Sign up free, get 10,000 credits
Starter credits added when you sign up.
Sign up and create 8 images for free
Starter credits added when you sign up.
C.C., Code Geass: Lelouch of the Rebellion
KI-Kunst von HASSEN E auf PixAI. Erstellt mit Tsubaki.3 Flash.
Wettbewerbseinreichung
Colours of Autumn #Fall Colours
Parameter anzeigen
- Ursprünglicher Prompt
- 女主角是C.C.。穿着宽大薄透的时尚网纱蝙蝠袖，面对镜头双手抱头抬起像伸懒腰，背后照过来一束光，光透过衣服把女主角的身材照的一览无余，能够看清身体各个部位的轮廓
- Modus
- flash
- Größe
- 864 x 1152
Prompt-Assistent
Verwendetes Modell und LoRA
Ähnliche Bilder
Mehr anzeigen
he
character: c.c.
backlighting, strong backlight, 1girl, solo, long hair, very long hair, green hair, yellow eyes, facing viewer, from front, cowboy shot, standing, both hands behind head, arms up, stretching, eyes closed, light smile, sheer mesh top, translucent clothing, bat-wing sleeves, dolman sleeves, wide sleeves, loose fabric, bare shoulders, white shirt under mesh removed, silhouette visible through clothes, body contour visible through fabric, light beam from behind, rim light, volumetric light, dark background, high contrast
Frontal cowboy-shot view of a single young woman facing the camera, feet to mid-thigh in frame, centered against a deep near-black interior so the backlight has something to cut through. She stands with her weight settled on her back leg, hips shifted a little to one side, ribcage lifted: both arms are raised and folded back so her hands clasp behind her head, elbows flared wide and slightly forward of her ears, forearms pressing into the hair at her nape. Her chin tilts up a touch and her eyes are shut, lashes low, lips softly parted in a light, easy smile of a long stretch caught at its peak — a small inhale visible in the raised chest.
The garment is the whole point: a loose, thin, sheer black mesh top in a fashion cut with bat-wing dolman sleeves, the fabric gossamer and semi-transparent, hanging in soft folds off her shoulders and falling in wide drapes from wrist to hip. The sleeves slide back toward her elbows as her arms go up, baring the line of her forearms and the underside of her upper arms; the neckline droops loose across her collarbones. Underneath, a simple dark fitted bodice and dark lower garment keep her modest while the mesh does its work: the overhead-and-behind light punches straight through the sheer layer from behind, so the mesh glows at its edges, the hems catch a bright fringe, and the outline of her torso, the narrow of her waist, the curve of her hips and the long line of her legs read clearly as a soft dark silhouette inside the lit fabric, brighter where the cloth is thinnest and the body nearest it.
One hard shaft of warm white light enters from behind her right shoulder, angled down and slightly across, striking the far edge of her hair so a green-gold halo flares along the loose strands, rimming the top of both raised elbows and the drape of the sleeves, and spilling past her hip onto the floor. Because she is lit from behind, her face and the front of the fabric sit in cool shadow, with only a faint bounce catching her cheekbone, the tip of her nose and the front folds of the mesh; a soft, darker cast shadow of her stretched silhouette falls forward onto the floor in front of her feet. Nothing else in the frame is lit — beyond the beam the black falls off into absolute darkness, so the shaft itself is visible only as a faint pale haze in the air directly behind her, thicker at the edges of the folds where cloth scatters it.
Palette held to green hair, warm white light, and deep near-black ground, with her yellow eyes barely catching a glint under her closed lids. The fabric reads as fine mesh with a faint open-weave texture where the light grazes it, all edges soft and luminous from the backlight. Quiet, warm, languid.
HASSEN E
he
character: c.c.
backlighting, strong backlight, 1girl, solo, long hair, very long hair, green hair, yellow eyes, facing viewer, from front, cowboy shot, standing, both hands behind head, arms up, stretching, eyes closed, light smile, sheer mesh top, translucent clothing, bat-wing sleeves, dolman sleeves, wide sleeves, loose fabric, bare shoulders, white shirt under mesh removed, silhouette visible through clothes, body contour visible through fabric, light beam from behind, rim light, volumetric light, dark background, high contrast
Frontal cowboy-shot view of a single young woman facing the camera, feet to mid-thigh in frame, centered against a deep near-black interior so the backlight has something to cut through. She stands with her weight settled on her back leg, hips shifted a little to one side, ribcage lifted: both arms are raised and folded back so her hands clasp behind her head, elbows flared wide and slightly forward of her ears, forearms pressing into the hair at her nape. Her chin tilts up a touch and her eyes are shut, lashes low, lips softly parted in a light, easy smile of a long stretch caught at its peak — a small inhale visible in the raised chest.
The garment is the whole point: a loose, thin, sheer black mesh top in a fashion cut with bat-wing dolman sleeves, the fabric gossamer and semi-transparent, hanging in soft folds off her shoulders and falling in wide drapes from wrist to hip. The sleeves slide back toward her elbows as her arms go up, baring the line of her forearms and the underside of her upper arms; the neckline droops loose across her collarbones. Underneath, a simple dark fitted bodice and dark lower garment keep her modest while the mesh does its work: the overhead-and-behind light punches straight through the sheer layer from behind, so the mesh glows at its edges, the hems catch a bright fringe, and the outline of her torso, the narrow of her waist, the curve of her hips and the long line of her legs read clearly as a soft dark silhouette inside the lit fabric, brighter where the cloth is thinnest and the body nearest it.
One hard shaft of warm white light enters from behind her right shoulder, angled down and slightly across, striking the far edge of her hair so a green-gold halo flares along the loose strands, rimming the top of both raised elbows and the drape of the sleeves, and spilling past her hip onto the floor. Because she is lit from behind, her face and the front of the fabric sit in cool shadow, with only a faint bounce catching her cheekbone, the tip of her nose and the front folds of the mesh; a soft, darker cast shadow of her stretched silhouette falls forward onto the floor in front of her feet. Nothing else in the frame is lit — beyond the beam the black falls off into absolute darkness, so the shaft itself is visible only as a faint pale haze in the air directly behind her, thicker at the edges of the folds where cloth scatters it.
Palette held to green hair, warm white light, and deep near-black ground, with her yellow eyes barely catching a glint under her closed lids. The fabric reads as fine mesh with a faint open-weave texture where the light grazes it, all edges soft and luminous from the backlight. Quiet, warm, languid.
HASSEN E
he
character: c.c.
1girl, solo, c.c., long hair, green hair, very long hair, yellow eyes, oversized sheer mesh garment, loose translucent fabric, see-through clothing, sheer drape, both hands behind head, arms up, stretching, backlit, strong backlight, rim light, silhouette visible through fabric, from behind, from below, looking back over shoulder, chin over shoulder, bare back, bare shoulders, standing, tall vertical composition, tall aspect ratio
From behind and slightly below: the camera sits low behind her right hip and looks up along her raised back, so her spine, the points of her elbows and the wide flare of the mesh are all lifted into a sharp diagonal against the dark. She is caught mid-stretch, weight thrown onto her left leg while the right knee bends and the right heel lifts just off the floor; both arms are bent up and back, hands laced together behind her head, fingers pressed into the nape so the forearms clamp the hair. Her chin comes over her right shoulder and her eyes turn back toward the lens with a half-lidded, faintly amused look, one brow slightly higher than the other.
The garment is a single oversized sheath of thin black mesh, cut loose and falling from her shoulders almost to mid-thigh; where it pulls across the small of her back the weave opens and the taut line of her body reads straight through it. Long green hair spills down her back inside the mesh, its tips caught between the fabric and her skin, and one strand escapes over the turning shoulder. Her bare back and shoulders are unobstructed; the mesh is the only layer and it hangs unstuck where her raised arms lift it away from her ribs.
The one light source stands directly behind her: a hard pale beam from a high rear-left position that throws a bright edge down her arms, along her shoulders and around the hem of the mesh, and casts the fabric's grid shadow faintly onto her own back. In front of her the room falls away into a deep cool near-black, with only a faint bounce of the beam on the floor at her feet. Everywhere the backlight passes through the weave it glows; the denser folds of cloth near her hips stay a dimmer grey-green.
Palette: black, silver-white light, the green of her hair, and the warm yellow of her eyes as the only warm accent, nothing else admitted. The brightest point of the image is the gap of air between her raised arms and the light behind it. Cinematic cel shading with crisp rim-lit edges and clean shadow planes, high contrast, still and languid.
HASSEN E
he
character: c.c.
backlighting, strong backlight, 1girl, solo, long hair, very long hair, green hair, yellow eyes, facing viewer, from front, cowboy shot, standing, both hands behind head, arms up, stretching, eyes closed, light smile, sheer mesh top, translucent clothing, bat-wing sleeves, dolman sleeves, wide sleeves, loose fabric, bare shoulders, white shirt under mesh removed, silhouette visible through clothes, body contour visible through fabric, light beam from behind, rim light, volumetric light, dark background, high contrast
Frontal cowboy-shot view of a single young woman facing the camera, feet to mid-thigh in frame, centered against a deep near-black interior so the backlight has something to cut through. She stands with her weight settled on her back leg, hips shifted a little to one side, ribcage lifted: both arms are raised and folded back so her hands clasp behind her head, elbows flared wide and slightly forward of her ears, forearms pressing into the hair at her nape. Her chin tilts up a touch and her eyes are shut, lashes low, lips softly parted in a light, easy smile of a long stretch caught at its peak — a small inhale visible in the raised chest.
The garment is the whole point: a loose, thin, sheer black mesh top in a fashion cut with bat-wing dolman sleeves, the fabric gossamer and semi-transparent, hanging in soft folds off her shoulders and falling in wide drapes from wrist to hip. The sleeves slide back toward her elbows as her arms go up, baring the line of her forearms and the underside of her upper arms; the neckline droops loose across her collarbones. Underneath, a simple dark fitted bodice and dark lower garment keep her modest while the mesh does its work: the overhead-and-behind light punches straight through the sheer layer from behind, so the mesh glows at its edges, the hems catch a bright fringe, and the outline of her torso, the narrow of her waist, the curve of her hips and the long line of her legs read clearly as a soft dark silhouette inside the lit fabric, brighter where the cloth is thinnest and the body nearest it.
One hard shaft of warm white light enters from behind her right shoulder, angled down and slightly across, striking the far edge of her hair so a green-gold halo flares along the loose strands, rimming the top of both raised elbows and the drape of the sleeves, and spilling past her hip onto the floor. Because she is lit from behind, her face and the front of the fabric sit in cool shadow, with only a faint bounce catching her cheekbone, the tip of her nose and the front folds of the mesh; a soft, darker cast shadow of her stretched silhouette falls forward onto the floor in front of her feet. Nothing else in the frame is lit — beyond the beam the black falls off into absolute darkness, so the shaft itself is visible only as a faint pale haze in the air directly behind her, thicker at the edges of the folds where cloth scatters it.
Palette held to green hair, warm white light, and deep near-black ground, with her yellow eyes barely catching a glint under her closed lids. The fabric reads as fine mesh with a faint open-weave texture where the light grazes it, all edges soft and luminous from the backlight. Quiet, warm, languid.
HASSEN E
Mehr entdecken
Empfohlene Benutzer
Werden dir gefallen
ᯓ★ ⚡ ♡ ᯓ★
(mai)
Winter joy in the snow
FriddaTiss
kyramisu
7
logos
ᯓᯓ 𝙘𝙤𝙘𝙤𝙛𝙡𝙪𝙛𝙛𝙞
Hu Tao
KanKan Matcha
Tilith, the Goddess of Magical Star
entrophee_E:
푸른 물결 속의 신비로운 소녀
조개
anime
𝚖𝚎𝚛𝚒𝚖𝚎𝚛𝚒
miku
𝚖𝚎𝚛𝚒𝚖𝚎𝚛𝚒
🧣🚉 🪐 ‧₊˚ ♡ ˚₊‧
(mai)
❄️Lolicia❄️
weirdcore...
ᯓᯓ 𝙘𝙤𝙘𝙤𝙛𝙡𝙪𝙛𝙛𝙞
reunited at last
ᯓᯓ 𝙘𝙤𝙘𝙤𝙛𝙡𝙪𝙛𝙛𝙞
₊˚⊹♡ 𝗯𝘂𝗻𝗻𝘆 𝗴𝗶𝗿𝗹 ♡⊹˚₊
●♡⃝ 𝓑𝓾𝓽𝓽𝓮𝓻𝓯𝓵𝔂•ʚїɞ.𝕏𝕠
...
Tofu
5
...
Tofu
2
₊˚ ꒰ᐢ. .ᐢ꒱ 🍓🍞 ✧
(mai)
character: kaname_madoka_(magical_girl), copyright: mahou_shoujo_madoka_magica
Kaname Madoka from Puella Magi Madoka Magica, pink twin tails tied with deep red ribbons, wearing her iconic magical girl costume, white corset-like bodice with delicate back lacing, voluminous layered white and pale pink ruffled skirt, crimson ribbons flowing loosely around her body, viewed from behind at a three-quarter angle, seated with her back gracefully arched, both arms extending naturally downward behind her back, one hand gently holding the opposite wrist, clearly separated hands, relaxed slender fingers, five distinct fingers on each hand, natural finger spacing, anatomically correct wrists, elegant delicate hands, visible knuckles, softly curved fingers, hands clearly visible against the white skirt, unobstructed hand silhouette, accurate hand anatomy, head tilted far backward, chin raised toward the darkness, face mostly hidden, elegant elongated silhouette, delicate exposed shoulders, soft loose strands of pink hair, dramatic asymmetrical composition, close medium shot, large skirt filling the lower frame, dark almost black background, dramatic directional lighting, pale ivory highlights, muted dusty pink, cold gray shadows, rich crimson accents, strong contrast between luminous fabric and deep darkness, thick impasto oil painting, expressive visible brushstrokes, heavy layered paint, rough palette knife texture, sculptural paint strokes, painterly edges, textured canvas, loose gestural painting, rich tactile surface, dramatic chiaroscuro, melancholic atmosphere, haunting beauty, full bleed composition, edge-to-edge artwork, no borders, no frame, textured illustration, grainy texture, crayon texture, chalky brushwork, impasto strokes, bold color blocking, stylized anime, flat shading, dry brush effect, atmospheric lighting, soft glow highlights, rough painterly anime style, visible textured brushstrokes, heavy impasto texture, scratchy charcoal-like linework, expressive gestural strokes, smudged edges, desaturated base tones with aggressive high-contrast color, sketch style, rough brushstroke
リオ
Sg75
...
Tofu
이름
이름
2
...
Tofu
...
Tofu
3
the ballerina
ᯓᯓ 𝙘𝙤𝙘𝙤𝙛𝙡𝙪𝙛𝙛𝙞
Kommentare