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ubohiubouhi#0
KI-Kunst von ubohiubouhi#0 auf PixAI. Erstellt mit Tsubaki.2.
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- Ursprünglicher Prompt
- voluptuous wide hips enormous breasts (masterpiece best quality 1.2) ultra-detailed military character design low angle zoomed in up close front view camera positioned extremely low tilted sharply upward kneeling with weapon 1girl solo female military officer dark skin rich melanin black hair tactical or flowing dark brown eyes sharp and focused full lips with dark brown lipgloss intense expression wearing tactical vest open showing cleavage large breasts heavy combat pants tight on wide hips thick thighs bent in kneeling position muscular and powerful ass visible behind in tactical pants holding rifle or sidearm aimed authoritative kneeling stance rim light along black hair rim light catching sharp focused eyes rim light catching dark lipgloss rim light catching cleavage in tactical vest rim light catching large breasts rim light catching thick thighs bent in combat pants shadow kneeling shadow chiaroscuro combat lighting highly detailed 8K cinematic composition detailed military woman pose tactical vest 5 texture
- Modus
- standard
- Stil
- Scharfe Tinte
- Größe
- 768 x 1280
- Seed
- 464463023824404
Stil: Scharfe Tinte
Verwendetes Modell und LoRA
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dn
year_2025
1girl, solo, mature female, curvy, huge breasts, black hair, silver streaked hair, long sidelocks, hair updo, hair tubes, grey eyes, catchlights, smile, tactical clothes, tactical bodysuit, holding gun, dual wielding, two handguns, ((three-quarter view)), from front, straight-on, medium close-up, simple background, from above, head tilt, looking at viewer, (sharp focus:1.4), (clean lines, sharp lines, crisp lines, bold lines:1.5), cel shading, high contrast, vibrant colors
A medium close-up, straight-on from the front with a slight downward tilt of the camera so the viewer looks just a touch down into her face, her body angled ((three-quarter view)) — her right shoulder turned toward the lens, left shoulder receding, torso in three-quarter turn while her chin comes back around to face front. She fills the frame from the crown of her head to the swell of her chest and the top of her bent arms, the crop cutting her at the sternum line. Her black hair is swept up into a tight updo above the nape, silver streaks running through it in two broad ribbons that catch the key light along the crown; long sidelocks fall forward past each cheek to her collarbone, the left one swinging slightly across her jaw, the right one held back behind the shoulder line. Two hair tubes — slim, metallic-banded cylinders — clamp the updo at the back of the skull, their ends jutting out past the silhouette on either side of the head. Her grey eyes are wide and level, aimed straight at the viewer, and small hard catchlights sit in each iris as bright pinpoints from the single key light; her smile is a closed-lip curve, one corner pulled a half-degree higher than the other, the cheek on that side faintly lifted. She holds a handgun in each hand in a dual grip, both arms brought up across her chest, right-hand gun angled up and out toward the upper-left of the frame with the muzzle crossing just before her right sidelock, left-hand gun lower and closer to her body, angled down toward the lower-right, its barrel partly occluded by the curve of her left forearm; her index fingers are straight along each trigger guard outside the trigger, thumbs riding high on the slides, wrists locked. The tactical bodysuit is a dark charcoal-black, matte ripstop panels at the shoulders and ribs over a snug stretch weave that follows the bust and narrows at the waist, seams running in clean tapering lines, a low-profile chest rig strap crossing between her breasts at the sternum and a compact belt pouch just visible at the bottom edge of the crop; the curvy, full figure reads clearly through the suit's compression at the bust and hips. The background is a completely simple, seamless, unbroken warm-grey field, not one object in it, no horizon, no floor line, no cast shadow on the ground — the guns and her updo throw no shadow except a soft darkening where the jaw meets the neck. A single hard key light comes from high front-left, striking the left side of her face, the left sidelock and the left gun's slide with a crisp specular edge, leaving the right cheek, the right-hand gun and the space under her chin in cool shadow; a dim fill from the right keeps her right iris readable. Palette is charcoal black, silver, warm grey skin and the grey-white field, nothing saturated except the small red dot of each gun's safety and the faint warmth of her lips. The gun slides are the revealer: their polished flats show a thin warped reflection of her eyes and the grey field, brighter and harder than the matte suit around them. Cel-shaded with high contrast and vibrant colors, flat two-tone shadow shapes with hard edges, clean bold outlines on the guns and her silhouette. Coolly confident, effortlessly lethal.
dragon negro
dn
year_2025
1girl, solo, mature female, curvy, huge breasts, black hair, silver streaked hair, long sidelocks, hair updo, hair tubes, grey eyes, catchlights, smile, tactical clothes, tactical bodysuit, holding gun, dual wielding, two handguns, ((three-quarter view)), from front, straight-on, medium close-up, simple background, from above, head tilt, looking at viewer, (sharp focus:1.4), (clean lines, sharp lines, crisp lines, bold lines:1.5), cel shading, high contrast, vibrant colors
A medium close-up, straight-on from the front with a slight downward tilt of the camera so the viewer looks just a touch down into her face, her body angled ((three-quarter view)) — her right shoulder turned toward the lens, left shoulder receding, torso in three-quarter turn while her chin comes back around to face front. She fills the frame from the crown of her head to the swell of her chest and the top of her bent arms, the crop cutting her at the sternum line. Her black hair is swept up into a tight updo above the nape, silver streaks running through it in two broad ribbons that catch the key light along the crown; long sidelocks fall forward past each cheek to her collarbone, the left one swinging slightly across her jaw, the right one held back behind the shoulder line. Two hair tubes — slim, metallic-banded cylinders — clamp the updo at the back of the skull, their ends jutting out past the silhouette on either side of the head. Her grey eyes are wide and level, aimed straight at the viewer, and small hard catchlights sit in each iris as bright pinpoints from the single key light; her smile is a closed-lip curve, one corner pulled a half-degree higher than the other, the cheek on that side faintly lifted. She holds a handgun in each hand in a dual grip, both arms brought up across her chest, right-hand gun angled up and out toward the upper-left of the frame with the muzzle crossing just before her right sidelock, left-hand gun lower and closer to her body, angled down toward the lower-right, its barrel partly occluded by the curve of her left forearm; her index fingers are straight along each trigger guard outside the trigger, thumbs riding high on the slides, wrists locked. The tactical bodysuit is a dark charcoal-black, matte ripstop panels at the shoulders and ribs over a snug stretch weave that follows the bust and narrows at the waist, seams running in clean tapering lines, a low-profile chest rig strap crossing between her breasts at the sternum and a compact belt pouch just visible at the bottom edge of the crop; the curvy, full figure reads clearly through the suit's compression at the bust and hips. The background is a completely simple, seamless, unbroken warm-grey field, not one object in it, no horizon, no floor line, no cast shadow on the ground — the guns and her updo throw no shadow except a soft darkening where the jaw meets the neck. A single hard key light comes from high front-left, striking the left side of her face, the left sidelock and the left gun's slide with a crisp specular edge, leaving the right cheek, the right-hand gun and the space under her chin in cool shadow; a dim fill from the right keeps her right iris readable. Palette is charcoal black, silver, warm grey skin and the grey-white field, nothing saturated except the small red dot of each gun's safety and the faint warmth of her lips. The gun slides are the revealer: their polished flats show a thin warped reflection of her eyes and the grey field, brighter and harder than the matte suit around them. Cel-shaded with high contrast and vibrant colors, flat two-tone shadow shapes with hard edges, clean bold outlines on the guns and her silhouette. Coolly confident, effortlessly lethal.
dragon negro
dn
year_2025
1girl, solo, mature female, curvy, huge breasts, black hair, silver streaked hair, long sidelocks, hair updo, hair tubes, grey eyes, catchlights, smile, tactical clothes, tactical bodysuit, holding gun, dual wielding, two handguns, ((three-quarter view)), from front, straight-on, medium close-up, simple background, from above, head tilt, looking at viewer, (sharp focus:1.4), (clean lines, sharp lines, crisp lines, bold lines:1.5), cel shading, high contrast, vibrant colors
A medium close-up, straight-on from the front with a slight downward tilt of the camera so the viewer looks just a touch down into her face, her body angled ((three-quarter view)) — her right shoulder turned toward the lens, left shoulder receding, torso in three-quarter turn while her chin comes back around to face front. She fills the frame from the crown of her head to the swell of her chest and the top of her bent arms, the crop cutting her at the sternum line. Her black hair is swept up into a tight updo above the nape, silver streaks running through it in two broad ribbons that catch the key light along the crown; long sidelocks fall forward past each cheek to her collarbone, the left one swinging slightly across her jaw, the right one held back behind the shoulder line. Two hair tubes — slim, metallic-banded cylinders — clamp the updo at the back of the skull, their ends jutting out past the silhouette on either side of the head. Her grey eyes are wide and level, aimed straight at the viewer, and small hard catchlights sit in each iris as bright pinpoints from the single key light; her smile is a closed-lip curve, one corner pulled a half-degree higher than the other, the cheek on that side faintly lifted. She holds a handgun in each hand in a dual grip, both arms brought up across her chest, right-hand gun angled up and out toward the upper-left of the frame with the muzzle crossing just before her right sidelock, left-hand gun lower and closer to her body, angled down toward the lower-right, its barrel partly occluded by the curve of her left forearm; her index fingers are straight along each trigger guard outside the trigger, thumbs riding high on the slides, wrists locked. The tactical bodysuit is a dark charcoal-black, matte ripstop panels at the shoulders and ribs over a snug stretch weave that follows the bust and narrows at the waist, seams running in clean tapering lines, a low-profile chest rig strap crossing between her breasts at the sternum and a compact belt pouch just visible at the bottom edge of the crop; the curvy, full figure reads clearly through the suit's compression at the bust and hips. The background is a completely simple, seamless, unbroken warm-grey field, not one object in it, no horizon, no floor line, no cast shadow on the ground — the guns and her updo throw no shadow except a soft darkening where the jaw meets the neck. A single hard key light comes from high front-left, striking the left side of her face, the left sidelock and the left gun's slide with a crisp specular edge, leaving the right cheek, the right-hand gun and the space under her chin in cool shadow; a dim fill from the right keeps her right iris readable. Palette is charcoal black, silver, warm grey skin and the grey-white field, nothing saturated except the small red dot of each gun's safety and the faint warmth of her lips. The gun slides are the revealer: their polished flats show a thin warped reflection of her eyes and the grey field, brighter and harder than the matte suit around them. Cel-shaded with high contrast and vibrant colors, flat two-tone shadow shapes with hard edges, clean bold outlines on the guns and her silhouette. Coolly confident, effortlessly lethal.
dragon negro
1girl, solo, military uniform, tactical vest, combat helmet, rifle, holding weapon, holding rifle, gloves, black hair, blue eyes, large breasts, serious expression, intense gaze, looking away, low angle, from below, cowboy shot, battlefield, smoke, rubble, embers, painterly, minimal linework, graphic contrast
Seen from a low angle in a cowboy shot, a lone female soldier holds her ground amid the rubble and trenches of an active battlefield. Her weight is firmly planted on her forward boot in an alert combat stance, hips slightly turned while her chest faces forward. With dark tactical gloves, she securely holds a matte black rifle in a ready carry across her torso; her right gloved hand wraps around the pistol grip with index finger extended straight along the frame, while her left hand braces the underside of the rifle handguard. A structured olive-drab military uniform tunic and utility harness fit snugly across her frame, tightly contouring her large, voluptuous breasts and defined waistline. Fine strands of jet-black hair escape from under the chin-strapped combat helmet, whipped sideways by air currents. Her striking blue eyes fix with focused intensity upon an unseen threat across the perimeter, her brow set flat and her mouth drawn into a stern, serious expression. Behind her, jagged concrete debris and churned earth recede into dense banks of drifting gray smoke; tiny glowing embers drift horizontally on the wind across the foreground, revealing the direction of the draft. A single sharp rim light from behind cuts through the haze to trace the silhouette of her helmet, shoulders, and the barrel of the rifle, leaving deep textured shadows across the fabric folds of her uniform. The palette is built on muted military greens, charcoal grays, and muddy umber, punctuated by the vivid blue of her irises and flecks of burning amber. Rendered as a painterly anime illustration with bold silhouettes, flat yet textured colors, loose brushstrokes, splashy accents, graphic contrast, and minimal linework. Resolute, tense vigilance.
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character: kaname_madoka_(magical_girl), copyright: mahou_shoujo_madoka_magica
Kaname Madoka from Puella Magi Madoka Magica, pink twin tails tied with deep red ribbons, wearing her iconic magical girl costume, white corset-like bodice with delicate back lacing, voluminous layered white and pale pink ruffled skirt, crimson ribbons flowing loosely around her body, viewed from behind at a three-quarter angle, seated with her back gracefully arched, both arms extending naturally downward behind her back, one hand gently holding the opposite wrist, clearly separated hands, relaxed slender fingers, five distinct fingers on each hand, natural finger spacing, anatomically correct wrists, elegant delicate hands, visible knuckles, softly curved fingers, hands clearly visible against the white skirt, unobstructed hand silhouette, accurate hand anatomy, head tilted far backward, chin raised toward the darkness, face mostly hidden, elegant elongated silhouette, delicate exposed shoulders, soft loose strands of pink hair, dramatic asymmetrical composition, close medium shot, large skirt filling the lower frame, dark almost black background, dramatic directional lighting, pale ivory highlights, muted dusty pink, cold gray shadows, rich crimson accents, strong contrast between luminous fabric and deep darkness, thick impasto oil painting, expressive visible brushstrokes, heavy layered paint, rough palette knife texture, sculptural paint strokes, painterly edges, textured canvas, loose gestural painting, rich tactile surface, dramatic chiaroscuro, melancholic atmosphere, haunting beauty, full bleed composition, edge-to-edge artwork, no borders, no frame, textured illustration, grainy texture, crayon texture, chalky brushwork, impasto strokes, bold color blocking, stylized anime, flat shading, dry brush effect, atmospheric lighting, soft glow highlights, rough painterly anime style, visible textured brushstrokes, heavy impasto texture, scratchy charcoal-like linework, expressive gestural strokes, smudged edges, desaturated base tones with aggressive high-contrast color, sketch style, rough brushstroke
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the ballerina
ᯓᯓ 𝙘𝙤𝙘𝙤𝙛𝙡𝙪𝙛𝙛𝙞
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