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Shi Ying

KI-Kunst „Shi Ying“ von Наталья Шляпина auf PixAI. Erstellt mit Tsubaki.3 Flash.

Veröffentlicht: Nov 15, 2026

Наталья Шляпина

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1girl, solo, green hair, shoulder-length hair, high ponytail, amber eyes, cat ears, animal ears, paw pose, both hands up, closed fists, bent wrists, elbows out, looking at viewer, indoors, fantasy, sweater, white tank top, black bra, black bra visible at neckline, short shorts, leopard print coat, fur coat, coat slipping off shoulders, choker, layered necklaces, studded belt, black handbag, standing, weight on one leg, head tilt, light smile, one eyebrow raised, upper body, close-up, from above, dutch angle The camera looks down at her from above and slightly to her left, tilted a few degrees off level: she fills the frame from mid-thigh up, chin tipped back and up so her amber eyes meet the lens dead-on under lowered lids, one brow arched higher than the other and a small closed-lip smile pulling crooked at one corner. Her green hair is gathered high into a ponytail whose tail falls forward over her right shoulder, blunt ends brushing her collarbone, a few loose strands stuck to her cheek; the cat ears sit upright in the hair above her brow, one angled further forward than the other, their inner surface catching the room's light. Both arms are bent sharply at the elbow, wrists cocked, hands closed into soft fists held up level with her jaw on either side of her face — the left fist a little higher and nearer the lens, foreshortened large by the downward angle, the right fist tucked closer to her cheek — so the coat's fur cuffs bunch at her wrists. The leopard-print fur coat is the outer layer, worn open and shoved back off both shoulders so it hangs in a heavy spotted mass down her back and slides toward the crooks of her elbows; beneath it the knit sweater shows at her chest and sleeves, and under the sweater's low neckline the white tank top straps cross her shoulders with the black bra's edge and center band visible above the tank's scoop. The short shorts sit high on her hips, cinched by the studded belt, its metal pyramid studs catching pinpoints of light; the black handbag hangs from the crook of her right elbow by a short strap, its body pressed against her hip. A plain black choker rings her throat with a small gap of bare skin above it, and three thin layered necklaces — one short, two longer — hang in staggered arcs over her collarbones, the longest dropping into the shadow between her breasts. She stands with her weight on her left leg, right knee bent and right hip pushed out, torso twisted a quarter-turn from the hips so her shoulders face the lens while her pelvis angles away. The room behind her is a tall fantasy interior: dark carved timber beams overhead, a vaulted stone arch receding to her right, shelves of stoppered glass bottles glowing faintly, and a leaded window high on the left. The window is the only light source — cool grey-green daylight pouring down and from the left, laying a bright edge along the left side of her ponytail, the left cat ear and the left fist, while the right side of her face and the folds of the coat fall into soft shadow and her cast shadow drops steeply onto the floorboards behind her. Soft watercolor washes bleed the far shelves and the arch into a hazy blue-green distance, while the leopard rosettes, the studs and her amber irises hold crisp saturation against the muted room. Playful, effortlessly stylish.

Shi Ying

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