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user-1933930960950615780
KI-Kunst von user-1933930960950615780 auf PixAI. Erstellt mit Tsubaki.3.
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- Ursprünglicher Prompt
- 黒髪ロング、眼鏡、美少女、口元にひとつのホクロ、スレンダーグラマー、魅力的な体つき、制服、ブレザー、プリーツスカート、学校の廊下、日中、正面
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- 1104 x 1824
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- lowres, worst quality, low quality, bad anatomy, explicit, (nsfw:1.2),(nude:1.6),(nipple:1.2),naked
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1girl, solo, black hair, long hair, straight hair, glasses, beautiful girl, mole under mouth, slender, curvy, school uniform, blazer, pleated skirt, black tights, walking, facing viewer, from front, full body, cowboy shot, school hallway, daytime, looking at viewer, light smile, hand on strap, dutch angle, depth of field,
A full-length frontal view taken from a slight low angle with a gentle dutch tilt, the camera at chest height and tilted so the hallway's vanishing point pulls up and to the right of the frame. One girl walks straight toward the lens down the centerline of a Japanese school corridor, caught mid-stride: her left foot planted flat on the linoleum, her right knee lifted and swinging forward, skirt pleats flaring slightly away from the leading thigh and settling against the trailing one. Her long black hair falls straight past her shoulder blades, the front locks swinging forward across her collar with the rhythm of the step, a few strands lifted and separated by the motion. Thin-framed glasses sit level on her nose, and the corridor's window light lays a pale rectangular reflection across the left lens and a smaller one across the right. A single small mole sits just below and to the left of her lower lip, alone on the skin near the mouth; her lips are closed in a small, composed half-smile, chin slightly lifted, both eyes looking straight back at the viewer through the lenses with a calm, direct confidence. Her build is slender at the waist and shoulders with a clear curve at the bust and hips beneath the uniform: a navy blazer worn open over a white collared shirt and a ribbon at the throat, the blazer's front edges hanging a little apart, and a pleated skirt in a muted plaid falling to mid-thigh, its folds swinging with the stride. Opaque black tights run from under the hem to dark loafers, and the tights catch a soft sheen along the front of the shins where the window light grazes them. Her right hand grips the shoulder strap of a school bag hanging at her hip, fingers curled around the strap; her left arm swings back slightly with the step, hand loose and open. The corridor is empty: a long row of windows on the left throwing bright rectangles of daylight across the floor, the light pooled in bands on the linoleum and the shadows between them falling in soft parallelograms; classroom doors and a noticeboard with illegible pinned papers slide past in the midground, and the far end of the hall dims into cool shadow. Cool daylight dominates the palette, white and pale grey-blue from the windows, navy and muted plaid on the uniform, warm skin against the cold glass, the floor a dull grey-green with long reflections of the window bands stretched by perspective. Sharp focus on the face and the near shoulder, the far corridor softening into shallow depth of field, film-smooth shading with crisp edges. Quiet, composed confidence.
user-1933930960950615780
1girl, solo, black hair, long hair, straight hair, hair past waist, glasses, clear-framed rectangular glasses, beautiful girl, single mole, mole near mouth, mole under the corner of her mouth, slanted eyes, slender, curvy figure, school uniform, blazer, dark navy blazer, white collared shirt, ribbon necktie, pleated skirt, tartan plaid pleated skirt, black tights, no earrings, bare ears, school hallway, daytime, indoors, front view, facing the viewer, looking at viewer, upper thighs, standing, mid-step, hand on skirt hem, corridor receding behind her, window light, linoleum floor, lockers, classroom doors, soft daylight, gentle mood,
A straight-on front view at eye level, camera placed square to a single girl in the middle of a school corridor, the perspective running away behind her so that the polished floorboards and the ceiling light rows converge toward a vanishing point directly behind her head. She is one person, alone in the frame, and she faces the lens squarely, chin level, her dark eyes set on the viewer with a calm, faintly knowing look; her lips are shut in a small closed smile that lifts the right corner only, and the single small mole sits just under the outer edge of her mouth on that side, exactly one mark and no other. Her black hair is long, dead straight, and hangs down past her waist, parting in two sheets ahead of her shoulders so the strands fall in front of the blazer's lapels; clear-framed rectangular glasses rest on the bridge of her nose, the frames thin enough that the daylight puts a narrow bright streak across the left lens. She wears a dark navy school blazer, open, over a white collared shirt buttoned to the top and a ribbon necktie at the throat; the blazer is cut slim at the waist and the shirt pulls gently across a full chest before tapering into a narrow waist and a rounded hip line. The tartan pleated skirt falls to mid-thigh, its knife pleats standing in crisp ridges; her black tights run from the skirt hem down over slender legs to her shoes, the fabric catching a faint sheen down the front of each shin. Her weight is on her left leg, the right knee bent and the right toe just settling onto the floor mid-step; her right hand rests flat on the side of the skirt, fingers spread and pressing one pleat against her thigh, while her left arm hangs loose with the fingertips brushing the blazer's hem. Secondary motion: the skirt's pleats still swing from the step, the ribbon tail lifts a little at her throat, and one thin strand of hair drifts across her cheek. Environment: the corridor is empty around her, a row of grey lockers along the left wall, classroom doors with small windows along the right, a long band of tall windows on the right side pouring white daylight across the floor so that a wide rectangle of light lies diagonally behind her and her shadow stretches forward onto the linoleum toward the viewer, longer than she is; the light falls on the left side of her face and the right side of her body, and the far end of the corridor sits softer and cooler in shadow. Palette: navy, white, tartan red-and-charcoal, black, and the pale grey-green of the linoleum, nothing else admitted. Reflected light from the floor faintly brightens the underside of her chin and the inner edges of her tights. Composed, quietly confident.
user-1933930960950615780
1girl, solo, black hair, long hair, straight hair, glasses, clear-rimmed glasses, beautiful girl, mole under mouth, slender, curvy figure, school uniform, blazer, pleated skirt, black tights, school hallway, daytime, front view, looking at viewer, standing, weight on one leg, hand adjusting glasses, head tilt, faint closed-lip smile, sunlight, window light, medium shot, cowboy shot, depth of field
Front view, camera set slightly below chin height and square to the corridor so the hallway's vanishing point runs dead center behind her. One girl stands alone in the middle of the frame, feet just apart on the polished corridor floor, weight carried on her right leg while her left knee softens and her left hip juts a little — the pleated skirt swings faintly off that hip, hem tilted. Her right hand is up at her face: fingertips pressing the bridge of her glasses, adjusting them, the frame's thin clear edge catching a bright line along the top rim; her left arm hangs with the hand loosely closed against the skirt's pleats. Her chin tilts down a few degrees, and her eyes come up over the lowered rims straight at the viewer, a faint closed-lip smile that pulls a little higher on the left — the single small mole sits just under the right corner of her mouth, only that one. Black hair falls long and straight past her shoulders to the blazer's lapel line, one strand slipping forward over the collar; the blazer is buttoned once at the waist over the pleated skirt, and the black tights run matte and fully opaque from skirt hem to shoes on both legs, catching a narrow highlight down the front of each shin.
The corridor recedes symmetrically: classroom doors and tall windows along the left wall, a long row of ceiling fixtures down the centerline, linoleum floor polished to a soft mirror that carries a dimmer, blurred, stretched reflection of her tights and skirt hem downward, breaking at the seams. Daylight is the only light — overcast-bright afternoon sun pouring in from the left windows in broad soft bands, laying a stripe of light across her left cheek and the left side of the blazer while the right side of the corridor and her right shoulder sit in cool gray shadow; no lamps are lit, and the ceiling fixtures are pale and inert. Palette held to black hair and tights, navy blazer, muted gray-blue pleated skirt, warm cream corridor walls and cool gray floor, nothing louder admitted. Motion is caught halfway — she is mid-adjust, glasses not yet settled. Quiet, composed confidence.
user-1933930960950615780
1girl, solo, black hair, long hair, straight hair, hair past waist, black eyes, glasses, thin-framed rectangular glasses, beautiful young woman, fair skin, single mole below the left corner of her mouth, one beauty mark only, slender, curvy figure, wide hips, narrow waist, large breasts, k-cup, school uniform, navy blazer, white collared shirt, red ribbon tie at the collar, pleated skirt, navy pleated skirt, knee-length skirt, black knee-high socks, brown loafers, school hallway, indoors, daytime, front-facing view, straight-on, standing, mid-step, weight on right leg, left knee slightly bent, arms relaxed at her sides, one hand adjusting the blazer cuff, head tilted a few degrees, chin slightly down, looking at viewer, faint closed-lip smile, half-closed eyes, calm assured gaze, sunlit corridor
A front-facing, straight-on shot of a tall slender young woman standing in a school hallway in the middle of the day, seen from the waist up through mid-thigh in a vertical frame, her body squared to the camera but not stiff: her weight is carried on her right leg with the left knee bent a little and her right hip pushed slightly out, so the pleated skirt hangs at a small uneven angle. Her hair is black and long, falling straight past her waist over both shoulders, the ends lifting a centimetre away from the blazer where the corridor draught passes. She wears thin rectangular dark-framed glasses; the lenses catch the window light as a brief horizontal glint without hiding her eyes, which are black and look directly at the viewer from a head tilted a few degrees with the chin drawn slightly down. One brow is lifted a fraction, her lips are closed in a faint smile, and one eyelid sits a touch lower than the other.
Her uniform is worn properly but with ease: a navy blazer open over a white collared shirt buttoned high, a red ribbon tie knotted at the throat, its tails lying flat on the shirt with the left tail a little longer than the right, and the shirt stretched taut across a full bust so the blazer front pulls open in a narrow V. A navy pleated skirt with crisp knife pleats falls to just above the knee, and black knee-high socks meet brown loafers on the checkerboard-waxed floor. Her left hand rests at her right blazer cuff, fingers curled over the button, and the sleeve fabric bunches slightly under her grip.
The corridor recedes behind her in one-point perspective: a wall of pale lockers and classroom doors on the left, tall windows on the right, a line of ceiling lights and the floor seams converging to a vanishing point behind her shoulder. Afternoon daylight floods in through the right-hand windows, so her face and the left side of her body are lit from her right, a cool bright wash on the shirt and the blazer's shoulder, while her left cheek, the far side of the skirt and the wall behind her left shoulder fall into soft grey shade. Her shadow is cast leftward and slightly toward the camera, a long soft-edged wedge on the waxed floor stretching from her loafers toward the bottom-left corner, and each window mullion throws its own repeating bar of light across the corridor floor in diminishing scale. The palette stays in navy, white, warm grey and cream, with the red ribbon and the brown loafers as the only warm accents. Distant classroom signs down the corridor are out of focus and illegible. Quiet confidence.
user-1933930960950615780
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character: kaname_madoka_(magical_girl), copyright: mahou_shoujo_madoka_magica
Kaname Madoka from Puella Magi Madoka Magica, pink twin tails tied with deep red ribbons, wearing her iconic magical girl costume, white corset-like bodice with delicate back lacing, voluminous layered white and pale pink ruffled skirt, crimson ribbons flowing loosely around her body, viewed from behind at a three-quarter angle, seated with her back gracefully arched, both arms extending naturally downward behind her back, one hand gently holding the opposite wrist, clearly separated hands, relaxed slender fingers, five distinct fingers on each hand, natural finger spacing, anatomically correct wrists, elegant delicate hands, visible knuckles, softly curved fingers, hands clearly visible against the white skirt, unobstructed hand silhouette, accurate hand anatomy, head tilted far backward, chin raised toward the darkness, face mostly hidden, elegant elongated silhouette, delicate exposed shoulders, soft loose strands of pink hair, dramatic asymmetrical composition, close medium shot, large skirt filling the lower frame, dark almost black background, dramatic directional lighting, pale ivory highlights, muted dusty pink, cold gray shadows, rich crimson accents, strong contrast between luminous fabric and deep darkness, thick impasto oil painting, expressive visible brushstrokes, heavy layered paint, rough palette knife texture, sculptural paint strokes, painterly edges, textured canvas, loose gestural painting, rich tactile surface, dramatic chiaroscuro, melancholic atmosphere, haunting beauty, full bleed composition, edge-to-edge artwork, no borders, no frame, textured illustration, grainy texture, crayon texture, chalky brushwork, impasto strokes, bold color blocking, stylized anime, flat shading, dry brush effect, atmospheric lighting, soft glow highlights, rough painterly anime style, visible textured brushstrokes, heavy impasto texture, scratchy charcoal-like linework, expressive gestural strokes, smudged edges, desaturated base tones with aggressive high-contrast color, sketch style, rough brushstroke
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