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SilverArtist13
KI-Kunst von SilverArtist13 auf PixAI. Erstellt mit Tsubaki.3 Flash.
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- Ursprünglicher Prompt
- Boy, adult boy, man muscular, Slim build:1.2, dark brown hair, Medium hair, shoulder-length hair, wavy hair, parted bangs, brown eyes, gold-rimmed glasses, Black shirt, black trousers, brown sheepskin jacket, open jacket, Sitting, seated in a red padded chair, wooden table in front of him, long rectangular black plate with sushi, eating sushi, eating, chopsticks in his right hand, holding a piece of sushi with his chopsticks, Different types of sushi on the plate: maki sushi, tempura sushi, uramaki sushi, inari sushi Shaved beard, small beard hairs on the chin 1/4 view Flat colors, defined shadows, sharp shadows, anime style, BNHA style Cinematic lighting
- Modus
- flash
- Größe
- 1104 x 1824
Prompt-Assistent
Verwendetes Modell und LoRA
Ähnliche Bilder
Mehr anzeigencopyright: boku_no_hero_academia
1boy, solo, adult, muscular, slim build, dark brown hair, medium hair, shoulder-length hair, wavy hair, parted bangs, brown eyes, gold-rimmed glasses, shaved beard, stubble on chin, black shirt, black trousers, brown sheepskin jacket, open jacket, sitting, seated in red padded chair, wooden table, long rectangular black plate, sushi, eating, chopsticks in right hand, holding sushi with chopsticks, maki sushi, tempura sushi, uramaki sushi, inari sushi, 1/4 view, three-quarter view, looking at food, looking down, holding chopsticks, raised chopsticks, upper body, flat colors, defined shadows, sharp shadows, cinematic lighting, anime style,
A three-quarter view from just above table height: the man sits turned about forty-five degrees to the camera in a red padded chair, its quilted vinyl back rising behind his left shoulder, the seat cushion compressed and creased under his weight, one knee pushed forward under the table edge. His dark brown wavy hair falls to his shoulders, parted bangs sweeping off his brow, the side nearest the camera tucked back behind his ear and the far side hanging forward over the sheepskin collar. Gold-rimmed glasses sit on the bridge of his nose; behind the lenses his brown eyes are angled down at the plate, not at the viewer. A short shaved beard shadows his jaw and a few small scattered hairs stand on his chin.
He leans in slightly over the wooden table; the table's planks run left to right across the frame's lower third, its surface catching a warm rim of light along the front edge. Between him and the camera lies the long rectangular black plate, laid parallel to the table edge, glossy enough to mirror the underside of the sushi. On it the pieces are set in a row and in clusters: maki rolls with nori wrapping dark around white rice and a green core, uramaki with rice outward and sesame dusting the tops, inari pouches of fried tofu folded into little golden-brown bags, and tempura rolls with crisp batter-ridged ends. His right hand holds the chopsticks, the two sticks pinched between thumb and two fingers, lifting one piece of maki clear of the plate; a single grain of rice clings to the lower stick near its tip, and a thin strand of nori hangs from the lifted piece. His left hand rests flat on the table beside the plate, fingers loosely spread, sleeve of the open brown sheepskin jacket bunched at the wrist with the fleece collar turned up at his neck. The jacket hangs open over the black shirt, its suede front panels falling away from the chest.
Light comes from a single warm source high and to the camera's left, laying a bright edge along his cheekbone, the frame of his glasses, the fleece collar and the top of the lifted sushi, while sharp dark shadows cut beneath his jaw, under the chin hairs, into the chair's quilting and across the table from the plate's far edge; beyond that light the room drops into deep neutral shadow, empty. Palette limited to warm browns, sheepskin tan, black, and the red of the chair, with the sushi's pale rice and dark nori as the only accents; the shadows are hard-edged flat blocks of color rather than gradients. The whole frame is quiet, unhurried, delicious.
SilverArtist13
copyright: boku_no_hero_academia
1boy, solo, adult, muscular, slim build, dark brown hair, medium hair, shoulder-length hair, wavy hair, parted bangs, brown eyes, gold-rimmed glasses, shaved beard, stubble on chin, black shirt, black trousers, brown sheepskin jacket, open jacket, sitting, seated in red padded chair, wooden table, long rectangular black plate, sushi, eating, chopsticks in right hand, holding sushi with chopsticks, maki sushi, tempura sushi, uramaki sushi, inari sushi, 1/4 view, three-quarter view, looking at food, looking down, holding chopsticks, raised chopsticks, upper body, flat colors, defined shadows, sharp shadows, cinematic lighting, anime style,
A three-quarter view from just above table height: the man sits turned about forty-five degrees to the camera in a red padded chair, its quilted vinyl back rising behind his left shoulder, the seat cushion compressed and creased under his weight, one knee pushed forward under the table edge. His dark brown wavy hair falls to his shoulders, parted bangs sweeping off his brow, the side nearest the camera tucked back behind his ear and the far side hanging forward over the sheepskin collar. Gold-rimmed glasses sit on the bridge of his nose; behind the lenses his brown eyes are angled down at the plate, not at the viewer. A short shaved beard shadows his jaw and a few small scattered hairs stand on his chin.
He leans in slightly over the wooden table; the table's planks run left to right across the frame's lower third, its surface catching a warm rim of light along the front edge. Between him and the camera lies the long rectangular black plate, laid parallel to the table edge, glossy enough to mirror the underside of the sushi. On it the pieces are set in a row and in clusters: maki rolls with nori wrapping dark around white rice and a green core, uramaki with rice outward and sesame dusting the tops, inari pouches of fried tofu folded into little golden-brown bags, and tempura rolls with crisp batter-ridged ends. His right hand holds the chopsticks, the two sticks pinched between thumb and two fingers, lifting one piece of maki clear of the plate; a single grain of rice clings to the lower stick near its tip, and a thin strand of nori hangs from the lifted piece. His left hand rests flat on the table beside the plate, fingers loosely spread, sleeve of the open brown sheepskin jacket bunched at the wrist with the fleece collar turned up at his neck. The jacket hangs open over the black shirt, its suede front panels falling away from the chest.
Light comes from a single warm source high and to the camera's left, laying a bright edge along his cheekbone, the frame of his glasses, the fleece collar and the top of the lifted sushi, while sharp dark shadows cut beneath his jaw, under the chin hairs, into the chair's quilting and across the table from the plate's far edge; beyond that light the room drops into deep neutral shadow, empty. Palette limited to warm browns, sheepskin tan, black, and the red of the chair, with the sushi's pale rice and dark nori as the only accents; the shadows are hard-edged flat blocks of color rather than gradients. The whole frame is quiet, unhurried, delicious.
SilverArtist13
copyright: boku_no_hero_academia
1boy, solo, adult, muscular, slim build, dark brown hair, medium hair, shoulder-length hair, wavy hair, parted bangs, brown eyes, gold-rimmed glasses, shaved beard, stubble on chin, black shirt, black trousers, brown sheepskin jacket, open jacket, sitting, seated in red padded chair, wooden table, long rectangular black plate, sushi, eating, chopsticks in right hand, holding sushi with chopsticks, maki sushi, tempura sushi, uramaki sushi, inari sushi, 1/4 view, three-quarter view, looking at food, looking down, holding chopsticks, raised chopsticks, upper body, flat colors, defined shadows, sharp shadows, cinematic lighting, anime style,
A three-quarter view from just above table height: the man sits turned about forty-five degrees to the camera in a red padded chair, its quilted vinyl back rising behind his left shoulder, the seat cushion compressed and creased under his weight, one knee pushed forward under the table edge. His dark brown wavy hair falls to his shoulders, parted bangs sweeping off his brow, the side nearest the camera tucked back behind his ear and the far side hanging forward over the sheepskin collar. Gold-rimmed glasses sit on the bridge of his nose; behind the lenses his brown eyes are angled down at the plate, not at the viewer. A short shaved beard shadows his jaw and a few small scattered hairs stand on his chin.
He leans in slightly over the wooden table; the table's planks run left to right across the frame's lower third, its surface catching a warm rim of light along the front edge. Between him and the camera lies the long rectangular black plate, laid parallel to the table edge, glossy enough to mirror the underside of the sushi. On it the pieces are set in a row and in clusters: maki rolls with nori wrapping dark around white rice and a green core, uramaki with rice outward and sesame dusting the tops, inari pouches of fried tofu folded into little golden-brown bags, and tempura rolls with crisp batter-ridged ends. His right hand holds the chopsticks, the two sticks pinched between thumb and two fingers, lifting one piece of maki clear of the plate; a single grain of rice clings to the lower stick near its tip, and a thin strand of nori hangs from the lifted piece. His left hand rests flat on the table beside the plate, fingers loosely spread, sleeve of the open brown sheepskin jacket bunched at the wrist with the fleece collar turned up at his neck. The jacket hangs open over the black shirt, its suede front panels falling away from the chest.
Light comes from a single warm source high and to the camera's left, laying a bright edge along his cheekbone, the frame of his glasses, the fleece collar and the top of the lifted sushi, while sharp dark shadows cut beneath his jaw, under the chin hairs, into the chair's quilting and across the table from the plate's far edge; beyond that light the room drops into deep neutral shadow, empty. Palette limited to warm browns, sheepskin tan, black, and the red of the chair, with the sushi's pale rice and dark nori as the only accents; the shadows are hard-edged flat blocks of color rather than gradients. The whole frame is quiet, unhurried, delicious.
SilverArtist13
copyright: boku_no_hero_academia
1boy, solo, adult male, muscular, slim build, tall lean frame with defined muscle, dark brown hair, medium hair, shoulder-length hair, wavy hair, parted bangs, brown eyes, gold-rimmed glasses, black shirt, black trousers, brown sheepskin jacket, open jacket, flat colors, defined shadows, sharp shadows, anime style, cinematic lighting, from below, cowboy shot, looking to the side, head tilt, arms crossed, hand on own arm, realistic fur texture at jacket collar, three-quarter view,
A low three-quarter view from below, cowboy framing cutting him at mid-thigh, so his shoulders and chin lift above the lens and the ceiling falls away behind him. He stands with his weight sunk into his right hip, left leg slightly forward and knee unlocked, torso turned a quarter off the camera while his head tilts back and down toward something out of frame to his left, eyes narrowed behind the gold-rimmed glasses, one brow sitting a fraction higher than the other, mouth closed and relaxed at one corner. His arms are folded across his chest, the right forearm laid over the left, and the fingers of his left hand grip the right sleeve just above the elbow, thumb hooked under the fabric; the fold pulls the black shirt taut over his pectorals and flattens it across the abdomen. The brown sheepskin jacket hangs open off both shoulders, its front panels swinging back past his hips so the black shirt and black trousers show unbroken down the center of his body; the collar stands up at the nape and its thick cream fleece rolls outward, individual curls catching the light. His shoulder-length dark brown hair is wavy, the strands breaking into loose S-curves where they pass his jaw and brushing the fleece collar, the parted bangs split off-center so a wedge of forehead shows above the glasses; one lock has slipped forward over the gold temple bar.
The single light source is a hard, cool key high and to his right, just outside the frame, striking the right side of his face and the right plane of the jacket. It draws a crisp bright edge down the bridge of his nose, along the rim of the glasses and across the fleece collar, and it throws the left half of his face, the inside of the open jacket and the whole left panel into deep flat shadow with a hard, clean terminator between the two. The gold rims throw a small specular glint on the lit side only. A long cast shadow of his shoulder and folded arms falls across the black shirt on the shadow side, drawing the shape of the elbow in darkness on darkness; the black shirt and trousers keep their folds readable only as tonal steps, never as outlines. Behind him is a seamless deep charcoal studio sweep with no horizon, no prop and no visible light stand, darkening to near-black at the top of the frame.
Palette held to dark brown, cream fleece, black, warm skin and the single gold accent of the glasses, nothing else admitted. Flat fills with hard-edged cel shadows, no gradient blending, and the cinematic quality carried entirely by the direction and cut of that one key light. Quiet, self-possessed confidence.
SilverArtist13
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