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ๆฏ่่ ใซใผใซ
KI-Kunst von ๆฏ่่ ใซใผใซ auf PixAI. Erstellt mit Tsubaki.3 Flash.
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- Modus
- flash
- Stil
- Scharfe Tinte
- Grรถรe
- 1632 x 1232
Stil: Scharfe Tinte
Verwendetes Modell und LoRA
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heart-shaped pupils, heart eyes, one man, two brides, kiss on both cheeks, cheek kiss, kissing, three people, central composition, symmetrical composition, front view, medium close-up, cleavage, visible cleavage, bridal veil, wedding dress, white dress, heart-shaped light frame, glowing border, floating hearts, heart motif, open mouth, blush, happy, arm support, hands on shoulders, from above, looking at viewer, high contrast, bold linework, limited palette, dramatic lighting
Front view, gentle high angle, medium close-up on a three-person group locked in a symmetrical central composition. In the middle stands one adult man in his late twenties: short tousled black hair with sharp fringe over his brow, a strong jaw, a plain dark charcoal suit jacket over a white shirt, open bare collar with nothing at the throat. His face is tilted slightly up and toward the lens, and his eyes are wide open with the pupils shaped into clear pink hearts, both irises replaced by rounded heart forms that catch the light โ he is grinning so wide his mouth hangs open, a hot blush across both cheekbones. On his left and on his right, two brides lean in symmetric and press their lips to his cheeks. Left bride: long wavy honey-blonde hair spilling out from under a lace-edged white veil, pale blue eyes squeezed half shut with pleasure, a faint smile around her mouth as her lips compress the skin of his cheek; she wears a strapless white wedding gown with a sweetheart neckline, and her bare shoulders are turned toward him. Right bride: sleek black hair pinned low with the same white veil falling past her shoulder, warm brown eyes open and angled toward him, the corners of her mouth lifted into the kiss; she wears an off-shoulder white satin gown with a deep plunge that shows the swell of her cleavage, her bodice pressing against his shoulder as she leans. Each bride's near hand rests flat on the man's shoulder, fingers spread, the fabric bunching under their grip; the man's own arms are lifted, palms open and hovering at each bride's upper back without gripping, caught mid-surprise. The brides' mouths indent the man's cheeks, the skin compressing into small dimples around each kiss โ contact points clearly stated: lips on cheek, palm on shoulder, dress bodice against his sleeve.
Around the trio a heart-shaped frame of pale rose light glows in the air, an outline of light rather than a solid shape, its curved lobes arcing above the man's head and its point descending near his chest, thin bright ribbons of glow at the edges. Small glossy pink hearts float in the surrounding dark space, some large and close at the frame's edge, some tiny and far โ each heart catching a highlight on its upper-left face. The light source is a strong warm key from the upper left: it burns a bright rim on the left bride's veil and hair, throws a hard shadow from the right bride's jaw onto her own shoulder, and leaves the far side of the man's face in rich shadow so his heart-shaped pupils stay legible.
Palette restricted to deep black, wedding white, blush pink and hot rose, with warm skin as the only other value โ bold graphic linework in sharp ink strokes, crisp flat cel shading broken by hard-edged highlights, and a dark vignette beyond the glowing frame so the light frame reads as the brightest thing in the picture. The air of a knowingly silly, wildly affectionate celebration: glittering, over-the-top, warmly absurd.
ๆฏ่่
ใซใผใซ
ๆฏ
heart-shaped pupils, heart eyes, one man, two brides, kiss on both cheeks, cheek kiss, kissing, three people, central composition, symmetrical composition, front view, medium close-up, cleavage, visible cleavage, bridal veil, wedding dress, white dress, heart-shaped light frame, glowing border, floating hearts, heart motif, open mouth, blush, happy, arm support, hands on shoulders, from above, looking at viewer, high contrast, bold linework, limited palette, dramatic lighting
Front view, gentle high angle, medium close-up on a three-person group locked in a symmetrical central composition. In the middle stands one adult man in his late twenties: short tousled black hair with sharp fringe over his brow, a strong jaw, a plain dark charcoal suit jacket over a white shirt, open bare collar with nothing at the throat. His face is tilted slightly up and toward the lens, and his eyes are wide open with the pupils shaped into clear pink hearts, both irises replaced by rounded heart forms that catch the light โ he is grinning so wide his mouth hangs open, a hot blush across both cheekbones. On his left and on his right, two brides lean in symmetric and press their lips to his cheeks. Left bride: long wavy honey-blonde hair spilling out from under a lace-edged white veil, pale blue eyes squeezed half shut with pleasure, a faint smile around her mouth as her lips compress the skin of his cheek; she wears a strapless white wedding gown with a sweetheart neckline, and her bare shoulders are turned toward him. Right bride: sleek black hair pinned low with the same white veil falling past her shoulder, warm brown eyes open and angled toward him, the corners of her mouth lifted into the kiss; she wears an off-shoulder white satin gown with a deep plunge that shows the swell of her cleavage, her bodice pressing against his shoulder as she leans. Each bride's near hand rests flat on the man's shoulder, fingers spread, the fabric bunching under their grip; the man's own arms are lifted, palms open and hovering at each bride's upper back without gripping, caught mid-surprise. The brides' mouths indent the man's cheeks, the skin compressing into small dimples around each kiss โ contact points clearly stated: lips on cheek, palm on shoulder, dress bodice against his sleeve.
Around the trio a heart-shaped frame of pale rose light glows in the air, an outline of light rather than a solid shape, its curved lobes arcing above the man's head and its point descending near his chest, thin bright ribbons of glow at the edges. Small glossy pink hearts float in the surrounding dark space, some large and close at the frame's edge, some tiny and far โ each heart catching a highlight on its upper-left face. The light source is a strong warm key from the upper left: it burns a bright rim on the left bride's veil and hair, throws a hard shadow from the right bride's jaw onto her own shoulder, and leaves the far side of the man's face in rich shadow so his heart-shaped pupils stay legible.
Palette restricted to deep black, wedding white, blush pink and hot rose, with warm skin as the only other value โ bold graphic linework in sharp ink strokes, crisp flat cel shading broken by hard-edged highlights, and a dark vignette beyond the glowing frame so the light frame reads as the brightest thing in the picture. The air of a knowingly silly, wildly affectionate celebration: glittering, over-the-top, warmly absurd.
ๆฏ่่
ใซใผใซ
ๆฏ
heart-shaped pupils, heart eyes, one man, two brides, kiss on both cheeks, cheek kiss, kissing, three people, central composition, symmetrical composition, front view, medium close-up, cleavage, visible cleavage, bridal veil, wedding dress, white dress, heart-shaped light frame, glowing border, floating hearts, heart motif, open mouth, blush, happy, arm support, hands on shoulders, from above, looking at viewer, high contrast, bold linework, limited palette, dramatic lighting
Front view, gentle high angle, medium close-up on a three-person group locked in a symmetrical central composition. In the middle stands one adult man in his late twenties: short tousled black hair with sharp fringe over his brow, a strong jaw, a plain dark charcoal suit jacket over a white shirt, open bare collar with nothing at the throat. His face is tilted slightly up and toward the lens, and his eyes are wide open with the pupils shaped into clear pink hearts, both irises replaced by rounded heart forms that catch the light โ he is grinning so wide his mouth hangs open, a hot blush across both cheekbones. On his left and on his right, two brides lean in symmetric and press their lips to his cheeks. Left bride: long wavy honey-blonde hair spilling out from under a lace-edged white veil, pale blue eyes squeezed half shut with pleasure, a faint smile around her mouth as her lips compress the skin of his cheek; she wears a strapless white wedding gown with a sweetheart neckline, and her bare shoulders are turned toward him. Right bride: sleek black hair pinned low with the same white veil falling past her shoulder, warm brown eyes open and angled toward him, the corners of her mouth lifted into the kiss; she wears an off-shoulder white satin gown with a deep plunge that shows the swell of her cleavage, her bodice pressing against his shoulder as she leans. Each bride's near hand rests flat on the man's shoulder, fingers spread, the fabric bunching under their grip; the man's own arms are lifted, palms open and hovering at each bride's upper back without gripping, caught mid-surprise. The brides' mouths indent the man's cheeks, the skin compressing into small dimples around each kiss โ contact points clearly stated: lips on cheek, palm on shoulder, dress bodice against his sleeve.
Around the trio a heart-shaped frame of pale rose light glows in the air, an outline of light rather than a solid shape, its curved lobes arcing above the man's head and its point descending near his chest, thin bright ribbons of glow at the edges. Small glossy pink hearts float in the surrounding dark space, some large and close at the frame's edge, some tiny and far โ each heart catching a highlight on its upper-left face. The light source is a strong warm key from the upper left: it burns a bright rim on the left bride's veil and hair, throws a hard shadow from the right bride's jaw onto her own shoulder, and leaves the far side of the man's face in rich shadow so his heart-shaped pupils stay legible.
Palette restricted to deep black, wedding white, blush pink and hot rose, with warm skin as the only other value โ bold graphic linework in sharp ink strokes, crisp flat cel shading broken by hard-edged highlights, and a dark vignette beyond the glowing frame so the light frame reads as the brightest thing in the picture. The air of a knowingly silly, wildly affectionate celebration: glittering, over-the-top, warmly absurd.
ๆฏ่่
ใซใผใซ
ๆฏ
1boy, 2girls, 3girls, multiple girls, bride, brides, wedding dress, kiss, kiss on cheek, double cheek kiss, cheek kiss, heart-shaped pupils, heart eyes, heart, heart-shaped frame, heart-shaped light, glowing frame, cleavage, large breasts, cleavage cutout, hug, arms around waist, from front, close-up, upper body, cowboy shot, looking at viewer, open mouth, blush, smile, heart background, floating hearts, sparkle, high contrast, sharp linework, bold outlines, dramatic shading, deep crimson and white and rose-gold palette
A close-up centered on three figures, shot straight on at chest height in a tight upper-body crop. In the middle stands a single man, square-shouldered, chin lifted slightly, his eyes wide open and unmistakably heart-shaped: each pupil a crisp scarlet valentine heart with a bright specular glint in the upper lobe, the irises nearly swallowed by the shape, lids parted in astonishment. His mouth is open in a small delighted gasp, brows raised. To his left and to his right, two brides in white dresses lean in toward him, each one angled inward with her weight on the inside foot, both of them turned in three-quarter view with their faces tipped toward his cheeks. The left bride presses her lips to his left cheek, her eyes closed in a soft crescent, one hand flattening against his far shoulder to brace herself; the right bride kisses his right cheek with her eyes half shut and a visible smile pressing into his skin, her free hand curling around his near upper arm. Both women have their hair caught back loosely with a few strands falling forward across their cheeks from the lean. The man's own hands are lifted in surprise, palms open, fingers spread, hovering at the level of the brides' waists without closing around them. Behind and around the three of them, a heart-shaped ring of light frames the group: a continuous glowing heart outline of warm rose-gold luminance hugs close around their shoulders and rises above their heads, its inner edge falling just past each bride's shoulder so all three are enclosed. Its light spills onto the outer curves of both brides' faces and the man's temple, warmest at the top of the arch, dimmer toward the lower point of the heart. Beyond the frame, the ground behind them is a deep crimson field scattered with small floating hearts of varying size, drifting upward at different depths, some soft-edged and receding, some sharp and close. The brides' necklines sit low and square, exposing a clear line of chest and collarbone on both women, and the man's shirt collar is open. Palette discipline: deep crimson, white, and rose-gold only, crimson in the background field and the heart pupils, white in the two dresses, rose-gold in the light frame and the specular glints. Hard graphic linework with sharp ink-like contours, dramatic contrast with the lit faces bright against a dark red ground, minimal midtones. Sweetly triumphant.
ๆฏ่่
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