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Akasha Yaniro

KI-Kunst von Akasha Yaniro auf PixAI. Erstellt mit Tsubaki.3 Flash.

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Akasha Yaniro

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1girl, solo, red hair, long hair, sitting, sitting on couch, reading, holding book, open book, both hands on book, looking down, looking at book, closed mouth, faint closed-lip smile, head tilted down, relaxed shoulders, bare feet tucked under, toes curled, leaning back into couch corner, knees drawn up, golden hour, sunlight streaming in, sunbeams, volumetric light, backlighting, rim light, warm orange light, lens flare, dust motes, indoor, living room, window, curtains, book pages, armrest, cushion, three-quarter view, from side, cowboy shot, shallow depth of field, warm palette, amber and rust, soft shadows The view is a three-quarter shot from her left, camera at seated eye level just off the couch's arm, close in on the couch corner rather than the whole room. She sits wedged into the corner of a deep rust-coloured couch, back pressed against the armrest, legs folded to one side with both bare feet tucked under the opposite thigh, the ankle line hidden under the hem of a soft oatmeal knit cardigan. Her knees are bent slightly, and the open book rests across her lap, the spine supported by the flat of her left hand, while her right hand holds the right-hand page at the top corner, thumb pressed lightly along the paper edge. Every contact point is deliberate: her shoulder blades sink into the cushion, her left hip takes her weight against the armrest, her left heel presses the seat cushion flat and it compresses beneath her, and the book spine tilts slightly toward her chest as the page lifts. Her chin is dipped down, eyes angled at the spread rather than at the viewer, and a faint closed-lip smile sits at the corner of her mouth, not quite laughing at the page but close to it. Her expression stays quiet; she is absorbed, not performing. Her long red hair falls past the shoulder nearest the camera, spilling over the cardigan's shoulder seam, with a few loose strands lit up into glowing copper wire where the sun catches them. The far side of her head is in shadow, and the loose hair fanning out behind her shoulder is silhouetted warm against the darker couch back. The sun comes through a tall window at the far left of frame, low and warm, landing as long golden bars across the floor, up the near armrest and across her cheekbone, right shoulder and the open page in her lap. A visible shaft of light cuts diagonally down from the top-left window edge, dimming the room's corners and leaving the deep couch shadow behind her head as the darkest area of the frame. The window glass is smoked with dust and small motes drift visibly in the shaft. Her cast shadow falls long and soft behind her onto the couch back, and where the light passes through the gap between the book covers and the page she holds, the warm-up page shows a faint luminous bleed at the tipped edge. Palette is warm and limited: rust and amber in the couch, oatmeal in the cardigan, the saturated copper of her hair, and a thin band of deep green from the trees outside pressing in at the window edge, nothing cooler admitted. Render at a soft-edged cel look with gentle grain in the shadows, focusing detail on her face, the book edges and her hands, and simplifying the out-of-focus living room into warm shapes on the right and behind her, so the picture feels softly sunlit and quiet.
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Ursprรผnglicher Prompt
A rea hair girl sits on her couch, the sun hitting golden hour framing her perfectly as she reads a book
Modus
flash
GrรถรŸe
1104 x 1824
Prompt-Assistent

Verwendetes Modell und LoRA

Tsubaki.3 Flash - AI Model cover image

PixAI DiT.3

Tsubaki.3 Flash
2.27k

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AI artwork
Avatar image of Akasha Yaniro
1girl, solo, red hair, long hair, sitting, sitting on couch, reading, holding book, open book, both hands on book, looking down, looking at book, closed mouth, faint closed-lip smile, head tilted down, relaxed shoulders, bare feet tucked under, toes curled, leaning back into couch corner, knees drawn up, golden hour, sunlight streaming in, sunbeams, volumetric light, backlighting, rim light, warm orange light, lens flare, dust motes, indoor, living room, window, curtains, book pages, armrest, cushion, three-quarter view, from side, cowboy shot, shallow depth of field, warm palette, amber and rust, soft shadows The view is a three-quarter shot from her left, camera at seated eye level just off the couch's arm, close in on the couch corner rather than the whole room. She sits wedged into the corner of a deep rust-coloured couch, back pressed against the armrest, legs folded to one side with both bare feet tucked under the opposite thigh, the ankle line hidden under the hem of a soft oatmeal knit cardigan. Her knees are bent slightly, and the open book rests across her lap, the spine supported by the flat of her left hand, while her right hand holds the right-hand page at the top corner, thumb pressed lightly along the paper edge. Every contact point is deliberate: her shoulder blades sink into the cushion, her left hip takes her weight against the armrest, her left heel presses the seat cushion flat and it compresses beneath her, and the book spine tilts slightly toward her chest as the page lifts. Her chin is dipped down, eyes angled at the spread rather than at the viewer, and a faint closed-lip smile sits at the corner of her mouth, not quite laughing at the page but close to it. Her expression stays quiet; she is absorbed, not performing. Her long red hair falls past the shoulder nearest the camera, spilling over the cardigan's shoulder seam, with a few loose strands lit up into glowing copper wire where the sun catches them. The far side of her head is in shadow, and the loose hair fanning out behind her shoulder is silhouetted warm against the darker couch back. The sun comes through a tall window at the far left of frame, low and warm, landing as long golden bars across the floor, up the near armrest and across her cheekbone, right shoulder and the open page in her lap. A visible shaft of light cuts diagonally down from the top-left window edge, dimming the room's corners and leaving the deep couch shadow behind her head as the darkest area of the frame. The window glass is smoked with dust and small motes drift visibly in the shaft. Her cast shadow falls long and soft behind her onto the couch back, and where the light passes through the gap between the book covers and the page she holds, the warm-up page shows a faint luminous bleed at the tipped edge. Palette is warm and limited: rust and amber in the couch, oatmeal in the cardigan, the saturated copper of her hair, and a thin band of deep green from the trees outside pressing in at the window edge, nothing cooler admitted. Render at a soft-edged cel look with gentle grain in the shadows, focusing detail on her face, the book edges and her hands, and simplifying the out-of-focus living room into warm shapes on the right and behind her, so the picture feels softly sunlit and quiet.
Akasha Yaniro
AI artwork
Avatar image of Akasha Yaniro
1girl, solo, red hair, long hair, sitting, sitting on couch, reading, holding book, open book, both hands on book, looking down, looking at book, closed mouth, faint closed-lip smile, head tilted down, relaxed shoulders, bare feet tucked under, toes curled, leaning back into couch corner, knees drawn up, golden hour, sunlight streaming in, sunbeams, volumetric light, backlighting, rim light, warm orange light, lens flare, dust motes, indoor, living room, window, curtains, book pages, armrest, cushion, three-quarter view, from side, cowboy shot, shallow depth of field, warm palette, amber and rust, soft shadows The view is a three-quarter shot from her left, camera at seated eye level just off the couch's arm, close in on the couch corner rather than the whole room. She sits wedged into the corner of a deep rust-coloured couch, back pressed against the armrest, legs folded to one side with both bare feet tucked under the opposite thigh, the ankle line hidden under the hem of a soft oatmeal knit cardigan. Her knees are bent slightly, and the open book rests across her lap, the spine supported by the flat of her left hand, while her right hand holds the right-hand page at the top corner, thumb pressed lightly along the paper edge. Every contact point is deliberate: her shoulder blades sink into the cushion, her left hip takes her weight against the armrest, her left heel presses the seat cushion flat and it compresses beneath her, and the book spine tilts slightly toward her chest as the page lifts. Her chin is dipped down, eyes angled at the spread rather than at the viewer, and a faint closed-lip smile sits at the corner of her mouth, not quite laughing at the page but close to it. Her expression stays quiet; she is absorbed, not performing. Her long red hair falls past the shoulder nearest the camera, spilling over the cardigan's shoulder seam, with a few loose strands lit up into glowing copper wire where the sun catches them. The far side of her head is in shadow, and the loose hair fanning out behind her shoulder is silhouetted warm against the darker couch back. The sun comes through a tall window at the far left of frame, low and warm, landing as long golden bars across the floor, up the near armrest and across her cheekbone, right shoulder and the open page in her lap. A visible shaft of light cuts diagonally down from the top-left window edge, dimming the room's corners and leaving the deep couch shadow behind her head as the darkest area of the frame. The window glass is smoked with dust and small motes drift visibly in the shaft. Her cast shadow falls long and soft behind her onto the couch back, and where the light passes through the gap between the book covers and the page she holds, the warm-up page shows a faint luminous bleed at the tipped edge. Palette is warm and limited: rust and amber in the couch, oatmeal in the cardigan, the saturated copper of her hair, and a thin band of deep green from the trees outside pressing in at the window edge, nothing cooler admitted. Render at a soft-edged cel look with gentle grain in the shadows, focusing detail on her face, the book edges and her hands, and simplifying the out-of-focus living room into warm shapes on the right and behind her, so the picture feels softly sunlit and quiet.
Akasha Yaniro
#Ooi
AI artwork
Avatar image of Akasha Yaniro
1girl, solo, red hair, long hair, sitting, sitting on couch, reading, holding book, open book, both hands on book, looking down, looking at book, closed mouth, faint closed-lip smile, head tilted down, relaxed shoulders, bare feet tucked under, toes curled, leaning back into couch corner, knees drawn up, golden hour, sunlight streaming in, sunbeams, volumetric light, backlighting, rim light, warm orange light, lens flare, dust motes, indoor, living room, window, curtains, book pages, armrest, cushion, three-quarter view, from side, cowboy shot, shallow depth of field, warm palette, amber and rust, soft shadows The view is a three-quarter shot from her left, camera at seated eye level just off the couch's arm, close in on the couch corner rather than the whole room. She sits wedged into the corner of a deep rust-coloured couch, back pressed against the armrest, legs folded to one side with both bare feet tucked under the opposite thigh, the ankle line hidden under the hem of a soft oatmeal knit cardigan. Her knees are bent slightly, and the open book rests across her lap, the spine supported by the flat of her left hand, while her right hand holds the right-hand page at the top corner, thumb pressed lightly along the paper edge. Every contact point is deliberate: her shoulder blades sink into the cushion, her left hip takes her weight against the armrest, her left heel presses the seat cushion flat and it compresses beneath her, and the book spine tilts slightly toward her chest as the page lifts. Her chin is dipped down, eyes angled at the spread rather than at the viewer, and a faint closed-lip smile sits at the corner of her mouth, not quite laughing at the page but close to it. Her expression stays quiet; she is absorbed, not performing. Her long red hair falls past the shoulder nearest the camera, spilling over the cardigan's shoulder seam, with a few loose strands lit up into glowing copper wire where the sun catches them. The far side of her head is in shadow, and the loose hair fanning out behind her shoulder is silhouetted warm against the darker couch back. The sun comes through a tall window at the far left of frame, low and warm, landing as long golden bars across the floor, up the near armrest and across her cheekbone, right shoulder and the open page in her lap. A visible shaft of light cuts diagonally down from the top-left window edge, dimming the room's corners and leaving the deep couch shadow behind her head as the darkest area of the frame. The window glass is smoked with dust and small motes drift visibly in the shaft. Her cast shadow falls long and soft behind her onto the couch back, and where the light passes through the gap between the book covers and the page she holds, the warm-up page shows a faint luminous bleed at the tipped edge. Palette is warm and limited: rust and amber in the couch, oatmeal in the cardigan, the saturated copper of her hair, and a thin band of deep green from the trees outside pressing in at the window edge, nothing cooler admitted. Render at a soft-edged cel look with gentle grain in the shadows, focusing detail on her face, the book edges and her hands, and simplifying the out-of-focus living room into warm shapes on the right and behind her, so the picture feels softly sunlit and quiet.
Akasha Yaniro
#Ooi
AI artwork
Avatar image of Akasha Yaniro
1girl, solo, red hair, long hair, sitting, sitting on couch, reading, holding book, open book, golden hour, sunlight, sunbeams, warm light, from above, three-quarter view, looking down, looking at object, bare feet, casual clothes, relaxed, peaceful, light smile, half-closed eyes, couch, living room, window Seen from above and slightly behind her right shoulder: a young woman with long red hair sits sideways on a deep-cushioned couch, one bare foot tucked under her thigh, the other foot hanging just above the floor with her toes pointed down and not touching it. Her torso leans toward the low sun, chin dipped, and a thick hardcover book lies open across her raised left knee โ€” her left hand spreads the pages flat against her thigh, her right thumb holds the block open at the spine, and her gaze sits on the near page, eyes narrowed slightly against the brightness. Her hair falls forward off her shoulder in a loose red curtain that catches a thin edge of light along every strand, and one strand hangs free and swings a little away from her cheek. She wears an oversized soft knit sweater and loose shorts; the sweater's hem bunches against the cushion where her hip presses it, and the fabric creases into deep compressed folds under her weight. The couch is low and generous, upholstered in a faded warm-grey weave, its bolster cushion indented behind her back. A tall window stands on the left of frame, out of the shot's edge, and the sun is the only light source โ€” low, orange-gold, raking almost horizontally across the room. It strikes the left side of her face, the bridge of her nose, the top of one bare knee and the sunlit face of the open book, throwing a hard bright rectangle of window light across the cushion and the floor with her long shadow stretching away to the right into shadow. Dust motes hang visibly in the shaft of light, and the lit pages glow warm against the dim room behind her; the room falls away into soft amber darkness beyond the edge of the beam. Palette: warm rust and red in the hair, honey and orange light, dusty warm grey upholstery, deep umber shadow. Everything left open is quiet โ€” an empty mug on the armrest within reach, unread clutter of a lived-in room simplified to soft shapes. Still, sunlit, tender.
Akasha Yaniro

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character: kaname_madoka_(magical_girl), copyright: mahou_shoujo_madoka_magica Kaname Madoka from Puella Magi Madoka Magica, pink twin tails tied with deep red ribbons, wearing her iconic magical girl costume, white corset-like bodice with delicate back lacing, voluminous layered white and pale pink ruffled skirt, crimson ribbons flowing loosely around her body, viewed from behind at a three-quarter angle, seated with her back gracefully arched, both arms extending naturally downward behind her back, one hand gently holding the opposite wrist, clearly separated hands, relaxed slender fingers, five distinct fingers on each hand, natural finger spacing, anatomically correct wrists, elegant delicate hands, visible knuckles, softly curved fingers, hands clearly visible against the white skirt, unobstructed hand silhouette, accurate hand anatomy, head tilted far backward, chin raised toward the darkness, face mostly hidden, elegant elongated silhouette, delicate exposed shoulders, soft loose strands of pink hair, dramatic asymmetrical composition, close medium shot, large skirt filling the lower frame, dark almost black background, dramatic directional lighting, pale ivory highlights, muted dusty pink, cold gray shadows, rich crimson accents, strong contrast between luminous fabric and deep darkness, thick impasto oil painting, expressive visible brushstrokes, heavy layered paint, rough palette knife texture, sculptural paint strokes, painterly edges, textured canvas, loose gestural painting, rich tactile surface, dramatic chiaroscuro, melancholic atmosphere, haunting beauty, full bleed composition, edge-to-edge artwork, no borders, no frame, textured illustration, grainy texture, crayon texture, chalky brushwork, impasto strokes, bold color blocking, stylized anime, flat shading, dry brush effect, atmospheric lighting, soft glow highlights, rough painterly anime style, visible textured brushstrokes, heavy impasto texture, scratchy charcoal-like linework, expressive gestural strokes, smudged edges, desaturated base tones with aggressive high-contrast color, sketch style, rough brushstroke
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