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AI art "一期一振 - NBC初の全国ラジオ放送" featuring #Touken Ranbu and #Ichigo Hitofuri
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一期一振 - NBC初の全国ラジオ放送

KI-Kunst „一期一振 - NBC初の全国ラジオ放送“ von みずは auf PixAI. Tags: Ichigo Hitofuri, Touken Ranbu. Erstellt mit Tsubaki.3.

#Touken Ranbu#Ichigo Hitofuri
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character: ichigo_hitofuri masterpiece, best quality, detailed illustration, 1:1 square, solo, 1boy, adult male, Ichigo Hitofuri, short aquamarine hair, neat side-swept bangs, visible eyebrows, porcelain-pale cool-toned skin, slender oval face, softly tapered jawline, gently pointed chin, almond-shaped eyes, horizontally elongated medium eyes, (golden outer iris:1.25), small mouth, thin upper lip, slightly fuller lower lip, seated, head-to-waist crop, from front-left, looking at loudspeaker, open smile, upper teeth, raised brows, relaxed shoulders, right hand on tuning control, left forearm on chair arm, charcoal-gray wool suit jacket, narrow notched lapels, separated front edges, muted plum waistcoat, small dark buttons, ivory cotton shirt, dark teal silk tie, satin lapel facing, buttoned cuffs, white shirt cuffs, upholstered chair, RCA Radiola 20 style wooden receiver, sloping control panel, rounded tuning knobs, tuning windows, hinged lid, low polished side table, external loudspeaker, dark flared horn, cable, ochre curtain edge, patterned wall, 1920s New York apartment interior, warm shaded lamp, watercolor fashion illustration, ntarakiclmp style, dynamic fluid lines, fine ink outlines, watercolor washes, high contrast shading, flat color, multicolored line, 2d style A square 1:1 picture seen from seated face level and a little to his front-left shows Ichigo Hitofuri from the crown of his head to his natural waist, his figure occupying the left two thirds while an early wooden radio receiver and its separate loudspeaker sit in the lower-right foreground. He is one adult man of about twenty-five, slender and realistic in proportion, with a balanced head-to-body ratio, restrained shoulder width and a slight natural slope to his shoulders. His short aquamarine hair falls into neat side-swept bangs; his elegant, delicate face is narrow and a little longer than wide, with a smooth cheek line, softly tapered jaw, gently pointed chin and narrow lower face rather than a square jaw or broad cheekbones. Porcelain-pale cool-toned skin gives him a smooth, even complexion. His almond-shaped eyes are horizontally elongated and medium in size, with a refined upper eyelid crease, clean thin lid lines, short natural lashes, neat softly arched brows and a clean, subtle eye area around a (golden outer iris:1.25). His nose bridge is straight and narrow, the nose short-to-medium with a small refined tip, and his small mouth keeps restrained lip volume, the upper lip thin and the lower lip slightly fuller. Refined Japanese male facial proportions and a clean, non-westernized facial structure shape his expression. His gaze is fixed on the separate loudspeaker beside the receiver, as if the music has caught him completely. Unguarded delight opens his face: both brows lift, both mouth corners rise into an unmistakable smile with a glimpse of upper teeth, and his shoulders loosen as his chest turns slightly toward the sound. His right fingertips curve gently around the receiver's large front tuning control, while his left forearm rests along the padded arm of the chair; neither hand comes near his face, so his expression stays fully visible. His face, tuning hand and the sound-producing equipment read as one clear moment. He wears an open charcoal-gray wool suit jacket with narrow notched lapels and a softly structured shoulder, its front edges staying apart from chest to waist. Under it, a fitted muted plum waistcoat closes with small dark buttons, leaving a narrow V at the throat where the ivory cotton shirt collar and a dark teal silk tie show. A fine satin facing lines the visible lapel edge, and the jacket cuffs button over brief glimpses of white shirt cuffs. The right elbow gathers diagonal folds as his hand reaches the radio, while the left sleeve lies flatter against the chair arm. Dry wool, smooth silk and polished buttons each answer the light differently. The receiver follows an RCA Radiola 20 of the period: a dark-stained rectangular wooden tabletop cabinet about forty-eight centimeters wide, with a sloping front control panel, rounded tuning knobs, small tuning windows and a hinged upper lid. It rests firmly on a low polished side table rather than on his lap. The external loudspeaker stands on the same table at the receiver's far side, its dark flared horn joined by a cable; his hand touches only the tuning control, never the horn. The radio's scale stays consistent with the width of his hand and forearm at the same distance. Behind him, a narrow ochre curtain edge and the lower section of a patterned wall establish a lived-in 1920s interior. The upholstered chair shows a visible arm and back supporting his relaxed seated posture. Above the right side of the table, a warm shaded lamp is the main light: it picks out the tuning panel, his open expression and the purple waistcoat, while a weaker reflection from the pale shirt keeps the far side of his jaw readable. The polished knobs catch small highlights, the wool remains soft and comparatively matte, and the shadows beneath the receiver, hand and chair all follow the lamp's direction. The finish is a watercolor fashion illustration in ntarakiclmp style, with dynamic fluid lines, fine ink outlines, translucent watercolor washes, high-contrast shading, flat color areas, multicolored line accents and an unmistakably 2d look; a fashion-plate elegance informs the seated attitude.
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Ursprünglicher Prompt
A square 1:1 illustration of Ichigo Hitofuri listening with unguarded delight to a radio broadcast in an imagined New York apartment in 1926, the year of NBC's first national network broadcast. The camera is at seated face level, slightly to his front-left. His figure is shown from the top of the head to the natural waist, occupying the left two thirds of the image. An early wooden radio receiver and its separate loudspeaker occupy the lower-right foreground. His face, hand on the tuning control, and the sound-producing equipment form one clear scene. ichigo_hitofuri, one adult man, short aquamarine hair with neat side-swept bangs, elegant slender adult proportions, around twenty-five years old, visible eyebrows, porcelain-pale cool-toned skin, smooth even complexion, realistic adult male proportions, elegant slender build, balanced head-to-body ratio, restrained shoulder breadth, slight natural shoulder slope, slender oval face, face slightly longer than wide, narrow facial width, smooth cheek line, softly tapered jawline, gently pointed chin, narrow lower face, no square jaw, no broad cheekbones, almond-shaped eyes, horizontally elongated eye shape, medium-sized eyes, refined upper eyelid crease, thin clean eyelid line, natural short eyelashes, restrained upper eyelashes, neat straight eyebrows, softly arched brows, moderate brow thickness, straight narrow nose bridge, short-to-medium nose length, refined small nose tip, subtle nose projection, small mouth width, thin upper lip, slightly fuller lower lip, restrained lip volume, refined Japanese male features, elegant delicate face, non-westernized facial proportions, clean subtle eye area, (golden outer iris:1.25). He looks toward the separate loudspeaker beside the receiver as if captivated by the music coming from it. His brows lift, both corners of his mouth rise into an unmistakable open smile, and a glimpse of upper teeth accompanies his pleasure. His shoulders loosen and his chest turns a little toward the sound. His right fingertips remain gently curved around the receiver's large front tuning control; his left forearm rests on the padded arm of the chair. Neither hand obscures his expression. He wears an open charcoal-gray wool suit jacket over a fitted muted plum waistcoat and an ivory cotton shirt. The jacket has narrow notched lapels and a softly structured shoulder line; its two front edges remain separated from chest to waist. The waistcoat closes down the center with small dark buttons, leaving a narrow V-shaped opening at the throat that shows the shirt collar and a dark teal silk tie. A fine satin facing lines the visible lapel edge. The jacket sleeves end in straight buttoned cuffs over short glimpses of white shirt cuffs. The right elbow gathers diagonal folds as the hand reaches the radio; the left sleeve flattens against the chair arm. Dry wool, smooth silk and polished buttons have separate material responses. The receiver resembles an RCA Radiola 20 of the period: a dark-stained rectangular wooden tabletop cabinet around forty-eight centimeters wide, a sloping front control panel, rounded tuning controls and small tuning windows, and a hinged upper lid. It sits firmly on a low polished side table, not in his lap. The external loudspeaker stands on the same table at the receiver's far side, with a dark flared horn connected by a cable. His hand touches the receiver's control, not the horn. The radio's dimensions are consistent with the width of his hand and forearm at the same distance. Behind him, a narrow ochre curtain edge and the lower section of a patterned wall establish a lived-in 1920s interior. The upholstered chair has a visible arm and back supporting his relaxed seated posture. A warm shaded lamp above the right side of the table is the main light, illuminating the tuning panel, his open expression and the purple waistcoat. A weaker reflection from the pale shirt keeps the far side of his jaw readable. The polished knobs receive small highlights while the wool stays soft and comparatively matte. Shadows beneath the receiver, hand and chair follow the same lamp direction. masterpiece, best quality, detailed illustration, fashion illustration in ntarakiclmp style, watercolor design, characterized by dynamic fluid lines, fine ink outlines, watercolor washes, high contrast shading, dramatic high-fashion pose, flat color, multicolored line, 2d style
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lowres, worst quality, low quality, bad anatomy, explicit
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