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Haru

KI-Kunst „Haru“ von AI-сhan auf PixAI. Erstellt mit Tsubaki.3 Flash.

Veröffentlicht: Nov 13, 2026

AI-сhan

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1boy, solo, full body shot, from below, low-angle view, standing centrally, bright orange hair, bangs slightly covering forehead, large upturned bunny ears atop head, animal ears, piercing blue eyes, stoic expression, expressionless, looking at viewer, hands in pockets, oversized cyberpunk techwear trench coat, midnight black and electric cyan gradient coat, matte ballistic nylon, glossy carbon-fiber panels, deep hood down behind shoulders, holographic digital grid lining, glowing circuitry lining, armored shoulder panels, multiple tactical belts, silver buckles, oversized cargo pockets, holographic patches, sleek black compression bodysuit, slim technical trousers, chunky carbon-fiber combat boots, futuristic cityscape, reflective metallic surfaces, neon accents, cool-toned palette, navy, teal, chrome, cinematic lighting, sharp details, futuristic, cyberpunk, high-quality anime illustration, The camera sits low on the wet pavement, tilted steeply upward, so the boy towers over the lens: the soles and thick treaded slabs of his chunky carbon-fiber combat boots fill the bottom of the frame, foreshortened and heavy, and his full body stacks upward through the picture to the bunny ears at the top edge. He stands dead-centre, weight settled on his right leg with the left boot heel angled a few degrees out, hips canted, both hands buried to the wrist in the deep front pockets of the coat so the matte ballistic nylon pulls taut in a wide V across his waist and the coat's hem swings out behind his knees. His chin is level, jaw set, mouth a flat shut line, brows level over piercing blue eyes that look straight down the axis of the lens without warmth; below the chin the black compression bodysuit closes cleanly at the throat, the high collar meeting it without a gap. Bright orange bangs fall in a blunt fringe that shadows the top of his forehead and stops just above the brows, the rest of the hair swept back under the forward tips of two large, upturned bunny ears rising from his crown, pale-furred inside and dark-rimmed at the base, their tips catching the neon behind them. The trench coat is the loudest object in the frame: midnight black matte nylon through the torso, breaking into electric cyan gradient across the shoulders and along the sleeve seams, with rigid glossy carbon-fiber pauldrons sitting on each shoulder and catching a hard chrome highlight on their upper facets. From beneath the pauldrons, glowing circuitry lines run in thin lit channels down the outer arms and the coat's flanks, bleeding cyan light onto the fabric beside them. Three tactical belts wrap his waist and hips at slightly different angles, each cinched with a brushed silver buckle, one sitting just below the other so their straps cross; the oversized cargo pockets bulge at his thighs, and their holographic patches throw a pale flickering cyan onto the nylon around them. The deep hood, unbunched and empty, hangs behind his shoulders with its lining visible over the collar in a lattice of holographic grid and lit circuit traces. Below the coat, slim technical trousers in matte black continue into the boots, the boots' carbon-fibre plates mirroring the pauldrons. Reflections smear the boy himself along the polished metal ground beneath him, darker and softer than the source, and the neon accents streak across the reflective metallic cladding of the surrounding towers, which recede in stacked verticals toward a dark navy sky. The city's light comes from the sides and behind — cyan signage on the left wall of the street and a broad teal glow from the right, with a cooler chrome rim outlining his shoulders and ears; upward-facing surfaces of the pauldrons, ears and boot caps take the brightest edge, their undersides and the deep folds between belt and cargo pocket falling to near-black, no cast shadows on the ground since the pavement itself throws the light back up at him. Palette holds to navy, teal and chrome over the midnight nylon, with the electric cyan gradient and the orange of his hair the only warm note in the frame. Sharp, cool, cinematic.

Haru

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