ワッキー991

Pubblicato il Oct 6, 2026

ワッキー991

anime lady line, thick clear outlines, anime style thick line art, flat color, no blur One adult Japanese woman, white blouse, bright red strap dress, white frills only on the hem of the skirt. Extremely large, heavy, very wide, rounded, fleshy buttocks. Overwhelming buttock volume that greatly exceeds the hip width, with a strong sense of weight and presence. A squatting posture, dropping the hips deeply from a standing position. Supporting herself on the ground with both feet, with the buttocks not touching the ground. The body is not tilted sideways, not sitting down, not lying down, but dropping the hips deeply straight down. Both thighs are completely closed, with both knees pressed tightly together. The kneecaps on the left and right are in complete contact, aligning the position of the knees into one. From the hip joints to the thighs, and from the thighs to the knees, there is no opening to the left or right. Only below the knee joints are they open. The shins on the left and right are opened outward from the knees, and the ankles and toes are also directed outward. Seen from above, it is a clear posture where only the shins divide into a V-shape with the closed knees as the vertex. The knees remain closed until the end, and only below the knees are they open to the left and right. The legs follow a natural human structure, with the thigh → knee → shin → ankle → toe correctly continuing for each side. Both hands hold the hem of the skirt from behind the knees. The hands are not in front or on the sides of the knees, but are wrapped behind the bent knees, with the palms and fingertips pressed against the back of the knees. The hem of the skirt is held firmly at the height of the back of the knees, stretching the fabric to the left and right along the back of the knees. The wrists and arms extend naturally toward the back of the knees. The hem is not lifted, but fixed at the back of the knees. The actual length of the skirt is made completely the same in the front and back. There is no difference in the length of the hem itself between the front and back. The hem of the skirt continues naturally as a single uniform length, without making the front shorter or the back longer. However, due to perspective from an extreme low angle, the rear hem, which is further from the camera, appears longer and hangs deeper on the screen than the front hem. This is to be depicted as an apparent difference in length caused by the viewpoint and perspective, not a difference in the actual skirt length. The rear hem extends from under the buttocks toward the back, appearing larger due to perspective. The white frills also continue along the uniform hem of the skirt body and do not change in actual length between front and back. The giant buttocks are the maximum visual protagonist of the screen. Overwhelming width and depth of the buttocks that greatly exceed the hip width, roundedness protruding greatly to the left and right, and a strong sense of weight caused by squatting deeply. The red dress stretches tightly along the shape of the giant buttocks, clearly depicting the three-dimensional bulge and the tension of the fabric. An extreme low angle just above the floor, a super-close-up looking up from a low position in the rear. The giant buttocks loom over the entire screen, placing the buttocks as an overwhelming foreground. A composition that creates a strong sense of perspective between the front hem close to the camera and the rear hem far from the camera, making the rear hem look visually longer. Looking back only with the upper body, looking down at the viewer. The face is at the top of the screen. Single person, same person, white background.

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Immissione richiesta originale: anime lady line, thick clear outlines, anime style thick line art, flat color, no blur 一人の日本人成人女性、白いブラウス、鮮やかな赤いストラップドレス、白いフリルはスカート裾のみ。極端に大きく重く、非常に幅広く丸みのある肉感的な臀部。腰幅を大きく超える圧倒的な臀部のボリューム、強い重量感と存在感。立った状態から腰を深く落としたしゃがみ姿勢。両足で地面を支え、お尻は地面に触れない。身体を横に倒さず、座り込まず、寝転ばず、腰を真下へ深く落とす。両腿を完全に閉じ、両膝をぴったり合わせて密着させる。左右の膝頭は完全に接触し、膝の位置を一つに揃える。股関節から太腿、太腿から膝まで一切左右に開かない。開くのは膝関節より下だけ。左右の脛を膝から外側へそれぞれ開き、左右の足首と足先も外側へ向ける。上から見ると、閉じた両膝を頂点として左右の脛だけがV字に分かれる明確な姿勢。膝は最後まで閉じたまま、膝下だけが左右に開いている。脚は自然な人体構造で、左右それぞれの太腿→膝→脛→足首→足先が正しく連続する。両手でスカートの裾を膝裏側から押さえる。両手は膝の前面や側面ではなく、曲げた膝の後方へ回し、手のひらと指先を膝裏に密着させる。スカート裾を膝裏の高さでしっかり押さえ、布を膝裏に沿って左右へ張る。手首と腕も膝裏方向へ自然に伸びる。裾は持ち上げず、膝裏で固定する。スカートは前方と後方で実際の丈を完全に同じ長さにする。前後で裾の長さそのものに差をつけない。スカートの裾は均一な一つの丈として自然に連続し、前側だけ短くしたり、後ろ側だけ長くしたりしない。ただし、極端なローアングルによる遠近法のため、カメラから遠い後方の裾が画面上では前方の裾より長く、深く垂れているように見える。これは実際のスカート丈の差ではなく、視点と遠近感によって生じる見かけ上の長さの違いとして描写する。後方の裾は臀部の下から奥へ伸び、遠近法によって大きく見える。白いフリルもスカート本体の均一な裾に沿って連続し、前後で実際の長さを変えない。巨大な臀部を画面の最大の視覚的主役とする。腰幅を大きく超える圧倒的な臀部の横幅と奥行き、左右へ大きく張り出した丸み、深くしゃがむことで生じる強い重量感。赤いドレスは巨大な臀部の形に沿って強く張り、立体的な膨らみと布の張力を明瞭に描写する。床すれすれの極端なローアングル、後方の低い位置から見上げる超至近距離。巨大な臀部が画面いっぱいに迫り、臀部を圧倒的な前景として配置する。カメラに近い前方の裾と、カメラから遠い後方の裾との間に強い遠近感を作り、後方の裾が視覚的に長く見える構図。上半身だけ振り返り、こちらを見下ろす。顔は画面上方。単独、同一人物、白背景。
Modalità: flash
Dimensione: 1408 x 1408