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息耐者カール

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息耐者カール

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3girls, 1boy, male focus, trio, man in the center, bride on each side, two brides, kissing cheek, cheek kiss, one bride kissing his left cheek, other bride kissing his right cheek, pressing lips to cheek, heart-shaped eyes, heart eyes, kiss marks all over face, lipstick marks on face, red kiss prints covering cheeks forehead chin jaw, cleavage, bridal gowns, strapless wedding dress, sweetheart neckline, heart-shaped light frame, glowing heart-shaped border, hearts floating around characters, floating hearts, heart-shaped bokeh, sparkles, from front, upper body, close-up, vertical composition, blush, closed eyes on the brides, light smile, arms linked with the man, hand on his arm, looking at viewer, cel shaded, flat colors, clean outlines, strong contrast. A centered frontal close-up of three figures from the waist up, the man squarely in the middle of the frame. He is a young man with tousled dark brown hair falling over his brow, a black formal suit jacket, a white shirt with the top button open, and a slightly loosened dark tie; his head tips back a little, chin raised, chest pushed forward, his shoulders pulled in by the two women leaning on him. Both of his eyes are drawn as glossy, saturated pink heart shapes with a tiny white highlight in each lobe, no pupils visible, and his mouth hangs half open in a dazed, dopey grin with a faint blush burning across both cheeks and the bridge of his nose. His face is peppered with kiss marks: crisp crimson lip prints stamped across his forehead, both cheekbones, the corner of his jaw, his chin, and one smeared print on the side of his neck, overlapping each other at different angles and slightly faded at the edges where earlier ones have been rubbed. On his left, a bride leans in from the side with her body turned toward him; she has long wavy honey-blonde hair sweeping over her bare shoulder, a strapless ivory sweetheart-neckline gown with a gathered bodice, and a short tulle veil pinned at the back of her head. Her eyes are shut, lashes lowered, lips pressed flat and firmly against his left cheek, the skin denting slightly under the pressure, one hand curled around his upper arm with her fingers digging in. On his right, the second bride mirrors her with a slight asymmetry: she has a sleek black updo with loose strands framing her face and the same strapless ivory gown, leaning in with her chin tilted so her lips land high on his right cheek near the cheekbone. Her eyes are shut too, one brow lifted, and her free hand rests flat on his chest, fingers splayed over the lapel. Both women's shoulders angle inward toward the man, the three heads forming a tight triangular cluster; the man's heart-eyes point straight out at the viewer, the brides' faces turned in profile against his cheeks with no gaze toward the lens. A ring of soft pink-white light in the exact shape of a heart wraps around the group, its luminous band passing behind their shoulders and in front of the lower part of the frame, the glow spilling a warm rose rim light onto the outer edges of both brides' hair and shoulders while their inner faces stay lit by a flat, even frontal key. Small hearts of varying size float in the surrounding space: a scatter of pale pink, deep magenta and glossy red hearts, some crisp and some blurred as if nearer the lens, plus a few tiny heart-shaped glints. Beyond the glowing heart frame the background is a smooth, empty gradient of warm rose into cream, deliberately plain so the trio reads clearly. Palette discipline: ivory, warm skin tones, crimson lipstick and heart shapes, and the man's black suit as the only dark mass, nothing else admitted; the red of the kiss marks and the pink of the heart eyes and light frame are the same saturated family. Single-variable detail: the lipstick prints on his face are slightly darker and less glossy at the edges where they have been smeared by the second kiss landing over them. Cute cel-shaded anime style with strong hand-drawn animation vibes, flat high-contrast colors, clean outlines, simple shadows like a classic TV anime frame -- playful and giddy.
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Modo
flash
Estilo
Anime retro de los 90
Tamaño
1632 x 1232
Estilo: Anime retro de los 90

Modelo y LoRA utilizados

Tsubaki.3 Flash - AI Model cover image

PixAI DiT.3

Tsubaki.3 Flash
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AI artwork
息
3girls, 1boy, male focus, trio, man in the center, bride on each side, two brides, kissing cheek, cheek kiss, one bride kissing his left cheek, other bride kissing his right cheek, pressing lips to cheek, heart-shaped eyes, heart eyes, kiss marks all over face, lipstick marks on face, red kiss prints covering cheeks forehead chin jaw, cleavage, bridal gowns, strapless wedding dress, sweetheart neckline, heart-shaped light frame, glowing heart-shaped border, hearts floating around characters, floating hearts, heart-shaped bokeh, sparkles, from front, upper body, close-up, vertical composition, blush, closed eyes on the brides, light smile, arms linked with the man, hand on his arm, looking at viewer, cel shaded, flat colors, clean outlines, strong contrast. A centered frontal close-up of three figures from the waist up, the man squarely in the middle of the frame. He is a young man with tousled dark brown hair falling over his brow, a black formal suit jacket, a white shirt with the top button open, and a slightly loosened dark tie; his head tips back a little, chin raised, chest pushed forward, his shoulders pulled in by the two women leaning on him. Both of his eyes are drawn as glossy, saturated pink heart shapes with a tiny white highlight in each lobe, no pupils visible, and his mouth hangs half open in a dazed, dopey grin with a faint blush burning across both cheeks and the bridge of his nose. His face is peppered with kiss marks: crisp crimson lip prints stamped across his forehead, both cheekbones, the corner of his jaw, his chin, and one smeared print on the side of his neck, overlapping each other at different angles and slightly faded at the edges where earlier ones have been rubbed. On his left, a bride leans in from the side with her body turned toward him; she has long wavy honey-blonde hair sweeping over her bare shoulder, a strapless ivory sweetheart-neckline gown with a gathered bodice, and a short tulle veil pinned at the back of her head. Her eyes are shut, lashes lowered, lips pressed flat and firmly against his left cheek, the skin denting slightly under the pressure, one hand curled around his upper arm with her fingers digging in. On his right, the second bride mirrors her with a slight asymmetry: she has a sleek black updo with loose strands framing her face and the same strapless ivory gown, leaning in with her chin tilted so her lips land high on his right cheek near the cheekbone. Her eyes are shut too, one brow lifted, and her free hand rests flat on his chest, fingers splayed over the lapel. Both women's shoulders angle inward toward the man, the three heads forming a tight triangular cluster; the man's heart-eyes point straight out at the viewer, the brides' faces turned in profile against his cheeks with no gaze toward the lens. A ring of soft pink-white light in the exact shape of a heart wraps around the group, its luminous band passing behind their shoulders and in front of the lower part of the frame, the glow spilling a warm rose rim light onto the outer edges of both brides' hair and shoulders while their inner faces stay lit by a flat, even frontal key. Small hearts of varying size float in the surrounding space: a scatter of pale pink, deep magenta and glossy red hearts, some crisp and some blurred as if nearer the lens, plus a few tiny heart-shaped glints. Beyond the glowing heart frame the background is a smooth, empty gradient of warm rose into cream, deliberately plain so the trio reads clearly. Palette discipline: ivory, warm skin tones, crimson lipstick and heart shapes, and the man's black suit as the only dark mass, nothing else admitted; the red of the kiss marks and the pink of the heart eyes and light frame are the same saturated family. Single-variable detail: the lipstick prints on his face are slightly darker and less glossy at the edges where they have been smeared by the second kiss landing over them. Cute cel-shaded anime style with strong hand-drawn animation vibes, flat high-contrast colors, clean outlines, simple shadows like a classic TV anime frame -- playful and giddy.
息耐者カール
AI artwork
息
3girls, 1boy, male focus, trio, man in the center, bride on each side, two brides, kissing cheek, cheek kiss, one bride kissing his left cheek, other bride kissing his right cheek, pressing lips to cheek, heart-shaped eyes, heart eyes, kiss marks all over face, lipstick marks on face, red kiss prints covering cheeks forehead chin jaw, cleavage, bridal gowns, strapless wedding dress, sweetheart neckline, heart-shaped light frame, glowing heart-shaped border, hearts floating around characters, floating hearts, heart-shaped bokeh, sparkles, from front, upper body, close-up, vertical composition, blush, closed eyes on the brides, light smile, arms linked with the man, hand on his arm, looking at viewer, cel shaded, flat colors, clean outlines, strong contrast. A centered frontal close-up of three figures from the waist up, the man squarely in the middle of the frame. He is a young man with tousled dark brown hair falling over his brow, a black formal suit jacket, a white shirt with the top button open, and a slightly loosened dark tie; his head tips back a little, chin raised, chest pushed forward, his shoulders pulled in by the two women leaning on him. Both of his eyes are drawn as glossy, saturated pink heart shapes with a tiny white highlight in each lobe, no pupils visible, and his mouth hangs half open in a dazed, dopey grin with a faint blush burning across both cheeks and the bridge of his nose. His face is peppered with kiss marks: crisp crimson lip prints stamped across his forehead, both cheekbones, the corner of his jaw, his chin, and one smeared print on the side of his neck, overlapping each other at different angles and slightly faded at the edges where earlier ones have been rubbed. On his left, a bride leans in from the side with her body turned toward him; she has long wavy honey-blonde hair sweeping over her bare shoulder, a strapless ivory sweetheart-neckline gown with a gathered bodice, and a short tulle veil pinned at the back of her head. Her eyes are shut, lashes lowered, lips pressed flat and firmly against his left cheek, the skin denting slightly under the pressure, one hand curled around his upper arm with her fingers digging in. On his right, the second bride mirrors her with a slight asymmetry: she has a sleek black updo with loose strands framing her face and the same strapless ivory gown, leaning in with her chin tilted so her lips land high on his right cheek near the cheekbone. Her eyes are shut too, one brow lifted, and her free hand rests flat on his chest, fingers splayed over the lapel. Both women's shoulders angle inward toward the man, the three heads forming a tight triangular cluster; the man's heart-eyes point straight out at the viewer, the brides' faces turned in profile against his cheeks with no gaze toward the lens. A ring of soft pink-white light in the exact shape of a heart wraps around the group, its luminous band passing behind their shoulders and in front of the lower part of the frame, the glow spilling a warm rose rim light onto the outer edges of both brides' hair and shoulders while their inner faces stay lit by a flat, even frontal key. Small hearts of varying size float in the surrounding space: a scatter of pale pink, deep magenta and glossy red hearts, some crisp and some blurred as if nearer the lens, plus a few tiny heart-shaped glints. Beyond the glowing heart frame the background is a smooth, empty gradient of warm rose into cream, deliberately plain so the trio reads clearly. Palette discipline: ivory, warm skin tones, crimson lipstick and heart shapes, and the man's black suit as the only dark mass, nothing else admitted; the red of the kiss marks and the pink of the heart eyes and light frame are the same saturated family. Single-variable detail: the lipstick prints on his face are slightly darker and less glossy at the edges where they have been smeared by the second kiss landing over them. Cute cel-shaded anime style with strong hand-drawn animation vibes, flat high-contrast colors, clean outlines, simple shadows like a classic TV anime frame -- playful and giddy.
息耐者カール
AI artwork
息
3girls, 1boy, male focus, trio, man in the center, bride on each side, two brides, kissing cheek, cheek kiss, one bride kissing his left cheek, other bride kissing his right cheek, pressing lips to cheek, heart-shaped eyes, heart eyes, kiss marks all over face, lipstick marks on face, red kiss prints covering cheeks forehead chin jaw, cleavage, bridal gowns, strapless wedding dress, sweetheart neckline, heart-shaped light frame, glowing heart-shaped border, hearts floating around characters, floating hearts, heart-shaped bokeh, sparkles, from front, upper body, close-up, vertical composition, blush, closed eyes on the brides, light smile, arms linked with the man, hand on his arm, looking at viewer, cel shaded, flat colors, clean outlines, strong contrast. A centered frontal close-up of three figures from the waist up, the man squarely in the middle of the frame. He is a young man with tousled dark brown hair falling over his brow, a black formal suit jacket, a white shirt with the top button open, and a slightly loosened dark tie; his head tips back a little, chin raised, chest pushed forward, his shoulders pulled in by the two women leaning on him. Both of his eyes are drawn as glossy, saturated pink heart shapes with a tiny white highlight in each lobe, no pupils visible, and his mouth hangs half open in a dazed, dopey grin with a faint blush burning across both cheeks and the bridge of his nose. His face is peppered with kiss marks: crisp crimson lip prints stamped across his forehead, both cheekbones, the corner of his jaw, his chin, and one smeared print on the side of his neck, overlapping each other at different angles and slightly faded at the edges where earlier ones have been rubbed. On his left, a bride leans in from the side with her body turned toward him; she has long wavy honey-blonde hair sweeping over her bare shoulder, a strapless ivory sweetheart-neckline gown with a gathered bodice, and a short tulle veil pinned at the back of her head. Her eyes are shut, lashes lowered, lips pressed flat and firmly against his left cheek, the skin denting slightly under the pressure, one hand curled around his upper arm with her fingers digging in. On his right, the second bride mirrors her with a slight asymmetry: she has a sleek black updo with loose strands framing her face and the same strapless ivory gown, leaning in with her chin tilted so her lips land high on his right cheek near the cheekbone. Her eyes are shut too, one brow lifted, and her free hand rests flat on his chest, fingers splayed over the lapel. Both women's shoulders angle inward toward the man, the three heads forming a tight triangular cluster; the man's heart-eyes point straight out at the viewer, the brides' faces turned in profile against his cheeks with no gaze toward the lens. A ring of soft pink-white light in the exact shape of a heart wraps around the group, its luminous band passing behind their shoulders and in front of the lower part of the frame, the glow spilling a warm rose rim light onto the outer edges of both brides' hair and shoulders while their inner faces stay lit by a flat, even frontal key. Small hearts of varying size float in the surrounding space: a scatter of pale pink, deep magenta and glossy red hearts, some crisp and some blurred as if nearer the lens, plus a few tiny heart-shaped glints. Beyond the glowing heart frame the background is a smooth, empty gradient of warm rose into cream, deliberately plain so the trio reads clearly. Palette discipline: ivory, warm skin tones, crimson lipstick and heart shapes, and the man's black suit as the only dark mass, nothing else admitted; the red of the kiss marks and the pink of the heart eyes and light frame are the same saturated family. Single-variable detail: the lipstick prints on his face are slightly darker and less glossy at the edges where they have been smeared by the second kiss landing over them. Cute cel-shaded anime style with strong hand-drawn animation vibes, flat high-contrast colors, clean outlines, simple shadows like a classic TV anime frame -- playful and giddy.
息耐者カール
AI artwork
Avatar image of 息耐者カール
3 subjects, 1 man, 2 brides, symmetrical composition, central man, bride kissing his left cheek, bride kissing his right cheek, simultaneous cheek kiss, man with heart-shaped eyes, heart-shaped pupils only, visible cleavage, brides with visible cleavage, heart-shaped glowing frame, glowing heart frame around the scene, floating hearts, hearts floating around figures, romance, intimate, close-up, cowboy shot, from above, slight high angle, looking at each other, eyes closed brides, light smile, blush, wedding, bridal veil, white wedding dress, off-shoulder dress, bouquet, clean outlines, flat high-contrast colors, cel shading, anime screencap, cinematic lighting, pastel pink and warm gold palette Slight high angle, cowboy shot framing: three figures arranged in a tight symmetrical triangle at the center of the frame — one man standing upright at the axis, and two brides flanking him at equal distance, both leaning in toward him so their heads tilt inward toward his jaw. The bride on the viewer's left presses her lips to his left cheek, her lips flattened and slightly dimpled against the skin, her chin tucked against his jawline, one of her hands raised and splayed flat on his far shoulder to brace herself. The bride on the viewer's right mirrors her exactly against his right cheek, her hand flat on his opposite shoulder, her nose grazing his cheekbone. Both brides' eyes are shut, lashes lowered, brows softly raised, faint pink blush on the cheek not touching him; both wear full white bridal dresses with off-shoulder necklines that open into deep sweetheart décolletage, a pearl-white veil falling behind each head to the shoulders, and each holds a small pale pink bouquet loosely at hip level, ribbons hanging. The man's head tips slightly back and up between the two kisses, chin lifted, mouth open in a wide delighted grin with the corners of his eyes creased. Both of his irises are drawn as single vivid pink hearts with a small white specular glint off one lobe — the heart shape replaces the entire visible eye, no normal pupil anywhere. He is the tallest of the three, dark short hair swept back, wearing a black formal suit with a white shirt and a loosened dark tie. His shoulders are squared but his weight sits on his back foot, caught off-balance by the double kiss. All three collarbones and the tops of both brides' chests catch the key light; the man's gaze is thrown upward into the empty air above the camera, unfocused with bliss, while the brides' faces aim only into his cheeks. A single glowing heart-shaped frame of warm pink-white light encircles the three figures as one closed heart silhouette, its outline a clean luminous stroke with a soft outward bloom, and the frame's pointed bottom dips below their waists. Inside and around the figures, roughly a dozen small floating hearts of varying size rise in a loose spiral from their shoulders to the top of the frame; the two nearest the glow catch a brighter rim and the farthest sit duller and pinker, receding. Behind them is an empty seamless soft-blush studio ground, no scenery, only a faint radial brightening at the center of the heart frame. Key light comes from directly in front and slightly above, warm ivory, laying a small bright rim along each veil's edge and giving the glowing heart frame its own spill onto the brides' bare shoulders and the man's collar; shadows are simple flat cel shapes with one hard edge. Palette is strictly pastel pink, warm gold light, pearl white and the man's black suit, nothing else admitted. Hair and veil hems drift outward a few centimetres from the inward lean of the two brides, and the bouquet ribbons hang dead straight, unmoved. Bright, giddy, sweetly overwhelming.
息耐者カール
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character: kaname_madoka_(magical_girl), copyright: mahou_shoujo_madoka_magica Kaname Madoka from Puella Magi Madoka Magica, pink twin tails tied with deep red ribbons, wearing her iconic magical girl costume, white corset-like bodice with delicate back lacing, voluminous layered white and pale pink ruffled skirt, crimson ribbons flowing loosely around her body, viewed from behind at a three-quarter angle, seated with her back gracefully arched, both arms extending naturally downward behind her back, one hand gently holding the opposite wrist, clearly separated hands, relaxed slender fingers, five distinct fingers on each hand, natural finger spacing, anatomically correct wrists, elegant delicate hands, visible knuckles, softly curved fingers, hands clearly visible against the white skirt, unobstructed hand silhouette, accurate hand anatomy, head tilted far backward, chin raised toward the darkness, face mostly hidden, elegant elongated silhouette, delicate exposed shoulders, soft loose strands of pink hair, dramatic asymmetrical composition, close medium shot, large skirt filling the lower frame, dark almost black background, dramatic directional lighting, pale ivory highlights, muted dusty pink, cold gray shadows, rich crimson accents, strong contrast between luminous fabric and deep darkness, thick impasto oil painting, expressive visible brushstrokes, heavy layered paint, rough palette knife texture, sculptural paint strokes, painterly edges, textured canvas, loose gestural painting, rich tactile surface, dramatic chiaroscuro, melancholic atmosphere, haunting beauty, full bleed composition, edge-to-edge artwork, no borders, no frame, textured illustration, grainy texture, crayon texture, chalky brushwork, impasto strokes, bold color blocking, stylized anime, flat shading, dry brush effect, atmospheric lighting, soft glow highlights, rough painterly anime style, visible textured brushstrokes, heavy impasto texture, scratchy charcoal-like linework, expressive gestural strokes, smudged edges, desaturated base tones with aggressive high-contrast color, sketch style, rough brushstroke
リオ
4#Puella Magi Madoka Magica#Madoka Kaname#Puella Magi Madoka Magica
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