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AI artwork featuring #Genshin Impact and #Shoto
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Shoto, Genshin Impact

KI-Kunst von Caca auf PixAI. Erstellt mit Tsubaki.3 Flash.

#Genshin Impact#Shoto
c

Caca

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character: shoto_(vtuber) close-up, male focus, solo, from above, looking up at viewer, head tilted down, chin tucked, eyes wide and glaring upward, sclera darkened with shadow, blood smeared around both eyes, blood streaks down from the lids, half-dried blood on the lashes, blood beaded in the inner corners, purple eyes, slit pupils, bloodshot, intense stare, unsettling, creepy, horror (theme), grim, closed mouth, unsmiling, no smile, lips pressed into a hard line, jaw clenched, furrowed brow, short hair, purple hair, black hair, hair between eyes, hair over one eye, purple hair tips, long sleeves, jacket, y2k fashion, earrings, jewelry, dark background, shadow heavy, top-down light, dutch angle, high contrast, desaturated palette, cold violet and black, A tight close-up from above, the camera tilted into a slight dutch angle so the frame leans a few degrees off plumb. His head is tipped down and his chin is tucked toward his chest, the crown of his head toward the top of the frame, and because he has lowered his skull he is forced to look up through his brow at the lens: both eyes rolled up in their sockets, wide, glaring straight into the viewer from under the shelf of his brow, the whites of them darkened by the shadow of his own forehead so the irises glow out of deep shadow. This is the whole subject of the picture -- the eyes -- and everything else is staged to feed them. The blood is fresh enough to still be wet and old enough to have started to darken. It sits in a smeared ring around both eyes, thickest at the outer corners, where it has been dragged sideways by something with a grain to it; it runs in a thin tacky streak from the inner corner of his left eye down the side of his nose and stops there, halted by the curve of the skin. A small amount has clumped the lashes of his right eye into dark points, so that eye reads heavier and more clogged than the other. The skin around both eyes is flushed pink where the blood has been rubbed in, and the rest of his face is pale and smooth by comparison. Nothing on his mouth. The blood is around the eyes and nowhere lower. His mouth is firmly closed. The lips are pressed flat into a hard line, the corners pulled slightly back and down, and there is a taut crease beneath the lower lip where the jaw is clenched. No smile, not the ghost of one. His brow is drawn down hard, so the vertical crease between his eyebrows is visible above the bridge of his nose. His hair falls forward over his face -- short, purple fading to black at the tips, with strands hanging between and across his eyes -- and the light catches the top of his head from above so that the top-lit strands are bright and the ends of them disappear into the shadow of his face, laying thin dark bars over one eye. The strands over his face do not move; nothing in this image moves. The light is a single hard source almost directly overhead, as though he is standing under a bare hanging bulb and leaning into it. It strikes the crown of his head, the upper planes of his shoulders and the tops of his cheekbones, and it throws the eye sockets, the underside of his nose, the hollow of his throat and the whole of his lower face into dense shadow. The consequence of that top light is visible in his eyes: the shadow of the upper lid falls across the top third of each iris and across the upper whites, cutting two hard dark cap-lines across both eyes, so that what remains lit is a band of burning violet beneath a black hood. The underside of his chin goes almost entirely black. There is no fill light and no rim; beyond the fall of the overhead source the background is dense darkness with no information in it. His shoulders are in frame at the bottom of the shot, rounded slightly forward, wrapped in the dark long-sleeved jacket, the fabric of the sleeves creasing at the bend of his elbow as his arms hang out of view. A small earring catches a point of the overhead light at the edge of the frame by his jaw, the single bright glint in all that darkness. The palette is a cold one: black, cold violet, and the red of the blood, nothing else admitted except the sickened white of his eyes. The blood around the eyes is the only warm colour on the whole image and it is not warm, it is thin and dried and brown-red at the edges. Tenebrist contrast, the lit top of the head, the lit cheekbones, the two lit slits of glaring eye, and everything else swallowed. Unsettling, quietly dangerous.
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Ursprรผnglicher Prompt
Shoto scary creepy eyes unsettling horror no smile blood around creepy eyes dangerous scary intense stare in eyes no smile
Modus
flash
GrรถรŸe
1104 x 1824
Prompt-Assistent

Verwendetes Modell und LoRA

Tsubaki.3 Flash - AI Model cover image

PixAI DiT.3

Tsubaki.3 Flash
2.22k

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AI artwork
c
character: shoto_(vtuber) close-up, male focus, solo, from above, looking up at viewer, head tilted down, chin tucked, eyes wide and glaring upward, sclera darkened with shadow, blood smeared around both eyes, blood streaks down from the lids, half-dried blood on the lashes, blood beaded in the inner corners, purple eyes, slit pupils, bloodshot, intense stare, unsettling, creepy, horror (theme), grim, closed mouth, unsmiling, no smile, lips pressed into a hard line, jaw clenched, furrowed brow, short hair, purple hair, black hair, hair between eyes, hair over one eye, purple hair tips, long sleeves, jacket, y2k fashion, earrings, jewelry, dark background, shadow heavy, top-down light, dutch angle, high contrast, desaturated palette, cold violet and black, A tight close-up from above, the camera tilted into a slight dutch angle so the frame leans a few degrees off plumb. His head is tipped down and his chin is tucked toward his chest, the crown of his head toward the top of the frame, and because he has lowered his skull he is forced to look up through his brow at the lens: both eyes rolled up in their sockets, wide, glaring straight into the viewer from under the shelf of his brow, the whites of them darkened by the shadow of his own forehead so the irises glow out of deep shadow. This is the whole subject of the picture -- the eyes -- and everything else is staged to feed them. The blood is fresh enough to still be wet and old enough to have started to darken. It sits in a smeared ring around both eyes, thickest at the outer corners, where it has been dragged sideways by something with a grain to it; it runs in a thin tacky streak from the inner corner of his left eye down the side of his nose and stops there, halted by the curve of the skin. A small amount has clumped the lashes of his right eye into dark points, so that eye reads heavier and more clogged than the other. The skin around both eyes is flushed pink where the blood has been rubbed in, and the rest of his face is pale and smooth by comparison. Nothing on his mouth. The blood is around the eyes and nowhere lower. His mouth is firmly closed. The lips are pressed flat into a hard line, the corners pulled slightly back and down, and there is a taut crease beneath the lower lip where the jaw is clenched. No smile, not the ghost of one. His brow is drawn down hard, so the vertical crease between his eyebrows is visible above the bridge of his nose. His hair falls forward over his face -- short, purple fading to black at the tips, with strands hanging between and across his eyes -- and the light catches the top of his head from above so that the top-lit strands are bright and the ends of them disappear into the shadow of his face, laying thin dark bars over one eye. The strands over his face do not move; nothing in this image moves. The light is a single hard source almost directly overhead, as though he is standing under a bare hanging bulb and leaning into it. It strikes the crown of his head, the upper planes of his shoulders and the tops of his cheekbones, and it throws the eye sockets, the underside of his nose, the hollow of his throat and the whole of his lower face into dense shadow. The consequence of that top light is visible in his eyes: the shadow of the upper lid falls across the top third of each iris and across the upper whites, cutting two hard dark cap-lines across both eyes, so that what remains lit is a band of burning violet beneath a black hood. The underside of his chin goes almost entirely black. There is no fill light and no rim; beyond the fall of the overhead source the background is dense darkness with no information in it. His shoulders are in frame at the bottom of the shot, rounded slightly forward, wrapped in the dark long-sleeved jacket, the fabric of the sleeves creasing at the bend of his elbow as his arms hang out of view. A small earring catches a point of the overhead light at the edge of the frame by his jaw, the single bright glint in all that darkness. The palette is a cold one: black, cold violet, and the red of the blood, nothing else admitted except the sickened white of his eyes. The blood around the eyes is the only warm colour on the whole image and it is not warm, it is thin and dried and brown-red at the edges. Tenebrist contrast, the lit top of the head, the lit cheekbones, the two lit slits of glaring eye, and everything else swallowed. Unsettling, quietly dangerous.
Caca
#Genshin Impact#Shoto
AI artwork
c
character: shoto_(vtuber) close-up, male focus, solo, from above, looking up at viewer, head tilted down, chin tucked, eyes wide and glaring upward, sclera darkened with shadow, blood smeared around both eyes, blood streaks down from the lids, half-dried blood on the lashes, blood beaded in the inner corners, purple eyes, slit pupils, bloodshot, intense stare, unsettling, creepy, horror (theme), grim, closed mouth, unsmiling, no smile, lips pressed into a hard line, jaw clenched, furrowed brow, short hair, purple hair, black hair, hair between eyes, hair over one eye, purple hair tips, long sleeves, jacket, y2k fashion, earrings, jewelry, dark background, shadow heavy, top-down light, dutch angle, high contrast, desaturated palette, cold violet and black, A tight close-up from above, the camera tilted into a slight dutch angle so the frame leans a few degrees off plumb. His head is tipped down and his chin is tucked toward his chest, the crown of his head toward the top of the frame, and because he has lowered his skull he is forced to look up through his brow at the lens: both eyes rolled up in their sockets, wide, glaring straight into the viewer from under the shelf of his brow, the whites of them darkened by the shadow of his own forehead so the irises glow out of deep shadow. This is the whole subject of the picture -- the eyes -- and everything else is staged to feed them. The blood is fresh enough to still be wet and old enough to have started to darken. It sits in a smeared ring around both eyes, thickest at the outer corners, where it has been dragged sideways by something with a grain to it; it runs in a thin tacky streak from the inner corner of his left eye down the side of his nose and stops there, halted by the curve of the skin. A small amount has clumped the lashes of his right eye into dark points, so that eye reads heavier and more clogged than the other. The skin around both eyes is flushed pink where the blood has been rubbed in, and the rest of his face is pale and smooth by comparison. Nothing on his mouth. The blood is around the eyes and nowhere lower. His mouth is firmly closed. The lips are pressed flat into a hard line, the corners pulled slightly back and down, and there is a taut crease beneath the lower lip where the jaw is clenched. No smile, not the ghost of one. His brow is drawn down hard, so the vertical crease between his eyebrows is visible above the bridge of his nose. His hair falls forward over his face -- short, purple fading to black at the tips, with strands hanging between and across his eyes -- and the light catches the top of his head from above so that the top-lit strands are bright and the ends of them disappear into the shadow of his face, laying thin dark bars over one eye. The strands over his face do not move; nothing in this image moves. The light is a single hard source almost directly overhead, as though he is standing under a bare hanging bulb and leaning into it. It strikes the crown of his head, the upper planes of his shoulders and the tops of his cheekbones, and it throws the eye sockets, the underside of his nose, the hollow of his throat and the whole of his lower face into dense shadow. The consequence of that top light is visible in his eyes: the shadow of the upper lid falls across the top third of each iris and across the upper whites, cutting two hard dark cap-lines across both eyes, so that what remains lit is a band of burning violet beneath a black hood. The underside of his chin goes almost entirely black. There is no fill light and no rim; beyond the fall of the overhead source the background is dense darkness with no information in it. His shoulders are in frame at the bottom of the shot, rounded slightly forward, wrapped in the dark long-sleeved jacket, the fabric of the sleeves creasing at the bend of his elbow as his arms hang out of view. A small earring catches a point of the overhead light at the edge of the frame by his jaw, the single bright glint in all that darkness. The palette is a cold one: black, cold violet, and the red of the blood, nothing else admitted except the sickened white of his eyes. The blood around the eyes is the only warm colour on the whole image and it is not warm, it is thin and dried and brown-red at the edges. Tenebrist contrast, the lit top of the head, the lit cheekbones, the two lit slits of glaring eye, and everything else swallowed. Unsettling, quietly dangerous.
Caca
#Genshin Impact#Shoto
AI artwork
c
character: shoto_(vtuber) close-up, male focus, solo, from above, looking up at viewer, head tilted down, chin tucked, eyes wide and glaring upward, sclera darkened with shadow, blood smeared around both eyes, blood streaks down from the lids, half-dried blood on the lashes, blood beaded in the inner corners, purple eyes, slit pupils, bloodshot, intense stare, unsettling, creepy, horror (theme), grim, closed mouth, unsmiling, no smile, lips pressed into a hard line, jaw clenched, furrowed brow, short hair, purple hair, black hair, hair between eyes, hair over one eye, purple hair tips, long sleeves, jacket, y2k fashion, earrings, jewelry, dark background, shadow heavy, top-down light, dutch angle, high contrast, desaturated palette, cold violet and black, A tight close-up from above, the camera tilted into a slight dutch angle so the frame leans a few degrees off plumb. His head is tipped down and his chin is tucked toward his chest, the crown of his head toward the top of the frame, and because he has lowered his skull he is forced to look up through his brow at the lens: both eyes rolled up in their sockets, wide, glaring straight into the viewer from under the shelf of his brow, the whites of them darkened by the shadow of his own forehead so the irises glow out of deep shadow. This is the whole subject of the picture -- the eyes -- and everything else is staged to feed them. The blood is fresh enough to still be wet and old enough to have started to darken. It sits in a smeared ring around both eyes, thickest at the outer corners, where it has been dragged sideways by something with a grain to it; it runs in a thin tacky streak from the inner corner of his left eye down the side of his nose and stops there, halted by the curve of the skin. A small amount has clumped the lashes of his right eye into dark points, so that eye reads heavier and more clogged than the other. The skin around both eyes is flushed pink where the blood has been rubbed in, and the rest of his face is pale and smooth by comparison. Nothing on his mouth. The blood is around the eyes and nowhere lower. His mouth is firmly closed. The lips are pressed flat into a hard line, the corners pulled slightly back and down, and there is a taut crease beneath the lower lip where the jaw is clenched. No smile, not the ghost of one. His brow is drawn down hard, so the vertical crease between his eyebrows is visible above the bridge of his nose. His hair falls forward over his face -- short, purple fading to black at the tips, with strands hanging between and across his eyes -- and the light catches the top of his head from above so that the top-lit strands are bright and the ends of them disappear into the shadow of his face, laying thin dark bars over one eye. The strands over his face do not move; nothing in this image moves. The light is a single hard source almost directly overhead, as though he is standing under a bare hanging bulb and leaning into it. It strikes the crown of his head, the upper planes of his shoulders and the tops of his cheekbones, and it throws the eye sockets, the underside of his nose, the hollow of his throat and the whole of his lower face into dense shadow. The consequence of that top light is visible in his eyes: the shadow of the upper lid falls across the top third of each iris and across the upper whites, cutting two hard dark cap-lines across both eyes, so that what remains lit is a band of burning violet beneath a black hood. The underside of his chin goes almost entirely black. There is no fill light and no rim; beyond the fall of the overhead source the background is dense darkness with no information in it. His shoulders are in frame at the bottom of the shot, rounded slightly forward, wrapped in the dark long-sleeved jacket, the fabric of the sleeves creasing at the bend of his elbow as his arms hang out of view. A small earring catches a point of the overhead light at the edge of the frame by his jaw, the single bright glint in all that darkness. The palette is a cold one: black, cold violet, and the red of the blood, nothing else admitted except the sickened white of his eyes. The blood around the eyes is the only warm colour on the whole image and it is not warm, it is thin and dried and brown-red at the edges. Tenebrist contrast, the lit top of the head, the lit cheekbones, the two lit slits of glaring eye, and everything else swallowed. Unsettling, quietly dangerous.
Caca
#Genshin Impact#Shoto

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