Cure Prism Galerie

Entdecke die angesagten 4.434 Cure Prism-Kunstwerke

Cure Prism, the alter ego of Mashiro Nijigaoka, is a gentle magical girl from Toei Animation’s series Hirogaru Sky! Precure. This popular character is celebrated for her voluminous white and pink outfit, fluffy twintails, and radiant light-based magical attacks. Illustrations frequently depict her alongside her transformation items, emphasizing her supportive nature and the vibrant, sky-themed aesthetic of Sorashido City.

AI artwork
純斗
character: cure_prism 1girl, cure_prism, solo, pink hair, long hair, braid, hair ribbon, white ribbon, pink bow, white bow, green eyes, white dress, frills, elbow gloves, white gloves, ascot, earrings, full body, lying, on ground, collapsed, fallen on back, writhing, in pain, suffering, pained expression, clenched teeth, open mouth, sweat, trembling, tears, half-closed eyes, tattered clothes, torn dress, ripped gloves, scratches, wounds, bruises, covered in mold, black mold, green mold, mold on body, black-green slime, wet, glistening, mold tentacles, tendrils, tentacles from ground, tentacles wrapping body, restrained, bound, entangled, dragged down, sinking into ground, partially submerged, mold covering ground, corrupted, black sclera, glowing green eyes, spreading mold, absorption, horror, dark fantasy, high contrast, from above, dutch angle, foreshortening, dramatic lighting, cinematic, dim light, eerie atmosphere, despair, defeated, hopeless, wide-eyed, glossy skin, shiny skin, sweat on skin, trembling legs, arched back, spread arms, The shot looks down from a steep, canted high angle, as Cure Prism lies sprawled on her back across a floor of black-green mold that has swallowed the entire ground plane edge to edge. Her long pink hair fans out through the mold in wet, matted ropes, the white ribbon and pink bow clumped into sticky strands; her green eyes are wide and glassy beneath half-lowered lids, brows drawn up, teeth clenched behind a grimace, a bead of sweat running down her temple as a tear tracks the corner of one eye. Her white dress is shredded at the hem and sleeves, in tatters that expose raw pink scratches and bruises along her arms and thighs; her white gloves are torn open at the knuckles, her earrings dark with mold. She is not merely painted with mold but soaked in it: black-green fuzz creeps up her shins, thighs, flanks and forearms in soft spreading patches that flush into a slick wet membrane over her skin. Her back arches off the ground, one hip twisted, one shoulder dragged lower, both arms flung out and bent, fingers curled and spasming as they claw at the floor. From the mold around her, dozens of glistening black-green tendrils have erupted — three coil tight around her right ankle and calf, two lash across her waist and ribs, one wraps her left wrist and pins it, one loops her upper arm, thinner strands thread over her collarbone and throat and along her jaw — each holding taut with a wet sheen where the light catches the slime. The tendrils are dragging her down: she is already part-sunk, the mold closing over her hips, her elbow and shoulder-blade descending into the floor, the ground surface bulging in soft rings around each point where she is being pulled under, so that the mold reads as a living sink rather than a flat stain. Just beneath her the floor is a solid sheet of black-green mold with a rough, granular, slightly glistening crust, darker in the crevices, brighter lime along the raised ridges; the crust breaks open into rips where tendrils emerge, and around each tear the surface is sagging and puckered, moisture beading in the hollows and running down into the seams. Above her, everything else is pure blackness. A single cold light source from the upper left grazes the tops of the mold ridges and her cheek with a faint green cast, leaving the underside of her jaw, the deep folds of the mold and the recesses of her body in absolute darkness; the only other glow is her corrupted eyes. The palette admits nothing but black, sickly green, the dead white of her ruined dress, and the pink of her hair — nothing else, no warmth. Fine watercolor-and-ink texture on the mold and her skin, thin ink lines for the tendrils, high-contrast, gothic, restrained in its horror. No speech bubble; the mold tendrils and the sagging floor carry the motion alone. Quiet despair, sickening dread.
純斗
AI artwork
Avatar image of ehachan
looking at viewer, cowboy shot, action pinup background, projected inset, multiple angles, multiple poses, standing, squatting, looking back, ((masterpiece)), ((best quality)), amazing quality, very aesthetic, absurdres, highly detailed, high resolution, smile, cure prism, 1girl, pink hair, long hair, braid, bangs, ahoge, green eyes, jewelry, earrings, heart brooch, bow, hair bow, white bow, bare shoulders, white dress, white skirt, white gloves, elbow gloves, hair ornament, aqua blue bow
ehachan
#Lange Handschuhe#Erröten#Herz-Ahoge
AI artwork
純斗
character: cure_prism 2girls, cure_prism, long pink hair, pink hair ribbon, white ribbon, braid, pink bow, white bow, green eyes, white dress, aqua ribbon, frills, white elbow gloves, ascot, earrings, paralyzed, immobilized, lying on stomach, completely on the ground, both arms on the ground, both legs on the ground, torso on the ground, chin on the ground, arms at sides, hands beside stomach, palms facing feet, hands flat and fixed, fingers spread and stiff, pained expression, suffering, gritted teeth, furrowed brows, teary eyes, defeated, heroine in danger, full body, black-orange aura, electric crackle, black-orange lightning, sticky black-orange honey, poison honey covering whole body, honey dripping, bee witch, stinger, stinger in back, poison injection, finishing blow, from above, high angle, foreshortening, dutch angle, trembling, sweat, heavy_breathing, clenched hands, motion_lines, dark mood The camera looks down from a high angle, tilted slightly on a dutch angle, so the whole length of the fallen pink-haired magical girl fills the frame from her head at the lower left to her boots at the upper right. She lies face-down and completely flat: both forearms, both upper arms, both legs and the whole front of her torso are pressed to the cracked grey stone ground, and her chin is planted on the stone with her jaw shoved sideways, cheek smeared against it, so her green eyes are forced up and to the side toward the viewer, wet, brows drawn hard together over them, teeth bared in a grimace of agony. Her long pink braid lies uncoiled along the ground past her shoulder, its white ribbon half soaked. Her white frilled dress is plastered to her body. Both hands are pinned flat at her sides beside her stomach, palms turned down and angled toward her feet, every finger splayed and rigid, gloves dark with honey. The bee witch looms above her in the upper right of the frame, seen from below and behind at the same tilted angle: a tall black-and-gold insect woman, translucent veined wings raised, abdomen arched down and forward, her long curved stinger driven deep into the center of the girl's back between the shoulder blades, the point buried and the flesh crimped around it. The witch's weight is on her two hind legs planted on either side of the girl's waist, her front limbs braced on the girl's shoulders, and her faceted eyes are fixed down on the puncture she has made. A thick glossy black-orange venom-honey runs out of the wound in slow beads, spreads in a sheet over the white dress, clings in strands between the fabric and the ground, pools under her cheek and under her hands, and drips from the tips of her gloves. Over the whole of the girl's body a crackling black-orange electric aura crawls, branching like lightning along her arms, her spine, her thighs, lifting the loose ends of her hair and her ribbon; the light of it jumps from the air to the wet honey and glints along every sticky ridge. Brightness comes from that aura and from a cold pale key over the pair, so the shadows they cast are thrown long and hard across the stone away from the witch and the glow pools brightest where the honey is thickest. The palette is limited to the white and pink of the girl, the black and gold of the witch, and the black-orange of venom, lightning and honey, with the grey stone kept desaturated beneath. Close detail on her straining fingers, her flattened chin and the stinger's entry point; the background beyond the stone stays dark and empty. Defeated and agonizing.
純斗
AI artwork
5
character: cure_prism, cure_sky, copyright: precure two girls, 2girls, precure, playing, straddling, riding balloon, sitting astride on balloon, pink balloon, blue balloon, autumn clothing, casual autumn outfit, long sleeves, knit sweater, knit cardigan, scarf, warm tones, room interior, indoor, balloon decorations everywhere, party balloons on ceiling and walls, balloon garland, string of balloons, from below, low angle, looking down at viewer, wide shot, dutch angle, dynamic pose, leaning forward, arms out, balancing, hair ornament, long hair, twintails, pink hair, white ribbon, braid, pink bow, green eyes, blue hair, multicolored hair, streaked hair, wing hair ornament, single sidelock, cut bangs, light smile, open mouth, grin, blush, joyful, energetic, depth of field, warm autumn light Low-angle wide shot, tilted a few degrees off level, looking up at two girls seated astride big rubber balloons in the middle of a warm, cluttered room. On the left half of the frame, a girl with long pink hair in a braid and a white ribbon and pink bow rides a glossy pink balloon; on the right, a girl with long streaked blue hair in twintails, a blue wing-shaped hair ornament and a single sidelock rides a deep blue balloon. Both wear autumn clothes: the pink-haired girl in a cream knit cardigan over a rust-orange dress with a mustard scarf and brown tights, the blue-haired girl in a chunky oatmeal knit sweater with a deep teal scarf, plum-colored skirt and dark tights -- neither in their usual magical-girl dress, gloves or cape. They sit astride, knees bent and gripping the balloons' sides, the balloons bulging and denting under their weight, their heels braced on the floor for balance. Both lean forward toward the camera, one arm flung out for balance and the other hand pressed flat on the balloon's taut surface; the pink-haired girl looks up at the lens with a bright open-mouthed grin, the blue-haired girl turns her head toward her companion with a lopsided smirk, one brow raised. Round balloons in pink, blue, orange and yellow are clustered on the ceiling, tied in garlands along the walls and drifting near the floor, with ribbons trailing. Warm late-afternoon light comes in from a window at frame left, striking the balloons' curved skins in bright highlights and leaving soft contact shadows under each rider; the room's corners fall into warm shadow. Palette of rust, mustard, cream, and the pink and blue of the two balloons against a muted beige room. Playful, cozy.
5160
#Pretty Cure#Soaring Sky! Pretty Cure#Mashiro Nijigaoka
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