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KI-Kunst von uru auf PixAI. Erstellt mit Tsubaki.3.

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character: kuwayama_chiyuki 1girl, solo, kuwayama chiyuki, brown hair, long hair, ahoge, braid, brown eyes, beautiful hair, warm smile, closed-mouth smile, blush, heavy blush, embarrassed, cold sweat, sweat on face, nervous sweat, long sleeves, tight ribbed knit long one-piece dress, long skirt, see-through fabric, sheer knit clinging to shoulders, hanging nametag, love hotel background, morning, from below, dutch angle, close-up, cowboy shot, looking to the side, arms up, hand at collar, shoulders drawn in, standing, warm light, Low dutch-angle cowboy shot from slightly below, tilted so the hallway's lines lean; the girl fills the right two-thirds of a 3:4 frame, seen from mid-thigh up, her long ribbed one-piece running unbroken from a high collar down past the hem of a floor-length skirt. Her brown hair is long and heavy, one thick braid falling forward over her left shoulder, a single ahoge springing up and curling against the ceiling light; the braid's loose strands catch a rim of gold along their outer edge. Her face turns three-quarters away toward a numbered door at frame left, eyes lowered and glancing sideways at the floor, chin tucked into her collar; her lips hold a small warm closed-mouth smile that keeps breaking at one corner, and a deep blush spreads from cheekbones to ears. Cold sweat beads in fine droplets at her temple, along her hairline and at the side of her throat, one drop sliding down past her jaw. Both hands are up at her chest: her right hand pinches the knit closed at the collarbone, fingers hooked into the ribbed collar and pulling it taut; her left hand hovers flat over the nametag cord at her sternum, not quite covering it. The tight ribbed knit follows every rib of the fabric, stretched thin and slightly sheer over her shoulders and upper chest where the morning light passes through it, showing the faint warm shadow of skin beneath; the skirt hangs heavy and dense below the waist, opaque, the ribs catching long vertical highlights. The love hotel hallway is shallow and close: a dark lacquered door with a lit number plate at left, a wall-mounted rate board with illegible printed text in soft focus, a low ceiling with one recessed warm lamp above and behind her left shoulder. That lamp is the only light source; it strikes the top of her head, the near edge of the braid and the shoulder where the knit goes sheer, and it drops her shadow short and dense against the door frame. Down the corridor behind her the darkness is absolute, and a small hanging nametag on a thin cord around her neck swings slightly forward, white card pale in the lamplight, its printed words too small to read. The morning is early and the hallway has not been cleaned yet -- a folded towel cart sits half out of frame at the extreme left, sharp only at its edge. Palette held to warm amber lamp light, deep brown-black shadow, and the pale oatmeal of the knit, with the blush and the damp shine at her temple as the only saturated notes. Quiet, flustered, caught.
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Ursprünglicher Prompt
1girl, masterpiece, best quality,beautiful hair, warm smile, highly detailed, 8k quality, --ar 3:4 --stylize,long sleeve, tight rib long onepiece,long skirt,lovehotel background,hanging nametag,Blushing, feeling embarrassed, morning,Kuwayama Chiyuki, Blushing, feeling embarrassed, I'm breaking out in a cold sweat,seethrough
Modus
ultra
Qualitäts-Tag
﹝Prompts﹞
Größe
1104 x 1824
Negativ
lowres, worst quality, low quality, bad anatomy, explicit, (nsfw:1.2),(nude:1.6),(nipple:1.2),naked
Prompt-Assistent

Verwendetes Modell und LoRA

Tsubaki.3 - AI Model cover image

PixAI DiT.3

Tsubaki.3
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AI artwork
Avatar image of uru
character: kuwayama_chiyuki 1girl, solo, kuwayama chiyuki, brown hair, long hair, ahoge, braid, brown eyes, beautiful hair, warm smile, closed-mouth smile, blush, heavy blush, embarrassed, cold sweat, sweat on face, nervous sweat, long sleeves, tight ribbed knit long one-piece dress, long skirt, see-through fabric, sheer knit clinging to shoulders, hanging nametag, love hotel background, morning, from below, dutch angle, close-up, cowboy shot, looking to the side, arms up, hand at collar, shoulders drawn in, standing, warm light, Low dutch-angle cowboy shot from slightly below, tilted so the hallway's lines lean; the girl fills the right two-thirds of a 3:4 frame, seen from mid-thigh up, her long ribbed one-piece running unbroken from a high collar down past the hem of a floor-length skirt. Her brown hair is long and heavy, one thick braid falling forward over her left shoulder, a single ahoge springing up and curling against the ceiling light; the braid's loose strands catch a rim of gold along their outer edge. Her face turns three-quarters away toward a numbered door at frame left, eyes lowered and glancing sideways at the floor, chin tucked into her collar; her lips hold a small warm closed-mouth smile that keeps breaking at one corner, and a deep blush spreads from cheekbones to ears. Cold sweat beads in fine droplets at her temple, along her hairline and at the side of her throat, one drop sliding down past her jaw. Both hands are up at her chest: her right hand pinches the knit closed at the collarbone, fingers hooked into the ribbed collar and pulling it taut; her left hand hovers flat over the nametag cord at her sternum, not quite covering it. The tight ribbed knit follows every rib of the fabric, stretched thin and slightly sheer over her shoulders and upper chest where the morning light passes through it, showing the faint warm shadow of skin beneath; the skirt hangs heavy and dense below the waist, opaque, the ribs catching long vertical highlights. The love hotel hallway is shallow and close: a dark lacquered door with a lit number plate at left, a wall-mounted rate board with illegible printed text in soft focus, a low ceiling with one recessed warm lamp above and behind her left shoulder. That lamp is the only light source; it strikes the top of her head, the near edge of the braid and the shoulder where the knit goes sheer, and it drops her shadow short and dense against the door frame. Down the corridor behind her the darkness is absolute, and a small hanging nametag on a thin cord around her neck swings slightly forward, white card pale in the lamplight, its printed words too small to read. The morning is early and the hallway has not been cleaned yet -- a folded towel cart sits half out of frame at the extreme left, sharp only at its edge. Palette held to warm amber lamp light, deep brown-black shadow, and the pale oatmeal of the knit, with the blush and the damp shine at her temple as the only saturated notes. Quiet, flustered, caught.
uru
AI artwork
Avatar image of uru
character: kuwayama_chiyuki 1girl, solo, kuwayama chiyuki, brown hair, long hair, ahoge, braid, brown eyes, beautiful hair, warm smile, closed-mouth smile, blush, heavy blush, embarrassed, cold sweat, sweat on face, nervous sweat, long sleeves, tight ribbed knit long one-piece dress, long skirt, see-through fabric, sheer knit clinging to shoulders, hanging nametag, love hotel background, morning, from below, dutch angle, close-up, cowboy shot, looking to the side, arms up, hand at collar, shoulders drawn in, standing, warm light, Low dutch-angle cowboy shot from slightly below, tilted so the hallway's lines lean; the girl fills the right two-thirds of a 3:4 frame, seen from mid-thigh up, her long ribbed one-piece running unbroken from a high collar down past the hem of a floor-length skirt. Her brown hair is long and heavy, one thick braid falling forward over her left shoulder, a single ahoge springing up and curling against the ceiling light; the braid's loose strands catch a rim of gold along their outer edge. Her face turns three-quarters away toward a numbered door at frame left, eyes lowered and glancing sideways at the floor, chin tucked into her collar; her lips hold a small warm closed-mouth smile that keeps breaking at one corner, and a deep blush spreads from cheekbones to ears. Cold sweat beads in fine droplets at her temple, along her hairline and at the side of her throat, one drop sliding down past her jaw. Both hands are up at her chest: her right hand pinches the knit closed at the collarbone, fingers hooked into the ribbed collar and pulling it taut; her left hand hovers flat over the nametag cord at her sternum, not quite covering it. The tight ribbed knit follows every rib of the fabric, stretched thin and slightly sheer over her shoulders and upper chest where the morning light passes through it, showing the faint warm shadow of skin beneath; the skirt hangs heavy and dense below the waist, opaque, the ribs catching long vertical highlights. The love hotel hallway is shallow and close: a dark lacquered door with a lit number plate at left, a wall-mounted rate board with illegible printed text in soft focus, a low ceiling with one recessed warm lamp above and behind her left shoulder. That lamp is the only light source; it strikes the top of her head, the near edge of the braid and the shoulder where the knit goes sheer, and it drops her shadow short and dense against the door frame. Down the corridor behind her the darkness is absolute, and a small hanging nametag on a thin cord around her neck swings slightly forward, white card pale in the lamplight, its printed words too small to read. The morning is early and the hallway has not been cleaned yet -- a folded towel cart sits half out of frame at the extreme left, sharp only at its edge. Palette held to warm amber lamp light, deep brown-black shadow, and the pale oatmeal of the knit, with the blush and the damp shine at her temple as the only saturated notes. Quiet, flustered, caught.
uru
AI artwork
Avatar image of uru
character: kuwayama_chiyuki 1girl, solo, kuwayama chiyuki, brown hair, long hair, ahoge, braid, brown eyes, beautiful hair, warm smile, closed-mouth smile, blush, heavy blush, embarrassed, cold sweat, sweat on face, nervous sweat, long sleeves, tight ribbed knit long one-piece dress, long skirt, see-through fabric, sheer knit clinging to shoulders, hanging nametag, love hotel background, morning, from below, dutch angle, close-up, cowboy shot, looking to the side, arms up, hand at collar, shoulders drawn in, standing, warm light, Low dutch-angle cowboy shot from slightly below, tilted so the hallway's lines lean; the girl fills the right two-thirds of a 3:4 frame, seen from mid-thigh up, her long ribbed one-piece running unbroken from a high collar down past the hem of a floor-length skirt. Her brown hair is long and heavy, one thick braid falling forward over her left shoulder, a single ahoge springing up and curling against the ceiling light; the braid's loose strands catch a rim of gold along their outer edge. Her face turns three-quarters away toward a numbered door at frame left, eyes lowered and glancing sideways at the floor, chin tucked into her collar; her lips hold a small warm closed-mouth smile that keeps breaking at one corner, and a deep blush spreads from cheekbones to ears. Cold sweat beads in fine droplets at her temple, along her hairline and at the side of her throat, one drop sliding down past her jaw. Both hands are up at her chest: her right hand pinches the knit closed at the collarbone, fingers hooked into the ribbed collar and pulling it taut; her left hand hovers flat over the nametag cord at her sternum, not quite covering it. The tight ribbed knit follows every rib of the fabric, stretched thin and slightly sheer over her shoulders and upper chest where the morning light passes through it, showing the faint warm shadow of skin beneath; the skirt hangs heavy and dense below the waist, opaque, the ribs catching long vertical highlights. The love hotel hallway is shallow and close: a dark lacquered door with a lit number plate at left, a wall-mounted rate board with illegible printed text in soft focus, a low ceiling with one recessed warm lamp above and behind her left shoulder. That lamp is the only light source; it strikes the top of her head, the near edge of the braid and the shoulder where the knit goes sheer, and it drops her shadow short and dense against the door frame. Down the corridor behind her the darkness is absolute, and a small hanging nametag on a thin cord around her neck swings slightly forward, white card pale in the lamplight, its printed words too small to read. The morning is early and the hallway has not been cleaned yet -- a folded towel cart sits half out of frame at the extreme left, sharp only at its edge. Palette held to warm amber lamp light, deep brown-black shadow, and the pale oatmeal of the knit, with the blush and the damp shine at her temple as the only saturated notes. Quiet, flustered, caught.
uru
#The Idolmaster#The Idolmaster Shiny Colors#Chiyuki Kuwayama
AI artwork
Avatar image of uru
character: kuwayama_chiyuki 1girl, solo, kuwayama chiyuki, brown hair, long hair, ahoge, braid, brown eyes, beautiful hair, warm smile, closed mouth smile, blush, embarrassed, cold sweat, sweat on face, sweatdrop, long sleeves, tight ribbed one-piece dress, long skirt, ribbed knit fabric, office lady, office background, hanging nametag, see-through, sheer fabric, morning, cowboy shot, from below, dutch angle, looking at viewer, head tilt, arms up, hands at chest, clenched hands, standing, window light, soft light, Shot from slightly below and canted a few degrees off level, a young woman stands in a bright morning office, caught in the middle of an awkward moment. Her brown hair is long and beautiful, falling past her shoulders with a loose braid running down one side and a single ahoge curling up from the crown; the low morning sun coming through the blinds behind her picks out a warm rim of light along the strand edges. Her face is flushed pink across the cheeks and the bridge of the nose, her warm smile pulled slightly tight and lopsided at one corner, brows tilted up in the middle, and a row of drawn sweat drops sits on her temple and cheek as she breaks out in a cold sweat; she tilts her head a little and her eyes flick toward the viewer with a helpless, embarrassed look. Both hands are drawn up to her chest, fingers loosely clenched in front of the collarbone, and her shoulders are pulled in and slightly hunched as though she would like to shrink. She wears a tight ribbed long-sleeved one-piece dress in a soft warm neutral knit, the vertical ribbing running unbroken from the high neckline down over the hips into a long skirt that falls to her calves; the knit hugs her waist and the sleeves are snug to her wrists. Where the morning light strikes the side of the skirt and the upper sleeve at a shallow angle, the fabric turns see-through, the pale outline of the garment beneath faintly readable through the stretched knit and the gaps of the ribbing, while the shadowed side of the dress stays opaque. A nametag on a thin cord hangs at her chest, swinging slightly forward from the neckline where her raised hands have nudged it, its face turned away from the camera so it reads as a small blank card. Nothing else is layered over the dress and no jewelry is worn; her ears are bare and her hair is unadorned apart from the braid itself. The office behind her is a clean open-plan floor in morning light: the ribs of a venetian blind cast horizontal bands of light across the wall and the edge of her skirt, the far desks and monitors fall soft and out of focus, and the window is the one light source, leaving the depths of the room in cool shadow against the warm skin and warm knit in the foreground; the small hard shadow of the nametag drops onto the ribbed fabric of her chest. The palette is warm creams, sunlit browns and muted office greys, with the pink of her flush as the strongest colour in the frame. Sheer knit caught between modesty and the light, and the nervous laugh of an early shift; tenderly funny.
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character: kaname_madoka_(magical_girl), copyright: mahou_shoujo_madoka_magica Kaname Madoka from Puella Magi Madoka Magica, pink twin tails tied with deep red ribbons, wearing her iconic magical girl costume, white corset-like bodice with delicate back lacing, voluminous layered white and pale pink ruffled skirt, crimson ribbons flowing loosely around her body, viewed from behind at a three-quarter angle, seated with her back gracefully arched, both arms extending naturally downward behind her back, one hand gently holding the opposite wrist, clearly separated hands, relaxed slender fingers, five distinct fingers on each hand, natural finger spacing, anatomically correct wrists, elegant delicate hands, visible knuckles, softly curved fingers, hands clearly visible against the white skirt, unobstructed hand silhouette, accurate hand anatomy, head tilted far backward, chin raised toward the darkness, face mostly hidden, elegant elongated silhouette, delicate exposed shoulders, soft loose strands of pink hair, dramatic asymmetrical composition, close medium shot, large skirt filling the lower frame, dark almost black background, dramatic directional lighting, pale ivory highlights, muted dusty pink, cold gray shadows, rich crimson accents, strong contrast between luminous fabric and deep darkness, thick impasto oil painting, expressive visible brushstrokes, heavy layered paint, rough palette knife texture, sculptural paint strokes, painterly edges, textured canvas, loose gestural painting, rich tactile surface, dramatic chiaroscuro, melancholic atmosphere, haunting beauty, full bleed composition, edge-to-edge artwork, no borders, no frame, textured illustration, grainy texture, crayon texture, chalky brushwork, impasto strokes, bold color blocking, stylized anime, flat shading, dry brush effect, atmospheric lighting, soft glow highlights, rough painterly anime style, visible textured brushstrokes, heavy impasto texture, scratchy charcoal-like linework, expressive gestural strokes, smudged edges, desaturated base tones with aggressive high-contrast color, sketch style, rough brushstroke
リオ
4#Puella Magi Madoka Magica#Madoka Kaname#Puella Magi Madoka Magica
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