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C9I

KI-Kunst von C9I auf PixAI. Erstellt mit Tsubaki.3.

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C9I

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1girl, solo, wide shot, from behind, huddled, kneeling in mud, slumped shoulders, head bowed, holding strings, taut strings, several balloons, stone balloons, heavy stone spheres, dark stone, balloons dragging down, balloons half-sunk in mud, muddy ground, dark foggy wasteland, barren plain, fog, thick haze, no text, no watermark, no signature, no logo, monochrome blues, deep blue palette, black shadows, film grain, dark surrealism, exhausted, hopeless, despair, cinematic lighting, backlight, rim light, desaturated A cinematic wide shot from behind and slightly above: a single small figure kneels huddled in the mud of a dark, foggy wasteland, occupying only a sliver of the frame while an enormous expanse of churned mud and haze swallows the rest. The figure is seen from the back and in profile edge, shoulders collapsed forward, spine curled, one knee sunk deep in the mud and the other leg folded under, both hands clamped around a fistful of strings. The strings run out from those clenched hands and pull taut, straight and drum-tight, slanting down and away toward a cluster of several balloons โ€” heavy, dark stone spheres, faceted and rough, not floats but weights, each half-sunk and settling into the mud, their lower halves buried, mud ridged and bulging up around them where the weight presses. The strings do not rise; they angle downward, dragging the figure's shoulders toward the ground, arms trembling with the strain of holding on. The figure's head hangs low, face turned away so only the back of the head and the slope of the neck show, the posture reading as total exhaustion and hopelessness. Around the sinking balloons the mud is disturbed, cracked and mounded, thin trails where they have been dragged. The wasteland stretches empty to a blurred horizon lost in thick drifting fog, no landmark, no path, only faint ridges of mud catching the dim light. A single cold light source sits low behind the fog at upper left, a weak pale glow that rims the figure's hunched shoulders and the tops of the stone balloons with a thin, cold edge while the undersides and the hollows of the mud fall into near-black; the light does not reach the figure's face, which stays in shadow. The palette admits only deep blues and blacks โ€” cold blue in the fog and the rim light, black in the mud, the figure's clothes and the stone's shaded faces โ€” with nothing warm anywhere. Film grain dusts the whole frame, heaviest in the fog. No lettering, no signage, no watermark, no signature, no logo anywhere in the image. Quiet, crushing despair.
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Ursprรผnglicher Prompt
A lonely figure huddled on the ground in a dark, foggy wasteland. The figure is holding the strings of several balloons. However, the balloons are not floating; they are made of heavy, dark stone and are dragging the person down into the mud. The strings are pulled tight. Mood: depression, exhaustion, gravity of stress, hopelessness. Cinematic wide shot, dark surrealism, deep blues and blacks, 8k, film grain. No text, no watermark. --ar 16:9
Modus
pro
GrรถรŸe
992 x 992
Sampling-Methode
Euler
Negativ
lowres, worst quality, low quality, bad anatomy, explicit
Prompt-Assistent

Verwendetes Modell und LoRA

Tsubaki.3 - AI Model cover image

PixAI DiT.3

Tsubaki.3
7.71k

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Avatar image of C9I
1girl, solo, wide shot, from behind, huddled, kneeling in mud, slumped shoulders, head bowed, holding strings, taut strings, several balloons, stone balloons, heavy stone spheres, dark stone, balloons dragging down, balloons half-sunk in mud, muddy ground, dark foggy wasteland, barren plain, fog, thick haze, no text, no watermark, no signature, no logo, monochrome blues, deep blue palette, black shadows, film grain, dark surrealism, exhausted, hopeless, despair, cinematic lighting, backlight, rim light, desaturated A cinematic wide shot from behind and slightly above: a single small figure kneels huddled in the mud of a dark, foggy wasteland, occupying only a sliver of the frame while an enormous expanse of churned mud and haze swallows the rest. The figure is seen from the back and in profile edge, shoulders collapsed forward, spine curled, one knee sunk deep in the mud and the other leg folded under, both hands clamped around a fistful of strings. The strings run out from those clenched hands and pull taut, straight and drum-tight, slanting down and away toward a cluster of several balloons โ€” heavy, dark stone spheres, faceted and rough, not floats but weights, each half-sunk and settling into the mud, their lower halves buried, mud ridged and bulging up around them where the weight presses. The strings do not rise; they angle downward, dragging the figure's shoulders toward the ground, arms trembling with the strain of holding on. The figure's head hangs low, face turned away so only the back of the head and the slope of the neck show, the posture reading as total exhaustion and hopelessness. Around the sinking balloons the mud is disturbed, cracked and mounded, thin trails where they have been dragged. The wasteland stretches empty to a blurred horizon lost in thick drifting fog, no landmark, no path, only faint ridges of mud catching the dim light. A single cold light source sits low behind the fog at upper left, a weak pale glow that rims the figure's hunched shoulders and the tops of the stone balloons with a thin, cold edge while the undersides and the hollows of the mud fall into near-black; the light does not reach the figure's face, which stays in shadow. The palette admits only deep blues and blacks โ€” cold blue in the fog and the rim light, black in the mud, the figure's clothes and the stone's shaded faces โ€” with nothing warm anywhere. Film grain dusts the whole frame, heaviest in the fog. No lettering, no signage, no watermark, no signature, no logo anywhere in the image. Quiet, crushing despair.
C9I
AI artwork
Avatar image of C9I
1girl, solo, wide shot, from behind, huddled, kneeling in mud, slumped shoulders, head bowed, holding strings, taut strings, several balloons, stone balloons, heavy stone spheres, dark stone, balloons dragging down, balloons half-sunk in mud, muddy ground, dark foggy wasteland, barren plain, fog, thick haze, no text, no watermark, no signature, no logo, monochrome blues, deep blue palette, black shadows, film grain, dark surrealism, exhausted, hopeless, despair, cinematic lighting, backlight, rim light, desaturated A cinematic wide shot from behind and slightly above: a single small figure kneels huddled in the mud of a dark, foggy wasteland, occupying only a sliver of the frame while an enormous expanse of churned mud and haze swallows the rest. The figure is seen from the back and in profile edge, shoulders collapsed forward, spine curled, one knee sunk deep in the mud and the other leg folded under, both hands clamped around a fistful of strings. The strings run out from those clenched hands and pull taut, straight and drum-tight, slanting down and away toward a cluster of several balloons โ€” heavy, dark stone spheres, faceted and rough, not floats but weights, each half-sunk and settling into the mud, their lower halves buried, mud ridged and bulging up around them where the weight presses. The strings do not rise; they angle downward, dragging the figure's shoulders toward the ground, arms trembling with the strain of holding on. The figure's head hangs low, face turned away so only the back of the head and the slope of the neck show, the posture reading as total exhaustion and hopelessness. Around the sinking balloons the mud is disturbed, cracked and mounded, thin trails where they have been dragged. The wasteland stretches empty to a blurred horizon lost in thick drifting fog, no landmark, no path, only faint ridges of mud catching the dim light. A single cold light source sits low behind the fog at upper left, a weak pale glow that rims the figure's hunched shoulders and the tops of the stone balloons with a thin, cold edge while the undersides and the hollows of the mud fall into near-black; the light does not reach the figure's face, which stays in shadow. The palette admits only deep blues and blacks โ€” cold blue in the fog and the rim light, black in the mud, the figure's clothes and the stone's shaded faces โ€” with nothing warm anywhere. Film grain dusts the whole frame, heaviest in the fog. No lettering, no signage, no watermark, no signature, no logo anywhere in the image. Quiet, crushing despair.
C9I
AI artwork
Avatar image of C9I
weathered hands, two hands only, close-up, macro, dozens of glowing silver threads, weaving, braiding threads into a rope, glowing rope, faint silhouettes of many different people in background, connected by silver threads, dark environment, deep shadows, chiaroscuro, single light source, film grain, cinematic, widescreen composition, no text, no watermark, no signature, hands in sharp focus, background figures out of focus A cinematic macro shot in a near-black field: a single pair of weathered hands fills the centre-left of a wide frame, seen from above and slightly from the side so the backs of the fingers fall into shadow while the working tips stay lit. The skin is old and worked -- creases across every knuckle, raised tendons, parchment-dry cuticles, a thumbnail worn flat, the fine crosshatch of age lines catching the light. The right hand holds tension on the finished braid, thumb and forefinger pinched on the rope well above the weave so it hangs taut; the left hand does the actual work, threading one glowing silver filament under the next and drawing it through with a small dip of the index finger. Coils of loose thread lie in a glinting tangle across the heel of the left palm and spool out of frame; dozens of separate strands feed inward from the darkness toward the weave, each one a thin bright line that curves as it is pulled -- a strand bends only where these fingers press it. At the point of the braid the threads have already collapsed into one thick rope, denser and brighter than the loose strands, its twist low-silver and near-white where the fibres rub. The single light source sits low and to the right, just under the loom of the hands: everything it touches glows -- fingertips, the taut rope, the ridge of a wrist bone -- and everything it misses is swallowed whole. Beyond the small lit pool the darkness is absolute, and out of it resolve the faint silhouettes of many different people standing at varying depths behind the hands, each reduced to a soft shoulder-and-head shape of bluish grey no more legible than a breath on glass. A silver filament runs from the rope into the dark and terminates at each of them, so the threads are the only thing in the background that reads; where a strand passes in front of a silhouette the figure's edge dims a half-step, and where it passes behind, the light smudges on the shoulder. The middle figures are barely more than a smudge; the nearest one holds a recognizable outline of a head bowed slightly, waiting. Palette: black, cold silver, and the dull warm ochre of old skin at the edge of the light; nothing else admitted. The rope's glow warms the undersides of the hands and lays a faint lace of caustic light along the creases of the palms. Fine 35mm film grain sits uniformly over the whole frame, most visible in the dark gradients. The hands are the sharpest thing in the image and the background lives at the far edge of focus. Quiet dedication, sacred.
C9I

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character: kaname_madoka_(magical_girl), copyright: mahou_shoujo_madoka_magica Kaname Madoka from Puella Magi Madoka Magica, pink twin tails tied with deep red ribbons, wearing her iconic magical girl costume, white corset-like bodice with delicate back lacing, voluminous layered white and pale pink ruffled skirt, crimson ribbons flowing loosely around her body, viewed from behind at a three-quarter angle, seated with her back gracefully arched, both arms extending naturally downward behind her back, one hand gently holding the opposite wrist, clearly separated hands, relaxed slender fingers, five distinct fingers on each hand, natural finger spacing, anatomically correct wrists, elegant delicate hands, visible knuckles, softly curved fingers, hands clearly visible against the white skirt, unobstructed hand silhouette, accurate hand anatomy, head tilted far backward, chin raised toward the darkness, face mostly hidden, elegant elongated silhouette, delicate exposed shoulders, soft loose strands of pink hair, dramatic asymmetrical composition, close medium shot, large skirt filling the lower frame, dark almost black background, dramatic directional lighting, pale ivory highlights, muted dusty pink, cold gray shadows, rich crimson accents, strong contrast between luminous fabric and deep darkness, thick impasto oil painting, expressive visible brushstrokes, heavy layered paint, rough palette knife texture, sculptural paint strokes, painterly edges, textured canvas, loose gestural painting, rich tactile surface, dramatic chiaroscuro, melancholic atmosphere, haunting beauty, full bleed composition, edge-to-edge artwork, no borders, no frame, textured illustration, grainy texture, crayon texture, chalky brushwork, impasto strokes, bold color blocking, stylized anime, flat shading, dry brush effect, atmospheric lighting, soft glow highlights, rough painterly anime style, visible textured brushstrokes, heavy impasto texture, scratchy charcoal-like linework, expressive gestural strokes, smudged edges, desaturated base tones with aggressive high-contrast color, sketch style, rough brushstroke
ใƒชใ‚ช
4#Puella Magi Madoka Magica#Madoka Kaname#Puella Magi Madoka Magica
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