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Sake-Flasche Galerie

Entdecke die angesagten 975 Sake-Flasche-Kunstwerke

AI artwork
Avatar image of 藍風【あいか】
character: almond_eye_(racehorse). A medium shot with a centered, square composition depicts a chibi-style girl from Umamusume, almond_eye_(racehorse), standing in a tourist candy shop. She has brown hair tied in a ponytail, blue eyes, and horse ears. She wears a white coat over a blue inner shirt and slim black pants. She looks joyful and excited, with her hands gesturing towards a wooden tray in front of her. The tray holds delicious maple taffy and fudge, accompanied by small Canadian-themed accessories in red and white. The background is a brightly lit souvenir shop at Niagara Falls, featuring shelves stocked with various maple syrup products and candies. The atmosphere is friendly and bright, rendered in a high-quality anime illustration style with a warm, cheerful color palette and clean digital lines.
藍風【あいか】
AI artwork
Avatar image of 眼鏡蛇
Furry, masterpiece, top quality, stunning, extremely beautiful, high resolution, ultra-detailed, absurd, latest, fluffy, dramatic pose, exquisite hair details, solo. Furry female, giraffe girl, yellow fur, Dark red hair with red highlights, brown eyes, white sclera, delicate eyes, looking at viewer, long black eyelashes, cherry blossom tattoo on her face, red eyeliner, Tall, robust, Muscular, long legs, thick waist, giraffe-like neck, thick neck, with a ukiyo-e tattoo on her chest, Wearing a white kimono embroidered with red cherry blossoms, off-the-shoulder clothing, a white bandage binding her chest, white chest hair, and a small sake bottle hanging at her waist, Red Single-Sided Pauldron, Unconventional, ronin, assassin, left eye closed,serious, Wearing two Japanese swords at the waist, The background is an Edo-era street with a light rain at night, willow trees nearby, a fantastical scene with depth of field., n4g4b3, ono_tako, nihonga, ukiyo-e, Long eyelashes, Dark eyelashes, Thick eyelashes, Shadows, Dark lines under the eyes, Visible lines, (Eyes: 4k, ultra detailed)
眼鏡蛇
#Furry#weiblicher Furry
AI artwork
s
character: light_hello_(umamusume) 1girl, solo, horse ears, animal ears, horse tail, brown hair, short hair with sidelocks, gradient eyes, pink eyes, purple eyes, dead drunk, heavily intoxicated, drunk, flushed face, red cheeks, deep blush, half-closed eyes, glazed eyes, unfocused eyes, dazed expression, open mouth, slumped, leaning on table, cheek pressed on arm, striped shirt, collared shirt, puffy sleeves, long sleeves, dark pencil skirt, izakaya, tatami, low wooden table, japanese sake, tokkuri, ochoko, spilled sake, eggplant dengaku, grilled eggplant, miso glaze, rectangular ceramic plate, chopsticks, high angle, from above, close-up, warm indoor lighting High-angle view looking down at a dark, polished wooden low table inside an izakaya. A woman with a brown bob cut, slender face-framing sidelocks, soft brown horse ears folded back in a drunken daze, and a matching brown horse tail resting on the tatami mat below is slumped forward in absolute, dead-drunk intoxication. Her right cheek presses flat against her folded forearm on the table, squishing her face slightly as she rests her full upper body weight against the wood. Her face is flushed with a deep, radiant alcohol crimson across her cheeks and nose bridge; her half-lidded eyes show a soft gradient of pink shifting to purple, glassy and unfocused as they stare blankly at nothing, while her mouth hangs loosely half-open in a slack stupor. She wears a white long-sleeved collared shirt patterned with thin vertical stripes, its top button unfastened at the throat, with slightly puffed sleeves pushed up her forearms, tucked into a neat high-waisted dark skirt. Her left hand sprawls limp beside her, fingers loosely curled near a small white ceramic sake cup (ochoko) that has tipped onto its side. A clear puddle of Japanese sake has escaped onto the polished tabletop, its spreading perimeter held taut by surface tension across the wood grain while cleanly reflecting the amber light above. Beside it rests an empty earthenware sake decanter (tokkuri) laid horizontally. In the foreground sits a long earthenware plate bearing two halved, tender grilled eggplants coated in a thick, glistening dark-brown caramelized miso glaze, scored in diamonds and dusted with toasted white sesame seeds, with one half partly bitten and a pair of dark wooden chopsticks resting on a ceramic holder. The scene is illuminated by the solitary, warm honey glow of an overhead paper lantern, casting rich specular highlights across the glossy miso paste and pool of spilled liquid while throwing soft shadows beneath her slumped form. Humorous disarray, drunken exhaustion.
syobonekopon
#Umamusume: Pretty Derby#PixAI Nasu
AI artwork
歡氏
multiple women, striptease, stage, retro nightclub, Muromachi-period style, geisha, undressing, kimono slipped off shoulders, bare shoulders, bare back, bare chest, semi-nude, multiple male customers, seated, sake, sake cups, sake bottles, food, lacquered trays, stage on the left, customers on the right, facing stage, looking at stage, wide shot, from side, elevated angle, dutch angle, wooden stage, tatami floor, paper lanterns, candlelight, warm amber palette, deep indigo, vermilion accents, seductive, smoky atmosphere, half-closed eyes, blush A wide shot from a slightly raised, subtly tilted angle takes in the whole floor at once: the low wooden stage running along the left of the frame, the tatami seating floor stretching away to the right. The camera sits at the far right corner of the room so the stage recedes along the left edge in perspective, its front edge angled across the frame while the customer mats fan out toward the near foreground. On the stage, three women are caught mid-performance. The nearest, at the stage lip, has her outer kimono already crumpled around her hips; her bare back and the long curve of her shoulder are turned half away from the room as she twists, one hand drawn up across her chest, the other reaching behind to loosen the knot at her waist, chin over her shoulder, one eye half-lidded toward the men below. Behind her a second woman kneels with her sleeve fallen to the elbow, exposing an arm and the slope of her collarbone, unfastening the tie of her under-sash; a third stands at the back of the stage with her robe open down the front and her hair spilling loose. Their hair ornaments ride low, swinging as they move, and the loosened silk slides rather than falls, catching on the hips before it drops. On the right, on the tatami, five men in dark Muromachi robes and tall eboshi caps sit with their backs partly to the camera, faces in near-profile, all turned toward the stage. Sake cups are raised, one man's fingers still around a white porcelain cup at his lips, another leaning on one hip with his elbow on a low lacquered tray scattered with small dishes. Between and among them, three hostesses lean in close — one draped across a customer's shoulder with her translucent silk robe fallen to her waist and her breath at his ear, one kneeling and pouring sake, the sleeve of her robe pooling on the mat, one lying along the near customer's thigh with an arm hooked over his knee, her loose robe baring her back. The men's gazes stay on the stage; the women watch the men's faces. The light comes from paper lanterns hung low over the stage and from iron candle stands between the mats, warm amber and slightly uneven, so the stage front is bright and the far corners of the room fall into dark indigo shadow; the men's backs are rimmed while their faces catch the lantern glow, and long soft shadows stretch to the right. A faint blue smoke haze hangs over the stage. The palette holds amber, indigo and vermilion, with the pale porcelain of cups and the bare skin of the women as the only light notes. The painted sliding screens behind the stage carry worn, illegible gold flecks. Alluring, decadent.
歡氏
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