vase's right side into shadow before the white field begins. Palette is disciplined: deep red on the apple, repeating warm brown in the wood, saturated orange in the flowers, cool cobalt in the vase, and flat white ground everywhere else. Brushwork is visible oil paint -- thick in the petals and the apple's highlight, thinner and scumbled in the white field and the wood grain -- with a fine impasto ridge along every lit edge. Quiet, luminous, deliberate.
可樂鯊

Mehr entdecken

Empfohlene Benutzer

Werden dir gefallen

AI artwork
Avatar image of リオ
character: kaname_madoka_(magical_girl), copyright: mahou_shoujo_madoka_magica Kaname Madoka from Puella Magi Madoka Magica, pink twin tails tied with deep red ribbons, wearing her iconic magical girl costume, white corset-like bodice with delicate back lacing, voluminous layered white and pale pink ruffled skirt, crimson ribbons flowing loosely around her body, viewed from behind at a three-quarter angle, seated with her back gracefully arched, both arms extending naturally downward behind her back, one hand gently holding the opposite wrist, clearly separated hands, relaxed slender fingers, five distinct fingers on each hand, natural finger spacing, anatomically correct wrists, elegant delicate hands, visible knuckles, softly curved fingers, hands clearly visible against the white skirt, unobstructed hand silhouette, accurate hand anatomy, head tilted far backward, chin raised toward the darkness, face mostly hidden, elegant elongated silhouette, delicate exposed shoulders, soft loose strands of pink hair, dramatic asymmetrical composition, close medium shot, large skirt filling the lower frame, dark almost black background, dramatic directional lighting, pale ivory highlights, muted dusty pink, cold gray shadows, rich crimson accents, strong contrast between luminous fabric and deep darkness, thick impasto oil painting, expressive visible brushstrokes, heavy layered paint, rough palette knife texture, sculptural paint strokes, painterly edges, textured canvas, loose gestural painting, rich tactile surface, dramatic chiaroscuro, melancholic atmosphere, haunting beauty, full bleed composition, edge-to-edge artwork, no borders, no frame, textured illustration, grainy texture, crayon texture, chalky brushwork, impasto strokes, bold color blocking, stylized anime, flat shading, dry brush effect, atmospheric lighting, soft glow highlights, rough painterly anime style, visible textured brushstrokes, heavy impasto texture, scratchy charcoal-like linework, expressive gestural strokes, smudged edges, desaturated base tones with aggressive high-contrast color, sketch style, rough brushstroke
リオ
4#Puella Magi Madoka Magica#Madoka Kaname#Puella Magi Madoka Magica
StartseiteModelleGenerierenRezeptProfil